Imagination is a quality that everyone has, but only some are capable of using. Maxine Hong Kingston wrote “No Name Woman” using a great deal of her imagination. She uses this imagination to give a story to a person whose name has been forgotten. A person whose entire life was erased from the family’s history. Her story was not written to amuse or entertain, but rather to share her aunts’ story, a story that no one else would ever share. The use of imagination in Kingston’s creative nonfiction is the foundation of the story. It fills the gaps of reality while creating a perfect path to show respect to Kingston’s aunt, and simultaneously explains her disagreement with the women in her culture. Without imagination in “No Name Woman” there …show more content…
Men are more likely to be respected than women. That’s how it is in Kingston’s story. The man who impregnated the aunt was never sought out. The townspeople did not fight to figure out who he is, they automatically blamed the woman. Even if they did find out who the man was, there is a very small chance that the village people would have done to the man what they did to the aunt. The author stands by this when she wrote about the baby saying that “it was probably a girl; there is some hope of forgiveness with boys” (Kingston 800). Perhaps if the baby was a boy the mother would have let it live, knowing that it would be treated fairly. Instead the aunt killed both herself and the child to rid themselves of the harsh criticism they were shown and going to be shown for the rest of their lives. The judgment from the townspeople and the harsh criticism women are shown is what led to a young mother to commit suicide and murder her newborn …show more content…
Instead of using the aunt as a way to warn her daughter of the consequences of having sex they may have warned her of men and the situations that girls may be in if they do not know some men’s intentions. The mother tells Kingston “Now that you have started to menstruate, what happened to her could happen to you. Don’t humiliate us” (Kingston 794). This statement leads us to believe that since the daughter is now considered a woman she has the possibility to shame her family, instead of a warning to protect her virtue it’s a warning to not disgrace the family. The man in the story may very likely have raped her and left her to deal with the consequences. The culture does not warn the daughter to be wary of men, but that she will most likely be the cause of her own
In Heinrich Von Kleist's The Marquise of O. and Charlotte Perkins Gilman's The Yellow Wallpaper, the female protagonist is terribly mislabeled. The inaccuracies in treatment, administered by seemingly authoritative and knowledgeable characters -- family members and a medically certified spouse, respectively -- result in tragic deterioration of the state of mind of both the Marquise and The Yellow Wallpaper's narrator. The delineation of each character's weakness is comprised of blatant references to an applied infantile image and approaching unstable mentality. In The Marquise of O, the Marquise is thrust unwillingly into the external world; in The Yellow Wallpaper, the narrator is locked away unwillingly in an interior world. Though both are persecuted because of their gender, in The Marquise of O, the Marquise is troubled by the symbolic rebirth of her womanhood; while in The Yellow Wallpaper, the narrator is troubled by the symbolic death of her womanhood.
Different environment makes people gradually different way of thinking and values, the roles have their own experience of background influence in the formation of their personality. Maggie and Dee has an opposite trait to generate their mother’s attitude toward different way. Alice has cleverly written by black people of generation complex attitude on the ideas and cultural heritage in Everyday Use. Mother-daughter relationship also is complicated in those two articles. In No Name Woman, the mother tells the daughter a story about her aunt and do not allow tell anyone else. The mother is traditional person and she hopes the daughter go with her. Both two articles shows conflict between traditional and new, mother and daughter’s relationship.
This was the illustration of this entire story. As the story goes it present a lot perspective and though of the mother and very little of the girl. More importantly, the story shows that the mother doesn’t really care about how the girl feels about her advice; it wasn’t a choice either she take her advice and become a good daughter and a good wife in the future or she will become known a “slut” who doesn’t follow her tradition. This story will make you wonder if the girl will ever become the perfect girl that her mother wants her to be or if she gets use to the American tradition and not be the perfect girl her mother ought her to
...irth, they are least appreciated for the pain if their child turns out ot be 'wrong'. This can be displayed from the incident which happened to Aunt Harriet. She gave birth to a deviational child and when she asked her sister, Mary Strorm, for help, she was rejected and humiliated instead when all she wanted to do was save her innocent child. Therefore, the women are to bear all the consequences and blame for a deviational child and the males are never blamed for this.
Maxine Hong Kingston's The Women Warrior explores the tension of individual and collected identity through storytelling. In the three short stories, "No Name Woman," "White Tiger," and "A Song for a Barbarian Reed Pipe," Kingston uses narratives as her main strategy to question the traditional Chinese community that remains undisrupted, and that continues to oppress women. In analyzing the autobiography, Kingston uses silence to show the oppression, while the storytelling serves as a form to find her own voice. Each of the stories refer to women who Kingston has identified with- women without a voice, they serve as a reminder of hope and what she could become. She integrates oral storytelling told by her mother to indicate the unresolved experiences, and to add her own interpretation of them. In a way, her mother serves as the guide for Kingston who wants to find her own voice and break the barriers of oppression. The autobiography is about the
This paper argued that the mother in Jamaica Kincaid’s short story “Girl” is loving towards her daughter because the mother is taking time to teaching her daughter how to be a woman, and because she wants to protect her in the future from society’s judgment. Kincaid showed that the mother cared and loved her daughter. The mother wants her daughter to know how to run a home and how to keep her life in order to societies standards. Alongside practical advice, the mother instructs her daughter on how to live a fulfilling
Kingston’s “No Name Woman” is a story that revolves around morals, society and family expectations, and women role in society. Kingston writes the story of her aunt that committed suicide in China and she has never heard of until her mother spoke of her once. The purpose of Kingston story is to show women role in China and how women were trap in their society.
