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Sylvia Plath death theme in her poems
Confessional elements in Sylvia Plath's poem
Comment on the themes of death and suicide in the poetry of Sylvia Plath
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Precursors to Suicide in Life and Works of Sylvia Plath and Sarah Kane
Introduction
We are going to describe factors associated with the suicidal process in lives of Sarah Kane and Sylvia Plath as reflected in the late works of these two female authors who committed suicide when they were 27 and 30 years old. Antoon Leenaars and Susanne Wenckstern (1998) have written: ?Suicide notes are probably the ultrapersonal documents. They are the unsolicited productions of the suicidal person, usually written minutes before the suicidal death.? Literary works of suicidal authors written in the time before their death can be read as such suicide notes.
It is possible that the suicidal process set off before Sarah Kane started to write her best play and before Sylvia Plath wrote the best poems of her life. They might have been either created in an attempt to set the suicidal process back (Viewegh, 1996) or as a pure manifestation of this suicidal process which might have brought about sudden burst of strong internal creative powers. In both cases we might take these works as suicide notes and poetic accounts on a dramatic search for the meaning of life and existence.
Nevertheless no suicide note is able to give a complete account of the suicidal mind. Such a note must be put in the context of the individual life as Shneidman said (1980) and in the context of broad theoretical formulations about suicide and personality functioning in general as stated by Leenaars (1988) if one wants to understand the motives lying behind.
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Risk Factors for Suicide
Very concise description of risk factors for suicide has been offered by Leenaars (1988) and is based on studies of 10 theories of suicide. There are 5 subcategories included under the intr...
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Leenaars, A. A. & Wenckstern, S. (1998). Sylvia Plath: A protocol analysis of her last poems. Death Studies, October 1, 1998, Vol. 22, Issue 7, ISSN: 0748-1187. Retrieved May 6, 2005 from Academic Search Premier Database.
Plath, A. & Plath, S. (Eds.) (1975). Letters Home. London: Faber and Faber.
Shneidman, E. S. (1980). Voices of death. New York: Harper & Row.
Shneidman, E. S. (1982). The suicidal logic of Cesare Pavese. Journal of the American Academy of Psychoanalysis, 10, 547-563.
Stirman, S. W. & Pennebaker, J. W. (2001): Word Use in the Poetry of Suicidal and Nonsuicidal Poets. Psychosomatic Medicine. 63, p. 517-522 � 2001 American Psychosomatic Society, Retrieved December 20, 2004 from http://www.psychosomaticmedicine.org/cgi/content/full/63/4/517
Viewegh, J. (1996). Sebevra?da a literatura (Suicide and literature). Brno: Nakladatelstv� Tom�?e Jane?ka
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The Unabridged Journals of Sylvia Plath: 1950-1962. 430 Ed. Karen V. Kukil. Transcribed from the original manuscripts at Smith College. New York: Anchor, 2000.
The Editors of Encyclopædia Britannica. "Sylvia Plath (American author)." 23 September 2013. Encyclopedia Britannica Online. 9 April 2014 .
Sylvia Plath, a great American author, focuses mostly on actual experiences. Plath’s poetry displays feelings and emotions. Plath had the ability to transform everyday happenings into poems or diary entries. Plath had a passion for poetry and her work was valued. She was inspired by novelists and her own skills. Her poetry was also very important to readers and critics. Sylvia Plath’s work shows change throughout her lifetime, relates to feelings and emotions, and focuses on day to day experiences.
"About." Personal Blog, n.d. Web. 15 Nov. 2015. [When finding an explanation for the similarities between the writers, it is important to play close attention to biographies. In case the psychoeconomic factors that Ruonco describes are true, then biography constitutes most of the development of the Sylvia Plath affliction. Moreover, the biography provides an insight into the views of the author for a better and more accurate understanding of her poetry. Furthermore, it is imperative to use her auto-statement since she referres to her "muse" as something out of her control which can be traced to Kaufman's
Khan, M. M., & Mian, A. I. (2010). ‘The one truly serious philosophical problem’: Ethical aspects of suicide. International Review Of Psychiatry, 22 (3), 288-293. doi:10.3109/09540261.2010.484017
Sylvia Plath’s life was full of disappointment, gloominess and resentment. Her relationship status with her parents was hostile and spiteful, especially with her father. Growing up during World War II did not help the mood of the nation either, which was dark and dreary. At age 8 Plath’s father of German ancestry died of diabetes and even though their relationship was never established nor secure, his death took a toll on her. “For Sylvia, who had been his favorite, it was an emotional holocaust and an experience from which she never fully recovered” (Kehoe 90). Since she was so young she never got to work out her unsettled feelings with him. Even at age eight, she hid when he was around because she was fearful of him. When she was in his presence his strict and authoritarian figure had left an overpowering barrier between their relationship. Sadly enough by age eight Plath instead of making memories with her dad playing in the yard she resented him and wanted nothing to do with him (Kehoe). These deep-seated feelings played a major role in Plath’s poetry writings. Along with his “hilterian figure,” her father’s attitude towards women was egotistical and dismissive, uncondemning. This behavior infuriated Plath; she was enraged about the double standard behavior towards women. Plath felt controlled in male-dominated world (Lant). “Because Plath associates power so exclusively with men, her conviction that femininity is suffocating and inhibiting comes as no surprise” (Lant 631). This idea of a male-dominated world also influenced Plath’s writing. Unfortunately, Plath married a man just like her father Ted Hughes. “Hughes abandonment apparently stirred in her the memories and feelings she had struggled with when her ...
