Ballet And Classical Chinese Dance

1184 Words3 Pages

When one thinks of different dance forms, one would tend to look at the beauty of it and how it makes people feel. But understanding the origin of some of the dances should help one to appreciate the importance the art form of dance has made in history. Through both of the dance forms there would be a discussion between the origins as well as the similarities and contrast of ballet and classical Chinese dance.
Ballet was first brought to light in the Italian Renaissance courts of the 15th Century, where the dancing masters would teach the steps to the nobility and the royal court would partake in performances. In the 16th century an Italian noblewoman by the name of Catherine de Medici, wife of King Henry II of France began to invest in ballet
It became a dance that allows the user to have a good balance and coordination between shen, physical forms, and yun, the style, inner spirit, and emotions. When wushu, martial arts, appeared in China. Many types of performing arts were influenced by martial art movements, techniques, and flips. Also many original forms of classic Chinese dance were similar to those of martial arts. During the 5,000 years when Chinese culture was being established, classical Chinese dance was being enhanced, which what brought forth the “bearing” aspect of classical Chinese dance. Before the Qin and Han dynasties spanning at around 221 B.C.E to 220 C.E. there were street performers who performed martial arts routines that consisted of cartwheel, front flips, and back flips. During the Tang and Song dynasties (618 C.E. - 1279 C.E.), much of the dance and street performances contained early forms and techniques of classical Chinese dance. Classical Chinese dance is composed of three main parts: bearing, the form, and technical skill. Other essentials consist of training movements and postures, as well as challenging jumping and tumbling
Ballet’s many training methods usually start with footwork and strengthening of the legs and core muscles. The training to become a professional prima ballerina includes working of the hands, pointe, partnering, and ballet’s high level techniques. Classical Chinese dance training includes three main parts which is form, bearing, and technical skill. The form is a system of a number of Chinese movements and postures. But the most important part is bearing known as yun in Chinese. Yun is the inner feeling behind any movement a dancer does. It is connected to the dancer’s breathing and personality. In classical Chinese dance men have a more protonate role in the telling of the story while in ballet the men are used for their strength to help the female dancers perform at a greater theatrical

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