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In society, one’s culture and traditions are what makes a person’s character and personality. In most families, there are traditions that are passed down like folktales. Folktales are stories passed down person by person and eventually change slightly over time. However, the focal message of folktales always typically stick. Folktales teach valuable life lessons while entertaining the reader or in some cases the three granddaughters as seen in “Water Names.” The short story “Water Names” written by Lan Samantha Chang is a story of a Chinese folktale told by a grandmother narrating the tale to her three granddaughters. The folktale centers the symbol of water and the meaning manifests as the three young girls learn what it can do. The grandmother …show more content…
tells her three granddaughters that they descend from a line of strong men and women who receive their strength from the water if they stick together. This tale told within the short story emphasizes the importance and meaning of water in one’s life, especially in regards to family. In “Water Names” Lan Samantha Chang utilizes such elements as title, detail, and symbol to reveal the meaning of the story through the interplay of the contemporary setting and action with the ancient legend. Throughout the short story, the manifestation of the title’s importance is highlighted. The title “Water Names” is a perfect way to depict the river names and water discussed in the folktale. The grandmother tells her granddaughters that the spirit of the river is within them which builds their personality to become strong and ultimately “name” and “brand” who they are. Grandmother Waipuo describes that their family is strong when they are united and they are “unlike mountains... cannot be powdered down or broken apart.” Mountains can be moved and broken apart, but the water gives a name to the family and makes them who they are. If the family sticks together, nothing can get between them; however, if the three young girls allow for the “floods and seasons of ill-fortune” to break their character and separate them, then they will no longer have the spirit of the river within them. The river and the water that flows within it is what makes the family strong, and the three granddaughters must learn from this and take it as a lesson to never separate and stick together. This unity that is being fostered is extremely important in revealing the meaning of the story because this is a tradition the girls will learn to adopt as their Chinese grandmother once did as she too was once taught the valuable lesson. The young girls listen to the tale of this ancient legend but still question and connect it to their young lives in that current time. The title of the short story plays a key role in developing the meaning of the story in regards to the interplay of the contemporary setting and the action with the ancient legend. The writer’s attention to detail is an essential tool utilized to reveal the meaning of the story. Near the end of the short story, when the three granddaughters are left in confusion with various questions, there is a sense of mystery left. The young girls question the tale their grandmother told them and then it switches to a detailed description of their surroundings, “Waipuo in her room, the house, and the small city we lived in, the great waves of grass than ran for miles around us, the ground beneath as dry and hard as bone.” This describes the young girls’ surroundings and it builds the notion that life will not be easy because it is dry and hard as bone and there are large waves of mountains that they will have to surpass, but they can do it because they have the spirit of the river within them. The attention to their surroundings is a contrast to details described in the beginning of the story. Waipuo describes that the girls come from great sides of China, where the river was so grand and broad, creating a feeling of loneliness and obstacles to come. However, the writer utilizes these details to reveal “small girls” can overcome and face the “big world” with its large and daunting obstacles if they stick together. Waipuo recounts that their family is strong because they have stuck together, and that is what the young girls must do. Although it is an ancient tale, the lesson that if they are united, they can face anything, allows the girls to relate it to their own lives and contemporary setting. The use of details in the short story unravels the meaning of the tale told by Waipuo to influence her young granddaughters to be strong because the river has given them the ability to be. One of the most important elements the author employs to reveal the meaning of the story through the interaction the girls have with the contemporary setting and action with the ancient legend is symbolism.
