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Ira C. Herbert, an executive for the Coca-Cola company, formally writes to Grove Press, a small publishing company, addressing the issue that both companies are using a similar slogan to promote different products. The Coca-Cola company expresses extreme discontent with this occurrence and demands a repeal on the usage of the expression. Through an informal tone, Herbert expresses the problems that Grove Press has potentially caused Coca-Cola. In response, Richard Seaver, the vice president of Grove Press, clarifies all the misunderstandings in a stylish and sarcastic manner that enhances his response to Coca-Cola. He mocked the situation and the outlandish claims done by Herbert. Whereas Herbert’s letter was a more demanding professional letter, Seaver’s …show more content…
response is more persuasive due to the criticism and the denigration of the Coca-Cola executive. To begin, it is important to recognize the way the Coca-Cola executive, Ira C. Herbert, demonstrated his company at the beginning of the letter. He begins by explaining the situation and the problem of the misunderstood use of similar phrases to promote their products which he claims it may have done damage financially to the company. Herbert implies that Coca-Cola has a feeling of ownership on the phrase “It’s the Real Thing” as they have used it “long prior to the publication of the book” ( para 2). Following this explanation, Herbert demands the repeal of such a phrase from any connection to Grove Press. These claims shows the confidence of the writer and assumes respect from any company that is not part of the same industry. Coca-Cola is a strong company and is recognizable; therefore, Herbert felt justified to infer their cooperation. As a response to Herbert, Executive Vice President of Grove Press, Richard Seaver wrote a well-structured letter that justifies their views on the use of the phrase. He begins his letter with a strong use of sarcasm, a literary device which embraces the connotation of the paper to be humorous. Seaver jokingly stated, “... we have instructed our salesmen to notify bookstores that whenever a customer ...asks for a copy… [they are to] make sure that what the customer wants is the book…” ( para. 2). This clarification means that he has ensured that customers do not confuse the book for a Coke, stating this humourous say as a form to establish their righteousness to their actions. He believes nothing wrong was committed; therefore, humor emerged from the situation to show it. Seaver sarcastically explains how that “should protect [their] interest” ( para. 2). He clarifies that he has gone through the correct process to not affect them financially, which shows how Seaver points out the weakness of Coca-Cola of being threatened by the use of a similar phrase. All together, this steps on the confidence of Coca-Cola of them considering themselves a well-respected company which expects cooperation from any company deemed inferior to them. Seaver shuts down their claims and rises above their unreasonable claims through humor. Following the request in the first section of his letter, Herbert explains the business side of this predicament. For example, Herbert’s describes the problem by stating, “ There will always be likelihood of confusion… would dilute the distinctiveness of the trade slogan… diminish the effectiveness and value as an advertising and merchandising tool”(para 2). When marketing, it is not in your best interest to duplicate another company’s slogan. It is unprofessional and will cause the appealing effect to fade away rendering the slogan bothersome. The significance of this letter is that both Coca-Cola and Grove Press, are companies that need to accumulate wealth; therefore, the slogan replication has to be avoided, but Herbert demands, that there will no longer be an issue between the two, enforcing his power as a representative of the bigger company. Seaver acknowledges Herbert’s request, although he criticizes him for writing the letter.
Seaver mocks Herbert’s request using lines such as, “ We would certainly not want to dilute… nor diminish… but it did occur to us that since the slogan is so closely identified to your product…” (para 2). In other words, Seaver blatantly shows the irony in the letter by showing that the letter would not be necessary unless Coca-Cola is not selling as well as it usually does for it to be confused with a book. This criticism shows that Coca-Cola is threatened by competition and losing its place as one of the top selling companies. Adding insult to injury, this is done when Seaver states sarcastically, “We would be happy to give Coke the residual benefit of our advertising” (para 2). The essence of Seaver’s argument is that Grove Press, is going to sell its products, and if Coca-Cola wants a sum of the money, then Seaver’s Company will gladly oblige. Seaver is suggesting that Coca-Cola is consumed with greed and is power hungry to the extent of needing to remove all sorts of competition regardless of product. To sum up, Seaver demonstrates the destructive flaws within the Coca-Cola company that will turn the public against
them. Nevertheless, Herbert justifies their right to the use of the phrase and relating it to their history and clearly emphasizes that the Coca-Cola Company pertains the only right to display and advertise the hook specifically for 1970. Herbert introduces this idea that the company has used the slogan long before Grove Press in their publication as he states, “‘It’s the real thing’ … [used] in advertising for Coca-Cola over twenty-seven years ago to refer to our product…” (para 3). According to Herbert, he is evidently backing up his statement that they have rights over the slogan as Coca-Cola has used it in the past and sequentially adds on that Grove Press not use the slogan as an advertisement. Advocating condescension and being more technical, Herbert informs Seaver with the expectation that Grove Press will denounce the slogan of “It's the Real Thing” in its advertising campaign and follow the Coca-Cola Company’s informative letter of arising in a resolution. Accordingly, Seaver claims that this letter that was sent by Herbert is not the first time outside parties have announced the right to a saying or even more critically on a specific slogan, however; he states it does not reflect on the purpose or the pivotal point of its effectiveness that it is trying to achieve. Seaver recalls one time where they published Games People Play and received mimics from all over the place relating to its title and explains, “ … that this posed a far more direct and deadly threat to both the author and ourselves than our use of “it’s the real thing” (para 3). Spurring from this, we find that Seaver has a