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Art as communicator
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In this unit, ‘The Built World’ focuses around the man-made structures that appear in our daily lives. It showcase how these environments represent the importance of our culture. The purpose is to remind oneself to acknowledge the structures and symbols that we are surrounded by. Artist uses different techniques to create their own representation of ‘The built world’. As a result, it helps to construct a connection between the viewer and the artwork. An Australian urban life painter, John Brack, uses the people and life of Melbourne as his subjects in his paintings. “John Brack emerged during the 1950s in Melbourne as an artist of singular originality and independence.” (Brack, 2018) Collin St, 5pm was one of Brack’s many creations. It is …show more content…
an oil on canvas artwork that was made in 1955. In this artwork, Brack has constructed his own depiction of ‘The built world’ by incorporating surroundings that are seen in his daily life. Collin St, 5pm is a painting that is set in Melbourne’s financial centre club.
The illustration of the crowd represents the busyness of Melbourne Australia after a typical day of work. This 114.8 x 162.8 painting features a plain, boring, and almost dead like landscape along with emotionless office workers, uniformly heading towards home. Referred to the NGVs, “Inspired by his own experience employed by a city-based insurance company, Brack points to the enduring presence of the individual by personalising each figure…” (Brack, NGV, 2018) This painting is divided into 3 sections, they are, foreground midground and background. The isolated tree along with the street lamp can be depicted on each side of the painting, locating at midground. Dull colours are used, which helps to enhance the sense of drudgery of nine to five office life. There are details of patchy gradients, but the overall artwork looks smooth, precise and …show more content…
neat. Dark and muted colours such as brown, yellow, and black are used to emphasis the dead city environment. It has also enhanced the tiresome expressions displayed on the workers face. The repetition of the workers suggests the urge of rushing back home, furthermore, it had also showcased the busyness during the peak time of 5pm. The overall use of colours are similar however, it did not detract the audience from finding the focal point. Brack has cleverly manipulated the colours to differentiate the focal point from the background by muting the background colours and adding in yellow toned colours towards the front row of the workers. Thus, the audience attention is led around by the reiteration of workers, due to its foreground positioning. Additionally, Brack has included details like the old fashion clothing and the drawing of the street lamp, to portrays a vibe of the 1950s. The illustration of the buildings gives a visualised depiction to the audience of what the Melbourne urban environment appears to be like. ‘The Built World’ is evident in Brack’s work of Collin St, 5pm through the techniques and elements that Brack has incorporated in his artwork.
To artists ‘The Built World’ is about creating a connection from where you live with the audience. Stated in The Art Gallery Of NSW: “The painting illustrates the artist’s strategy of drawing viewers into his work by positioning them as direct and close observers of his subjects rendered in acid sharp colour.” (Brack, 2018) Brack had communicated with the viewers by integrating the repetition of workers, and also painting the windows dark to portray the unenergized urban life. Brack deliberately illustrated the isolated tree and the antisocial like workers to symbolise the loneliness of the city. Moreover, the use of repetition have assisted Brack to communicate with the audience that Collin St is one of the busiest St of
Melbourne. Brack’s technique used in Collin St, 5pm are effective and has communicated with the viewers his intended meaning. Brack’s artwork has encapsulated the busy lifestyle of Melbourne during 5pm. In his work, he wanted to showcase the tired life of office workers after working from 9 to 5. Thus, he had illustrated the blank facial expressions and had also used muted colours to enhance the mood. Repetition portrays an important role in the painting as it shows the busy life during the peak hour of 5 pm. it has also communicated with the audience that Collin St is a occupied place. In addition, Brack has constructed his own depiction of ‘The Built World’ and has communicated with the viewers his initial meaning.
‘’Jeffrey Smart was born on July 1921 and pasted away on the 20th June 2013. He was an Australian painter known for his clear depictions of urban landscapes. Jeffrey Smart was born and educated in Adelaide where he worked as an Art teacher. After departing for Europe in 1948 he studied in Paris at La Grande University and later at the Academia Montmartre with great success. He returned to Australia in 1951, living in Sydney and began exhibiting frequently in 1957.later in his life he moved to Italy in 1971 after a successful exhibition in London, to continue his art career until his death. His art well reflected his art form.
Wayne, transforms this painting into a three dimensional abstract piece of art. The focal point of the painting are the figures that look like letters and numbers that are in the front of the piece of art. This is where your eyes expend more time, also sometimes forgiving the background. The way the artist is trying to present this piece is showing happiness, excitement, and dreams. Happiness because he transmits with the bright colours. After probably 15 minutes on front of the painting I can feel that the artist tries to show his happiness, but in serene calm. The excitement that he presents with the letters, numbers and figures is a signal that he feels anxious about what the future is going to bring. Also in the way that the colors in the background are present he is showing that no matter how dark our day can be always will be light to
These assemblages of work mirrror a reflection of glimpses of landscape beauty, a particular solace found in the nature surrounding us during her time in the outback, elegance, simplicity and the lifestyle of the physical world around us. Gascoigne has an essential curiousity displayed in her work exploring the physical word that is captured in an essence of this rural home which brings evocate depictions, subject to the arrangement of these simple remnants that offer so much more. The assemblages focus us on viewing the universe from a unique turnpoint, compromising of corrugated iron, feathers, worn linoleum, weathered fence palings, wooden bottle crates, shells and dried plant matter. The art works offer a poetic expression that traces remnants around the world that individually hold meaning to their placement in the
When first getting off of the plane at Sydney’s international airport, there was a familiar ambience that seemed to float around the series of rooms and halls to get to the exit. The airport seemed just like any other with the terminal, customs, and baggage claims. It’s when I walked outside that I noticed an unfamiliar, but refreshing, sense of place. I couldn’t quite place my finger on it at first. It might have been the jetlag, or just being tired from the long flight from America, but I definitely knew something was different about the architecture in Australia compared to other places I have studied about in America, such as Chicago.
