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Themes and poetic style of Sylvia Plath
Themes and poetic style of Sylvia Plath
Lady lazarus by sylvia plath research paper
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Sylvia Plath’s poem Lady Lazarus tells a haunting tale of attempted suicide and self empowerment. “Poem Analysis: Lady Lazarus” written by Axelle Black breaks the poem down stanza by stanza and individually interprets them. She draws upon Plath’s own life as well as textual evidence within the poem to present her interpretation in a clear, logical manner. Through her analysis, Black provides deeper understanding and appreciation of the poem in its entirety. One insight brought forth by Black’s analysis is the concept of Plath being stuck in the rut of societal expectations. She interprets the phrase “My right foot/ A paperweight” as alluding to the idea that Plath “cannot escape these archetypes that live in her given that she feels as if she were nailed to the ground, too heavy to move or act against these.” This notion of being observed and judged by society crops up throughout the poem. Plath first mentions society in stanza four when she proclaims “Peel off the napkin/ O my enemy/ Do I terrify?” Society once again surfaces in stanza nine when Plath states “The peanut-crunching ...
In the excerpt from the novel Under the Feet of Jesus by Helena Viramontes, the story of a girl named Estrella is described. Throughout the story, Estrella learns a valuable lesson from a box of tools. Viramontes’s use of the literary elements such as selection of detail, figurative language, and tone are implicated to display the development of Estrella’s character. Estrella, a very timid girl at first, eventually becomes confident and capable of succeeding in school after she learns a lesson from a box of tools.
In the United States, the hierarchical system that dominates the social landscape has created a pool of power for those who sit at the top of the social ladder. This system has power trickling down from the top to those at the bottom: those who work hard and get recognized the least. This creates a conflict between the oppressed and the oppressor, and eventually those who are oppressed use those drops of power to fight for their basic human rights. In an excerpt from Gloria Anzaldúa’s book Borderlands/La Frontera: The New Mestiza, Anzaldúa explains the complications of oppressed people developing counterstances with their oppressors. In Helena Maria Viramontes novel Under the Feet of Jesus, Viramontes develops a female character named Estrella
The poetry of Phillis Wheatley is crafted in such a manner that she is able to create a specific aim for each poem, and achieve that aim by manipulating her position as the speaker. As a slave, she was cautious to cross any lines with her proclamations, but was able to get her point across by humbling her own position. In religious or elegiac matters, however, she seemed to consider herself to be an authority. Two of her poems, the panegyric “To MAECENAS” and the elegy “On the Death of a young Lady of Five Years of Age,” display Wheatley’s general consistency in form, but also her intelligence, versatility, and ability to adapt her position in order to achieve her goals.
Throughout his villanelle, “Saturday at the Border,” Hayden Carruth continuously mentions the “death-knell” (Carruth 3) to reveal his aged narrator’s anticipation of his upcoming death. The poem written in conversation with Carruth’s villanelle, “Monday at the River,” assures the narrator that despite his age, he still possesses the expertise to write a well structured poem. Additionally, the poem offers Carruth’s narrator a different attitude with which to approach his writing, as well as his death, to alleviate his feelings of distress and encourage him to write with confidence.
The conceit in line 8, “like an iceberg between the shoulder blades” (line 8), illustrates the briskness death emanates whilst taking the life from the warmth of your body. This ice and fire comparison coaxes the reader to pursue the unwelcoming thought of death as the adverse path to travel by. By no means does Oliver attempt to romanticize the idea of a brief and painless endeavor. Furthermore, the recurrence of cessation illustrated by the “hungry bear in autumn” (2) simile suggests the seasonal regularity death’s toll takes on the living. The presence of frequency characterizes the shift in forbearance to the acceptance of the inevitable. Oliver is caught up in reminiscent thought as she employs worldly imagery to describe life. For example, in lines 15-16 Oliver writes “and I think of each life as a flower, as common / as a field daisy.” This line stands out in the fact that it represents the first occurrence of communal thought. Describing each life as a “flower” in a “field” suggests that life is supposed to be about the people whom you surround yourself with, and less about the solidarity that stems from the notion of darkness. Oliver’s implication of poetry and down-to-earth imagery captures not only the progression of thought, but also her feelings towards the concepts of life and
The Unabridged Journals of Sylvia Plath: 1950-1962. 430 Ed. Karen V. Kukil. Transcribed from the original manuscripts at Smith College. New York: Anchor, 2000.