cause of severe anguish towards Herbert since he knows his work and to even be questioned takes upon careful examination of the subject given. Therefore, in Herbert’s attempt in trying to sway Grove Press in releasing their mutual effort, Seaver has the upper hand in the act of persuasion due to his erudite and exasperated tone. Herbert concludes his idea of assuming cooperation while maintaining optimism and also exemplifies that he sees it necessary that “it’s the real thing” be excluded in all its advertisements. Herbert assumes that there will be no further complications after the publication of this letter when he says, “Please excuse my writing so fully, but I wanted to explain why we feel it's necessary to ask you and your associates to use another line…” (para 4). His optimistic tone is what ultimately led to Seaver’s letter being the more effective leader. Herbert sets himself up for failure when writing this letter due to his assumption that his executive title will scare Seaver. He assumes cooperation in order to get the slogan changed and the optimism is needed to end the letter in a positive and simple manner to ensure there will not be any further complications between either side. The author concludes with apologizing and stating that nobody stopped for a moment to denounce whether “it’s the real thing” came from somewhere and that it was explicitly used in a book review in quotations by Peter S. Prescott concerning his opinion. Seaver claims that Coca-Cola does not own the phrase “It’s the real thing” and emphasizes that Grove Press will “...defend to the death your right to use ‘It’s the real thing’...” (para 4). Prior to, Seaver illustrates how his company is protected under the first amendment. The first amendment in our Bill of Rights is the freedom of speech and because of the fact that it is the first, it should be the most recognizable. He uses this in order to prove to Herbert that Coca-Cola cannot take legal action because of the fact that there is no copyright on the phrase, or really based on the common knowledge was a review by Prescott. Seaver then provides the full quote in which the advertising company used the phrase “It’s the real thing.” Seaver states, “We were Merely quoting in our ads Peter S. Prescott’s review of diary of a Harlem Schoolteacher…” (para 4). Seaver’s use of providing the full quote is extremely effective in this letter. Providing the full quote makes the Coca-Cola executives look like fools due to their absurd claims. Ultimately, this is why Seaver’s letter is more effective than Herbert’s.
“The Onion’s” mock press release on the MagnaSoles satirical article effectively attacks the rhetorical devices, ethos and logos, used by companies to demonstrate how far advertisers will go to convince people to buy their products. It does this by using manipulative, “scientific-sounding" terminology, comparisons, fabrication, and hyperboles.
W. Seaver, however, replies to Herbert in a satirical and an almost amused tone to resolve the misunderstanding by the Coca-Cola company. Seaver takes great advantage of satire by basically mocking Coca-Cola’s concern over the line: As if “the public might be confused by the use of the expression, and mistake a book by a Harlem school teacher for a six-pack of Coca-Cola.” He shows Herbert in an indirect way that this is a situation encountered years ago by a book they published called “One Hundred Dollar Misunderstanding.” He used this reference to mock Coca-Cola and guilt them for the situation; protecting the line is not worth sacrificing one-hundred dollars since Coca-Cola is, most likely, notorious for the line. He also shows sympathy towards Coca-Cola and describes a situation that Grove Press Inc. has encountered in the past: He claims that “Problems not unsimilar to the ones you raise in your letter have occurred to us in the past.
The Onion’s mock press release markets a product called MagnaSoles. By formulating a mock advertisement a situation is created where The Onion can criticize modern day advertising. Furthermore, they can go as far as to highlight the lucrative statements that are made by advertisements that seduce consumers to believe in the “science” behind their product and make a purchase. The Onion uses a satirical and humorous tone compiled with made up scientific diction to highlight the manner in which consumers believe anything that is told to them and how powerful companies have become through their words whether true or false.
Opinions coupled alongside historical accounts provide a lesson demonstrating the truths of Coke’s corporate greed. Elmore’s argument development progresses in a way that the reader becomes furthered dismayed as the history lesson goes on. Coca-Cola ravaged precious water resources in third world countries which eventually resulted in a scale of humanitarian crisis, yet today The Coca-Cola Foundation’s mission statement reads: “…[We have] Committed ourselves to improving the quality of life in the communities where we do business”. Television commercials depicting delight paired with the soft drink, Coca-Cola’s slogan of, “open happiness” along with massive international event sponsorships that universally are recognized currently label the company as having a positive impact in communities. Elmore’s arguments successfully connect the dots, illustrating to the reader on the dissolute framework which held together and lead to the rise in Coca-Cola’s present day
The goal of this appeal is to emphasize the absurdity of Herbert’s argument by attacking it. Seaver also employs an ethos, first to establish that Grove Press is familiar with issues of its own popular words and slogans being reused (and able to accept them), then to support the common right to free speech that comes from the First Amendment. These appeals combined, which effectively mock Herbert, eclipses his reliance solely upon his argument. Though Ira C. Herbert was correct that Coca-Cola had used the phrase “It’s the real thing” before Grove Press, Richard Seaver’s response was more persuasive. Herbert’s letter was formal and dry,
Thirty-two years ago Apple released its first commercial during the Super Bowl. The ad contains multiple references, including its title, from George Orwell's dystopian novel “1984”. The idea was conceived by Brent Thomas and Steve Hayden who decided on the brilliant tagline “Why 1984 won’t be like 1984”. The famous Ridley Scott directed the ad while actress, model, singer, and athlete Anya Major played the lead role. Apple’s “1984” has several instances in which one can observe the use of the three appeals: ethos, pathos, and logos. “1984” uses Aristotle’s three appeals to endorse the new Macintosh and put Apple on the market. More specifically, the use of ethos is blatantly obvious in the ad.