Anything from a police man leaning on a wall that gets lost in the crowd on busy days to a cleaning lady next to a garbage can. Duane creates life like art pieces that you can lose the fact that they are fake. The amount of detail along with the expressions on the figures’ faces tells the tale. The spectator creates a relationship to the piece because its the familiar look or feeling they receive from the experience. Duane uses the figures’ as they are portrayed to accomplish an everyday ordinary person moreover with that technique displays the ability to relate the viewers to the art
Stephen Dobyns’ poem “The Street” on Balthus’ painting The Street affirms his belief “that no one can see his neighbor” due to people’s concerns with their personal duties in their ordinary paths of life (1). Balthus illustrates people’s compulsion with menial tasks as blinders obstructing vision to the outside world. He positions each subject of the painting to symbolize his or her inherent dexterity and purpose within the society. However, we pick up on his theory that individuals become consumed with their selfish pursuits forming weak and divided communities. Dobyns elaborates on Balthus’ painting to transparently elucidate the deliberation behind the work of art. The structure of Dobyns’ poem reflects the systematic steps of people within the painting as he plainly interprets their motives. In separate stanzas, he relates the story of each person in the painting to reveal their deliberate duties. This emphasizes the artist’s vision of the world. Through poetry, Dobyns brings life to the differing individuals, allowing the reader to enter more fully into the vision of the painting.
A old sandy color bridge is cast upon the middle of the painting, which is crumbling apart and crashing into the water. The water in this painting is dark blue and white showing the choppiness of the water. In the middle of the painting is a white statue with its head broken off, but still standing, holding a black shield leaning forward towards the center of the painting. In the background fire and gray and black smoke cover the landscape. The gray skies linger over the town with a dark depressing tone. While the river banks are roaring with fire. In the lower center of the painting is a woman dressed in white jumping to off the river bank with a warrior behind her. In the lower portion of the painting ships are on fire. Throughout the whole painting you will see thousands of people, some enemy warriors some townspeople. The enemy warriors are wearing red. While the townspeople are dressed in typical daily life clothing
The development of modernist sentiments is largely the result of spasmodic cultural transformations and the ensuing creative exchanges between architects, modern artists and designers. For the purpose of research, this paper will solely deal with Surrealism, an important aspect of Modernism and chart its development through two contemporary Australian surrealists – James Gleeson and Sidney Nolan.
... study for the overall concept they appear rather as abstract patterns. The shadows of the figures were very carefully modeled. The light- dark contrasts of the shadows make them seem actually real. The spatial quality is only established through the relations between the sizes of the objects. The painting is not based on a geometrical, box like space. The perspective centre is on the right, despite the fact that the composition is laid in rows parallel to the picture frame. At the same time a paradoxical foreshortening from right to left is evident. The girl fishing with the orange dress and her mother are on the same level, that is, actually at equal distance. In its spatial contruction, the painting is also a successful construction, the groups of people sitting in the shade, and who should really be seen from above, are all shown directly from the side. The ideal eye level would actually be on different horizontal lines; first at head height of the standing figures, then of those seated. Seurats methods of combing observations which he collected over two years, corresponds, in its self invented techniques, to a modern lifelike painting rather than an academic history painting.
The combination of brighter colors and warmer colors is the reason why I think the content what it is. It shows San Francisco can be a home for anyone. For the younger, more active crowd the painting depicts you can find a home in the city where all the action is. For the older, and more relaxed crowd you can find a home along the sea or in the mountains looking over the city.
This painting consists of three parts, with curving lines distinctly separating each of the parts. The foreground details a brick house with a thatch roof and a person walking along a path, the mid-ground depicts houses further away and the undulating greenery, and the background highlights the break between earth and sky with the tree line. The main objects in the Houses at Auvers are blocky houses, with a path cutting through the landscape and a person on the path. This...
If modernism and postmodernism are arguably two most distinguishing movements that dominated the 20th century Western art, they are certainly most exceptional styles that dominated the global architecture during this period. While modernism sought to capture the images and sensibilities of the age, going beyond simple representation of the present and involving the artist’s critical examination of the principles of art itself, postmodernism developed as a reaction against modernist formalism, seen as elitist. “Far more encompassing and accepting than the more rigid boundaries of modernist practice, postmodernism has offered something for everyone by accommodating wide range of styles, subjects, and formats” (Kleiner 810).
In this essay I will discuss how concrete regionalism was presented in the work of Le Corbusier who is the most classic example of this movement, Oscar Niemeyer, and Antoine Predock . With each architect having a highly individual vision that has created unique buildings for people and their environment. These architects each has combined vernacular buildi...
The city looks tiny from thousands of feet above; buildings, people and landmarks are mere specks of colour that almost blend together to form the messiest piece of abstract art. In the distance, blotches of the Sun’s warm and bright rays pepper the sky, now overwhelmed by gloomy storm
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.