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Issues of gender in religion
Roles of women in Christianity
Religion gender inequality
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The lives of female saints throughout the middle ages was full of obstacles placed before them by those in power, mostly men. For many saints, maintaining their virginity and their oath to God was a daily battle against those who hoped to bring them down. One such saint, Christina of Markyate, fought against the authority of men, including her father, Bishops of the Church, and her husband. Christina is one example of how far a woman had to go to uphold the values she held dear. From Christina’s hagiography one can see how a female saint challenged the system of power in medieval society by refusing to consummate her marriage, repeatedly disobeying her father, and fighting head-on against the Catholic Bishops who repeatedly tried to force her …show more content…
back within the power system of the time. The true origins of Christina of Markyate’s hagiography are unclear, leading to unanswered questions and a shroud of mystery around the production of such a tale. The composer of Christina’s story remains anonymous to this day; however, it is believed that the author was someone from the St. Albans monastery in Hertfordshire who had a close relationship with Christina during her life. The details written out in Christina’s hagiography appeared to come directly from the women herself, suggesting that the author repeatedly met with Christina in person and trusted enough to be told about her trials and visions. In addition, the composer refers to St. Albans as “our monastery,” supporting the idea behind his location being that of St. Albans. There is some speculation based on who lived at the monastery at the time the hagiography is said to be written, but it is difficult to narrow the possibilities down to one sole person. It could be assumed that Christina’s story was meant to create a cult following the same way other hagiographies tried to achieve, though her tale lacks some tropes normally found in other hagiography. The writer does showcase Christina’s miraculous actions, such as her visions and amazing escapes; however does not support her personal story with examples from the lives of other saints, nor does he focus solely on Christina’s supernatural signs of holiness. Instead, the story reads more like --. Without the name of the author or a prologue, of which would normally explain the author’s reasoning for composing the story, it’s difficult to know the true reason why Christina’s life was recorded. Others, such as translator, C.H. Talbot, who edited and translated Christina’s hagiography in 1959, infer that the saint’s life was record for the benefit of the nuns at Markyate as Christina had been the founder. Either way, without a clear author, or even a prologue that provides the date that the story was written, it is hard to truly know the reasoning behind Christian’s hagiography; however, that does not prevent the story from showcasing the power dynamics felt between men and women during the 12th century. According to the hagiography, Christina was born to a wealthy family in Huntingdon and was dedicated to God from a young age.
She spoke to God late at night, and showed an interested in lives of monks at the St. Albans monastery, which she often visited with her parents. While Christina devoted much of her time and thought to her faith, the people around her, including her family, mocked her dedication throughout her early years. Sometime between 1111 and 1112, during a visit to St. Albans when Christina was around the age of sixteen, she swore an oath of chastity and virginity to God. A man named Sueno, described as “a man advanced in age, conspicuous for his good life, and influential in his teachings,” confirmed Christina’s vow. Sueno was a key religious advisor to Christina during this time as he offered her encouraging words about both “the difficulty of preserving it [virginity], and the glory of having preserved it intact.” Besides Sueno, there is nothing written in her hagiography suggesting that anyone else knew about Christina’s vow to …show more content…
God. In 1115 when Burthred, a young nobleman, gained Christina’s parents’ consent to marry Christina, her vow of chastity was put to the test. The bishop of Durham supported the engagement in an attempt to get revenge against Christina for refusing his sexual advances. Christina outright refused the idea of marriage and provided her vow of virginity as the reason behind her resistance; however, her family mocked her and “made fun of her rashness.” When Christina still refused the engagement, her family tried to change her mind by offering gifts, making promises, and even threatening her; however, nothing convinced her to freely change her mind about the engagement. It was not until her family “attacked” her in a church that Christina consented to the marriage. The author of Christina’s hag- confesses that they did not know the true details of what happened that day, but that it was enough to force Christina to yield. During the 11th and 12th century, Church reformers made a strong attempt to redefine the fundamental principles of marriage and put bring marital unions under the direct control of the Church. The principles were divided into seven rules: First, marriage must be monogamous; second, marriage should be indissoluble; third, marital unions should be contracted freely by the parties themselves, not by their parents or families; fourth, marriage represents the only legally protected type of sexual relationship, and therefore concubinage must be eliminated, even among the laity; fifth, and as a corollary of the fourth principle, all sexual activity