Symbolism is seen throughout the short story and has a significant effect on the young girls at the end. At the beginning of the story, the three girls are playfully fighting; at the end, the girls are silent and are left with questions. The symbol of water has had this impact on the girls because it is seen as a majestic and virtuous force that has run within their family and made them strong. Waipuo, who is an elder, has come to understand this because it is depicted that she often sat with the girls in silence, and appears to be very strict. As an elder, Waipuo understands how important the water is and says that “our strength and spirit wear down mountains into sand. But even our people must respect the water.” The water is seen as a divine force that controls their lives and without it, the family would be weak and they would powdered down and broken apart, but because they understand the power and respect the water, they are strong and have value. Although the pearl ring is not as prominent of a symbol as water, it is still important when Waipuo tells the tale. The pearl ring symbolizes purity, and it foreshadows how pure and innocent Wen Zhiqing’s daughter was. This pearl ring provoked the daughter to believe that a beloved husband was waiting for her in the river, and when she had told her father this, he said it was “nonsense.” It was disregarded as real because Wen is older and wiser, while his daughter still believed this because she was young and naive. The pearl ring created a false hope and dream within her that lead her to hurry to the water during a terrible flood. The young girls can connect both symbols to their own lives and realize that the water is powerful, and it can help them, but it should not be played with because it is dangerous. The
three girls can connect it to their own lives and setting when realizing that the ancient legend provides a valuable lesson. The symbols in the short story play an important role in shaping the meaning of the story through the interplay of the contemporary setting and action with the ancient legend. Lan Samantha Chang’s short story “Water Names” depicts a folktale telling of a grandmother to her three granddaughters. The folktale being told offers a valuable lesson of strength and unity to the three young girls. The grandmother, Waipuo, who appears to be strict and very traditional, reminds the girls of her ancestors who lived along the Yangtze River, and tells them of a story of a young girl who loved the river, but did not realize how dangerous it was as she believed that a beloved man was waiting for her within the water representing her innocence and how naive she was. This story provides the moral lesson that the girls can surpass anything as their family and previous ancestors had the spirit of the river within them. The message advocated is that it is vital for the girls to stick together because they are strong alone, but even stronger together. Ultimately, the writer makes use of elements such as title, detail, and symbol to reveal the meaning of the story through the interplay of the contemporary setting the girls are in and action with the ancient legend.
In the beginning of the story the presence of water symbolizes the physical and mental freedom the young couple share. The story begins with Jamie driving on the way home, to the lake house, after a long day of work. In the car Jamie yearns “ to be unchained in the weightlessness of the water” (203). The physical act of being weightless symbolizes her mental weightlessness or freedom. Jamie and Matt make love in water which enforces the connection they have with themselves and the mental and physical freedom they feel.
Yang makes her topic of the treacherous history of the Hmong people an appealing one with the story of her parents. She brings emotion into her writing that makes her readers feel as if they are there in the jungle, experiencing the fear and love these two lovers felt. Yang makes us aware of how hard it was for a young Hmong couple to survive in this trying time. Fate and destruction brought Yang’s parents together, and like other Hmong people, love kept them moving forward.
The poem of A Story by Li-Young Lee analyzes the coming of age of a son through the eyes and emotions of a father. On the surface, it seems like a simple situation of a father telling the son a story to entertain him. But it is upon closer inspection and deep analysis that reveals the true meaning of the poem that the poet is trying to convey to the reader.
Imagination is a quality that everyone has, but only some are capable of using. Maxine Hong Kingston wrote “No Name Woman” using a great deal of her imagination. She uses this imagination to give a story to a person whose name has been forgotten. A person whose entire life was erased from the family’s history. Her story was not written to amuse or entertain, but rather to share her aunts’ story, a story that no one else would ever share. The use of imagination in Kingston’s creative nonfiction is the foundation of the story. It fills the gaps of reality while creating a perfect path to show respect to Kingston’s aunt, and simultaneously explains her disagreement with the women in her culture.
Symbolism is a recurring theme in this novel, the river and fish symbols both contribute to the overall growth to the protagonist, Lily, and to the storyline as a whole. “The river has done its best, I was sure, to give her a peaceful ride out of this life. You can die in a river, but maybe you could be reborn in it too” (Kidd 229). The river as a symbol represents life and death, Lily mentions how it brought May’s death but also brings life too, for example, a baptism is sometimes done in river with symbolizes rebirth. This influential symbol contributes to the organization of the storyline by partly helping Lily come to terms with May’s death, in turn, keeping Lily content and the story continuing. “They held me down on the bank and hooked
To both of the characters, who meet up via this entity of water, the river symbolizes a place to bond and safety.
