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The feeling of loneliness essay
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One is the Loneliest Number
The feeling of never truly belonging wherever you are and whomever you are with can be paralyzing. That feeling can affect every part of your life. As the band, Three Dog Night, so eloquently put it: “one is the loneliest number that you’ll ever do.” Everyone feels lonely and sad at times throughout his or her lives, but when that feeling is never satisfied, it becomes like an illness. Trying to desperately find where you fit in and feel at home can be exhausting and in some cases never ending. In Nella Larsen’s Quicksand, there is a constant theme of isolation and alienation, which subsequently affects every aspect of the main character, Helga Crane’s, life throughout the novella.
When we first meet Helga in the beginning of Quicksand we right away get the sense that she is unhappy where she is in her life. Helga very quickly decides to leave her teaching job at Naxos to move to Chicago. Continually all through most of the rest of the novella, Helga makes impulsive choices just like this one and moves somewhere else to try to find something that she can never find. She always believes that the next place will bring her happiness and the feeling of truly belonging that she longs for. Larsen explains Helga’s feelings of discontent with her life:
But it didn’t last, this happiness of Helga Crane’s. Little by little the signs of spring appeared, but strangely the enchantment of the season, so enthusiastically, so lavishly greeted by the gay dwellers of Harlem, filled her only with restlessness. Somewhere, within her, in a deep recess, crouched discontent. She began to lose confidence in the fullness of her life, the glow began to fade from her conception of it. As the days multiplied, her need of someth...
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...h century, when there was a very conservative society that had explicit gender and race roles. Through these themes in Quicksand, Larsen could be pointing out her own feelings towards her bi-racial heritage and life.
Nella Larsen wrote Helga to be ahead of her time. She’s a fiercely materialistic and intelligent woman of bi-racial ethnicity in a time that did not allow for bending of social norms and roles. Because of these strict societal barriers and her own self-doubt and internal struggle, Helga continually lets herself drown in the quicksand that is her isolationist feelings and life.
Bibliography
Larsen, Nella. Quicksand and Passing. Ed. Deborah E. McDowell. New Brunswick, NJ: Rutgers University Press, 1986. Print.
Honor Code
I, Julia Cohn, pledge my word of honor that I have abided by the Washington College Honor Code while completing this assignment.
Many years later, in desperation for a remedy to cure his tortured soul, the Reverend Arthur Dimmesdale takes to the scaffold where Hester had once suffered her shame. He is envious of the public nature of her ...
While walking downtown with her girlfriend, the author describes as, “[her] heart began to skip every other beat, pounding, pounding, pounding … [as she stood] paralyzed like a frightened, little jackrabbit.” Repetition of the word “pounding” in the text develops a fast pace, indicating the urgency and panic felt by the author; terms such as paralyzed are utilized to emphasize the urgent, panicked mood. However, sanguine moods still persist throughout the narrative. For example, in the opening paragraph the author describes how she, “watch[ed] the golden dots of morning light glide across [her] ceiling, [and she] melted into a feeling of peace specific to the freedom of early summer.” Terms such as “golden,” “glide,” “peace,” and “early summer” help the reader detect a placid mood in the text, directing the reader towards the state of contentment the author feels surrounding her relationship. Mood differentiations in the text, from the urgency of the narrator’s walk downtown to the tranquil peace of the narrator’s relationship, indicate the contrasting aspects of the LGBT+ community, both in terms of the impending fear of violence, and the love that is the
...s because Helga has not experienced inner happiness. Helga uses her ethnicity as a crutch of why her life has not panned out as it should and she indulges in her own self-pity that only fires her negative defiance. This personal factor has an effect on her outlook and attitude on life and causes her to make selfish and irrational decisions further more leaving her in sorrow and self-pity. When Helga taught at Naxo, she built inside of her a rage of anger and instead of using her disapproval as momentum in changing the world; she used it to fire her thoughts of unfairness and resentment, which she brings her to spiritual and physical defeat in the end.
She can’t be completely at home in either of these places but in all actuality, during this time period, there isn’t truly a place where Helga can feel completely at home. What she wants is to be fully accepted and in a world where racial mixing is practically a sin, and one of the races that she is mixed with is treated as no better than animals she can never be fully accepted. Tragically, her mere existence accounts for a huge amount of her unhappiness and even though she can choose to completely pass as one or the other she’ll know in her heart that no one accepts the real
The character of Helga Crane from the novel Quicksand by Nella Larsen is a very complex character, struggling with racial identity, social class and sexism. Helga Crane is a twenty-three year old schoolteacher that comes from a mixed racial background. Her birth mother was a Danish woman, while her birth father was of West African descent. In the novel, she is depicted as a very exotic, beautiful and intelligent looking woman. Her racial dilemma however has left her lonely, alienated and psychologically uncertain to her belonging in the world. While growing up, due to her significant dark-skin and European features she was ostracized by both the Caucasian and African American community. In order to find herself a place in the world, and feel at home she traveled from the South, to cities such as Chicago, Harlem and even the European city of Copenhagen in Denmark. When it came to her travels, everywhere she would go she stated a strong opinion on her belonging. With that being said, I would like to focus this paper on three passages regarding her life at Naxos, in Harlem, and in Copenhagen.
