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Chinese women's roles in society
Chinese women's roles in society
Chinese women's roles in society
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The Chinese story “Chi Li Slays the Serpent,” is one of the most inspirational stories towards the female society. The story centers around a girl name Chi Li who offers herself as tribute to the Yung serpent. Living in a family of eight, a father, mother, and five older sisters, Chi declared to her parents that she decided to volunteer to be sacrificed to the Yung serpent. Chi’s parents, loving each and every one of their daughters, rejects her proposition. Determined, Chi snuck out, volunteered before the county magistrates, and requested a serpent-hound and sword. Upon arrival at the serpent’s den, she lured the serpent with rice balls, distracting him, unleashed the serpent-hound, and swiftly plunged her sword into the back of the serpent’s …show more content…
head and neck. Chi Li’s heroism spread across the king of Yueh, deeming her “a worthy wife for the king of Yueh…” (Rosenberg 333) and became queen of Yueh. Chi Li, one of the most memorable heroine in Chinese mythology, proves that women can be a hero in her acts of humility, selflessness, courage, and intelligence. To be humiliated is to let go of one’s pride for the sake of others. Chi Li showed this when she announced, “Father and Mother, I want you to know that I have decided to place myself in the hands of the county authorities and to volunteer to be sacrificed to the Yung serpent” (Rosenberg 331). Unfortunately Chi Li failed to persuade her parents and decided to secretly offer herself to the magistrates. She requested a serpent-hound and a sheathed sword as she planned to attempt to kill the serpent. Confucius played a role in this story: “obedience: children obeyed parents, peasants obeyed lord and officials, wives obeyed husbands…” (Kristin). Chi Li contradicted obedience when she disobeyed her parents’ wishes and offered herself to the officials. Female Confucian, Ban Zhao wrote: “Let a woman modestly yield to others; let her respect others; let her put others first, herself last” (Zhao). To put herself last is an act of selflessness. Chi Li believed her death would mean more food for the rest of the family and that she was “too much of a burden [to her] family” (Rosenberg 332) for being alive. Knowing that she is unable to provide her parents with anything because she is a woman, she would rather die than burden them. Chinese society look down upon daughters and prefer families that contain sons. Sons are considered capable of providing for the family and succeeding their fathers compared to daughters, who were less than important because they were girls. The serpent “represent the male dominance in China … it claims the lives of many women, and controls the village by invoking fear in civilians” (Ramos). Males tend to be at the top of the hierarchy where no one is able to disobey him, as such the civilians were unable to disobey the serpent. Rather than having a random girl get selected, Chi Li offered herself as sacrifice. “Having a volunteer made their job much easier… readily accept[ing] Chi Li’s offer” (Rosenberg 332). Chi Li volunteering as sacrifice was valued because it meant that the kingdom of Yueh was safe from the serpent’s wrath. Chi Li mustered up all the courage she had when she set foot in front of the serpent’s den. She “took a deep breath and said to herself, ‘At last, the time has come! And who knows? The gods may look with favor upon those who do their best to help themselves. If they do, I pray that I will have their blessings as I try to slay this serpent!’” (Rosenberg 332). Using the rice balls as bait, she successfully lured and distracted the serpent. After unleashing the serpent-hound, she leaped upon the serpent and drove her sword into the head and neck, killing him. The use of rice balls shows Chi Li’s intelligence and ability to adapt to the situation.
She was able to think ahead and prepared the rice balls, knowing that the serpent would eat her right away when she’s been spotted. “Though women were thought in these times to be naturally less intelligent than men…” (World Mythology Essay) Chi Li was able to prove them wrong. At first she was horrified of the huge serpent but told herself to “push fear from your heart, and force your mind to think only of the task at hand! Watch the serpent closely so that you will know when to proceed with the next step!” (Rosenberg 333). Her use of strategy enabled her to outsmart and kill the serpent. Afterwards, she entered the serpent’s den and found the skulls of “the serpent’s nine sacrificial victims” (Rosenberg 333). Explaining that if her plan had failed, her remains would be among the rest of the nine girls. She gathered the skulls to bring back to the village as proof of her victory and to give them a proper burial. In a way, Chi Li chastised and pitied the girls for being “too timid to put up a fight! How pitiful!” (Rosenberg 333). Most women in this time would not put up a fight, or rather disobey men, in this case the serpent. They accepted their fate whereas Chi Li decided to go against her fate and fight back. Her bravery made her a hero and her heroism traveled to the king of Yueh, thus she became queen of
Yueh. Chi Li was able to prove that a woman can be equally important as a man. Volunteering herself as sacrifice and successfully killing the serpent attracted the attention of the king of Yueh. Her act of heroism gave the sense that women too can be heroes. Unlike male heroes, Chi Li’s mission was “not to prove her skill, but done for the benefit of her family and community” (World Mythology Essay). In her marriage and becoming queen brought great fortune for her family. Having a female heroine rather than a male hero in this story is to show what a woman can do. It gives a different perspective towards women and ways that they can be a hero, or in this case a heroine. Chi Li’s heroism changed the Chinese’s attitudes towards women, proving that women are as valuable as men. The mythological story became an inspiration and motivation for women to stand up and fight back. It gives women courage to be who they want to be and no one can tell them otherwise. In Chinese mythology, Chi Li’s acts of humility, selflessness, courage, and intelligence proves that women can be heroes. What a man can do, a woman can too; so if there are heroes, then there are also heroines.