outside of marriage must be punished by legal sanctions; sixth, all sexual activity, marital and nonmarital, falls solely under ecclesiastical jurisdiction; and seventh, marriage must become exogamous, and intermarriage within related groups of families should therefore be eliminated. Laymen, especially nobles, resisted the new rules as it shifted the source of power surrounding marriage away from them. In a society where political alliances were created through marriage contracts and informal unions the idea of making marriage monogamous, eliminating sexual activity outside of marriage, and making marriage a permeant, indissoluble contract pushed too far. Surprisingly even with the protests from nobles, monarchs and other laymen, the Church reformers’ rules were implemented and they created a new unified system for marriage. There is clear evidence of how changes, and how they affected society, within Christina’s hag- through the actions of Christina’s parents and family members. Instead of forcing or demanding Christina marry Burthred, her parents attempt to convince her to agree to the engagement, suggesting that they no longer had the power to create a marriage contract without her consent. While these rules gave Christina some control over her life by giving her power over her marital status, she was still under the power structure of her parents as she lived in their house. As she continued to rebel against traditions, her parents turned to members of the Church and their holy power to shift the balance in their favor. After the wedding, Christina refused to “submit to the physical embraces of any man,” and the marriage was not consummated. When her family learned over her continuous resistance, they made repeated attempts to force the issue. They tried the usual methods of offering compliments, gifts, promises and threatens, but when she did not give in, they moved to more drastic tactics. First, they cut her off from the religious world, refusing to allow her to visit the monastery or the small chapel and restricting her from speaking with any religious people. When this still did not break Christina of her vow, her parents made a strong attempt to get the girl drunk and allowed her husband into her bedroom. Burthred found his wife sitting on waiting for him and she then proceeded to recite the tale of St. Cecilia and her husband Valerian. The couple talked for most of the night, but the marriage was still never commutated. When others found out, they warned Burthred “not to be misled by her[Christina’s] deceitful tricks and naive words no he lose his manliness.” The criticism of his manhood led Burthred to entered Christina’s bedroom twice more, but Christina avoids him each time, first by hanging from a nail in the wall and then by jumping over a seemly impossible tall fence. It is unique that while Christina repeatedly avoided her husband’s advances, the power struggle between Christina and Burthred was not the major power struggle outlined during their time together. Burthred’s repeated attempts to force Christina into bed are fueled by the words of others, often Christina’s parents, through attacks on his character. When the young maiden asked for Burthred’s consent to be released from the marriage, he agreed. dissolve the marriage, he agrees until Christina’s parents set upon with “unbelievable fury,” and forcefully change his mind. Burtherd’s actions highlight that the real power struggle was between Christina and her parents. Frustrated by her refusal Christina’s father, Autti, took her before a prior and his canons for help. With the sacrament of marriage firmly under the Church’s control, it was a logical next step for Autti to seek the advice and assistance of Church officials to help get his religious daughter back under his control. Autti relays his anger to the clergy men: Yet, no matter how she was led into it, if she resists our authority and rejects it, we shall be the laughing-stock of our neighbors, a mockery and derision to those who are round about. Wherefore, I beseech you, plead with her to have pity on us: let her marry in the Lord and take away our reproach. Why must she depart from tradition? Why should she bring this dishonor on her father? Let her do now what we wish and she can have all that we possess. Autti believed that Christina should give into the marriage and recognize his parental power over her life. He also expressed a deep concern about the family’s overall reputation as Christina was breaking with the traditions of the nobility by refusing to finalize the marriage contract. Yet even before the prior, who questioned Christina’s reasoning and challenged her vow to God, the woman refused to yield and the issue was then brought before Bishop Robert of Lincoln.
After the prior and others took the case to the Bishop, who ruled in Christina’s favor, Autti then bribed the man to change his mind. According to the hag-, Christina’s parents “hoped that she would have children who would be like her in character,” and the fact that Christina had taken a vow of chastity and refused to consummate her marriage made them believe “that they would lose her and all that they could hope to gain through her.” They repeatedly make clear attempts to force their daughter to consummate her marriage, yet all of them fail. The author of the hag- equals these events to supernatural intervention; however, Christina’s resistance to her parents’ authority and dramatic escape from the traditions of nobility showcase how difficult and dangerous it was to move against society’s expectations about parental authority and marriage. Her hag- provides an inside look at the trials one would have to subject themselves to in an attempt to move beyond the power structure and gain control for
themselves.
