La Danza Del Venado
All around the world, there are thousands of cultures. Although they are different, every culture partakes in dance. Dancing is something known worldwide. Every culture has traditional cultural dancing they partake in. Mexico has many cultural dances. La danza del venado is one traditional dance from Northern Mexico. La danza del venado, is known as the deer dance. The danza del venado, is a dance from the native Yaqui in northern Mexico. It originated in the state of Sonora, and all the way through the Sonora desert. The dance was created by the Yaqui people, to describe and celebrate the deer 's life and death. To the Yaqui people, the deer is a sacred animal. La danza del venado, represents a tribe member sacrificing
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The deer holds rattles in each hand, and has beads that make sound when they move around each foot. The headdress that the performer wears can be seen as a prop as well. The headdress is a deer head. It helps the performer develop the feeling of being one with the deer itself. The hunters who stalk the deer, have bows and arrows. These props are essential to creating the image that the dance is portraying. Costumes are also vital to the story of the dance. The deer performer wears a simple costume. He wears a cloth around the lower part of his body, and is shirtless. The headdress is the most important part of his costume. The headdress is a deer head. In addition his props of rattles tie in to his costuming. If there are hunter in the performance of la danza del venado, they usually are wearing loose white pants with a belt. They also wear rattles around their lower legs and feet. In addition the hunter might also wear a small headdress. The costuming of la danza del venado has stayed the same throughout its history. The music in la danza del venado sets the mood for the story. The rhythm of the music coincides with the pace of the deer performer. The music slows as the deer starts to die, and speeds up when interacting with the hunters. The instruments used in la danza del venado music are percussions. Such as: the reed flute, percussions, rasps, gourds, rattles. In addition to the instruments. Chanting
In the article "Sacred Sustenance: Maize, Storytelling, and a Mayan Sense of Place," the author, Leah Alexandra Huff, is arguing that Ethnographers should pay more attention to stories because they allow for a deeper understanding of cultures. To support her argument, she uses the example of the significance of maize in the Mayan civilization as well as their sense of place. Huff first describes the importance of place in building and maintaining a community and developing it identity. She explains that place was important for indigenous communities such as the Mayans because land was part of their cultural and spiritual systems. Huff then goes on to detail the importance of storytelling. She argues that storytelling helps create identity,
The mask is part of the ceremony known as "the Dance of the Goats” or La Danza de los Chivos. The mask on masksoftheworld.com is from Chilpancingo, State of Guerrero, Mexico. However, the traditional Dance of the Goats began in Zitlala, State of Guerrero, Mexico. The villagers created the dance after the Mexican Revolution in 1910. After the war, an epidemic took place that eliminated almost all livestock in the area. Even with the epidemic, the people were able to complete the construction of their primary church, but afterwards were left with nothing. They decided to approach the patron saint of the village, St. Nicholas to express their concerns and worries. Once they were before him, they dressed and danced as goats. Afterwards, the villagers believed that Saint Nicholas had performed a miracle. From then on, they perform the ceremony every year on the day of St. Nicholas on September 10th. The dance represents the tradition of rural life that portrays peasant life and the daily struggle to keep the heritage of peasant families alive. The idea is to capture daily life through art. The purpose of the mask used in this dance is to transform the dancers into the character of a goat.
“El es Dios!” And so the dance begins. Dating back to colonial times, the Aztec people of Mexico created the Concheros dance and used it as a way of acknowledging their ancestors. The dance came about shortly after the Spanish conquest of the Aztec people. Today, his symbolic tradition is, “conducted in the courtyards of churches in honor of saints and virgins represented there” (Vento, 59). The dance consists of men and women, representing the warriors and the people who assisted the soldiers. The dance is split into different segments, also known as offerings; The Flowering War, The Father Sun, Warriors, Death and Rebirth, and The Young Lord. The Conchero dance shares significance in their traditions of religion, the spring equinox, costumes, and the music played.
A man’s shirt and pants are European, usually worn with a traditional vest and sandals. Traditional hats are worn as well (Falconer, Kieran, and Quek 61-62). A woman’s outfit consists of a traditional hat and sandals. Their hair is usually tied up in long, thick braids. A colorful shawl is usually worn over a skirt and short jacket (Falconer, Kieran, and Quek 63).
