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Even though John Donne lived during the sixteenth century he still experienced everyday emotional responses as we do, and is still an inspiration to many of us in the modern world today. Donne’s life experiences were the main reason for his poetry. During his time religion was a very big part of society; and it is one of the main themes in his poetry. From Donne’s early life mistakes to his later in life religious standpoint, he wrote many poems; he mostly wrote romance and religious poems; using metaphysical poetry, subtle arguments, and paradoxes. John Donne was born during an anti-Catholic period in England to a Catholic family. Donne’s father, John Donne was a London merchant, and his mother, Elizabeth Heywood was the grandniece of martyr …show more content…
The main purpose of this poem is to get a woman to sleep with him out of wedlock. The flea has drank both the blood from him and from the woman. Now both of their blood has mingled inside of the flea. In the flea’s body the two have shared bodily fluids. Since they have already mixed their fluids in flea, why not go ahead and mix bodily fluids physically. The problem is that her parents and society do not agree with a woman going to bed with a man before marriage. The woman goes to kill the flea which makes the man angry. The man starts to argue with the woman saying that the flea contains three lives; its own, the man’s and the woman’s life (critical). Since the flea has both of their lives in it it is almost metaphorical to marriage, your life becomes one with another. The woman does not listen to the man and ends up killing the flea. After killing the flea she has no shame or guilt towards what she has done. When she does not feel any shame towards killing the flea, the man thinks that she would not feel any shame if she let him seduce her. By first reading the title the reader thinks that it’s probably going to be about a flea sucking blood. Donne uses many different types of figurative language in this poem. The flea symbolizes loss of innocence, because their bodily fluids mingled in the flea and then it was looked down …show more content…
Donne writes many love and religious poems sometimes he even ties them both together for instance “The Anniversary” has a little of religion and a lot of love showing that Donne tied his faith and love for religion not only in this poem but in the love he had for his wife. Donne wrote “The Anniversary” because of his wife. He had so much love for her that he went to prison and lost everything for twelve years just to be married to her. Donne uses a lot of figurative language and conceits in his poetry. In both “The Flea” and “The Anniversary” there were many different uses of similes, metaphors, paradoxes and allusion. Donne not only wrote religious poems, but was also known for his religious verses and sermons. He even got off of his sick bed to make a sermon that some thought was his own funeral sermon. Donne was so inspired and impressed by his own work that he wanted to speak as if he were at his own funeral. That shows the pride he had in his work. His wife and his religious standpoint were Donne’s main inspirations for his poetry. The love he had for his wife you can almost feel after reading some of his love poems. Donne’s love poetry main appeal is that it speaks to the reader directly as if we overhear the confidence. The way he felt towards his faith is very inspirational especially at a time when his faith was not
John Donne's, "The Flea," is a persuasive poem in which the speaker is attempting to establish a sexual union with his significant other. However, based on the woman's rejection, the speaker twists his argument, making that which he requests seem insignificant. John Donne brings out and shapes this meaning through his collaborative use of conceit, rhythm, and rhyme scheme. In the beginning, Donne uses the flea as a conceit, to represent a sexual union with his significant other. For instance, in the first stanza a flea bites the speaker and woman. He responds to this incident by saying, "And in this flea our bloods mingled be."
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
John Donne?s poem connects flesh and spirit, worldly and religious ideas in a fascinating way between seemingly unrelated topics. He compares sexual intercourse to a bite of a flea and says that now their blood has mixed inside the flea. He also compares the inside of the tiny flea to the entire world, including the couple.
First of all, the situation created by Donne is remarkable. Although there is only one speaker in "The Flea," the poem itself reveals a profound interaction between speaker and audience. Here is an example: "Mark but this flea, and mark in this," (line 1) and "Oh stay, three lives in one flea spare," (line 10). In line one, the poet asked his coy mistress to notice a flea and explain that the flea symbolized the combination of their love. Whereas, when the poem goes on to the first line of the second stanza, the lady ignores Donne's enthusiasm by intending to slay the flea. From the two lines, it shows the female's emotional reaction to Donne's persuasion, which provokes his urge by applying poetic device in the poem.
Each four-line section expounds upon one aspect of the Trinity- God the Spirit/God the Father/God the Son. Donne continually juxtaposes the explication of aspects of the Trinity with explication of man’s relationship to God, resulting in a high degree of conflation throughout. The first line opens with a simultaneous statement of doubt and faith, “Wilt thou love God, as He thee?” While the speaker is convinced of God’s love, he doubts his ability to reciprocate. This is in contrast to many of Donne’s other Holy Sonnets in which the speaker continuously implores ...
The two poems The Flea and The Sunne Rising capture John Donne’s primary motive to get in bed with women. Donne wrote these poems at an early age, and at that time he was seeking nothing more than a sexual relationship. His poetry depicted clearly how sexist he was at the time and how he used to perceive women as a medium of pleasure. The content of his early poems express an immature and desperate image of Donne, who is dominated by his fixation on the sensuality of women. In The Flea, Donne shows his desperation to have sex by addressing a flea that has sucked the blood of both him and the woman he is persuading. It is quite awkward how the poet uses this obscure image of the flea as a symbol of love and sex to convince the woman that...