In this passage, the audience truly sees the meaning behind Herbert Kohl's message. His purpose for writing comes back to the fact that people interpret situations differently in every way. Kohl not only wanted to highlight the purpose behind wanting to learn something new but he also wanted readers to be aware that most time it does not come down to the inability of someone who doesn't want to learn but the real reason behind why they don't want to. People have different opinions on topics such as these but Kohl wanted to show that being able to want to stand up for your culture and the meanings behind it are rather important. Behind Kohl's purpose for writing, we see an insight into his past life relating to Wilfredo's. Kohl's reason for
This essay is a perfect example of the importance of a thorough introduction to provide the reader with a concise synopsis of what the paper intends to covers. Had Gladwell excelled in both areas he neglected, this would be an extremely interesting, thought-provoking look into the world of advertising. Works Cited Gladwell, M. (1997). The New Yorker. Listening to Khakis.
In attempt to sway Seaver to eliminate the phrase “It’s the real thing” from the Grove Press’ advertisement, Ira C. Herbert begins his letter assertively by claiming that Coca-Cola has an exclusive
In the second to last paragraph, Seaver directly informs the Coca-Cola Company that their slogan is used by other companies and in order for them to realize that their slogans are also being used, also being used by other companies that are not related to Grove Press Inc. For example, on paragraph four, Seaver says,” Problems not unsimilar to the ones you raise in your letter have occurred to us in the past.” Basically, Seaver is saying that there has not been a situation, similar to what Herbert is warning, that has occurred before to Grove Press. From this statement, readers can infer that Seaver is beginning to state the flaws to the supposed warning and that it would not be necessary because it has not happened before. To further illustrate
Coca- Cola has always been popular with America and in the 1950s; it became the main soda to drink during the 1950s and also the golden age for the product. One glass of Coca- Cola was only five cents. The soda was a symbol of social status. If you wanted to be refreshed and satisfied, then you have to drink Coca- Cola. Celebrities, actors, athletes, workers, kids and even Santa Claus had to have Coca- Cola in their hand. With the boom of television in households, Coca-Cola became more popular because of the advertisements contain relaxing and being comfortable with the soda in their hand. It became so appealing that Time’s Magazine stated that, “It is simpler, sharper evidence than the Marshall Plan, or a voice ...
Catchy jingles are what persuades consumers to buy more and more products that they hear about every day. This concept has been around for years and the Coca-Cola Company is no stranger to it. Back in July of 1971, Coca-Cola released the commercial, “I’d like to Buy the World a Coke” that sent their customers into chaos with over 100,000 letters being sent to the company asking for more. This leaves many people asking: how did this one commercial have such an impact on the audience? And what did Coca-Cola use that drew so many people in? Here we will discover the method behind what is “I’d like to buy the World a Coke.”
ProEnglish. "Fight Back against Coca-Cola's Aultilingual Agenda!" ProEnglish. Ed. ProEnglish. ProEnglish, 3 Feb. 2014. Web. 16 Mar. 2014.
The letter sent to Mr. R.W. Seaver written by Ira C. Herbert uses an appeal to logic, forceful persuasion and simple cause to persuade Grove Press to change their slogan ‘It’s the real thing.’. On the other hand the letter from Richard Seaver to Coca Cola uses sarcasm, a logical argument and rebuttal to refute Coca Cola’s argument. Mr. Herbert uses an appeal to logic in the fact that “It is undesirable for our companies to make simultaneous use of ‘The Real Thing.’” (Herbert) Mr. Herbert hopes that this simple singular argument is enough to convince Mr. Seaver that using the phrase “The Real Thing” will hurt both Coca-Cola and Grove Press since many people would be confused between the two companies since they are using the same slogan.
Weaknesses – Coca-Cola is a very successful company with an impeccable social media following. Word of mouth is probably a strength, but only when feedback from consumers is positive, but there are people who are against Coca-Cola and their products. Even though Coca-Cola produces over 200 brand products, Coca-Cola lacks the social media popularity of other brands that they produce (Moth, 2013). Many drinks that they produce are extremely popular such as Coke or Sprite, but there are a lot of Coca-Cola products that are unknown, unseen, and unavailable for