The main character is completely alienated from the world around him. He is a black man living in a white world, a man who was born in the South but is now living in the North, and his only form of companionship is his dying wife, Laura, whom he is desperate to save. He is unable to work since he has no birth certificate—no official identity. Without a job he is unable to make his mark in the world, and if his wife dies, not only would he lose his lover but also any evidence that he ever existed. As the story progresses he loses his own awareness of his identity—“somehow he had forgotten his own name.” The author emphasizes the main character’s mistreatment in life by white society during a vivid recollection of an event in his childhood when he was chased by a train filled with “white people laughing as he ran screaming,” a hallucination which was triggered by his exploration of the “old scars” on his body. This connection between alienation and oppression highlight Ellison’s central idea.
The “Girl” written by Jamaica Kincaid is essentially a set of instructions given by an adult, who is assumed to be the mother of the girl, who is laying out the rules of womanhood, in Caribbean society, as expected by the daughter’s gender. These instructions set out by the mother are related to topics including household chores, manners, cooking, social conduct, and relationships. The reader may see these instructions as demanding, but these are a mother’s attempt, out of care for the daughter, to help the daughter to grow up properly. The daughter does not appear to have yet reached adolescence, however, her mother believes that her current behavior will lead her to a life of promiscuity. The mother postulates that her daughter can be saved from a life of promiscuity and ruin by having domestic knowledge that would, in turn also, empower her as a productive member in their community and the head of her future household.
...ut men, family ties and financial stability would be difficult to obtain, which were necessary to secure an identity in the early south. Early Southern women were ultimately forced to identify themselves by the males to which they were tied. Three female characters from the works read thus far, struggled without men to identify them. For Désirée, her past and family heritage proved too much to overcome. Without the surname provided by her husband, Désirée was without an identity to call her own and gave way to societal code. Yet, due to their internal fight for self-satisfaction, Lena and Janie were able to overcome their lack of identity by establishing their own without the aid of a male. In conclusion, identity is attainable for some women. However, it takes a Southern woman dedicated to her own beliefs to overcome such obstacles and return stronger than before.
Kingston’s mother takes many different approaches to reach out to her daughter and explain how important it is to remain abstinent. First, she tells the story of the “No Name Woman”, who is Maxine’s forgotten aunt, “’ Now that you have started to menstruate, what happened to her can happen to you. Don’t humiliate us. You wouldn’t like to be forgotten as if you had never been born”’ (5), said Maxine’s mother. Kingston’s aunt was murdered for being involved in this situation. The shame of what Kingston’s aunt brought to the family led them to forget about her. This particular talk-story is a cautionary tale to deter Kingston from having premarital sex and to instill in her fear of death and humiliation if she violates the lesson her mother explained to her. Kingston is able to get pregnant but with the lecture her mother advises her with keeps her obedient. Brave Orchid tells her this story to open her eyes to the ways of Chinese culture. The entire family is affected by one’s actions. She says, “‘Don’t humiliate us’” (5) because the whole village knew about the pregnant aunt and ravaged the family’s land and home because of it. Maxine tries asking her mother in-depth questions about this situation, but her m...
In the story, the narrator is forced to tell her story through a secret correspondence with the reader since her husband forbids her to write and would “meet [her] with heavy opposition” should he find her doing so (390). The woman’s secret correspondence with the reader is yet another example of the limited viewpoint, for no one else is ever around to comment or give their thoughts on what is occurring. The limited perspective the reader sees through her narration plays an essential role in helping the reader understand the theme by showing the woman’s place in the world. At ...
Have you ever judge a book by the cover or made a bad first impression without getting to know the person first? Human beings need to come to the realization that everyone come from different walks of paths. We need to stop labeling people as "the other." No-Name Woman, Kingston 's aunt experienced Edward Said 's concept through the people in her village by them looking at her situation through a one-sided lens. The village that Kington 's family lived in had a preconceive notion on what the people should behave like and adultery was like a sin and a crime no matter of the circumstances.
When Kincaid wrote, “this is how you hem a buttonhole…” the process to hem a buttonhole began to symbolize a sense of domesticity to save her “sexual reputation”. The mother is so strongly bent on straying the daughter away from anything that could affect their reputation. Consequently, she is forcing her daughter into social norms and stereotypical ways a woman is expected to behave. In a way, it can be said that the mother is domesticating her daughter into a life to keep her from promiscuity. Before the mother says, “… the slut you are so bent on becoming” (Kincaid 92) each time, she states a certain way the daughter should behave. From this we can see that the mother believes that women can only be seen two ways: of respect or of promiscuity. Due to this belief, it can be concluded that the mother will say and do anything to her daughter to shape her into a respectable member in their society and creating her into the stereotypical woman. Kincaid faced this exact situation in her childhood when her mother tried to domesticate her, when she did not seek to be a social norm. Kincaid was disapproved of by her family when she became a writer, much like the daughter in Girl would be. Kincaid uses the mother’s instructions on sweeping, cooking, cleaning, shopping, and gardening to express the domesticity that is expected from the daughter to turn her into the
Historically, compared to men, women were underprivileged and inferior in society. In A Room of One’s Own, the narrator explains, “Here then was I (call me Mary Beton, Mary Seton, Mary Carmichael or by any name you please - it is not a matter of any importance)”(Woolf 340). The action of providing a name is an identifier for a person. The narrator may be inferring that women have a hard time establishing themselves a personal identity. The anonymous narrator is