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Elizabethan morality plays
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Isabella’s Moral Dilemma in Measure for Measure
"O cunning enemy that, to catch a saint, with saints dost bait thy hook." A disturbing tale of suspense, dark comedy and corruption, Shakespeare's Measure for Measure explores sexuality, morality and the law, exposing the abuse of authority in high places amid the seething underworld of Vienna. This essay will explore Isabella’s moral dilemma.
In the play, Claudio has been sentenced to death for getting his fiancee pregnant (his crime was not so much getting her pregnant, but having sex with her at all). Claudio's sister, Isabella, who is in the process of joining a nunnery, feels that Claudio has done wrong, has sinned and committed a crime, but she feels that the sentence--death--is too strict. So, she goes to the ruler of the city, Angelo, to plead for her brother's life. The previously virtuous Angelo falls into lust with Isabella, and he propositions her to save her brother by having sex with him (Angelo). Now, remember that Isabella is in the process of becoming a nun. She, of course, rejects this propos...
Melton McLaurin’s book Celia, A Slave is the account of the trial, conviction, and execution of a female slave for the murder of her “master” Robert Newsom in 1855. The author uses evidence compiled through studying documents from Callaway County, Missouri and the surrounding area during the middle of the Nineteenth Century. Although much of what can be determine about this event is merely speculation, McLaurin proposes arguments for the different motives that contribute to the way in which many of the events unfold. Now throughout the book the “main characters”, being Celia, her lawyer Jameson, and the judge William Hall, are all faced with moral decisions that affect the lives of two different people.
Robert Root-Bernstein and Donald L. McEachron, “Teaching Theories: The Evolution-Creation Controversy,” The American Biology Teacher, Vol. 44, No. 7 (Oct…1982). This article, written by Robert Root-Bernstein and Donald L. McEachron sheds light on the controversy of evolution vs creationism in schools and the validity of each being called a scientific theory. The work was created to answer the questions, “Which of these theories is truly scientific and which is a religious belief? Which should be taught in schools?” The article concluded in favor of evolution as a valid scientific theory that should be taught rather than creationism, but also mentioned the worth of understanding the latter.
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One of the first things that Lord Angelo does after taking over for the Duke is to enforce the already existing rules upon the people. Lord Angelo seems to view himself as a bit more of a disciplinarian than the Duke. Unfortunately, it is Isabella’s brother, Claudio, who Angelo makes an example out of for the entire town. Claudio has slept with his longtime girlfriend Juliet. Juliet is now pregnant and the entire town knows of their “sin.” Lord Angelo wants the town to know that this type of behavior is unacceptable and summons Claudio to be killed. Claudio quickly calls for his loving and pious sister Isabella to come and vouch for him ...
Shakespeare's work, Measure for Measure, puts the "problem" in "problem play" as it, examines the difference between law and justice, virtue and goodness. It's a case study of abuse of power that has a particularly contemporary resonance. Isabella is a very intriguing Shakespearean female. She is one of the few intelligent females who are also innocent and holy. Measure for Measure focuses primarily on her moral dilemma. Does she save her brother and give up her valued chastity or does she save her own soul while allowing her brother to die? By playing on Elizabethan viewpoints concerning women, nuns, and chastity, Shakespeare uses Isabella in developing his plot and theme. While Isabella is chaste and merciful in all outward appearances, she is unwilling to give up her virginity to Angelo in exchange for Claudio's life, yet she is ready to sacrifice Mariana's chastity for the cause. Isabella is so virtuous that it becomes a vanity for her.
This play portrays the women as fragile and pathetic beings. When Miranda is speaking to Ferdinand she is allowing him to see her as quite vulnerable, which will allow him to view here exactly as that.“At mind unworthiness, that dare not offer/What I desire to give, and much less take”(3.2.77-78). She goes on to say, “If not, I’ll die your maid. To be your fellow/You may deny me, but I’ll be your servant/Whether you will or no”(3.2.83-86). This play is portraying Miranda as a pathetic woman who would rather be a servant to a man that won’t marry her; she would rather be his maid than live without him.
pass tasks that an average 9 year old can pass, then the child has a
Sin was a present characteristic in not just moral dramas but also in Shakespeare plays. In almost every play that Shakespeare wrote during his career the audience could always learn something from the character’s story. In this chapter Tillyard focuses on the fall and redemption of man. Tillyard stated that the fall of man separated us from our true s...
