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Essay about quicksand by nella larson
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The first encounter with Helga Crane, Nella Larsen’s protagonist in the novel Quicksand, introduces the heroine unwinding after a day of work in a dimly lit room. She is alone. And while no one else is present in the room, Helga is accompanied by her own thoughts, feelings, and her worrisome perceptions of the world around her. Throughout the novel, it becomes clear that most of Helga’s concerns revolve around two issues- race and sex. Even though there are many human character antagonists that play a significant role in the novel and in the story of Helga Crane, such as her friends, coworkers, relatives, and ultimately even her own children, her race and her sexuality become Helga’s biggest challenges. These two taxing antagonists appear throughout the novel in many subtle forms. It becomes obvious that racial confusion and sexual repression are a substantial source of Helga’s apprehensions and eventually lead to her tragic demise.
Helga’s first indication of racial conflict revolves around her occupation as a teacher at Naxos. Not so much with her fellow teachers or the other staff, but with the core concepts and principles of the school itself. Helga admits that she has had trouble fitting into the “Naxos mold” (Larsen 10). She describes this failure to conform as “a lack somewhere,” stemming from “parts of her she couldn’t be proud of” (Larsen 10). These subtle hints show Helga’s conflict with racial discomfort. She strongly disagrees with the southern school’s values and ways of thinking. Helga feels that the school had become “a showplace in the black belt, [an] exemplification of the white man’s magnanimity, [and a] refutation of the black man’s inefficiency” (Larsen 8). In her opinion, this institution of le...
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...er obligation to her children, and is unable to flee from her problems as she did in the past. The final paragraph is proof of Helga’s inevitable doom. As it would seem throughout Helga’s life, she has struggled to be free of her sexual and racial confusion. Becoming pregnant for the fifth time explains with a bold certainty the title of Larsen’s novel. It seems that the more Helga struggles to be free, the more she sinks herself deeper into the quicksand.
Works Cited
DeFalco, Amelia. "Jungle creatures and dancing apes: modern primitivism and Nella Larsen's Quicksand." Mosaic [Winnipeg] 38.2 (2005): 19+. Literature Resources from Gale. Web. 15 Nov. 2013.
Hill, Laban Carrick. Harlem Stomp!: A Cultural History of the Harlem Renaissance. New York: Little, Brown, 2003. Print.
Larsen, Nella. Quicksand ; And, Passing. Ed. Deborah E. McDowell. Blacksburg, VA.: Wider
Williams, Iain Cameron. Underneath a Harlem Moon: The Harlem to Paris Years of Adelaide Hall. London: Continuum, 2002. Print.
Nella Larsen’s “Quicksand” depicts a young woman who lives her life around her dyer need to find her place in society. In the setting of Quicksand, discrimination is a key factor in the text because Helga Crane, who is a biracial woman, is expected to settle in a race in which she does not necessarily call her own. With this said, Crane maintains her status as an outsider in both the white and black community, and is never content with her surroundings. She also disregards her peer’s philosophies on life as annoying or absurd. She is constantly looking for a “better” life that will bring her self-fulfillment, but to her misfortune she never finds it. In the text Quicksand, Helga Crane shows great dissatisfaction with her life because of the racial barriers she has set for herself psychologically. She has formed these barriers in her life to keep distance from facing racial discrimination and conformity. Crane fights to keep differentiation between herself and the rest of society, and makes a life choice to not repeat the same mistakes as her given mother. While trying to find her own happiness, Helga Crane looks towards her materialistic views which prove to dissatisfy her in every situation.
Homesick is a novel that exposes many different relationships, the strength of relationships, and how they can endure tremendous pain. The various relationships between Alec and Vera, Alec and Daniel, and Vera and Daniel are considerably different because of the variation in generation represented by each character. Each relationship in this family has its strengths and weaknesses depending on the past of the relationships. The relationships in the novel Homesick are seen through all of the character's eyes, so we can see how each character felt about the other characters. These characters do not tend to say what they think, we can see this many times throughout the novel. These relationships can be observed by seeing how they act, speak, and treat one another.
The fundamental characteristic of magical realism is its duality, which enables the reader to experience both the character’s past and the present. In the novel, Monkey Beach, Eden Robinson uses this literary device to address the the trauma and mistreatment of the Haisla community in Canada by unveiling the intimate memories of the protagonist, Lisamarie, and the resulting consequences of this oppression. Monkey Beach illustrates how abuse in the past leads to another form of self-medication in the future - a neverending, vicious cycle for the members of the Haisla community. Many characters in Monkey Beach are scarred from childhood sexual abuse and family neglect, and resort to drug and alcohol abuse as a coping mechanism. These appalling memories are an account of the impact of colonization on the Haisla territory which continues to haunt the Aboriginal community throughout generations.
In Nella Larsen's Quicksand, Helga Crane passively opts out of situations; her actions are consistently reactionary. Helga’s anxiety is the figurative “quicksand” in which she sinks throughout the novel: Helga is too afraid to commit to a decision and thus flees geographically, failing to realize she can not find happiness through avoiding decisions.
