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The impact of the Spanish conquest
Impacts from the Spanish conquest
Deer hunting traditions
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The Deer Dance, sometimes referred to as La Danza del Venado, originated in Sonora, Mexico by the Yaqui people and spread into southwestern part of Arizona. As with all the Yaqui’s dances, this is dance represents part of Yaqui’s culture and has been passed down through the generations. Unlike many dances that have been influenced by Europeans, the Deer Dance performed today is basically the same dance as it was centuries ago because the Yaqui people, during the Spanish conquest of Mexico, fought for their culture which prevented the Europeans from influencing changes within the dance. This dance is unique and is well known and respected for its spiritual aspects as wells as primitive and ritual qualities.
The Yaqui people believed in the four forces of nature: wind, water, lightning, and thunder. They watched and observed nature. They examined
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the patterns and characteristics of plants and animals. This includes the gracefulness and swiftness of the white tail deer. When the Yaqui people expected the arrival of a plant or animal, they would celebrate. These celebrations consisted of ceremonies the entailed performances that actually portrayed what the Yaqui’s desired. When hunting season began, the Yaqui people would dance the Deer Dance. The Deer Dance, as the name suggests, symbolizes an intense deer hunt.
The dancers are graceful, elegant, and strong white tail deer that are running through the woods, searching for other animals, and being cautious of human hunters. The dancer is elegant but athletic at the same time jumping through the air simulating the gracefulness of the white tail deer. The dancer portrays the feeling of freedom that all wild things have. The dancer moves his body with proud and deliberated movements the same movements as a white tail deer running through the forest, jumping over fallen trees, listening to the sounds of nature, and stopping for a drink of water. At the end of the dance, the deer (dancer) comes across a group of hunters who stalk him as if he is pray. They pursue him with bows and arrows. In the end, the hunters win and the beating of the deer’s heart stops beating. The deer gives its life to the hunters so the hunters can exist. Through this dance, the Yaqui people gives praise to the deer’s spirit, shows the harmony and balance that exist between nature and man, and says thanks to the cycle of
life. The Deer Dance isn’t only composed of graceful movement but also of the dress of the dancer. The dancer is wearing a head piece which resembles the head and horns of a deer. The head piece is tied around the dancer’s chin with a leather strip. The dancer is also wearing only breechcloth around the waist. On his belt, he has deer hoofs hanging. And, around his ankles, he has cocoon rattles that are used produce the sound of leaves being blown in the wind. He is also wearing a wood mask that has a human or goat face painted on it. This outfit enhances the emotion and feelings of freedom, wilderness, and existence between man and nature that is portrayed in the Deer Dance. The Deer Dance is not complete without music. The music for this dance is created with the reed flute, percussion, rasps, and rattles. There is also chanting that assist the dancers. The music along with the dancing moves and costumes creates a spectacular performance that honors the deer’s spirit with great thanks. The Deer Dance and its music is the most popular music/dance of the Yaqui people. The dancer is known as a pascola which means Easter. The deer dancers, or pascola dancers, normally perform the Deer Dance many times during the year at religious and social gatherings. The dance is especially performed many times during Lent and Easter. The deer dancer doesn’t just know and perform the dance. He is normally hosting the parties and a story teller.
According to Kawagley, the worldview of the Yupiaq society is very basic in how they relate to ella, or the universe. The Yupiaq believe that the land is giver of life (p.7). Kawagley himself viewed nature as a part of themselves. They lived in harmony with the world around them and learned how to relate to other humans and the natural and spiritual worlds (p.8).
The story explores many vital concepts accompanied by beautiful illustrations. I felt a strong sense of cultural understanding, spirituality and connection to family and land as though I was on this journey too. I could sense an underlying meaning in each dance, holding great importance to Bertie’s family and a strong connection to their culture. Pryor has attempted to fuse the then and now, by speaking of changes in the land, from a once spiritual gathering place, to a now busy town street where through food, they keep the culture alive (Pryor, 2010).
The killing of the deer is symbolically the main point in this short story as it is Robert’s psychological outburst with him trying to face his wife’s death and finally becoming content with
Peña, Manuel H. "Ritual Structure in a Chicano Dance." University of Texas Press: Latin American Music Review Spring- Summer 1980 1.1 (1980): 47-73. Print.