Christina, though also losing her feminine figure, proves to be the strength against the patriarchy. For instance, Christina tries to disguise herself by dressing like a man and running away from her husband. In doing this, she stands up for herself and for the woman that she is, saying to her conscious that is controlled by patriarchal thought, “And making herself known by raising her finger…’Why delay, fugitive? Why do you respect your feminine sex? Put on manly courage and mount the horse like a man’. At this she put aside her fears” (Petroff 146). This is not to say that Christina wishes she were a man, but rather she is saying that women should respect and believe in themselves.
While it was likely commissioned for and or by St. Albans, the author presents simple facts about religious marital law and hermitage, as well as how one takes vows of celibacy. There is no critique of Christina’s teenage vow only being shared with Sueno. Throughout the manuscript, whenever Christina’s parents acted against the vow, the author’s presentation is almost a narrative checklist of behaviors against her with a missing critique outside of their acts having been led by Satan, and even this does not occur every time (47-49, 67-69, 73-75). Even these rare mentions could simply be brushed aside as the common perspective of anyone in twelfth century against a person trying to rid their daughter of her virginity by any means possible. Rather, the author presented every event in a chronological order and explained the whys and wherefores as they went along.
Medieval female saints and martyrs were intended to be chaste if they were single and virtuous if they are married. They were also extremely devoted and pure to Christ, not giving in to any temptations. Kempe seemed to be tempted by men, but then immediately followed by shame. On the other hand, she posses’s qualities the saints share like, visions, passion, a desire to be chaste and, commitment. Saint Margaret of Antioch is one of the saints that appears often in “The Book of Margery Kempe”.
The Middle Ages was a time when women were supposed to be models of virtue, yet they acted contrary to such beliefs. As young women, they were supposed to strive for perfection and protect their virginity (Bardsley 96-97). In reality, women were often free with their virtues, and according to Francis and Joseph Gies, “The chastity of women was eternally suspect in the eyes of canonists, who perceived them as ever eager for sexual gratification.” Women were presented with conflicting messages when told that they were sources of evil, but were also told they were to exemplify the model of Mary (Bardsley 172) By modeling Mary, women were to be virtuous and holy and not self-seeking. However, women were far from this model of Mary, and they received little respect from men. Men dominated women, and they never escaped male control. As girls, their fathers controlled them, and later in life they were subject to their husbands (McLean and Singman 24). Because of this, women were seen as scandalous if they attempted to obtain power, money, or land.
How would a woman achieve the role of Saint during medieval times when their visionary legitimacy is questioned? For Margery Kempe, trying to prove herself as a viable candidate through martyrdom is a difficult task. Throughout her story, she is constantly having to prove herself to her community and to the church hierarchy, but it always comes at a cost. Consequently, Margery is ridiculed, taunted, and accused of many negative things, yet she stands firm in her belief that her gifts are real. The physical threats she receives, such as being burned, are all part of her performance. Although these gifts of visions and miracles are questionable, she is able to mold them in order to achieve her spiritual goals. In The Book of Margery Kempe, translated and edited by Lynn Staley, Margery gives the performance of a lifetime by using her visionary gift to spiritually manipulate her community and the church
Baumgarten, Elisheva, Oxford Handbook of Women and Gender in Medieval Europe (New York: Oxford University Press, 2013). Grossman, Avraham, Pious and Rebellious: Jewish Women in Medieval Europe (New Hampshire: University Press of New England, 2004).
Medieval society was completely dominated by men, making a women’s life at the time difficult. Medieval law at the time stated that women could not marry without their parents consent, could not divorce their husbands, could not own property unless widows, could not inherit land if they had surviving brothers, and could own no business with special permission (Trueman, “Medieval Women”). When a woman married a man, he would get any property she owned and she would forfeit any rights she had to him. When the husband dies she would get one third of the land to live on and support herself. Unmarried women who owned land had the same rights as men (Hull). Whenever a woman got into trouble it would be her closest male relative who would appear in court, not the woman herself (Medieval).
“Not, perhaps, the patroness of France; rather, the patroness of vivid life, prized not for military victories but for the gift of passionate action taken against ridiculous odds, for the grace of holding nothing back.” (Gordon 173). This quote is referring to Joan of Arc. Joan of Arc was very religious; known for seeing visions and voices from God telling her to go deep into France and help with the war, which she did. At the age of eighteen Joan of Arc led French armies through a series of battles and each of these battles resulted in a victory. Many people, especially men, were threatened by her because of the fact that she was able to do things like leading armies when she was both a girl and a teenager and because she was able to see visions
As a girl, St. Teresa strived to be worthy of God, as did her siblings whom she loved. Instead of acting like she was a princess with the other girls, she and her brother Rodrigo would pretend to be hermits in the back yard.... ... middle of paper ... ... Works Cited Kiefer, J. a.