Psychologist Lisa Firestone had come to a conclusion that the main driving factor behind suicide and suicide attempts was an inner voice which disconnected the individual from the real world and from selflessness. The voice centers around the ego and weakens the conscience of the individual, leading them to believe they are unworthy of living and undeserving of human love. She believes that human beings who have suicidal attempts do not do it out of their own accor...
Before committing suicide at the age of thirty, Sylvia Plath produced many poems and one novel, most of which are primarily based on her own life. Plath’s novel, The Bell Jar, was written only a few years before her suicide, and her poem “Daddy” was composed just weeks before she died. These works both deal with mental illness, feelings of victimization or oppression, and failed relationships with men: aspects of Plath’s life that sprung from the early influence of her father. Sylvia Plath’s relationship with her father and his premature death are expressed in the main character Esther’s relationships with men and eventual suicide attempt in The Bell Jar.
Giles, Richard F. “Sylvia Plath.” Magill’s Critical Survey of Poetry. Ed. Frank N. Magill, b. 1875. Pasadena: Salem Press, 1992.
Sylvia Plath's poems are so intervened with her life that it is difficult to separate them. Her poems, she said in an interview she gave to Peter Orr in October 1962, a few months before her suicide that they come out immediately out of the sensuous and emotional experience she had. Therefore, she decried the cries of heart informed by nothing “except a needle or a knife” (Orr 169). This applies to her last volume Ariel as well. In the same interview she said that one should be able to control and manipulate those experiences, even the most terrified with intelligent mind. This is an exact process of her poetry, i.e. the manipulation of the terrifying experiences of her life. This betrays her emphasis
Sylvia Plath was an American short-story writer, poet and novelist. She was born on October 27, 1932 to parents, Otto and Aurelia Plath, who lived in the Boston suburb of Jamaica Plain. Sylvia wrote her first poem at the age of eight, and the work was published in the Boston Herald. Sylvia started to keep journals beginning in 1944. This hobby became an important part of her life and helped people to understand Sylvia’s emotions after her death. In 1950 Sylvia won a scholarship and went to the Smith College. She also started to publish her works in national periodicals. The combination of work and studies created stressful conditions, and in 1953 Plath made her first suicide attempt with the aid of sleeping pills. She recovered from this nervous
Sylvia Plath was born on October 27th, 1932 to her dad, Otto Plath, who was a professor of Biology (and an expert on bees) and her mother, Aurelia Plath. Her father died when she was eight years old from “surgery-related complications” which may have been linked to his diabetes. Although her father wasn’t particularly nice to her, his death still caused a rupture in her life, which never completely healed from. Plath excelled in school which eventually led to her getting a scholarship to go to Smith College. During her first year, she excelled and had no problem whatsoever with depression. During her second year at Smith she began writing articles in newspaper which caught the eye of many readers. I 953, she got an internship at the magazine
Plath’s father died early in her life leaving her with unresolved feelings, and this brought a lot of troubles later on in life. Sylvia was a great student but when she was overwhelmed with disappointments after a month in New York, she attempted suicide (“Sylvia Plath”). After receiving treatment and recovering, she returned to school and later moved to England where she met her future husband, Ted Hughes (“Sylvia Plath”). Their marriage with two children didn’t last when Ted had an affair. They separated and Ted moved in with the new woman, leaving Sylvia and their two children. Battling depression during this time, Sylvia soon ended her life. She left behind numerous writings that many might see as signs of her depression and suicide attempts.
Through her dark and intense poetry, Sylvia Plath left an eternal mark on the literary community. Her personal struggles with depression, insecurities, and suicidal thoughts influenced her poetry and literary works. As a respected twentieth century writer, Sylvia Plath incorporated various literary techniques to intensify her writing. Her use of personification, metaphors, and allusions in her poems “Ariel,” “Lady Lazarus,” and “Edge”, exemplifies her talent as a poet and the influence her own troubled life had on her poetry.
New Haven: Yale University Press, 2004. Print. The. Suicide and Suicidal Behaviors. Suicide : Medline Plus.