The history and development of salsa “cannot be separated from the history of migration”, meaning that the music developed and changed as it traveled the globe (Román-Velasquez: 211). Due to its global influences and popularity, salsa represents many cultures: “Initially associated with the Spanish Caribbean populations of Cuba and Puerto Rico, salsa was soon claimed as the voice of the New York City barrio and as representative of the experiences of the Latino community in the United States” (Román-Velasquez: 211). The term salsa describes more than just the music, but also “ a 'manner of making music' which is a flexible blend of many genres and which is continually reblended and given slightly different 'flavours' in different locations” (Román-Velasquez: 211). As salsa globalized, so did salsa dancing, adding another performance factor to the genre. Salsa clubs and fans in
Last is the danzon, with more Spanish origin that African. It consists of an orquesta made up of cornets, saxophones, clarinets and percussion. The horns make the danzon easily distinguishable from the rumba and son. In the middle of the danzon there is a percussion break, in which everyone begins to dance. It is a more respectable, less provocative dance with a much slower tempo. It was danced by the more upper class Cubans as opposed to the son and rumba, which were working-class dances.
The men chant and the women dance dances that matches the music. The most popular music style is Diablada. This music is performed by a zampona musician (a pan flute made of reeds), a quena(a vertical flute), drums, trumpets, cymbals, and
Hispanic American community are rooted from their origins in Cuba, Mexico, Puerto Rico, and other Spanish speaking countries that have come together and form a culture in the United State of America. The culture is built in different categories; for instance, religion, social custom, health practices their privacy, and birth. They come from a comprehensive familiar culture that has been called the second in America. Because of their pride and affection they feel unsafe to give up their past. Their notoriety in the United State has been their resistance to assimilate; their guarded image of Hispanic-American culture has been the tongue of flame. However, their remarkable legacy, Hispanics carry from Latin America is not their language, an inflatable skin, but breathe itself, capacity of soul, an inclination to live. The genius of Latin America is the habit synthesis. Their dance is colorful and beautiful. The dance is to keep in touch with their culture, pass down their culture heritage, and to unite people from different ethnicity who share their passion for dance. Through dancing, help in meditation, to promote health, and spiritual well being.
Peña, Manuel H. "Ritual Structure in a Chicano Dance." University of Texas Press: Latin American Music Review Spring- Summer 1980 1.1 (1980): 47-73. Print.
Folklore is a collection of stories passed down from generation to generation that includes Legends, Myths and Fairy tales. Legends are a semi-true story, which has been passed on from a person to another person that has an important meaning. Myths are a traditional story, especially one concerning the early history of a people or explaining some natural or social phenomenon. A Fairytale is a children's story about magical which they have imaginary beings and lands. Hispanic Folklore is the traditional is mostly about beliefs, legends, customs and stories of the community of the hispanic culture. Hispanic or latino culture encompasses the traditions, language, religious beliefs and practices, legends, music and history.
...re of different dance cultures within the vocabulary of their scope, then the results would be so astounding as to give that dancer an unspoken quality distinguishing them from among their peers. Movement knowledge is cultural knowledge and remembering that each culture is beautiful and different in its own way can help create a dancer that will resonate with any audience member.
The origin of Mexican Folklorico dances originate from Mesoamerican days when the Mayas and the Aztecs
The Deer Dance, sometimes referred to as La Danza del Venado, originated in Sonora, Mexico by the Yaqui people and spread into southwestern part of Arizona. As with all the Yaqui’s dances, this is dance represents part of Yaqui’s culture and has been passed down through the generations. Unlike many dances that have been influenced by Europeans, the Deer Dance performed today is basically the same dance as it was centuries ago because the Yaqui people, during the Spanish conquest of Mexico, fought for their culture which prevented the Europeans from influencing changes within the dance. This dance is unique and is well known and respected for its spiritual aspects as wells as primitive and ritual qualities.
The men of the tribe then join in the preparations for the dance by construct sweat lodges, which are used in the ceremony. They also collect other necessities, which are needed for the dance. The first day before the Sun Dance is a very significant day. In the early morning hours a group of men “known for their eminence in their tribe were chosen to look for a (cottonwood) tree with a fork in the top” (“Dance”). Along with this select group went a chosen woman.
Folk culture is practiced by dances and festivals every day. At each festival, there is always an Indian dance which can consist of a man and woman dancing together or separately depending on the dance. During every dance, the dancer normally sings the song and there is someone else who plays an instrument. Each dance has a separate rhythm and costume, the costumes are usually very colorful with many jewels and designs. There are different dances practiced in many different parts if India. In Central India, Gaur is a very popular folk dance. Men have head-dresses with cowries strung off the sides and peacock feathers all over as they make their way to the dance floor. Women have brass fillets, bead necklaces and tattoos all over there body and also join the dance. In East India, Chhau is most commonly practiced. This dance is only performed by men and boys, and is performed with energy and strength. Everybody dancing holds swords and shields, and the stages are