While Helga identified herself with African-Americans while living in Harlem this idea quickly fades as she becomes exasperated with some of the societal norms that come with living in Harlem. She hates how focused everyone is on “the race problem” and wishes to get away from it. “Even the gentle Anne distressed her. Perhaps because Anne was obsessed by the race problem and fed her obsession.” (p. 50-51) When Helga first came to Harlem she really admired Anne for her intelligence and aesthetic sense when it came to interior decoration. But the longer she stayed in Harlem among purely African-Americans, the more hypocritical she found Anne to be: “Anne’s insinuations were too revolting. She had a slightly sickish feeling, and a flash of anger touched her. She mastered it and ignored Anne’s inadequate answer.” The more intellectual side of Helga becomes annoyed with Anne because she contradicts herself constantly when it comes to “the race
The character of Helga Crane from the novel Quicksand by Nella Larsen is a very complex character, struggling with racial identity, social class and sexism. Helga Crane is a twenty-three year old schoolteacher that comes from a mixed racial background. Her birth mother was a Danish woman, while her birth father was of West African descent. In the novel, she is depicted as a very exotic, beautiful and intelligent looking woman. Her racial dilemma however has left her lonely, alienated and psychologically uncertain to her belonging in the world. While growing up, due to her significant dark-skin and European features she was ostracized by both the Caucasian and African American community. In order to find herself a place in the world, and feel at home she traveled from the South, to cities such as Chicago, Harlem and even the European city of Copenhagen in Denmark. When it came to her travels, everywhere she would go she stated a strong opinion on her belonging. With that being said, I would like to focus this paper on three passages regarding her life at Naxos, in Harlem, and in Copenhagen.
The "New Negro," the Black writers in 1920/30, tried to get out of the dominant white assimilation and practice their own tradition and identity in autonomous and active attitude. In virtue of their activities, the Harlem Renaissance became the time of sprouting the blackness. It offered the life of the black as the criterion to judge how well the democracy practices in America and to weigh the measure of the dream of America. Their vitality and artistic spirit, and dreams were so impressive that the Harlem of the 1920s has never been eluded out from the memory of American (Helbling 2).
The book Lives on the Boundary, written by Mike Rose, provides great insight to what the new teaching professional may anticipate in the classroom. This book may be used to inform a teacher’s philosophy and may render the teacher more effective. Lives on the Boundary is a first person account composed of eight chapters each of which treat a different obstacle faced by Mike Rose in his years as a student and as an educator. More specifically in chapters one through five Mike Rose focuses on his own personal struggles and achievements as a student. Ultimately the aim is to highlight the underpreparedness of some of today’s learners.
During the first half of the 20th century, Harlem became a mecca for African American culture and ideas. Home to the Harlem Renaissance, Harlem housed many influential African American leaders and influenced much of African American culture of the 20th century. Harlem’s population exploded during the 1920s-30s due to the Harlem Renaissance, and continued to expand until reaching its peak during the 1950s. The decade of the 195...
There certainly was a divide between the two races, but now it was more of a passive aggressive approach. Biracial coupling and children were especially uncommon in this time, therefore society didn’t know how to react to it. Since it was so uncommon, society decided that if you weren’t a part of the norm, you wouldn’t be treated that way. The normal was to be of one race and to grow up, live, and die within the community of that race. Helga being from a mixed background did not fit it or conform to society’s norm in “Quicksand”. In Helga’s perfect world she would like to live in a community of both white and black people, and eventually hope that in the new generation would be a breed of mixed children like herself. Unfortunately this was not the society Helga was born into, therefore she could never find a true place to call home. She would move back and forth between both races. When she lives among blacks, she longs to experience the white side of her soul, but when she lives among whites, she misses being around black people. For this reason, Helga is always tempted to leave her current residence to go someplace else. Eventually Helga begins to give in to society out of exhaustion from trying to reject and break its rules. Larsen reveals this by writing “And after a little while she gave herself up wholly to the fascinating business of being seen, gaped at, desired.” Larsen is telling us how Helga gives in to society, even if it is in a seemingly positive light, she is depicting for us, her surrender to society and it’s rules. Once she realizes that she is giving in, she does all she can to try and escape doing that again. Although she tries to escape society’s claws and find herself a home, she discovers it is a lot more difficult that it was when she was
DeFalco, Amelia. "Jungle creatures and dancing apes: modern primitivism and Nella Larsen's Quicksand." Mosaic [Winnipeg] 38.2 (2005): 19+. Literature Resources from Gale. Web. 15 Nov. 2013.
Helga feels most out of place when she has to confront the eroticism of the clubs in Harlem and her disassociation from sexuality. For example, Helga realizes how the music moves her in the club, “… the music died, she dragged herself back to the present with a conscious effort; and shameful certainty that not only had she been in the jungle, but she had enjoyed it…” (Larsen, 59). Helga also feels social disconnection from Anne Grey who’s hypocritical of the culture she participates in. Anne Grey makes her hypocrisy clear when she says, “That’s what’s the matter with the Negro race. They won’t stick together. She certainly ought to be ostracized”, while at the same time participating in white society and even enjoying the music and other cultural products (Larsen, 61). Due to Helga’s alternative views to that of the Harlem and New York City society she leaves for Denmark where instead of feeling appreciated she’s fetishized and put on display like a freak show. Helga realizes she’s being made into an eroticized version of herself when Herr Olsen says, “…You have the warm impulsive nature of Africa, but, my lovely, you have, I fear, the soul of a prostitute. You sell yourself to the highest bidder, I should of course be happy that it is I…” (Larsen, 87). For this and other reasons, Helga leaves Denmark and moves back to New York City but this is not her final
Quicksand centers on the live of an African American women, Helga Crane and her place in society. She searches for a community in which she feels at home; her journey takes her from the Southern United States, to Harlem, and to Denmark-- where her white relatives live. In each setting Helga negotiates her place in society facing the challenges of being both a biracial person and a woman. Every location, however, forces Helga to confront the stereotypes that confine her. Ultimately, Helga enters a loveless marriage of convenience and returns to the South. Unable to express her individuality, Helga is resigned to live a life that denies her the autonomy she has struggled for.
Hughes, Langston. "Harlem." [1951] Literature. 5th ed. Eds. James H. Pickering and Jeffery D. Hoeper. Upper Saddle River, NJ: Prentice, 1027-28.