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Conceits and images of john donne poetry
Conceits and images of john donne poetry
Conceits and images of john donne poetry
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Biography of John Donne
John Donne was an English poet and probably the greatest metaphysical poets of all time. He was born in 1572 to a Roman Catholic family in London. His father died when John was young leaving his mother Elisabeth to raise him and his siblings. Throughout Donne’s life his experiences with religion were full of trials and tribulations, something that can be clearly seen in his poetry over time. He remained Catholic early in life while he attended both Oxford and Cambridge Universities. Interestingly enough he never received a degree at either university because doing so would have required him to take the Oath of Supremacy, a doctrine that was the core of the Anglican religion recognizing the King as head of the church. Being Catholic, this would have gone completely against his beliefs. He went on to study law at Lincoln’s Inn during his twenties (Menon 1).
Donne received a comfortable inheritance when his mother died. It is said that he spent most of it on “wine, women, and song.” It was assumed that he would begin a career in law, but instead partook in a two-year naval expedition against Spain in 1596. When he returned he received a job as the private secretary to Sir Thomas Egerton, which was entitled, “Keeper of the Great Seal” (Ross 1).
During this time period Donne wrote two of his major works, the Satires and the Songs and Sonnets. It was also during this time that he met Anne More, the sixteen-year-old niece to Sir Thomas Egerton. In 1601 they married, despite the disapproval of her family. Her father had Donne put in jail for a small amount of time for illegally wedding a minor, after he was released he lost his position with Sir Thomas Egerton. Thus the couple never received Anne’s dowry, which left them impoverished (Menon 1).
Donne did his best to make a living by writing poetry, but such an occupation did not have much to offer financially. Donne once described his life with Anne as “John Donne, Anne Donne, undone,” which has often been thought to be a clever way to imply that even though they were very much in love, their love brought them many struggles throughout their lives together. When Donne was twenty-two he made the decision to convert to Anglican after his closest brother Henry died in prison where he was being held for harboring a priest. John and Anne began their family only furthering their financial ...
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Ed. Thomas N. Corns. Cambridge: Cambridge University Press, 1993.
Kensinger, Chrissy. “A Matter of Forced Salvation: The Sexual Imagery of John Donne's Holy Sonnet XIV.” Oxford College: The Oxford Review, 1998.
Kerrigan, William. "The Fearful Accommodations of John Donne." English Literary Renaissance. 1974: 337-363.
Larson, Deborah A. John Donne and Twentieth-Century Criticism. Cranbury: University
Press, 1989.
Lovelock, Julian. Donne Songs and Sonets: A Casebook. London: Macmillan, 1973.
Menon, Sindhu. “John Donne.” The Literature Network. 2002-2004. Jalic LLC. 28
Februrary 2005. www.online-literature.com/donne/
Payne, Craig. "Donne's Holy Sonnet XIV." Explicator. v54 1996: 209-213
Ross, David. “John Donne.” Britain Express. 2000. Britain Express. 28 Februrary 2005,
www.britainexpress.com/history/bio/donne.htm
Steig, Michael. "Donne's Divine Rapist: Unconscious Fantasy in Holy Sonnet XIV."
University of Hartford Studies in Literature: A Journal of Interdisciplinary
Criticism. 1972: 52-58.
Sullivan, Ernest W. The Influence of John Donne. Missouri: Columbia, 1993.
Wanninger, Mary Tenney. "Donne's Holy Sonnet XIV." Explicator v28 1969: Item 37.
Donne, John. “Holy Sonnet 5, Holy Sonnet 6, Holy Sonnet 10.” John Donne’s Poetry: A Norton Critical Edition. Ed. Donald R. Dickson. W.W. Norton & Company. New York, London. 2004. (Handout)
Print. The. Kay, Sarah. " Courts, Clerks, and Courtly Love." The Cambridge Companion to Medieval Romance.
Many of photographs of the women were posed, and therefore, did not honestly capture the women hard at work in domestic life. They were depicted as having a relaxed and easy life, which was completely inaccurate. In juxtaposition, Byington exposed the hardships and sacrifices the women readily made for their families that Hine’s and Riis’s photographs concealed. Women worked in a domestic setting, but that certainly did not mean that their work was less difficult or important than a man’s. While the men had certain shifts that they had to work, women worked exhaustingly endless days. The contrast between the two types of documents, the photographs and the article, further illustrated that women’s hard work went, for the most part, unnoticed, giving into greater themes of gender inequality within the Gilded
In order to better understand Philip's critique of Donne within the lines of her poetry, a reading
John Donne uses poetry to explore his own identity, express his feelings, and most of all, he uses it to deal with the personal experiences occurring in his life. Donne's poetry is a confrontation or struggle to find a place in this world, or rather, a role to play in a society from which he often finds himself detached or withdrawn. This essay will discuss Donne's states of mind, his views on love, women, religion, his relationship with God; and finally how the use of poetic form plays a part in his exploration for an identity and salvation.
