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The Power Struggle in The Yellow Wallpaper The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society - or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life. The narrator is being completely controlled by her husband. The narrator's husband has told the her over and over again that she is sick. She sees this as control because she cannot tell him differently. He is a physician so he knows these things. She also has a brother who is a physician, and he says the same thing. In the beginning of the story, she is like a child taking orders from a parent. Whatever these male doctors say must be true. The narrator says, "personally, I disagree with their ideas" (480), and it is clear she does not want to accept their theories but has no other choice. She is controlled by her husband. Control is exemplified later in the story in the choice of rooms in which she must stay. She has no say whatsoever in this decision. She is forced to stay in a room she is uncomfortable with. This is the bedroom in which John has trapped her; this room is not a room in which she wants to be. The windows are barred and the bed is bolted down. This is a subliminal clue of control. And there is the horrible yellow wallpaper. "I n... ... middle of paper ... ... the wallpaper no longer oppresses her. As time goes on, she gains confidence and control over both and ultimately dominates them. Works Cited Gilman, Charlotte Perkins. "The Yellow Wallpaper." Rediscoveries: American Short Stories by Women, 1832 - 1916. Ed. Barbara H. Solomon. New York: Mentor, 1994. 480-496. Delamotte, Eugenia C. reprinted in Twentieth-Century Literary Criticism Vol. 37. Ed. Paula Kepos. Detroit: Gale Research Inc., 1991. Works Consulted Treichler, Paula. "Escaping the Sentence: Diagnosis and Discourse in 'The Yellow Wallpaper'." Rpt. Twentieth-Century Literary Criticism Vol. 37. Detroit: Gale 1991. 188-194. Shumaker, Conrad. "Too Terribly Good to Be Printed: Charlotte Gilman's 'The Yellow Wallpaper'." reprinted in Twentieth-Century Literary Criticism Vol. 37. Ed. Paula Kepos. Detroit: Gale Research Inc., 1991. 194-198.
In conclusion, people should not take down confederate memorials as they are part of the history. They remind us of the cost of freedom and equality; they force us to remember the ignominious truth of the past; they serve as a mighty tool to educate the racists. We need them to avoid recommitting the same
The pattern on the wallpaper represents to the narrator and to the reader the male-dominated society that is depriving the narrator of her freedom. For the narrator, on a personal level, the pattern on the wallpaper represents the actions of her husband, doctor and her husband's sister to keep her locked in the room and idle. While these people are ostensibly attempting to aid the narrator, they are in effect imprisoning her i...
To initiate on the theme of control I will proceed to speak about the narrators husband, who has complete control over her. Her husband John has told her time and time again that she is sick; this can be viewed as control for she cannot tell him otherwise for he is a physician and he knows better, as does the narrator’s brother who is also a physician. At the beginning of the story she can be viewed as an obedient child taking orders from a professor, and whatever these male doctors say is true. The narrator goes on to say, “personally, I disagree with their ideas” (557), that goes without saying that she is not very accepting of their diagnosis yet has no option to overturn her “treatment” the bed rest and isolation. Another example of her husband’s control would be the choice in room in which she must stay in. Her opinion is about the room she stays in is of no value. She is forced to stay in a room she feels uneasy about, but John has trapped her in this particular room, where the windows have bars and the bed is bolted to the floor, and of course the dreadful wall paper, “I never worse paper in my life.” (558) she says. Although she wishes to switch rooms and be in one of the downstairs rooms one that, “opened on the piazza and had roses all over the window. ...” (558). However, she knows that, “John would not hear of it.”(558) to change the rooms.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." In Literature and Its Writers: An Introduction to Fiction, Poetry, and Drama. Ann Charters and Samuel Charters, Eds. Boston: Bedford Books, 1997. 230-242.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." Literature and its Writers: A Compact Introduction to Fiction, Poetry, and Drama. 3 rd ed. Ed. Ann Charter and Samuel Charter. Boston: Bedford/ St. Martin's, 2003. 182- 193.
Gilman, Charlotte Perkins. "The Yellow Wall-paper." The Norton Anthology of American Literature. Eds. Nina Baym, et. al. Shorter 5th ed. New York, London: W.W. Norton & Company, 1999: 1656-1669.
...op occupational illness prevention programs by having a written plan with specific procedures. This needs to be communicated to all employees and employees will know the hazards that exist to prevent injuries (Bernardin & Russell, 2013). The plan can involve management where they can be in charge of the program, and they can train employees on hoe to follow and report hazards to their immediate supervisor. Evaluate workplace conditions by conducting a survey on equipment, materials, machinery, and daily operations (Bernardin & Russell, 2013). Then evaluate current illness and injuries within the organization. Then develop and action plan and keep reviewing it to see if it is working. Communicate with employees and it is important that they know how the injury and illness plan works. It may be beneficial to designate someone to monitor the programs progress.
Right from the beginning of the story, it becomes clear that the protagonist has no voice. Her husband is very controlling and oppressive since she has to ask him for permission to do anything. He prohibits her of writing and seeing people she loves, assuming he is the only one who knows what's best for her. The fact that he's a physician emphasizes that he is a man in power and that it would be impossible for the narrator to object to the treatment he prescribed her. Moreover, she doesn't try to disobey him, but rather she hides her true feelings inside and suppresses her emotions around him, so he wouldn't send her away for more serious treatment.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
Wohlpart, Jim. American Literature Research and Analysis Web Site. “Charlotte Perkins Gilman, “The Yellow Wallpaper.”” 1997. Florida Gulf Coast University
Hedges, Elaine R. Afterword. The Yellow Wallpaper. 1973: 37-63. Twentieth-Century Literary Criticism 9. Detroit: Gale: 1988.
"Why I Wrote 'The Yellow Wallpaper'?" Twentieth-Century Literary Criticism, edited by Thomas J. Schoenberg, vol. 201, Gale, 2008. Literature Resource Center, go.galegroup.com/ps/i.do?p=LitRC&sw=w&u=mill30389&v=2.1&id=GALE%7CH1420082945&it=r&asid=fa503d396619394dc49024ab2704723f. Accessed 30 Oct. 2017.
Monuments give people that have accomplished a significant thing credibility in what they have done. In many cases those people have done something heroic and extraordinary to achieve a monument in their name and honor. If you were to do something heroic and special wouldn’t you want to get a monument granted in your honor? Sometimes monuments aren’t just to honor those who have done something, but maybe someone who had passed away. Maybe they died in a tragic accident and their family wanted to honor their life in a memorable way. Monuments are extremely valuable and important in our nation. The Fort Amanda Park located right here in Lima, Ohio has a significant historic past. During the 1812 war, General William Harrison called most of the
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.