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Gender issues in the joy luck club
Gender issues in the joy luck club
Gender issues in the joy luck club
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Mother-Daughter Relationships in Amy Tan’s Joy Luck Club In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters. The hardest problem communicating emerges between Suyuan and Jing-Mei. Suyuan is a very strong woman who lost everything she ever had in China: "her mother and father, her family home, her first husband, and two daughters, twin baby girls" (141). Yet she finds the strength to move on and still retains her traditional values. She remarries and has Jing-Mei and creates a new life for herself in America. She is the one who brings together three other women to form the Joy Luck Club. The rift is the greatest between Suyuan and June. Suyuan tries to force her daughter to be everything she could ever be. She sees the opportunities that America has to offer, and does not want to see her daughter throw those opportunities away. She wants the best for her daughter, and does not want Jing-Mei to ever let go of something she wants because it is too hard to achieve. "America is where all my mother's hopes lay. . .There were so many ways for ... ... middle of paper ... ...ght to America" (31). The trip she makes finally helps her to understand just where her mother was coming from, why she was the way she was, and she began to forgive her for all the misunderstandings they had. The rifts between mothers and daughters continue to separate them, but as the daughters get older they become more tolerant of their mothers. They learn they do not know everything about their mothers, and the courage their mothers showed during their lives is astounding. As they get older they learn they do not know everything, and that their mothers can still teach them much about life. They grow closer to their mothers and learn to be proud of their heritage and their culture. They acquire the wisdom of understanding, and that is the finest feeling to have in the world. WORKS CITED Tan, Amy. The Joy Luck Club. New York: Random House, 1989.
Jing-mei Woo has to become a member of the Joy Luck Club in place of her mother, Suyuan Woo, who passed away. Before Suyuan's passing Jing-mei does not know much about her mother, as the story continues to develop Jing-mei realizes how much she did not know about her mother and learns more and more new things about her on her journey of finding her sisters. “Your father is not my first husband. You are not those babies” (26), this quote is from Suyuan Woo and shows Jing- mei that her mother has a lot of secrets that she does not know about. “Over the years, she told me the same story, except for the ending, which grew darker, casting long shadows into her life, and eventually into mine” (21). This quote shows how Jing-mei did not know much
At the beginning of the novel, Suyuan Woo begins telling the story of The Joy Luck Club, a group started by a small family of Chinese women during World War II, where "we feasted, we laughed, we played games, lost and won, we told the best stories. And each week, we could hope to be lucky.
The Greek army’s greatest warrior during the Trojan War, Achilles was born of the goddess Thetis and the mortal Peleus. (Murnaghan, 1997, p.xxv)“Strong, swift and godlike” as Lombardo translating Homer puts it (1997, p.5), his presence on the battlefield reverberated fear through his enemies. Being a general in the Achaean army, his original rationale as to engage...
... and in her hurry to get away, she (falls) before she even reach(s) the corner,” (87). This foreshadows the relationship between the mothers and daughters in The Joy Luck Club. The daughters can not understand the reasoning behind their mothers’ decisions. However, the mothers realize their daughters are so much like them and they do not want this to happen. The daughters grow up being “Americanized,” but as they grow older they begin to want to understand their Chinese culture. All of the characters learned many valuable lessons that will be passed on to their own children.
This story sets the stage for conflict between the Chinese mothers and their American daughters. The issue of the language barrier is a constant theme in both The Joy Luck Club and The Woman Warrior. The English language plays a major role in assimilating the new world. For Tan, there is a conflict between Chinese and English, in her real life and in her story. Tan herself stopped speaking Chinese at age five. Tan’s mother, Daisy, however, speaks "in a combination of English and Mandarin" (Cliff notes 6). Tan was taunted in high school for her mother’s heavy Shanghai accent (Cliff notes 6). Because Daisy never became fluent in English, the language problem only escalated between the two women. (Cliff notes 6) Tan expresses this stress in her novel with the character Jing-mei. Jing-mei admits that she has trouble understanding her mother’s meaning. "See daughters who grow impatient when their mothers talk in Chinese, who think they are stupid when they explain things in fractured English" (Tan 40).