..., the content and form has self-deconstructed, resulting in a meaningless reduction/manifestation of repetition. The primary focus of the poem on the death and memory of a man has been sacrificed, leaving only the skeletal membrane of any sort of focus in the poem. The “Dirge” which initially was meant to reflect on the life of the individual has been completely abstracted. The “Dirge” the reader is left with at the end of the poem is one meant for anyone and no one. Just as the internal contradictions in Kenneth Fearing’s poem have eliminated the substantial significance of each isolated concern, the reader is left without not only a resolution, but any particular tangible meaning at all. The form and content of this poem have quite effectively established a powerful modernist statement, ironically contingent on the absence and not the presence of meaning in life.
"Sylvia Plath poem written two weeks before she died reveals 'disturbed' state of mind." The Telegraph. Telegraph Media Group, 30 Apr. 2013. Web. 1 June 2014.
In the New Testament of the Bible, Lazarus is a man who rises from the dead at the command of Jesus Christ (John 11:38). The title of this poem, "Lady Lazarus"(the "Lady" without a doubt referring to Plath herself, as this is an example of confessional poetry; the "Lazarus" being an allusion to the biblical figure) is an accurate indicator of the content of the poem. "Lady Lazarus" is about Plath's third attempt at suicide, and her subsequent 'resurrection'. In lines 65-79, Plath develops the speaker's contempt for the doctors who brought her back to life. Through this, Plath develops the character's paranoia.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
Overall, the imagery that Plath creates is framed by her diction and is used to convey her emotions toward all relationships and probably even her own marriage to Ted Hughes, who had rude, disorderly habits. Even the structure of the poem is strict in appearance as each stanza ends with a period and consists of exactly six lines. In addition, the persona of the poem is very detached and realistic, so much that it is hard to distinguish between her and Plath, herself. However, Plath insinuates that the woman actually wants love deep down, but finds the complexity and unpredictability of love to be frightening. As a result, she settles for solitude as a defense against her underlying fear.
Five years later her father retired from his job to take care of all of the children and happened upon Lazarus’ poetry notebooks. After reading them and taking a great liking to them, he carried the poems off without Lazarus’ consent and had them published for private circulation. When Lazarus was informed, her poems had already received much praise so, adding t...
Leenaars, A. A. & Wenckstern, S. (1998). Sylvia Plath: A protocol analysis of her last poems. Death Studies, October 1, 1998, Vol. 22, Issue 7, ISSN: 0748-1187. Retrieved May 6, 2005 from Academic Search Premier Database.
In Sylvia Plath’s poem “Mirror”, the reader takes a look into the messages presented and compares them with the reflections that are cast in a mirror and images in a lake. When reading this poem, we discover that the speaker is the actual reflection that gives the interpretation of its views. The first interpretation is shown as a mirror on the wall “I am silver and exact. I have no preconceptions.” (1), second as the water in the lake because she states “Now I am a lake.” (10), and third through the eyes of an aging woman that is revealed in line 17 “In me she has drowned a young girl, and in me an old woman/ Rises toward her day after day…”
Losing a loved one is one of the hardest experiences every person must go through. The experience does not end with the loss though, but begins with it. The loss of a dear person leads those left behind into a downward spiral of emotions and memories. A poem entitled “Lucy Gray” by William Wordsworth focuses on that loss and the emotions that follow it. By reading the poem one can objectively experience both the grief that Lucy Gray’s death brings on but also her parents’ acceptance of her death.