...ne exclusively on himself and his lover. By doing so he says the sun will be shining on the entire world. It is apparent in both poems the tone and language is dramatic, as this is typical of Donne’s writing style. His use of imagery and symbolism effectively present his experience of love. However it is the structure that builds up the emotion throughout the poems as Donne starts in each poem to refer to a seductive love, then in conclusion realises the importance of true love. ‘The Good Morrow’ clearly shows evidence of this when at the beginning Donne states he ‘suck’d on country pleasures childishly’ and in the end understands that a ‘Love so alike that none can slacken, none can die’.
John Donne, an English poet and clergyman, was one of the greatest metaphysical poets. His poetry was marked by conceits and lush imagery. The Flea is an excellent example of how he was able to establish a parallel between two very different things. In this poem, the speaker tries to seduce a young woman by comparing the consequences of their lovemaking with those of an insignificant fleabite. He uses the flea as an argument to illustrate that the physical relationship he desires is not in itself a significant event, because a similar union has already taken place within the flea. However, if we look beneath the surface level of the poem, Donne uses the presence of the flea as a comparison to the presence of a baby, thus making the sub textual plot about aborting the baby.
John Donne's use of deep religious themes, unique poetic devices, and vivid imagery create a stunning and convicting poem. Donne's talents are on full display as he moves through each line with such beauty and simplicity. One can easily imagine his sorrow and pain as he penned the words of this poem and poured his heart into it. Donne's work reminds readers of the sorrow of sin, the necessity of forgiveness, and the hope of restoration. Although he focuses on anguish and sorrow, his message is truly one of joy and hope. All who take his words to heart find internal peace and rejoice in the mercy of their
John Donne will not accept death as the finale, his religious conviction supports in the belief of eternal life proceeding death. Throughout the poem Donne’s main purpose was the personification of death, his use of figurative language gave death humanistic characteristics and made death vulnerable and unintimidating. The structure of three quatrains and a couplet for the poem allowed for easier understanding of the context because the layout and rhyme scheme helped the poem flow and also revealed the tones. The imagery of death described by Donne breaks down death’s pride and bravado, as well as shine an encouraging light past the process of dying, on to the hope of delivery to eternal life. Each element played a significant role in the interpretation of the paradox of the poem, that ultimately death is not the universal destroyer of life.
By making many references to the Bible, John Donne's Holy Sonnets reveal his want to be accepted and forgiven by God. A fear of death without God's forgiveness of sins is conveyed in these sonnets. Donne expresses extreme anxiety and fright that Satan has taken over his soul and God won't forgive him for it or his sins. A central theme of healing and forgiveness imply that John Donne, however much he wrote about God and being holy, wasn't such a holy man all of the time and tried to make up for it in his writing.
John Donne is known as being one of the most famous and influential metaphysical poets. The term “metaphysical," as applied to English and continental European poets of the seventeenth century, was used by Augustan poets John Dryden and Samuel Johnson to reprove those poets for their “unnaturalness.” As Johann Wolfgang von Goethe wrote, however, “The unnatural, that too is natural," and the metaphysical poets continue to be studied and revered for their intricacy and originality. Due to Donne’s personal experiences with spirituality and love, he is able to grasp the true meaning of metaphysical poetry (Brief Guide to Metaphysical Poets). Using all the aspects of metaphysical poetry, Donne creates a mysterious metaphoric poem titled, “The Flea.” Throughout this poem, the use of metaphors and breaks into the separate stanzas allow for the audiences to understand what The Flea is really about. At first glance, many read The Flea as a poem that compares sexual intimacy with an animal, but when broken down, it can be seen that the meaning is much deeper than intimacy, but it
John Donne lived in an era when the lyric was at its pinnacle. Poets were writing well-rounded, almost musical poetry on subjects that ranged from all kinds of love to enchantment with nature. Donne could not help but revolt against this excess of fluency and melody. John Donne's style stands in such sharp contrast to the accepted Elizabethan lyrical style that it becomes difficult to accept the fact that his works date from the same era. To highlight this statement, one has to compare a typical Elizabethan lyric to one of Donne's works.
Despite the speaker’s best attempt at convincing the woman to have sexual relations with him through his metaphor of the flea, he would appear to be unsuccessful at the end of the poem. His far-fetched and cynical approach belittles both the woman’s virginity and sexual relations outside of marriage in general, and only highlight his lust for her. However, the poem’s metaphysical characteristics which include the primary use of a conceit through the flea, hyperbole, ironic wit to balance the plot between a serious and humorous nature, and an argumentative structure, allow Donne to create a satirical narrative to address the subject of sexual relations outside of marriage.