Power and Money do not Substitute Love and as it denotes, it is a deep feeling expressed by Feng Menglong who was in love with a public figure prostitute at his tender ages. Sadly, Feng Menglong was incapable to bear the expense of repossessing his lover. Eventually, a great merchant repossessed his lover, and that marked the end of their relationship. Feng Menglong was extremely affected through distress and desperation because of the separation and he ultimately, decided to express his desolation through poems. This incidence changed his perception and the way he represents women roles in his stories. In deed, Feng Menglong, is among a small number of writers who portrayed female as being strong and intelligent. We see a different picture build around women by many authors who profoundly tried to ignore the important role played by them in the society. Feng Menglong regards woman as being bright and brave and their value should never be weighed against
Some of the more fascinating documents of the Han period in ancient China were arguably those written by women. The writings were at once contradictory due to the fact that they appeared to destroy the common perceptions of women as uneducated and subservient creatures while simultaneously delivering messages through the texts that demonstrated a strict adherence to traditional values. Those are the paradoxical characteristics of prominent female scholar Ban Zhou’s work called Lesson for a Woman. Because modern opinions on the roles of women in society likely cloud the clear analysis of Zhou’s work, it is necessary to closely examine the Han’s societal norms and popular beliefs that contributed to establishing the author’s perspective and intent.
The bitter cold bit against the starved girl’s skeletal body. She was tired. Her parents discussed ways to get to good lands. They told her the only way to have a better life was to sell her into slavery. The girl, only ten years old was silent. She dreamed of fine clothing and good food. The girl went to the House of Hwang. She was too ugly to be in sight; she was kept in the scullery. All dreams of any kind were lashed out of her young mind. Mistreated, beaten, and underestimated, young O-lan learned to work hard and became resigned to her fate. One day, the Old Mistress summoned her and told her that she was to be married to a poor farmer. The other slaves scoffed, but O-lan was grateful for a chance to be free - they married. O-lan vowed to return to the great house one day in fine clothing with a son. Her resolve was strong; no one could say otherwise. Her years of abuse as a slave had made O-lan wise, stoic, and bitter; whether the events of her life strengthened or weakened her is the question.
Ultimately, The Death of Woman Wang, by Jonathan Spence is a timeless, educational, historical novel. Spence purpose to enlighten the reader of the Chinese culture, tradition and its land were met through the use of sources, like the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling. The intriguing structure of The Death of Woman Wang will captivate any reader's attention.
Yet as we journey from the dark to the light in Aeschylus, we cannot leave the dark behind – the darkness breeds the light.
Chang Yu-I understood woman's liberation as the tool for changing the Chinese culture. It was about a woman becoming her own person rather than the property of a man whom she must cherish under every circumstance. Yu-I believed that a woman's liberation was in finding her own independence and strength in Chinese society.
In Pearl S. Buck’s novel, The Good Earth, a humble Chinese farmer, Wang Lung, starts out as a poor man; nevertheless, he overcomes many struggles in order to become a rich and prosperous man. Although, Wang Lung is the main character of the novel there is an equal importance in the women presented. The novel focuses on the major roles of women in China. In the traditional Chinese society, women were oppressed and disrespected. The roles of women were arranged on the home, where they were expected to serve their families. Each female character shows a distinctive perspective of the common women in China. The author not only illustrations the different roles of women, she also displays the struggles women had to overcome in order deal with the injustice during this time. The importance of these female characters is fundamental to the theme of the novel.
