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John Donne as a metaphorical poet
John Donne as a metaphorical poet
Themes in john donne poetry
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John Donne's The Sun Rising
Critics of John Donne's "The Sun Rising" often note that the poem's displacement of the outside world in favor of two lovers' inner world serves to support its overall theme: the centrality of human love amidst a permanent physical universe. In an essay entitled "John Donne," Achsah Guibbory supports this reading of the poem, stating, "The world of love contains everything of value; it is the only one worth exploring and possessing. Hence the microcosmic world of love becomes larger and more important than the macrocosm" (135). "[T]he lovers' room," Toshihiko Kawasaki observes similarly, "is a microcosm because it is private and self-contained, categorically excluding the outer world" (29). As evident in this criticism, Donne's lovers seem to transcend the limits of the physical world by disregarding external influences, coercing all things to rotate around them instead. In Thomas Docherty's words, "[the lovers] become the world and occupy the same position of centrality as the sun. They become, in short, the still point around which all else is supposed to revolve, and around whom all time passes [. . .]" (31). They create a miniature world that is more important than the larger universe within the realm of their bedroom, and their bodies are the gravitational center.
Expanding upon the criticism of this poem in his analysis of Donne's poetry, James S. Baumlin concludes that "The Sun Rising" must not be interpreted literally. Rather, Donne's displacement of the outside world, in favor of the lovers' inside "microcosm," is a rhetorical technique used to argue for the strength and energy of mutual love. "Actually," Baumlin writes,
[. . .] the reader knows that the world does not literally go...
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...se. Columbia: U of Missouri P, 1991.
Brown, Meg Lota. Donne and the Politics of Conscience in Early Modern England. Leiden: E.J. Brill, 1995.
Docherty, Thomas. John Donne, Undone. London: Methuen, 1986.
Donne, John. "The Sun Rising." The Longman Anthology of British Literature. Ed. David Damrosch, et al. Vol. 1. New York: Longman, 1999. 1552-1553.
Gorton, Lisa. "John Donne's Use of Space." Early Modern Literary Studies 4.2 (1998): 27 pars. 10 November 1999 .
Guibbory, Achsah. "John Donne." The Cambridge Companion to English Poetry: Donne to Marvell. Ed. Thomas N. Corns. Cambridge: Cambridge UP, 1993. 123-147.
Kawasaki, Toshihiko. "Donne's Microcosm."Seventeenth-Century Imagery: Essays on Uses of Figurative Language from Donne to Farquhar. Ed. Earl Miner. Berkeley: U of California P, 1971. 25-43.
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
iv[iv] Helen Gandner, ed., John Donne: A Collection of Critical Essays. (Englewood Cliffs: Prentice Hall, 1962) 47.
[8-16] Donne, John. “From Meditation 17”. Excerpt from McDougal Litell’s “The Language of Literature”, Page 455. McDougal Litell Inc., 2000.
John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.
The Canterbury Tales is a literary masterpiece in which the brilliant author Geoffrey Chaucer sought out to accomplish various goals. Chaucer wrote his tales during the late 1300’s. This puts him right at the beginning of the decline of the Middle Ages. Historically, we know that a middle class was just starting to take shape at this time, due to the emerging commerce industry. Chaucer was able to see the importance and future success of the middle class, and wrote his work with them in mind. Knowing that the middle class was not interested in lofty philosophical literature, Chaucer wrote his work as an extremely comical and entertaining piece that would be more interesting to his audience. Also, Chaucer tried to reach the middle class by writing The Canterbury Tales in English, the language of the middle class rather than French, the language of the educated upper class. The most impressive aspect of Chaucer’s writing is how he incorporated into his piece some of his own controversial views of society, but yet kept it very entertaining and light on the surface level. One of the most prevalent of these ideas was his view that certain aspects of the church had become corrupt. This idea sharply contrasted previous Middle Age thought, which excepted the church’s absolute power and goodness unquestionably. He used corrupt church officials in his tales to illustrate to his audience that certain aspects of the church needed to be reformed. The most intriguing of these characters was the Pardoner. Chaucer’s satirical account of the Pardoner is written in a very matter-of-fact manner that made it even more unsettling with his audience. Chaucer uses his straightforwardness regarding the hypocrisy of the Pardoner, suggestive physiognomy of the character, and an interesting scene at the conclusion of the Pardoner’s Tale to inculcate his views of the church to his audience. The way that Chaucer used these literary devices to subtly make his views known to an audience while hooking them with entertainment, shows that Chaucer was truly a literary genius.
In current events, a huge issue among state and city lawmakers all over the country is the debate over whether or not smoking should be banned in public places. Many argue that allowing people to smoke in public places proposes serious health risks for innocent bystanders. Though the health risks are high, many still oppose the proposal of such laws. Business owners presiding over such establishments as bars and restaurants worry that the smoking bans will severely hurt their revenues if passed. While this is an understandable concern, the health of our communities citizens is much more important than the loss of a handful of customers for businesses.
The metaphysical era in poetry started in the 17th century when a number of poets extended the content of their poems to a more elaborate one which investigated the principles of nature and thought. John Donne was part of this literary movement and he explored the themes of love, death, and religion to such an extent, that he instilled his own beliefs and theories into his poems. His earlier works, such as The Flea and The Sunne Rising, exhibit his sexist views of women as he wrote more about the physical pleasures of being in a relationship with women. However, John Donne displays maturity and adulthood in his later works, The Canonization and A Valediction: Forbidding Mourning, in which his attitude transcends to a more grown up one. The content of his earlier works focused on pursuing women for his sexual desires, which contrasts heavily with his latter work. John Donne’s desire for physical pleasure subsides and he seeks to gain an emotional bond with women, as expressed in his later poetry.
In both ‘The Sun Rising’ and ‘The Good Morrow’ Donne presents the experience of love, in a typical Metaphysical style, to engage his reader through sharing his own experiences. These poems show distinctive characteristics of Metaphysical poems which involve colloquial diction, drawing inventive imagery from unconventional sources, passionately analysing relationships and examining feelings. Donne presents the experience of love through conceits, Metaphysical wit, language techniques and imagery, in a confident tone using logical argument. The impact of Donne’s use of direct and idiomatic language shows the reader how he feels about a woman and ultimately love.
Byron, George Gordon. Don Juan The Norton Anthology of English Literature The Major Authors, 6th ed. New York:W.W. Norton & Company, Inc. 1996.
The major, direct and the most important reason of the Libyan revolution was the improper treatment of people by Muammar Gaddafi. “Most nations were once sympathetic with the Libyan revolution with the international media focusing on the crisis in Libya. Regional and international organizations also ...
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it
Have you ever been in your favorite restaurant and just as you are about to take a bite of your favorite dish, your lungs are filled with a cloud of smoke which has drifted to your table from the smoking section just a few feet away? This is a common complaint of many patrons who enjoy dining at restaurants. While it is true that the smoke from cigarettes causes many health problems, is it fair to take away the freedom of Americans who wish to smoke? Even as compromises can be made on this subject, the majority of people stand by their strong opinions on whether smoking should be allowed in restaurants.