Isami's House, by Gail Lee Bernstein, is a rare multi-generational book that explains the history of a Japanese family. The book filtrates between the beginning of the Tokugawa era and what is now present day. Isami’s House is a piece that appears at first to be a scholarly work of one middle-class Japanese clan's dynasty, but manages instead to tell a story of success and tragedy, that is appealing and entertains the reader. Throughout the story, Bernstein emphasizes on the Japanese culture during the time period, Isami’s family’s lives and their personal stories. Isami and his wife Kō were married in 1901. They are the core of a narrative that stretches through three centuries of a rural elite Japanese family. In result of the family following …show more content…
the position of their ancestors at the end of Tokugawa era, the book sheds light on how villagers were transformed into city dwellers. As the reader follows Bernstein’s description of the family’s daily lives and decisions, he/she realizes what has been acquired and lost in the process of the family’s hardships and the way the individuals had to get by with unexpected changes occurring in their lives. Throughout the entire book Bernstein brings to life, in the family members’ stories, Japanese foods, famines, cultural customs, rural values, community organization of homes, the process of raising children, and social networks. Bernstein heavily packed the book with information, but did not densely describe the information to where it was not understandable to the reader. As the story develops, the reader gains more knowledge of all 14 Matsuura children and their spouses and children. All of the children were born before and after World War II, the reader grows to know how brave and responsible the daughters are; how determined yet lazy the sons are; how flamboyant and rebellious the aunts are; and how irresponsible the husbands are. Although there was some confusion in names and descriptions of these children, Bernstein helps the reader understand the reasoning of the family becoming that way. While gradually realizing throughout the reading of the book, the reader sees that it was written in various perspectives. Bernstein organizes it this way to be more focused on the story of the daughters in the family. Since such an extensive amount of the book revolves around Isami's traditional part as the male leader, or patriarch, it's very surprising that Bernstein would arrange it in that way. A philosophy that Isami clearly shows is his relative comfort in life; giving him the freedom to be just as equal as a partner in the raising of his children as Kō is. Although Isami and Kō let their children have much freedom during recreational periods, they were both the authority over their children and “adamant about instilling in them the Confucian virtue of family harmony.” (50) Isami had an obsession or fixation, according to Bernstein, on the paths his children took; so in return it ensured that his dynasty would prosper and be sustained. Isami loved his children but at the end of the day it was all about his well-being and the prosperity of his dynasty. He saw the population of city dwellers becoming the future of Japan. Because of that he believed his daughters needed to be well educated, so that they could be well fitted marriage partners to these cultivated or urbane citizens. During the time period of Isami and Kō, arranged marriages were very common, according to Bernstein.
However, the contemporary granddaughters of Isami and Kō refused to affiliate themselves with a marriage system that had such an absence of attention to love. Isami's daughters, their mothers, did not enjoy the physical and emotional intimacy that Kō and Isami had in their own arranged marriage in 1901. The thinking of this discomfort was because of post-World War II men whom placed fidelity to their companies and country above importance to their wives. This devotion and work ethic allowed Japan to come out of rock bottom from post-war hopelessness and desperation, to its current status as a world economic leader, but post-war wives have been negatively affected under this system. Nowadays, many Japanese women want to incorporate Western-style feminism in a social structure that is widely not ready to support them. Isami's family was greatly affected by World War II. An example of this were the firebombing of Japan’s densely populated cities and “the family’s Nishigahara house miraculously standing” but “the home of an acquaintance being burned down” (154) Isami was very dutiful to his country and continued to serve throughout the war. Bernstein indicates that the Japanese school system is unbearable, and doesn't prepare children for new economic actuality of the world that is dependent on versatility, willingness and cooperation between nations. Bernstein helps the reader understand towards the end that one of Japan's greatest exports in present day is its popular culture, examples being anime and manga. Young Americans have embraced this culture with eagerness, despite the fact that many young Japanese kids seem as if they are disoriented or confused. In Isami’s House, Bernstein shows complexity of the Japanese culture and how Isami’s family embraced and and used it in their everyday
lifestyle. Bernstein is the professor of history at the University of Arizona. Because of her close personal relationship she had with several of Isami's daughters for 40 years she was able to distinguish clear writing and meticulous research and analysis. This close relationship provided her with exceptional access to the thoughts and desires of Isami and Kō, and to the confidential family stories and secrets of previous generations up to present day. The book comes to a conclusion on an uncertain note, which in my opinion gave the reader a broader understanding of the instability that the Japanese culture faces to this day. Bernstein wrote Isami’s House to reach out to readers’ knowledge of Japanese culture, and explain the history of the Japanese family of Isami.
Matsumoto studies three generations, Issei, Nisei, and Sansei living in a closely linked ethnic community. She focuses her studies in the Japanese immigration experiences during the time when many Americans were scared with the influx of immigrants from Asia. The book shows a vivid picture of how Cortex Japanese endured violence, discriminations during Anti-Asian legislation and prejudice in 1920s, the Great Depression of 1930s, and the internment of 1940s. It also shows an examination of the adjustment period after the end of World War II and their return to the home place.