When I observe literature works of Medieval and Renaissance period, a man success is determine by the roles of women. I heard a famous quote say "behind a great man there is a amazing woman". As I examine literature works, in the Medieval time of "Sir Gawain and Green Knight "and the Renaissance period of The Faerie Queene of Book I. We have two extraordinary Christian like figures Sir Gawain and Red Crosse who represent Christianity in their respectably time period . Both men endured several tests and have sinned against God. While these men were in the mist of their downfall, they had significant woman who guided them along way to find Christ again. I will view the roles of women like Lady Bertilak of Sir Gawain and Una of the Red Crosse
The fifteenth century was a gruesome era in world history. Church and state were not separated which caused many problems because the Church officials were often corrupt. The story of Joan of Arc, portrayed by George Bernard Shaw, impeccably reflects the Church of the 1400’s. Joan, a French native, fought for her country and won many battles against England. But Joan’s imminent demise came knocking at her door when she was captured by the English. She was charged with heresy because the armor she wore was deemed for men only but she justified her actions by stating that God told her to do it. Today, Joan of Arc would be diagnosed schizophrenic because of the voices in her head but she would still be respected for serving in the military. But in the fifteenth century, she was labeled as nothing more than a deviant. She was tried and the Inquisitor characterized her as a beast that will harm society. Through his sophistic reasoning, loaded diction, and appeals to pathos and ethos, the Inquisitor coaxed the court into believing Joan was a threat to society and she had to pay the ultimate price.
Women in Latin America were expected to adhere to extreme cultural and social traditions and there were few women who managed to escape the burden of upholding these ridiculous duties, as clearly shown in “Chronicle of a Death Foretold”. First, Latin American women were expected to uphold their honor, as well as their family's honor, through maintaining virtue and purity; secondly, women were expected to be submissive to their parents and especially their husbands; and lastly, women were expected to remain excellent homemakers. One of the most prominent expectations of women in Latin America, and certainly the main idea surrounding “Chronicle of a Death Foretold”, is the idea that women should be pure, maintaining their virginity, prior to marriage. In the novel, Angela Vicario was forced by her parents and family into accepting a proposal from Bayardo San Roman, none of whom knew she was no longer a virgin. Knowing that her future husband would expect to spend their wedding night with a virgin, Angela scrambled to find ways to reinstate her virginity and deceive San Roman so he would not detect her impurity.
Women in different societies around the world, during the Middle Ages, experienced different hardships and roles. These hardships and roles helped shape how they were viewed in their society. Some women were treated better and more equal than others. In Rome, Medieval England, and Viking society, women’s legal status, education, marriage and family roles were considered diverse, but also similar. In certain nation’s women have more or less power than women in other nations, but none equal to the power that women have in America today.
Women had a very difficult position in society during the Middle Ages. The feudal age was known for its superstitions, and women were often convicted of witchcraft and burned at the stake. Some of the more lucky women held professions of there own, such as blacksmiths, carpenters, and apothecaries....
They had to sacrifice their motherhood in some form or another in order to gain success in other aspects of their lives. Joan, a young girl wanted to have an education and so she ran away from home under the disguise of a boy to gain higher knowledge which was not an option for a girl in her time. Joan stated, “I dressed as a boy when I left home”… “I was only twelve. Also women weren’t/allowed in the library. We wanted to study in Athens” (8). Joan having to disguise herself as a boy, showed that women were not allowed to have an education; they had limited opportunities. However, under the disguise as a male, Joan was given the opportunity to be a pope, a role generally reserve for a man. Nevertheless, it was discovered that she was a female when she gave birth in public and hence, she was stoned to death. Even other women who did not have to choose between motherhood and career, were unable to get promoted even if they were more qualified than men. This is due to the gender gap and the historical male domination. Louise, who came for a job interview at Marlene’s employment agency stated, “Nobody notices me, I don’t expect it, I don’t attract attention by making mistakes, everybody takes it for granted that my work is perfect” (52). This illustrates that even though the feminist movement had made significant advances in gender equality, there are still limitations in inequality concerning