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Recommended: The Gaelic League
Irish Culture
Ireland is deeply rooted in its culture. Architecture and dance are just two aspects of their culture. The Gaelic League is a major part of why Ireland got to share its traditional dance with the world. Architecture in Ireland evolved from simple to beautiful and grand over the Saxon, Norman and Medieval time periods.
The earliest written record of dancing was in 1520 with the use of the word ‘damhsa’ or ‘dance’ in English (Whelan 9). The country dancing that was popular until the 17th century is said to have “spread from England into Ireland” (Whelan 10). However, during the late 17th century, the term ‘jig’ began being used for the Irish dance (Whelan 10). The jig is the more modern term to describe the dancing of Ireland.
It is a wonder that the technique of Irish dancing was so uniform all around Ireland. The greatest contributors to the spread of the technique of Irish dancing were the Old Irish Dancing Masters. The masters are the ones who made everything come together. They developed “the footwork for the solo dance” as well as teaching and directing the uniformity and discipline for the group dances (Whelan 11). The masters would travel around the country staying at a lump of time ranging from nine days to six weeks (Whelan 11). He was always “accompanied by a piper or fiddler” that would play the music while he taught (Whelan 11). Barns were constructed on farms prior to his arrival with the trade that the farmer’s children would receive free lessons (Whelan 12). The most basic lessons the master taught were “the rising step of the jig and the side step of the reel” (Whelan 12). More of the students were children and picked up the movements fairly easy. However, if the students were having difficulty, th...
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... in the shape of a cross. Tall lancet windows also marked this time period (Archer 288). Eastern Ireland had more elaborate and intricate designed churches due to the influence of England. Unfortunately, not a lot of churches stayed in good condition due to the “suppression of the Catholic church during the 18th century” and are more ruins than anything (Archer 288).
Ireland was influenced by many countries but mainly from England. It is traced and seen over time that England was the country that brought a lot of things to Ireland first, but the Irish quickly adapted and make it their own. Architecture improved and mainly saw growth within the churches. There were Romanesque and Gothic styles that continued to be seen within the church structures. Irish dance spread all over the world due to emigration. Europe and North America were greatly influenced by Ireland.
Translations depicts the cultural take over of Ireland by the British Empire, yet it cannot be said to be simply pro-Irish.’ Consider this comment. English Literature Coursework- ‘Translations depicts the cultural take over of Ireland by the British Empire, yet it cannot be said to be simply pro-Irish.’ Consider this comment on the play. The Cultural take over of Ireland by the British Empire is a central issue in Translations.
This gentleman is six foot two, short black hair, black eyes, and with no real distinguishing marks. He is heterosexual, African American, and is An Atheist. His name is David, and he is walking home while wearing sweat pants with a ripped up t-shirt that was from home. Some people would consider this gentleman to be poor and have a horrible education with nothing good on his mind. However David is a part-time firefighter, with a part-time job, and also being part time college student. There is a difference between people hardcore supporting their culture or beliefs, compared to individuals who get stereotyped like David for example. In the article, “Sticks and Stones: The Irish Identity”, by Robert McLaim Wilson and published by Grand Street.
In order to legitimise a regime or cause, traditions may be constructed around historical or mythological events, people or symbols that reinforce the image required to focus people’s conception of the past. People can be encouraged to invent a cohesive view of their shared ‘traditions’ by what could be called cherry picking bits of history.
In spite of these views, Society was changing. After the restoration period, performers could finally travel again, and it was the French that came to the London stage, bringing with them a quality quite unique to France that had not been seen in England before. In turn this caused English dancers such as Marie Camargo in search of fame and excellence to take on board some of this French quality, technique and style, coincidentally merging two styles and for the first time creating one technique. I believe it is within this merging and unifying of two different countries styles and indeed two individual dancers style; Camargo's and Salle's that we see how the expressive powers and technique of dance on the London stage were extended in the 18th Century. I will seek to portray this throughout my essay and convey how this in turn dictated how they were represented in society.
Dance is something that has been around for a very long time and throughout the years, has brought together many different cultures. Different forms of dance formed in different parts of the world and they all have different, languages, values, customs, etc. Dance in one part of the world could have a completely different value in another part of the world. And different styles have been created from past knowledge.
Dance today is completely different from what it was like during the Renaissance. Steps and movements were much more simple than what choreography is today. Performances were at courts, provinces, bourgeois houses and marketplaces (Mccowan 1) instead of on a stage or in auditoriums that were invented later by Italian set designers (Homans, 11). Dance studios, as the world knows them today, would not exist without the influence of the renaissance kings and queens.
