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How do the mother daughter relationships in amy tan's the joy luck club contribute to the overall meaning of th novel
How do the mother daughter relationships in amy tan's the joy luck club contribute to the overall meaning of th novel
How do the mother daughter relationships in amy tan's the joy luck club contribute to the overall meaning of th novel
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Mother and Daughter Similarities in Amy Tan’s The Joy Luck Club
“Here is how I came to love my mother. How I saw her my own true nature. What was beneath my skin. Inside my bones.” (Tan 40)
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and values get passed on through generations, even with the obstacles of different cultures and language.
The Joy Luck Club was formed while the four mothers were in Builica during the time of war. “Each week we could forget past wrongs done to us. We weren’t allowed to think a bad thought. We feasted, we laughed, we played games, lost and won, and we told the best stories. And each week, we could hope to be lucky. That hope was our only joy. And that’s how we came to call our little parties Joy Luck.” (Tan 12) These small gatherings consisted only of the same four women, one for each corner of the mah jong table. While bombs were going off outside, these women would keep their happiness alive with this blissful get together once a week. Later, when these women moved with their husbands to America, they naturally continued the tradition.
Each mother had high expectations for their lives as they came towards America, and especially their daughter’s lives. “In America I will have...
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...bowen/314fall/novels/lit.html) Each in their own way has learned a lot from their mothers and can see over the gap that divides them. In the Hsu family especially there is a strong sense of loyalty that is based on through each generation. “You must peel off your skin, and that of your mother, and her mother before her. Until there is nothing. No scar, no skin, no flesh.” (Tan41) It is most important in Chinese culture to remember who you are and where you came from.
Work Cited
* Tan, Amy. The Joy Luck Club. New York. Ivy Books. 1989.
* Tavernise, Peter. “Fasting of the Heart: Mother-Tradition and Sacred Systems in Amy Tan’s The Joy Luck Club.” 23 March 2000.
Salinger, J.D. The Catcher in the Rye. New York: Little, Brown and Company, 1991. Print.
Amy Tan’s novel, The Joy Luck Club uses much characterization. Each character is portrayed in different yet similar ways. When she was raised, she would do whatever she could to please other people. She even “gave up her life for her parents promise” (49), I the story The Red Candle we get to see how Tan portrays Lindo Jong and how she is brought to life.
Chinese cultural traditions such as arranged marriages, different religions, and superstitious notions, all which repress women, also influenced their character. A great deal of importance is placed on the variety of traditions that were placed on them. The theme of tradition being passed down from mother to daughter is also stressed. This particular tradition is not explicitly expressed. In order for it to be preserved and handed down it is to be observed, absorbed, and understood.
Salinger, J. D.. The Catcher in the Rye. [1st ed. Boston: Little, Brown, 19511945. Print.
America was not everything the mothers had expected for their daughters. The mothers always wanted to give their daughters the feather to tell of their hardships, but they never could. They wanted to wait until the day that they could speak perfect American English. However, they never learned to speak their language, which prevented them from communicating with their daughters. All the mothers in The Joy Luck Club had so much hope for their daughters in America, but instead their lives ended up mirroring their mother’s life in China. All the relationships had many hardships because of miscommunication from their different cultures. As they grew older the children realized that their ...
Amy Tan’s novel, The Joy Luck Club describes the lives of first and second generation Chinese families, particularly mothers and daughters. Surprisingly The Joy Luck Club and, The Woman Warrior: Memoirs of a Girlhood Among Ghosts are very similar. They both talk of mothers and daughters in these books and try to find themselves culturally. Among the barriers that must be overcome are those of language, beliefs and customs.
One type of effect the Chinese mothers’ expectations has in their relationship with their “Americanized” daughter is negative since the mothers are unable to achieve anything. An-Mei Hsu expects her daughter to listen and obey as the young ones do in Chinese culture, but instead receives a rebellious and stubborn daughter, “‘You only have to listen to me.’ And I cried, ‘But Old Mr. Chou listens to you too.’ More than thirty years later, my mother was still trying to make me listen’” (186-187). Instead of the circumstances improving, the mother is never able to achieve anything; her forcing and pushing her daughter to the Chinese culture goes to a waste. They are both similar in this sense because both are stubborn; the daughter learns to be stubborn through American culture and wants to keep herself the way she is, whereas the mother wants to remove this teaching from American culture and does not give u...