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and values get passed on through generations, even with the obstacles of different cultures and language.
Pearl is the baby of an adulteress act so she is a symbol of controversial love and an act of breaking the ten commandments. In The Scarlet Letter, Pearl is first mentioned as a three-year-old. The number 3 is a symbol a triangle (Stewart, “Number Symbolism”). The Triangle is a symbol for Resilience (Campbell, “The Symbolism of a Triangle”). Pearl show’s resilience when she faces constant derision as she grows up and she doesn’t let the words get to her. Peal is also a symbol of resilience because Pearl gives a reason for Hester to be resilient throughout the internal
This story was written for the author to reflect upon her childhood, and to share how her family tormented her; also, how that helped her become who she is today. She talks about her aunt Baba who always encouraged her to do her best in school. The author speaks about how they would sit on her bed and look at her report cards when she was upset. Her aunt Baba would always say something like, “look at this one all A’s and top of your class again.” (Yen Mah 61-62). She spoke about how her aunt and grandfather would sneak her money to ride the bus to school, or little pieces of candy when she would get good grades in school (Yen Mah 47-50). They encouraged her and helped her become the wonderful accomplished person she is today. Even the bad things that happened to her when she was a child helped her. If she had not been sent to that boarding school by Naing she would not have entered the writing competition that lead her father to realize how talented she was, and send her to college. If she hadn’t been sent to college in London by her parents she would have never become a
Myths and tales are commonly shared across different cultures in versions that are slightly different from each other. Minor changes are made to the story to customize the tale to a more relatable version for the people reading it. Here in this paper two versions of the Cinderella tale will be compared: the German Brothers Grimm fairy tale, “Aschenputtel”, and the Vietnamese folk version, “Tam and Cam”, retold by Vo Van Thang and Jim Larson. The two stories follow the same Cinderella framework and elements, however, the differences of the stories reflects the values of the culture who created that version of Cinderella.
Wild Swans: Three Daughters of China begins with author Jung Chang’s grandmother, who was born in 1909 with the name Yu-fang. In traditional Chinese culture, for any hopes of marriage, the mother must first bind her daughter’s feet. Though a long and painful process, foot binding was considered a beautiful trait in Chinese men’s eyes. By the age of two, Yu-Fang’s feet were bounded and were referred to as “Lotus Feet”. Having one’s feet bounded during this time period, made it difficult for a woman to walk, and spent their life in pain due to the broken arch and constant bending of the toes. Her father, Yang, was determined to have his daughter’s social status...
The Chinese story “Chi Li Slays the Serpent,” is one of the most inspirational stories towards the female society. The story centers around a girl name Chi Li who offers herself as tribute to the Yung serpent. Living in a family of eight, a father, mother, and five older sisters, Chi declared to her parents that she decided to volunteer to be sacrificed to the Yung serpent. Chi’s parents, loving each and every one of their daughters, rejects her proposition. Determined, Chi snuck out, volunteered before the county magistrates, and requested a serpent-hound and sword. Upon arrival at the serpent’s den, she lured the serpent with rice balls, distracting him, unleashed the serpent-hound, and swiftly plunged her sword into the back of the serpent’s
The Chinese Cinderella is a true story of an unwanted daughter by the name of Adeline. Adeline’s aunt is the only person who is not mean to her. This book is very good, but sad at the same time. However, why does her family hate her so much? This paper will tell you all about her childhood.
The main theme nature was shown through these stories: “Missing You,” “Bits of Reminiscence,” “Gifts,” and “Fairy Tales” are poems by Shu Ting. Shu Ting uses nature to symbolize the author's feelings. In “Gifts” nature was used to show the reader
When you where a kid did your parents ever tell you stories about your culture or about your family’s values? Chances are they where telling you a folk tale. Folk tales are stories passed down usually by word of mouth but often they are written down. Folk tales teach a valuable life lesson while entertaining the reader or in some cases the listener. This essay will give examples of three folk tales and go into depth on how they teach lessons and still remain entertaining for children and even adults.