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Pop culture impacting a society
Pop culture impacting a society
Pop culture impacting a society
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In our modern society today there has become a great importance for personal or individual authenticity, but to really grasp and understand the struggle for person authenticity the current cultural climate people live in today must be examined. Going back to pre-industrialized societies changes occurred over time and multiple different generations but now in our modern post-industrial society there are changes that occur multiple different times within a person’s lifetime alone. Especially since pop culture can be so easily marketed in our modern society through the new technological advances the current society has experienced in their lifetime alone. There is this rapid change that makes people in the society shift from maintaining core traditions, …show more content…
For example in the country music industry, it would be a predominately white genre but that does not mean that there have been no African-American individuals who have not made it in the industry. As Peterson states in his, “Finding Country Authenticity,” the first country music record was made in Atlanta, Georgia, in mid June 1923. This was not accepted by the recording session in New York but was distributed in the Atlanta area. Since country music had become popular, it was mainly the white cowboy look and style that took over the genre but there have been a few African-American artists who have taken this stigma out of the way. The main example that would be in society today would be Darius Rucker but he did not start out as a country artist. He originally gained his fame from being the lead singer in a rock band Hootie & the Blowfish, then he went to the R&B and finally six years later he signed a record deal in Nashville. He made the first black country artist to ever reach the number 1 spot on the Hot Country Songs chart since Charley Pride did it in
On the other hand, ideally one should be true to one’s heart, if Disney’s Mulan is to be believed. But these are neither solid pieces of advice nor wise counsel; they are at best hand-wavy, wishy-washy statements that offer no guidance on traveling the minefield that is remaining true to oneself. In fact, given the wide swath of human experiences, it is difficult to imagine a panacea effective for each and every trial and tribulation people may encounter in maintaining the integrity of their identities; personally, I don't think one exists. Just as there are myriad events, emotions, and memories from which one’s identity develops, it surely follows that there are just as many ways social norms act to compromise one’s individuality, ostensibly for the worse. Therefore, it seems that an indirect solution would best serve individuals filled and bombarded with doubt about who they really are; namely, the unwavering support of a community would allow individuals to resolve, on their own terms, their inner conflicts stemming from outward
In our world today there are many African American people that are still writing music, doing art, and writing literature. For instance black people have sort of made there own music called hip hop/ rap. This is there way of expressing there different backgrounds and cultures through there music. In today's world things have gotten a lot easier for African American people to succeed. No one is really judged by there color of skin but more of how good they are at what they are doing.
Charlie Pride did it in 1971. Darius Rucker did it in 2009. That’s it. Two black men, spanning thirty-eight years, are the only black artists to win a Country Music Association Award. With country music rooted in bluegrass and rhythm and blues, why aren’t there more black country music stars? When considering the roots of country music, and how closely related country is to blues, bluegrass and honky tonk music, an examination of what happened to all the black musicians seems warranted, no? This paper examines the dearth of black artists in country music and the careers of one of the few black artists who has had commercial success in this genre of music.
I have definitely learned a lot about the Evolution of Music in this class. I found it to be very intriguing. So when I was faced with the chore of deciding what I would do my report on, I chose to use the book Black Music in America by James Haskins. This book gave a detailed account of not only the music genres but it’s performers. American music is made up of music from many different types of ethnic backgrounds. What gives this book a plus is that it highlights aspects American music, and its performers. The people and events that really caught my attention were the concert singers, Minstrelsies, Jubilee songs, and brass bands. Born as a slave, a girl by the name of Elizabeth Greenfield moved to Philadelphia. She moved there with her Mistress and her parents. Luckily while in Philadelphia they were set free. At the age of forty-two she moved to buffalo New York in order to embark on new opportunities as a singer. When she reached New York opportunity came knocking. She began a career of concert singing. With a range of three and one quarter octaves you would think that opportunity kept knocking, but it didn’t. Therefore she moved to Europe where she would get the attention and credit that she deserved. While in Europe Elizabeth was shown great appreciation for her talent. Even Queen Victoria demanded that she performed for her at the Buckingham Palace. She gained newfound popularity in the states, because of her new accomplishments. As we know, it wasn’t easy for blacks to make a living in the U.S. That forced blacks to either perform in Europe or the northern states of the U.S. Some blacks even had to resort to performing in Minstrelsies. Minstrelsies...
The development and performance of identity has intrigued researchers from all disciplines. The Self and being have been conceptualized and investigated from varying points of view. Goffman and Butler have created frames through which performance of the self can be comprehended. (Goffman, 1959) brings forth the frame of “impression management” and Butler discusses “performative identity” (Butler, 1990). Impression management explains how people alter their presentation of the self to fit social contexts and mentions how social interactions can reshape an individuals sense of identity. Whereas performative identity claims that one’s identity is constructed discursively and that individuals perform according to
In an article called “Relationships, community, and Identity in the New Virtual Society” Arnold Brown explains two different identities, one that he calls “found identity” and the other “made identity” (34). The found identity is one that is created by one true self, it’s based off your background, your religion, your sexuality, everything that truly defines who you really are. And then there’s your made identity, the one you make for yourself and how you wish to be seen. As technology advances, the easier it will be for young girls to create these made identity’s of these famous celebrities, having them focus on things that don’t matter instead of valuing who they really are. As an older sister, I can say that I’ve seen change in my own sister.