Xu, Ben. Memory and the Ethnic Self: Reading Amy Tan’s The Joy Luck Club. An excerpt from MELEUS, Vol. 19, No.1 (Spring 1994). 1994. The Society for Study of Multi-Ethnic Literature of the U.S. 5 May 2010.
To begin, we need to look towards the first recorded instance of a labor union in the United States, a union known as the Federal Society of Journeymen Cordwainers (http://www.lovkoandking.com/federal-society-of-journeymen-cordwainers---commonwealth-v-pullis.html). In 1794, a group of cordwainers, shoemakers, in Philadelphia banded together to form the United States’ first form of organized labor union through a series of strikes....
In every walk of life, people seek refuge from the judgmental perception of their contemporaries. Thus, many people live in secrecy. For them, secrecy is an absolute necessity in dodging undesired scrutiny and maintaining normalcy in public. When it comes to gender and the expression of it, lines are often blurred. While some hide, others brazenly parade their sexuality in public and their alternative perspectives on gender roles. In “The Bowery as Haven and Spectacle” from Gay New York, by George Chauncey, explores the emergence of the Bowery “fairy” bars, and how they became a sanctuary for the queer and working-class of New York City. He discusses in great length the tension that arises between the middle-class and working-class, the bars as a spectacle and a place to be entertained, the solicitation of sex work, and the makings of gay culture in the bar scene. The lines of gender were blurred when men took up cross dressing and the mannerisms normally associated with women. On the other hand, Merril Mushroom, writer of "How to Engage in Courting Rituals 1950's Butch-Style in the Bar", complies a laundry list of rules for butch lesbians on methods of attracting other women. Here, females cross gender boundaries and take on masculine personas. With this said, both pieces show the development of alternative gender identities. However, this switch in gender roles seldom occur outside the bar scene. Despite the semi-public gender blurring, those who identify with this lifestyle still feel the need to express themselves in an environment most accommodating to their blatant disregard of gender norms. The aforementioned pieces answer questions in regards to why one must live in secrecy, and how this secrecy gives way to the developme...
In the novel, The Joy Luck Club by Amy Tan, many conflicts arise between the mothers and their daughters. Problems arise from the high expectations from Chinese mothers, the mothers’ pride in their daughters, and the daughters’ disrespect towards their mothers. Two very similar problems grow and resolve in the novel. The problem between June and her mother reflects the problem between Waverly and her mother.
In The Joy Luck Club, by Amy Tan, the characters Suyuan and June have a mother-daughter relationship fraught with conflict, but ultimately rooted in deep love and commitment for one another. Because of drastic differences in the environments in which they were raised and in their life experiences, these two women have many opposing ideas and beliefs. This coupled with their lack of communication are responsible for many of the problems they encounter during the course of their relationship. These conflicts are only resolved when June learns about her mother's past and accepts their respective differences. The manner in which their relationship develops and the conflicts June and Suyuan face reveal some of the themes that Amy Tan intends for the readers to learn. These themes concern such topics as finding life's importance, making choices, and understanding ourselves and our families.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.
Pi’s character develops in several ways throughout the novel. Often, people mature with age, but life-threatening episodes can accelerate the maturation process. In Pi’s situation, the crashing of the Tsimtsum accelerates his maturation, which is a key component to his survival. More specifically, Pi becomes more spiritually mature, independent and intelligent afterwards. These changes allow Pi to cope with his surroundings and help him remain hopeful. Overall, Pi is a unique character whose personality is shaped by his life-threatening voyage, which makes him more spiritual, independent, intelligent and thankful.
The Joy Luck Club is a representation of the persistent tensions and powerful bonds between mother and daughter in a Chinese American society and is written by Amy Tan. The book illustrates the hardships both the mother and daughters go through in order to please the other. Also, it shows the troubles the daughters face when growing up in two cultures. This book reveals that most of the time mothers really do know best. Throughout all of the Jing-Mei Woo stories, June has to recall all of the memories of what her mother had told her. She remembers how her mother left her babies during the war. Junes mother felt that since she had failed as a mother to her first babies she had failed as a person. When she made June take piano lessons June thought that she was trying to make her become a child prodigy like Waverly, but her mother did this because she knew it would benefit June for the rest of her life. Because of the death of her mother, June was forced to take the place of her mother in more than just filling her place at the Maj Jong table. The mother daughter tradition was broken because the lost babies were found after the death of their mother. Junes trip to China can be seen as the completion of her mothers promise to return, honoring her sisters by attempting to transfer what she had absorbed from her mother and her tradition. And I think, My mother is right.