Claybourne, Anna. "Achilles." Gods, Goddesses, and Mythology. Marshall Cavendish Digital, 04 Jan 2012. Web. 13 Mar. 2014. http://marshallcavendishdigital.com/articledisplay/41/8483/89264.
Most of the conflicts that June and her mother face are based on misunderstandings and negligence concerning each other's feelings and beliefs. June does not understand or even fully know her mother because she does not know about her tragic past and t he pain she still feels from the memory of it. Because Suyuan lost two daughters in China, and her entire family was killed in the war, she leaves this place behind her and places all of her hopes in America and her family there. She wants the very best for her daughter June. Even her name, Suyuan, meaning "long-cherished wish," speaks of this hope for Jing-Mei, meaning "the pure, essential, best quality younger sister." Suyuan tells her daughter June that she can be anything she wants to be, and that she has great talent. At first June is excited and dreams about what she will become: "In all my imaginings, I was filled with a sense that I would soon become perfect. My mother and father would adore me. I would be beyond reproach. I would never feel the need to sulk for anything." (Tan 143) Suyuan pushes June to be successful in many different areas such as dance, academics, trivia, and piano.
Within The David Story, the Hebraic code of justice revolves around retributive justice and how it is administered by God. Simply stated, talio is the law of God. This law is a form of retributive justice, more so a punishment identical to the crime committed. All Kings of Israel must be chosen by God, and undergo a number of steps to ascend to the throne. The first king, Saul, loses the divine favor of God after his disobedience is showcased. His predecessor, David, acts out unjustly and also loses divine favor. Once God's scornful words come to fruition, both David and Saul bear the brunt of their wrongdoing. This justice creates a sense of equilibrium weighing one's offenses against one's punishment, and balances them. Within The David Story, the law of talio is defined by God, and once Saul and David disobey God's commands, the law of talio is used in a manner in which fits their crimes and sets out for justice, and like punishments for their crimes.
“Only two kinds of daughters,” “Those who are obedient and those who follow their own mind!”(476). When a mother pushes her daughter to hard, the daughter rebels, but realizes in the end that their mothers only wanted the best for them and had their best interest at heart. In the beginning, Jing-mei, is “just as excited as my mother,”(469). Jing-mei eagerly hoped to make her mother proud. However, her mother’s obsession with becoming a prodigy discouraged Jing-mei.
The mothers really struggle to transform their daughters, but the daughters finally realize that they want to be Chinese, not because it is cool, but because they come to understand who they really are. All four daughters are able to learn something from their mother that can be used to further their relationship and bond. Despite the differences first presented, the girls each find ways to bond with their mothers and make a happy connection between their American lifestyles, and their Chinese backgrounds.
In this study, researchers wanted to know young adults’ views of marriage in the United States. In order to do so, they asked simple questions about marriage and commitment to 424 people ages 21 to 38 from various socioeconomic and ethnic backgrounds. The results showed that there are two major types of marital constructs, and two major arguments in the debate of marriage’s current state. The two categories of people who think of marriage are called the marriage naturalists and the marriage planners. Both groups of people have nearly opposite views on the idea of what is needed to be able to have a good, healthy marriage. The major arguments about the current state of marriage in the U.S are the marriage decline and the marriage resilience perspectives. These are also polarized, naturally.
Ares is the Greek god of war. His parents are Zeus and Hera and he is one of the powerful Twelve Olympians. Although both Ares and his half-sister Athena are war gods, Ares represents the cruel, physical, and violent part of war, while Athena represents the strategic part of war. He was married to the beautiful goddess of love, Aphrodite, in the Iliad. However, Ares was only her lover in the Odyssey.
Ares was is an Ancient Greek god who was common throughout Greek mythology because of his important powers and symbols. Often, Ares is still written
Charles Lane. "Justices to Hear Internet Porn Case" Washington Post. November 13, p. A08. Washington Post Company, 2002