During the Renaissance Era musical instruments were used primarily to accompany dance. The most famous court dance style in the Renaissance Era was the basse danse, where couples would gracefully and quietly move across the dance floor. The couples used a gliding motion as they gracefully moved across the floor. This style was popular in the 15th and 16th centuries. Another famous style is the Calata, a 16th century Italian line dance in the measure of 3/4. With this style, couples would move across the floor using quick and elaborate movements. The last style which will be covered in our program is the ronde, also famous in Europe during the 15th and 16th centuries, the ronde took place outdoors and participants moved in a circular pattern.
In the 1400s, Ballet Masters, also known as choreographers, became known. They can be traced by the documents of their works. Domenico da Piacenza, Master Domenico, always had his works written down. Domenico began referring to dance as “ballo” rather than “danza.” He did this because ballo meant “dancing of varied rhythm,” and danza meant “dancing to music of unvarying rhythm” (Greskovic 6). To the English-speaker, ballo translated as ballet.
When one thinks of different dance forms, one would tend to look at the beauty of it and how it makes people feel. But understanding the origin of some of the dances should help one to appreciate the importance the art form of dance has made in history. Through both of the dance forms there would be a discussion between the origins as well as the similarities and contrast of ballet and classical Chinese dance.
In ancient times, dance was understood as a completely different concept. Dancing in ancient Egypt was a spiritual event (“History of Dance,” n.d.). Being a spiritual event, dancing before a god was an important thing to do when practicing rituals because it shows a great amount of respect. Egyptian priest and priestesses would tell stories of gods through dance. Like all dances, there is some type of music that the dancer dances to. The Egyptians woul...
The English colonists brought the dance to America and it was later published by Sir Roger de Coverley. It comes from a pre-Christian Irish dance called the Rincce Fadha. Couples come together in a long ways formation while the fiddler plays. Partners closest to the fiddler are the head partners and partners on the opposite end are the foot partners. Partners walk four steps toward each other and bow on the fourth step and take four steps back into place. Partners then walk forward again and grab the right are and swing clockwise and return to places and repeat on the left. Then partners pass right shoulders and take a step to the right and pass left shoulders going backwards. The head partners do eight slides to the foot partners then eight slides back. The head partners then do right elbow swings down the line with each partner. After getting to the end of the line, they slide back to the head. Typically called “Peel the Banana” head partners face front and the rest face a head partner in a single file line. The head partners turn to the left and walk towards the foot of the line while the rest follow. When they get to the foot they face each other and form the “Arch” by holding hands up together. Every partner takes turns going underneath the arch. The dance ends when each partner has a chance to be a head
To prove my point that the Irish people share the same language I will explain the unique qualities that the Irish culture possesses. Many of these qualities are unique to the people of this region. The first is the Irish language. It is often referred to as Gaelic, but I have found that it is just called the Irish language now. This language is one of the oldest in Europe and it boasts one of the earliest written literatures in the entire world. A study was conducted b...
In the 1600’s dance was used to tell stories in the form of ballets and done as entertainment for the social classes. Renaissance people danced for many different reasons ranging from religious prayer to entertainment at social gatherings. Renaissance dance was highly choreography with simple movement unlike modern dance. Cohen 2001 noted “ On the beat, dancers rose , not fell. They held their upper bodies gracefully upright, keeping their hands mostly Low. The lively movements was in the legs, where complicated steps, kicks, hops, and stamps showed style and virtuosity”(283). The costuming that the dancers adorned themselves were very traditional where as the men wore leggings and tunics while the women were bogged down by heavy layered dresses that covered their legs and feet. These dances were sometimes done as a solo performance, but most of time they were performed as a couple. The dance was always performed with live music that was comprised of the clavichords, a pro-harpsichord, and a small drum to keep the dancers on beat. Cohen pointed out “The elite danced to small bands of a drum, pipes, and several shawms (like oboes); peasants often resorted to bagpipes. Tempos varied from the slow bass dans to the quick saltarello and piva”(283). These dancers were highly skilled graceful entertainer and were in high demand for entertainme...
The Travellers: Ireland’s Ethnic Minority. Who are the Travellers? The Travellers, a minority community indigenous to Ireland, have existed on the margins of Irish society for centuries. They share common descent, and have distinct cultural practices - early marriage, desire to be mobile, a tradition of self-employment, and so on.
Dance is an ancient human practice, however the earliest record of human dance remains a mystery. By