It seems rare in a Shakespearean play to find a female character to whom women in this new millennium can relate. Modern women are expected to be strong, independent, educated and intelligent, and in control of their own destinies. Women are also considered to be on equal footing with their male counterparts in regards to abilities, privileges, and rights. Although these ideals may not be completely realistic in the real world, in general, these are the ways in which a twenty-first century woman is perceived. In the time period Shakespeare was writing in the abilities and roles expected of women were very different. For women in Shakespeare's Measure for Measure, there are extremely limited roles women can fulfill and all of them centre around sexuality and serving men sexually. A woman is either chaste or unchaste, a wife or a whore, and there is very little differentiating the two. A wife is subservient to, and dependent upon, her husband for her care and well-being. A prostitute relies on a man's lascivious appetites and good will to survive. Even a virginal maid is only so long enough to secure a respectable marriage or to fall into the disreputable world of prostitution. As a nun, promised to God, and with no male figure directing her life, Isabella exists outside society's narrow boundaries and creates conflict for the male characters of the play. In act 2 scene 2 Isabella demonstrates just how independent and strong she is and the reader can see how her failure to fall neatly into one of Angelo's expected categories for women creates problems for him. This scene demonstrates how clearly comfortable and confident Isabella is in herself and how uncomfortable Angelo is with her.
I aim to show how the “human” relationships in the play reflect real life relationships within Shakespeare’s own society (as well as his future audience), for which his plays were written and performed. Ferdinand and Miranda’s type of relationship shows Shakespeare’s ideas about true love, recognising not just the emotional side of love, but the physical nature too. Miranda promises Ferdinand “The jewel in my dower” which is her virginity, a prized thing in Jacobean times. This knowledge would have been known by Shakespeare’s audience, and knowing this helps us to understand Prospero’s protection of his daughter from Caliban. Ferdinand is asked not to have lustful thoughts about Miranda as “Sour-eyed disdain and discord shall bestrew the union of your bed with weeds so loathly that you shall hate it both” meaning that sex before marriage will poison the lovers’ marriage bed so that they will both grow to loathe it.
In the final scene of Othello, the hero, with that utter lack of self-consciousness of self-criticism which is the height of human vanity, strikes a heroic attitude, makes an eloquent plea for himself, at the height of his eloquence stabs himself – and the innocent spectator feels a lump in his throat or dissolves in te...
Angelo believes that although the duke’s rules are strong, they need to have a heavier impact on the citizens, and so prohibits the city of unlawful sexual activity. In order to set an example, he sentences Claudio, who impregnated his lover Juliet before marriage, to death. And so we find the novice nun Isabella pleading Angelo to release his brother, but Angelo only will if Isabella gives herself to him. The play ends when Angelo is exposed, as well as the duke, who asks Isabella to marry him.
Shakespeare's Measure for Measure can be seen as an early account of sexual harassment. While the issue of women's rights had hardly been explored at the time the play was first performed, Measure for Measure touches on issues of sexuality, independence, and the objectification of women. Despite these serious issues, the play is considered a comedy, and the story it tells is filled with amusing characters as well as broad sociological questions.
The title of Measure for Measure is taken from the Bible: "Judge not, that you be not judged. For with the judgment you pronounce you will be judged and the measure you give will be the measure you get.” This quotation from Christ 's Sermon on the Mount, stating generally that each individual will be judged as harshly as he has judged others, implies that mercy and human sympathy should temper justice. This passage comes from Matthew and is reinforced again in Mark. Shakespeare named this story so because of the way Angelo attempted to judge the people of Vienna, more particularly, Claudio. Angelo, though saved from death by the warming hand of Isabella, will soon receive the judgement he so evilly placed upon some of the citizens. Claudio was guilty of something, though was not in deservance of death and Angelo was seen as an evil dictator; Shakespeare identified this in the fact that he used the gospel to derive his story “Measure for Measure.” Shakespeare was not playing around when he named this play what he did, he was showing a clear understanding of the sermon on the mount, and paving the way for the reader to easily identify his motive of reinforcement of this sermon within his own
Evolution is a broadly accepted theory throughout the science community. It is a theory, just as the Copernican model was a theory at one point. Some religious institutions believe that evolution should not be taught in science class and that the creationist ideas from the Bible should be taught. For example, in Arkansas, an act was passed that “mandated that ‘creation science’ be given equal time in public schools with evolution” (McLean) Although McLean v. Arkansas Board of Education struck down this law, it still does not detract from the fact that the law was even considered. That is like saying we will teach Aristotle’s form of chemistry and physics, along with more modern and accepted scientific ideas. The issue lies not only with the school system but with a child’s parents as well. In some cases, children are given optional exemption from evolution studies. They will be given express permission by their parents so they don’t have to go into the class that day. The idea that evolution, a theory backed by mountains of scientific evidence, shouldn’t be taught in schools is unacceptable. If that is acceptable, students should be able to say, “I don’t agree with what Ralph Waldo Emerson was saying, so I should be able to go read Dr. Seuss and give you a presentation on that.” Some creationist scientists try to create their own theories with no evidence to collaborate them. For