When concerning the home front of 19th century Europe, women were “the cult of domesticity” and were highly regarded as wives, mothers, and part of the working class. A lofty character was necessary in completing the demanding tasks surrounding the home life. Images of women ranging from newspapers to fine art all displayed the univ...
John Donne’s poems are similar in their content. They usually point out at same topics like love, lust, sex and religion; only they are dissimilar in the feelings they express. These subjects reflect the different stages of his life: the lust of his youth, the love of his married middle age, and the piety of the latter part of his life. His poem,’ The Flea’ represents the restless feeling of lust during his youthful days but it comes together with a true respect for women through the metaphysical conceit of the flea as a church in the rhythm of the sexual act.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
Each four-line section expounds upon one aspect of the Trinity- God the Spirit/God the Father/God the Son. Donne continually juxtaposes the explication of aspects of the Trinity with explication of man’s relationship to God, resulting in a high degree of conflation throughout. The first line opens with a simultaneous statement of doubt and faith, “Wilt thou love God, as He thee?” While the speaker is convinced of God’s love, he doubts his ability to reciprocate. This is in contrast to many of Donne’s other Holy Sonnets in which the speaker continuously implores ...
...) This is one of the most important claims that Donne makes because he indirectly inducts himself and Anne into the canon of saints, thus making them sacred. The poem ends with Donne calling upon all those who have suffered from similar criticisms; this further dignifies Donne as a saint-like figure. Therefore, both of Donne’s latter poems expose the transformation that Donne acquires when he meets Anne. His sexist attitude and views transcend to a more spiritual and emotional one.
...ne exclusively on himself and his lover. By doing so he says the sun will be shining on the entire world. It is apparent in both poems the tone and language is dramatic, as this is typical of Donne’s writing style. His use of imagery and symbolism effectively present his experience of love. However it is the structure that builds up the emotion throughout the poems as Donne starts in each poem to refer to a seductive love, then in conclusion realises the importance of true love. ‘The Good Morrow’ clearly shows evidence of this when at the beginning Donne states he ‘suck’d on country pleasures childishly’ and in the end understands that a ‘Love so alike that none can slacken, none can die’.
Much has been made (by those who have chosen to notice) of the fact that in Shakespeare's sonnets, the beloved is a young man. It is remarkable, from a historical point of view, and raises intriguing, though unanswerable, questions about the nature of Shakespeare's relationship to the young man who inspired these sonnets. Given 16th-Century England's censorious attitudes towards homosexuality, it might seem surprising that Will's beloved is male. However, in terms of the conventions of the poetry of idealized, courtly love, it makes surprisingly little difference whether Will's beloved is male or female; to put the matter more strongly, in some ways it makes more sense for the beloved to be male.
They took a toll on more than just their “armies,” They lost precious farmland and countless people died. Learning about the countries involved, how the war ended, and the effects really showed me how much the Thirty Years’ War changed the Europe area and changed the lives of the people that lived there. Everyone is going to have their own opinion on the war and how it turned out, but personally I find that the war actually created a positive outcome for the European region. Just look at some positives such as the Holy Roman Empire and the Hapsburgs losing power, also changing the way of their religion, boundaries, and reign of power within the states. Protestants and Catholics both took a large toll with this war, but both are still here today and aren’t going anywhere. After discussing many aspects of the Thirty Years’ War, I hope you can see how it changed Europe itself, both religions, and the division of power within Nation States and how this all plays into how we see Europe
John Donne delivered, like all of the other great poets of the renaissance era, an invaluable contribution to English literature. However, it is the uniqueness of this contribution that sets him apart from the rest. This statement seems somewhat ironic when one analyses the context of his life and the nature of his writing, for Donne is clearly the rebel in English poetry. He is the one poet that deliberately turned his back to the customs and trends of the time to deliver something so different to the reader that he will be remembered forever as a radical and unconventional genius. This is most probably the way that he would have liked to be remembered.
In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him. On the same day another English child was born to a rich family of the name of Tudor, who did want him. (15)