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Conculion of irish culture
History of ireland essay
Conculion of irish culture
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In order to legitimise a regime or cause, traditions may be constructed around historical or mythological events, people or symbols that reinforce the image required to focus people’s conception of the past. People can be encouraged to invent a cohesive view of their shared ‘traditions’ by what could be called cherry picking bits of history. The ancient mythology of Ireland is one of its’ greatest assets. The glorious, poetic tales of battles, super humans, demigods and heroes ranks among the best of ancient literature. The book of the Dun Cow, (Lebor na huidre), was written around 1100 and contains stories from the eighth and ninth centuries. The Book of Invasions, (Lebor Gabala), tells how the mythical ancestors of the Irish, the God-like Tuatha Dé Danann, wrestled Ireland (or Erin) from misshapen Fir Bolg in fantastic battles. The Fir Bolg were traditionally linked to Gaul and Britain so the analogy between them and the invading English was complete. The Ulster Cycle, (an Rúraíocht), is concerned with heroic battles by great Irish warriors. The statue put up in the General Post Office in Sackville Street, Dublin, (now O’Connell Street) to remember the fallen of the 1916 Rising was inspired by these tales. It shows the hero Cuchulainn, the Hound of Ulster, who tied himself to a tree so that he would die on his feet. Even more importantly, as he died, his sword cut off the hand of his killer. The identification with the dead rebels of the Easter Rising is thereby firmly established in the modern Irish consciousness. The tales were rediscovered around 1880 inspiring the Irish literary revival in romantic fiction by writers such as Lady Augusta Gregory and the poetry and dramatic works of W.B. Yeats. These works wer... ... middle of paper ... ...1.11) Standish O’Grady http://academicapress.com/node/135 (Accessed 19.01.11) By Lady Augusta Gregory http://www.sacred-texts.com/neu/celt/cuch/index.htm (Accessed 19.01.11) Irish surnames http://www.dochara.com/the-irish/surnames/irish-surnames-of-gaelic-origin/ (Accessed 27.01.11) Celtic Christianity http://en.wikipedia.org/wiki/Celtic_Christianity http://www.aislingmagazine.com/aislingmagazine/articles/TAM30/EdSellner.html http://www.ogdoad.force9.co.uk/celticm.htm (Accessed 19.01.11) Cashel http://www.heritageireland.ie/en/South-East/RockofCashel/ (Accessed 27.01.11) http://www.destination360.com/europe/ireland/rock-of-cashel (Accessed 30.01.11) Hyberno-Romanesque http://www.answers.com/topic/hiberno-romanesque (Accessed 30.01.11) Cromwell http://en.wikipedia.org/wiki/Cromwellian_conquest_of_Ireland (Accessed 30.01.11)
Translations depicts the cultural take over of Ireland by the British Empire, yet it cannot be said to be simply pro-Irish.’ Consider this comment. English Literature Coursework- ‘Translations depicts the cultural take over of Ireland by the British Empire, yet it cannot be said to be simply pro-Irish.’ Consider this comment on the play. The Cultural take over of Ireland by the British Empire is a central issue in Translations.
In 476 AD, centuries of amassed knowledge in science and philosophy, literature and the arts lay in peril of destruction alongside the physical Roman Empire. Thomas Cahill's book How the Irish Saved Civilization sheds light upon the role of the Irish people in the conservation and rebirth of civilization and the Western tradition after the fall of the Roman Empire. It is here that Cahill opens his book and after a brief description of classical civilization, that we are given a look at another people, far different from the Romans and Greeks- the vibrant and intriguing Celts. How these people came in contact with the civilized world and how they assisted in pulling the West out of the Dark ages is, then, the paramount of Cahill's argument.
Included within the anthology The Penguin Book of Irish Fiction,1[1] are the works of great Irish authors written from around three hundred years ago, until as recently as the last decade. Since one might expect to find in an anthology such as this only expressions and interpretations of Irish or European places, events or peoples, some included material could be quite surprising in its contrasting content. One such inclusion comes from the novel Black Robe,2[2] by Irish-born author Brian Moore. Leaving Ireland as a young man afforded Moore a chance to see a great deal of the world and in reflection afforded him a great diversity of setting and theme in his writings. And while his Black Robe may express little of Ireland itself, it expresses much of Moore in his exploration into evolving concepts of morality, faith, righteousness and the ever-changing human heart.
The following is a list of explications pointing towards British and Celtic myths and figures. While pursuing the Celtic influences of Middleton's novel, I found myself searching for the meaning of other present mysteries. This author's twist of two cultures creates a spectrum for possible explication. It seems that the Celtic material melds into British society throughout this novel. In search of specific markers I found myself concentrating mostly on Haydn Middleton's use of names.
Bres and Óengus are two figures that play prominent roles in early Irish mythology. Both appear in Cath Maige Tuired (CMT), a tale that is often said to be one of the most significant mythological works in the body of literature. While Óengus, or “the Mac Óc” as he is called in the epic, shares similar mythological qualities with his depictions in other works, this is not always the case. Bres, the half-Fomoire king of the Tuatha Dé Danann, acts as the primary antagonist in CMT. However, his appearances elsewhere do not always resonate with this villainous depiction. It has been argued that Bres was appropriated in order to make a larger political point and may reflect the possibility for established characters being altered in order to more effectively impact a contemporary audience. By comparing the two figures’ roles in CMT to that in other literature, their respective mythological attributes and functions can more fully be accounted for.