In The Ethics of Authenticity Charles Taylor makes a radical claim that we only become capable of understanding ourselves and defining our identity through dialogue. He says humans are fundamentally dialogical creatures (29) and cannot develop into individuals without interaction with others. Through dialogue we are able to exchange our ideas with others and construct our values and beliefs from bits and pieces we hear. This is how we become authentic humans. Authenticity is being true to yourself. It almost seems paradoxal; to discover your individuality you must converse with others. Charles Taylor also believes that some lives are better than others, based on how authentically a life is lived. In modern society, where soft relativism prevails, this view is often seen as unacceptable. Current thought seems to be that lives are all equal; in fact the choices we face have neither a right nor a wrong answer. Charles Taylor believes this causes people to become self absorbed, and can bring about a loss of meaning in their lives.
Dean MacCannell explores the concept of “authenticity,” a quality of genuineness that many people spend time searching for. Throughout the chapter “Staged Authenticity” of The Tourist, there are points that explore this common desire for wholesome experience in new places. In the societal structure of today, however, it is becoming more and more difficult to find authenticity, as we get further and further “mystified” looking for a true and sincere reality. MacCannell makes statements regarding how difficult it is to find realness in the modern world, but never makes a claim that clearly defines authenticity. Instead, MacCannell’s use of paradoxical phrases, visual examples that are relevant to readers, and self-contradiction around the ideas of mystification and reality strengthen his point that there is no concrete definition of authenticity.
Authenticity within the culture of popular music is an issue that has been discussed for many years as it can be a huge selling point, it can cause society to either loathe or love a performing artist on how 'authentic' their persona and music is. Moore (2002) brings forward this idea in the article ‘Authenticity as Authentication’:
—. Sources of the Self: The Making of the Modern Identity. Cambridge: Harvard University Press, 1989.
Identity. What is identity? One will say that it is the distinct personality of an individual. Others will say that identity is the behavior of a person in response to their surrounding environment. At certain points of time, some people search for their identity in order to understand their existence in life. In regards, identity is shaped into an individual through the social trials of life that involve family and peers, the religious beliefs by the practice of certain faiths, and cultural awareness through family history and traditions. These are what shape the identity of an individual.
Before the internet, our characteristics such as style, identity, and values were primarily exposed by our materialistic properties which psychologists define as the extended self. But people’s inferences to the idea of online self vs. offline self insisted a translation to these signals into a personality profile. In today’s generation, many of our dear possessions have been demolished. Psychologist Russell W belk suggest that: “until we choose to call them forth, our information, communications, photos, videos, music, and more are now largely invisible and immaterial.” Yet in terms of psychology there is no difference between the meaning of our “online selves” and “offline selves. They both assist us in expressing important parts of our identity to others and provide the key elements of our online reputation. Numerous scientific research has emphasized the mobility of our analogue selves to the online world. The consistent themes to these studies is, even though the internet may have possibly created an escape from everyday life, it is in some ways impersonating
As Singh points out, “The facility of modern technology to amalgamate the colossal variety of elements from different times and places has led to the involute cultural identities...New media is engulfing the culture at a very fast rate. It has left human relationships behind. Media today has taken the role of parents, relations, and friends.”(Singh 87-88). This supersession of relationships can cause a myriad of quandaries when withal developing one’s identity, and cause one to lose the “self” among the identity portrayed in convivial media. The result in a cultural shift of what one’s “identity” means, constructing, as Gilpin suggests, not only the identity of individuals but the identity of cultural groups such as public relations
In affirmative culture and authenticity. the individual learns to love his isolation; factual isolation is sublimated into metaphysical isolation and inner abundance substitutes for physical hardship.45 Affirmative culture prides itself by inner fulfilment in the place of outer limitations, the soul becomes the last area of refuge from attack.46 Since authenticity requires a facticity in which an entirely free self is contrasted with an entirely dynamic world, it encapsulates this inner freedom perfectly.47 Authenticity perfectly demonstrates the value of individualistic withdrawal against the reifying forces of civilization; it does not matter what occurs externally, as long as one's internal choices are "authentic". Every authentic individual exists without material or spiritual limitations; this is exactly what affirmative culture demands.48 Through it's withdrawal, authenticity encapsulates affirmative
A person’s identity is shaped by many different aspects. Family, culture, friends, personal interests and surrounding environments are all factors that tend to help shape a person’s identity. Some factors may have more of an influence than others and some may not have any influence at all. As a person grows up in a family, they are influenced by many aspects of their life. Family and culture may influence a person’s sense of responsibilities, ethics and morals, tastes in music, humor and sports, and many other aspects of life. Friends and surrounding environments may influence a person’s taste in clothing, music, speech, and social activities. Personal interests are what truly set individuals apart. An individual is not a puppet on the string of their puppet-master, nor a chess piece on their master’s game board, individuals choose their own paths in life. They accomplish, or strive to accomplish, goals that they have set for themselves throughout their lifetime. Individuals are different from any other individual in the world because they live their own life rather than following a crowd of puppets. A person’s identity is defined by what shaped it in the first place, why they chose to be who they are, and what makes them different from everybody else in the world. I feel that I have developed most of my identity from my own dreams, fantasies, friends, and idols.