While the man is thinking about the wolf and the impact it had on its surroundings, he knows that many people would be afraid of the it. Realizing that something can be both “terrible and of great beauty,” the man's sense of awe is heightened. While laying under the moonlight, the man thinks about the wolf both figuratively and literally running through the dew on the grass and how there would be a “rich matrix of creatures [that had] passed in the night before her.” Figuratively, this represents the wolf running into heaven. However, the man imagining the wolf literally running and the beauty of her free movements across the “grassy swale” creates a sense of awe that he has for the wolf. A wolf running towards someone would be terrifying, but a wolf running with freedom is magnificently beautiful. After imagining this, the man knows that even though wolves can be terrifying, “the world cannot lose” their sense of beauty and
The author uses diction in the passages to signify the effect of the author¡¯s meaning in story and often sway readers to interpret ideas in one way or another. The man in the story arrives to a ¡°[dry] desert¡± where he accosts an animal with ¡°long-range attack¡± and ¡°powerful fangs.¡± The author creates a perilous scene between the human and animal in order to show that satisfaction does not come from taking lives. With instincts of silence and distrust, both of them freeze in stillness like ¡°live wire.¡± In addition, the man is brought to the point where animal¡¯s ¡°tail twitched,¡± and ¡°the little tocsin sounded¡± and also he hears the ¡°little song of death.¡± With violence ready to occur, the man tries to protect himself and others with a hoe, for his and their safety from the Rattler. The author criticizes how humans should be ¡°obliged not to kill¡±, at least himself, as a human. The author portrays the story with diction and other important techniques, such as imagery, in order to influence the readers with his significant lesson.
John Dunbar makes contact with the Indians while being posted on the frontier. As his relationship develops with Kicking Bird and both gain each other’s trust, he becomes part of the Indian community; his final transition can be seen when he is known by the name Dances with Wolves. The differences between the white and the Indian community are shown to the viewer while Dunbar is exploring it and is becoming aware of the differences himself. Some of the differences are shown in the ways and objectives of hunting the buffalos. While the Indians use the buffalos for both food and use the skin for clothes, the white man hunts down buffalos for their skin and horns “killed only for their tongs and the price of their hides.” Dunbar says “One thing is clear however there is no buffalo and it weighs heavily on their minds.” This shows how important the buffalos are for the Indians, as their absence is a problem for thei...
The origin of Mexican Folklorico dances originate from Mesoamerican days when the Mayas and the Aztecs
This picture to me is saying that even when a mule deer has died and the only thing left is bones and its horns, there is still life with that deer. The deer has lived a life that none of us could have imagined, no one but that deer could tell the story of its life. The mule deer is a symbol of living and how nature can be so hard on animals. The picture makes you feel like the deer is staring at you and that maybe it is trying to tell you something. I know the excitement that comes with hunting and when you shoot that deer and come up to it, there is nothing in this world that feels better. It is really hard to explain the feeling that comes with hunting, but this picture is a deer that has died and it could have been by a hunter or it could have been just old age or disease. It is hard to tell with this picture what has happened to the mule deer.
“The Sun Dance was the most spectacular and important religious ceremony of the Plains Indians of 19th-century North America” (Lawrence 1). The Sun Dance became a time of renewal and thanksgiving for Native Americans. Everyone had a role to play either in the preparation leading up to the dance, or within the dance itself. The entire tribe was expected to attend the ceremony. There were also some social aspects to the dance, such as powwow dancing in the afternoon and evening.
This represents the vast array of individuals from the society during this time that took pleasure in telling stories about others. These individuals found amusement in writing, reading, and telling stories that were centered around the lives of other human beings. It didn’t matter if the stories were true or not. What mattered to these individuals was being entertained. This touches on the thematic concern of control because the stories eventually became so powerful that they started to strip people of their humanity. Louise, among others, became nothing more than a single narrative. The lack of concern displayed by the dancers represents the danger of a single story because the dancers are reacting to the world around them in the same manner exemplified by those who tell stories. Both groups are too caught up in their own lives to stop and take a look at what’s right in front of them. Those who tell stories are unable to see Louise as anything other than Perma Red because they are blinded by the ignorance of
All around the world, there are thousands of cultures. Although they are different, every culture partakes in dance. Dancing is something known worldwide. Every culture has traditional cultural dancing they partake in. Mexico has many cultural dances. La danza del venado is one traditional dance from Northern Mexico. La danza del venado, is known as the deer dance.
He said “The dancers go around, they go around and” (line.2). This phrase is a descriptive one that explain to us how people were dancing. Furthermore, the author took most lines on his poem to describe the specific way people were dancing, because he was mostly passionate about the dancers and the way they were shaking their bodies and hips. Also, at some festival, people perform traditional dances that can be new to us and sometimes impossible for us to dance. Although, this poem reminds me of my culture dance moves, it also reminds me the fact that I still cannot perform some of my culture’s dance moves.
I am always excited to see a professional dance company perform for an audience of people who are appreciative of dance as an art form. There was almost a buzz in the air with excitement to see the company perform, which made waiting for the performance to begin so much more difficult. The works presented by the company displayed the beauties of nature through the imitation of animals and displaying the emotions that are evoked by nature.
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By