Hulga has been to college for many years, earning a Ph.D. in Philosophy. Coming from such a rural background, she feels that her education raises her status in the intellectual world, and therefore life in general, above anyone not as educated as she is. "You poor baby…it’s just as well you don’t understand"(404). The young woman fails to see that there is much more to life than what you can learn in a book. Due to a heart condition, however, Hulga is forced to remain home on the farm, instead of being in an academic setting where her education would be recognized and encouraged. This attitude that she is above most other people isolates Hulga from everyone around her. Even her mother c...
At many times throughout the book, he is followed by an overpowering feeling of loneliness that follows him wherever he goes. At the Reservation, he is lonely because of the lack of people around him. No matter where he looks, he cannot find someone to spend the time with, or who seems to care. All this changes when he is brought into the World State. Here, he is surrounded by people that want to learn about and meet him. So unused to this feeling, this makes him feel painfully out of place. Where he used to suffer from being physically lonely, he is now experiencing emotional loneliness. Especially after the death of Linda, his mother, he feels able more alone than ever. This is what leads to his inevitable
The first encounter with Helga Crane, Nella Larsen’s protagonist in the novel Quicksand, introduces the heroine unwinding after a day of work in a dimly lit room. She is alone. And while no one else is present in the room, Helga is accompanied by her own thoughts, feelings, and her worrisome perceptions of the world around her. Throughout the novel, it becomes clear that most of Helga’s concerns revolve around two issues- race and sex. Even though there are many human character antagonists that play a significant role in the novel and in the story of Helga Crane, such as her friends, coworkers, relatives, and ultimately even her own children, her race and her sexuality become Helga’s biggest challenges. These two taxing antagonists appear throughout the novel in many subtle forms. It becomes obvious that racial confusion and sexual repression are a substantial source of Helga’s apprehensions and eventually lead to her tragic demise.
The definition of home is: the place where one lives permanently. Home is a place where one feels accepted, loved, and comfortable enough to be themselves completely. In Nella Larsen’s “Quicksand”, main character Helga is a bi-racial woman in the 1920’s who struggles internally with where she feels she belongs and where she can call home. Throughout the entire novel Helga moves to many different places to try and feel at home. In the society that Helga is cursed to have to live in, biracial people are not common and rarely accepted in many communities. Personally I don’t feel like Helga would have ever found a place to call her real home, using the definition where home is a permanent place to comfortably live, where she would chose to stay
according to the plot of her own play. Hedda finds a “way out” after the internal conflict
The story opens by embracing the reader with a relaxed setting, giving the anticipation for an optimistic story. “…with the fresh warmth of a full summer day; the flowers were blossoming profusely and the grass was richly green (p.445).”
We can see this in the play, as we read we learn more about the character of Hedda Gabler. She is the daughter of a General who expected a life if glamour and wealth and rebels against the boredom of a dull, narrow existence by vindictively scheming against everyone around her. Hedda also strives to ruin Eilert Lovborg, the intellectual she once rejected as a suitor. She is meddling in Eilert’s life for her own amusement and control.
Helga feels most out of place when she has to confront the eroticism of the clubs in Harlem and her disassociation from sexuality. For example, Helga realizes how the music moves her in the club, “… the music died, she dragged herself back to the present with a conscious effort; and shameful certainty that not only had she been in the jungle, but she had enjoyed it…” (Larsen, 59). Helga also feels social disconnection from Anne Grey who’s hypocritical of the culture she participates in. Anne Grey makes her hypocrisy clear when she says, “That’s what’s the matter with the Negro race. They won’t stick together. She certainly ought to be ostracized”, while at the same time participating in white society and even enjoying the music and other cultural products (Larsen, 61). Due to Helga’s alternative views to that of the Harlem and New York City society she leaves for Denmark where instead of feeling appreciated she’s fetishized and put on display like a freak show. Helga realizes she’s being made into an eroticized version of herself when Herr Olsen says, “…You have the warm impulsive nature of Africa, but, my lovely, you have, I fear, the soul of a prostitute. You sell yourself to the highest bidder, I should of course be happy that it is I…” (Larsen, 87). For this and other reasons, Helga leaves Denmark and moves back to New York City but this is not her final
She was forced to cross beneath her social class and marry this commoner in the hopes that he would make a name for himself as a professor. As for love everlasting, Hedda disgustedly comments to Judge Brack, "Ugh -- don't use that syrupy word!" Rather than having become a happy newlywed who has found true love, "Hedda is trapped in a marriage of convenience" (Shipley 445). Hedda was raised a lady of the upper class, and as such she regards her beauty with high esteem. This is, in part, the reason she vehemently denies the pregnancy for so long.
Throughout the play, there is a feeling that the room gets darker and less lively with the piano removed as well. The play takes a turn to Hedda being more clear and intentional with her manipulations. She is very bored and irritated in her general life. Her obsessive nature to cause trouble and trying to control everything is evident very early on in the play. She starts out in a quite middle-class setting and seems very annoyed at Tesman, she does not want to be close to him, yet they just returned home from their honeymoon which is supposed to be the most romantic thing at the beginning of marriage, but hers seems just tolerable. She appears to enjoy the fact that Tesman gets worried about the competition with Lovborg, it appears to give her new “fun” activity in her life. There are parts of the play that lean towards Hedda seeming slightly hysterical or bipolar as she goes from being bored and calm to loading pistols as if it is not a big deal and then grasps Thea wildly announcing her expectations for Lovborg. She seems obsessed with trying to control those around her because she has no other “outlet” to her life. Physically, she is repelled by marital sex and, however, flirtatious with the Judge, frightened by extramarital affairs. Like so many women, she is left miserable among the