'Even with all the mental anguish and struggle, an elemental instinct bound us to this soil. Here we were born; here we wanted to live. We had tasted of its freedom and learned of its brave hopes for democracy. It was too late, much too late for us to turn back.' (Sone 124). This statement is key to understanding much of the novel, Nisei Daughter, written by Monica Sone. From one perspective, this novel is an autobiographical account of a Japanese American girl and the ways in which she constructed her own self-identity. On the other hand, the novel depicts the distinct differences and tension that formed between the Issei and Nisei generations. Moreover, it can be seen as an attempt to describe the confusion experienced by Japanese Americans torn between two cultures.
During World War II, countless Japanese Canadians, and Americans, were relocated to internment camps out of fear of where their loyalties would lie. Because of this, those people were stricken from their homes and had their lives altered forever. Joy Kogawa’s Obasan highlights this traumatic event. In this excerpt, Kogawa uses shifts in point of view and style to depict her complex attitude and perception of the past.
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
In Yoshie's work, “Gender in Early Classical Japan: Marriage, Leadership, and Political Status in Village and Palace (2005),” she takes the example of Toji, women known to have played a m...
Monica Sone's memoir shows how growing up was like as a Japanese American in the United States before and during World War II. As the War was upon the U.S it was by no means an easy time for any American citizen, especially the Japanese Americans who dealt with persecution all along the West Coast. Kazuko was born in America to Japanese immigrant parents, known as Nisei which means second-generation Japanese American. While her parents are Issei which is first-generation Japanese immigrants to America. Nisei Daughter primary focus is on the family's strength in the face of challenges ahead, and their capability to give up everything for the country they love. Sone provides the process of assimilation, which is members of a minority group adopting to the behaviors and attitudes of the majority population. In Nisei Daughter, the issue of assimilation becomes especially complex. That is due to the fact that Japanese Americans including the Ioti’s are
Known for her work as a historian and rather outspoken political activist, Yamakawa Kikue was also the author of her book titled Women of the Mito Domain (p. xix). At the time she was writing this work, Yamakawa was under the surveillance of the Japanese government as the result of her and her husband’s work for the socialist and feminist movements in Japan (p. xx-xxi). But despite the restrictions she was undoubtedly required to abide by in order to produce this book, her work contains an air of commentary on the past and present political, social, and economic issues that had been plaguing the nation (p. xxi). This work is a piece that comments on the significance of women’s roles in history through the example of Yamakawa’s own family and
Some were as young as fourteen while some were mothers who were forced to leave their child behind in Japan, but for these women the sacrifice will be worth it once they get to San Francisco. Yet, the women desired a better life separate from their past, but brought things that represent their culture desiring to continue the Buddha traditions in America; such as, their kimonos, calligraphy brushes, rice paper, tiny brass Buddha, fox god, dolls from their childhood, paper fans, and etc. (Otsuka, 2011, p. 9) A part of them wanted a better life full of respect, not only toward males but also toward them, and away from the fields, but wanted to continue the old traditions from their home land. These hopes of a grand new life was shattered when the boat arrived to America for none of the husbands were recognizable to any of the women. The pictures were false personas of a life that didn’t really exist for these men, and the men were twenty years older than their picture. All their hopes were destroyed that some wanted to go home even before getting off the boat, while others kept their chins up holding onto their hope that maybe something good will come from this marriage and walked off the boat (Otsuka, 2011, p.
At first, the four main characters are all nameless but with the appellation---the father, the son, the daughter and the mother. Generally speaking, if authors want their writings to be understood easily, they always choose to set names for the characters, which also can avoid confusion. But in this novel, the author must mean to express a special meaning through the nameless main characters. On one hand, it is thought that the experiences of this nameless Japanese American family is not a single example but the epitome of what all Japanese American encountered at that time. Nearly 120,000 Japanese American were taken from their homes in the spring and early summer of 1942 and incarcerated in concentration camps by the United States government.(Roger Daniels, 3) On the other hand, what is more significant, the namelessness of the characters also indicates the loss of their identities. Because they are Japanese Ameican, they are different from the real American natives in their habits, w...
The Heian period(794-1185), the so-called golden age of Japanese culture, produced some of the finest works of Japanese literature.1 The most well known work from this period, the Genji Monogatari, is considered to be the “oldest novel still recognized today as a major masterpiece.”2 It can also be said that the Genji Monogatari is proof of the ingenuity of the Japanese in assimilating Chinese culture and politics. As a monogatari, a style of narrative with poems interspersed within it, the characters and settings frequently allude to Chinese poems and stories. In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese.
Suzuki, Tomi. Narrating the Self: Fictions of Japanese Modernity. Palo Alto: Stanford University Press, 1996.
Shirane Haruo. et al. Early Modern Japanese Literature: An Anthology 1600-1900. New York: Colombia University Press, 2002. Print.
In addition, shortly thereafter, she and a small group of American business professionals left to Japan. The conflict between values became evident very early on when it was discovered that women in Japan were treated by locals as second-class citizens. The country values there were very different, and the women began almost immediately feeling alienated. The options ...
Deal, William E. 2006. Handbook to Life in Medieval and Early Modern Japan. Facts on File, Inc., 2006. eBook