This gentleman is six foot two, short black hair, black eyes, and with no real distinguishing marks. He is heterosexual, African American, and is An Atheist. His name is David, and he is walking home while wearing sweat pants with a ripped up t-shirt that was from home. Some people would consider this gentleman to be poor and have a horrible education with nothing good on his mind. However David is a part-time firefighter, with a part-time job, and also being part time college student. There is a difference between people hardcore supporting their culture or beliefs, compared to individuals who get stereotyped like David for example. In the article, “Sticks and Stones: The Irish Identity”, by Robert McLaim Wilson and published by Grand Street.
Before addressing the hero 's journey, Celtic symbolism in the poem will be examined. In the Celtic culture, a vegetation god, otherwise known as the green man, relates to the
In 1896 Yeats met Lady Gregory, an aristocrat and playwright who shared his interest in Ireland's past, especially in its folklore. In 1899 they formed a literary society that was the predecessor of the Abbey Theatre. Among his plays were 'The Countess Cathleen' (1892) and 'Cathleen ni Houlihan' (1902), with Maud Gonne in the title role. In 1899 he proposed to her, but she refused to marry him. As a means of getting closer to Maud, Yeats later...
Matson, Gienna and Jeremy Roberts. Celtic Mythology A to Z. New York: Chelsea House, 2004.
...otism is established in a seemingly simple testament to a dead soldier. What better way to honor the dead than to personify Lady Ireland through his character! The passion that Yeats subconsciously incorporates into his poem equals that of his love for Ireland. An Irish Airman Foresees His Death begins on a low and desperate note, but reaches its’ climax upon Gregory answering Ireland’s call, and ends by, essentially, posing a question to the reader. ‘As a collective people, which side of the teeter-totter do we belong?’ He leaves his hero (Gregory) hanging in the balance of an important national question. The poem may be about Yeats’ character foreseeing his death, but the fact remains: he is in the act of ‘foreseeing,’ he is not dead yet…and neither is Ireland.
Sir Gawain and the Green Knight, written by an anonymous fourteenth-century poet in Northern dialect, combines two plots: "the beheading contest, in which two parties agree to an exchange of the blows with a sword or ax, and the temptation, an attempted seduction of the hero by a lady" (Norton p.200). The Green Knight, depicted as a green giant with supernatural powers, disrespectfully rides into King Arthur's court and challenges the king to a Christmas game -- a beheading contest. Sir Gawain, a young, brave and loyal knight of the Round Table, acting according to the chivalric code, takes over the challenge his lord has accepted. The contest states that Sir Gawain is to chop off the Green Knight's head, and in one year and a day, the antagonist is to do the same to the hero. The whole poem is constructed in a way that leads the reader through the challenges that Sir Gawain faces -- the tests for honesty, courtesy, truthfulness. Throughout, we see his inner strength to resist the temptations.
8. Brown, Charles Armitage; Life of John Keats; ©1937 Oxford University Press: London, New York, Toronto.
Throughout many of his poems, W.B Yeats portrayed important aspects of Ireland’s history especially around the 1900’s when Ireland was fighting for independence. During this time, Ireland was going through an agonizing time of struggle. The Employers’ Federation decided to lock out their workers in order to break their resistance. By the end of September, 25,000 workers were said to have been affected. Although the employers’ actions were widely condemned, they refused to consider negotiation or compromise with the Union. His readers are able to see how Yeats reflects the political, cultural, and societal atmosphere in Ireland during the early 1900’s. The poems September 1913 and Easter 1916 both reflect the political, cultural, and societal atmospheres that were found in Ireland around the 1900’s.
In the wake of the Normans’ influx into the Western part of Ireland, English returned to the lands in the form of King Henry II. The Gaelic speakers of Ireland were to uphold the use of the language because the English who had arrived onto the lands blended with the Natives. The Statues of Kilkenny, 1366, sought to end the English and Irish intermixing with the abundance of penalties or rules, that include using an English surname, forfeiting their land, English customs were to be adopted, etc. The statue was a futile attempt to dismantle the assimilation, it prevailed well into the Reformation of 1536-7. Though the Irish and English communities lived together for long spans of time, the two hadn’t become a uniformed population. The Roman
In his first collections, he portrayed his interest of Irish mythology by writing about heroes such as Oisin and St. Patrick. It is quite possible that his Irish beliefs in mythology led him to believe that there were supernatural beings in this world. It was during this time that Yeats profession as a writer began to take off. As he progressed as a poet, his writing began to take on a form of mysticism. This mysticism allowed him to use his imagination and to reach deep inside his life and use all of the Irish folktales and fairytales that his parents and grandparents had shared with him over his life. By writing about these heroes and fairies, this was his way of preserving his Irish roots and culture. Several of Yeats writings are reflective of this type of writing such as, “The Countess Cathleen” and “The Wanderings of Oisin and Other Poems.”