When Lu Xun was born, Chinese society had been following the same traditions for generations. A pillar of these traditions, strict social hierarchies particularly oppressed women. Instead of having a say in their lives, they were subject to their father, their husbands, their husband’s family, and then even to their sons. Marriages were arranged, and in the event of the death of a husband, the woman would be expected to remain chaste even to the extent of choosing suicide over remarriage. Social hierarchies also restricted the intermingling of classes with strict social rituals separating the elite from the common. During Lu Xun’s early years, however, society had begun to get restless, and many pushed for change. At the forefront of the changing tides in Chinese society, Lu Xun advocated for change in the ancient social hierarchies that had directed Chinese society for generations in his stories “My Old Home” and “New Year’s Sacrifice” which specifically responded to the injustices of the traditional system against women and the arbitrariness of the separation between classes that the hierarchical system imposed.
Women in China were not people. According to traditional China and Confucian culture women are nothing more than objects. Lu Xun wrote the “New Year’s Sacrifice” to criticize the conventional confusions ideals and the traditional Chinese way of life are not fair or just for women. Lu Xun believed in a new china, a china similar to the one the New Culture Movement was striving to achieve. New Culture Movement wanted to create a place of equality for all.
Since the beginning of early Confucianism, women in early China suffered oppression. Unfortunately, the religion holds much responsibility for the sexism. Confucius’s answers for the Chinese people’s way of living consisted of sexual discrimination and segregation towards females. Women in China were urged to meet the expectations outlined in Confucian ideals. Such concepts were mainly limited to the men. Thus, Confucianism defined gender expectations. Confucianism stimulated the inequality of women in Chinese culture.
Is it because he was a woman that he cried out at the sight of a child being harmed? Did he not cry out at the death of his wife because she was a woman? The role of the female in this story reveals a sense of inferiority towards women. These questions that the story raises show how women were viewed as inferior and weak in the eyes of the Chinese culture.
The main characters in this story are a generation of mothers and their daughters. This story is told in sections as a narrative, where each chapter is recounted by a different woman. The mothers speak of their experiences growing up under the strict conditions in China. They told of how their marriages were predetermined and how they had to do as any male ordered. The daughters, on the other hand, being raised under American ways, told of their hardships with pressure given to them by their mothers. They spoke of American husbands, equality between both sexes, and how they’d rather believe that their futures could indeed be controlled.
Gubar’s piece on female creativity allows the book The Good Women of China to be read through a more critical lens. Women in the piece are consistently taking a back seat to their stories until they are given the opportunity to share and be told that their experience is important. What Xin Ran offers to these women is a change to be heard. It allows them to be the painter and their tormentors the subject. One woman in particular, Jin Shuai, talks critically of the world she lives in and offers a modern insight into the tragic backbone of the other women’s stories.
The story of Princess Huo’s daughter is a story about a man by the name of Li Yi. Li Yi was from a good family and showed brilliant promise. Even senior scholars admired him. At the age of twenty-one, he hoped for a beautiful and accomplished wife. In Chang’an Li asked a matchmaker by the name of Bao to find him a wife. Li gave her expensive gifts and she was very well inclined to him. One afternoon, some months after talking to Bao Li was sitting in the south pavilion of his lodgings when he heard continuous knocking. Bao entered and Li asked her “What brings you here so unexpectedly, madam”. Boa had found Li a perfect match for a wife, and with the good news Li was ecstatic and leaped for joy. Saying “I shall be your slave as long as I live!” Bao informed him that she was the youngest daughter of prince Huo. Her name is Jade, her mother was the prince’s favorite slave. When the prince died, his sons refused to keep the child, so they gave her a piece of wealth and made her leave. She changed her name, and the people do not know the prince was her father. She is the most beautiful...
Throughout history women have had to endure horrible things to be deemed beautiful. The ancient tradition of foot binding in China, however, takes the “beauty is pain” concept to a whole new level. Foot binding, also known as lotus feet, is the Chinese custom of applying painfully tight binding to the feet of a young girl to break all of the bones in both feet and to also prevent further growth in order to keep the feet three inches long. Although one may feel that this was completely ridiculous, having this procedure done meant that a girl will be able to get married to a wealthy man and will be referred to as attractive. The cost of beauty comes with a massive price as well. The loss of the ability to walk is the biggest price a Chinese girl had to pay in order to be accepted in the Chinese culture. During the Sung Dynasty period, women have mutilated, bound, deformed, permanently damaged and altered their bodies not only to be accepted in society, but also to satisfy men erotically and sexually as well as weaken themselves to make men feel more powerful.