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Aboriginal history and its effect
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Introduction
The Australian Aborigines tell the story of their nation in many varied forms, in the form of songs and chants, ritual dramatizations, paintings, dances and oral narratives. For over 60,000 years the Indigenous people of Australia have used oral narratives and songs that are passed down from generation to generation as a way of telling the story of their people in the past whilst embracing the present. There are two kinds of ways that these narratives may be told, openly for all to hear and sacred stories reserved for initiated members of one or the other sex. These stories can be incredibly complicated and profound often containing dozens or hundreds of verses, and often repeated over and over. These narratives, or stories of The Dreaming, often contain important information for the younger members of the tribe such as how the land came to be shaped and inhabited,(Fryer-Smith 2008) how to behave and why, and the personal histories of people’s lives. Many written sources of history often only tell the past from the point of view of the victors. Considering the history of Australia, the traditional oral narratives of the original indigenous inhabitants of is of paramount importance in keeping their time-honoured culture and its story alive.
The oral literature of the Australian Aboriginals is not merely a verbal exercise, it is a performance. It is a performance telling a story. These stories are often involved in a complex and specific relationship with other mediums of explaining and bestowing information. Therefore a song is usually accompanied by dances and gestures or a narrative with diagrams drawn in the sand. And whilst many of the stories of The Dreamtime have to some extent a prescribed method of re...
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...s and animals or about tribal or family history as passed down through time.
Modern Indigenous storytelling has many forms influenced by Western culture. With the modern Indigenous youth showing little interest in learning traditional storytelling many of the Elders are recording these narratives in writing, to save for a time in the future when interest in narrating the stories is revived. However oral storytelling is still very much alive through modern musicians using Western influenced music to carry on the traditions of their forefathers. Modern Indigenous songs tend contain land and community issues such as their love and loss of land as well as protest songs.
Works Cited
Indigenous Australia (2014) http://www.indigenousaustralia.info/languages/oral-traditions.html
Fryer-Smith, S. (2008) 2nd Ed Aboriginal Benchbook for Western Australian Courts.
The concept of discovery is a manifold notion. It comprises exploring something for the first time or it could be rediscovering something has been faded or lost, forgotten or concealed. People may experience different types of discovery which could be sudden and unexpected. However it may affect them physically, emotionally, intellectually and spiritually. This response will focus on the idea discovery that relates to the themes of aboriginal connections to their family, place and culture and also the discrimination upon them. This well demonstrated thought the texts “Rainbow’s End” by Jane Harrison, the two poems “Son of Mine” and “We are going” by Oodgeroo Noonuccal as well as my chosen related text, the film “One night the moon” by Rachel Perkins. Each text presents a variety of discovery aspects that allows a deep understanding of the concept of discovery.
Eckermann’s poem, ‘Ngingali’, conveys an Aboriginal link to the land and Country. Furthermore, Eckermann utilises the simile through the line, “my mother is a granite boulder”. This demonstrates that the connection to the land and Country as well as it being hard to shift. Eckermann using narrative perspective through “my mother” appears deeply personal and further depicts an Aboriginal connection to the Country. Additionally, through the line, “gulls nestle in her eyes” Eckermann conveys the utilisation of both, metaphor as well as imagery
“Art can use the power of visual image to challenge and even change popular opinions about important and universal issues. Art can be a very influential way to give a strong, direct comments and criticisms on things that have happened in society and culture.” (Rehab-Mol J, 1998, p6) Indigenous art is mostly about connecting to their land and their religious belief; however, art has different forms, especially the Indigenous contemporary art as it uses ‘modern materials in a mixed cultural context’. (Aboriginal Art Online, 2000)
Bourke, E and Edwards, B. 1994. Aboriginal Australia. St Lucia, Queensland: University of Queensland Press.
In the nineteenth century, the “History wars” became the fight between the most prominent historians revolving around the deception of frontier conflict between the labor and coalition. The debate aroused from the different interpretations of the violence that took place during the European colonization and to what degree. It became a crisis in history, emerging from the dispossession of the Aboriginal and Torres Strait Islanders (ATSI) that resulted in exclusion of their traditions and culture. The ATSI were the first people of Australia that brought along a different culture, language, kinship structures and a different way of life (Face the Facts, 2012). Post European colonization was a time where the ATSI people experienced disadvantage in the land they called home. With the paramount role as future educators, it demands proficient knowledge on the Australian history and one of the most influential moments in our history started from the first European settlers.
In about every primary school in Australia Walker’s poem are used as literacy devices in teaching the younger generations about Indigenous culture
He relates how Irish storytellers would turn their backs to the audience, or speak from another room in order that the listeners would rely on their imaginations. These types of storytellers would not rely on gestures, or voice inflections, but instead chose to paint a mental picture for their audiences who created vivid imagery in their own minds. The story was paramount to the teller. Lindahl laments that current storytellers have become enamored with their own performances and become as important to the tale as the tale itself. The “quiet, shyer world of the lone, quiet voice figures too rarely in folkloric performance studies.” Lindahl compares the true märchen tellers to the quilters who are more intrigued in the stitches of their work, and not the beautiful patterns or to the skilled basket weavers who focus on the intended use of the basket and not the aesthetic beauty of the weaving patterns (McCarthy xix-xx). In today’s society, the figure of a great storyteller evokes an image of gestures, voice inflections, voice impersonations provided by a colorful character. Perhaps our sensory overload from high definition televisions, streaming video, IMAX theaters have dulled our appreciation for the story itself, which is created in our own imaginations by a teller with skilled
The indigenous Australian culture is one of the world’s oldest living cultures. Despite the negligence and the misunderstanding from the Europeans, Aboriginals were able to keep their culture alive by passing their knowledge by arts, rituals, performances and stories from one generation to another. Each tribe has its own language and way of using certain tools; however the sharing of knowledge with other tribes helps them survive with a bit easier with the usage of efficient yet primitive tools which helps a culture stay alive. Speaking and teaching the language as well as the protection of sacred sites and objects helps the culture stay...
Australian indigenous culture is the world’s oldest surviving culture, dating back sixty-thousand years. Aboriginals and Torres Strait Islanders have been represented in a myriad of ways through various channels such as poetry, articles, and images, in both fiction and non-fiction. Over the years, they have been portrayed as inferior, oppressed, isolated, principled and admirable. Three such texts that portray them in these ways are poems Circles and Squares and Grade One Primary by Ali Cobby Eckermann, James Packer slams booing; joins three cheers for footballer and the accompanying visual text and Heywire article Family is the most important thing to an islander by Richard Barba. Even though the texts are different as ….. is/are …., while
This book is appropriate for three-to-five years of age children as the story is very engaging and children are exposed to the Aboriginal culture. The book is illustrated in oil paint in impressionism and the whole story is in double-page illustration, which shows the landscape of Cape York and Aboriginal people. The pictures use vibrant colours including forest green and many shades of brown and the kangaroos and the snake people have red eyes. Educators can guide children to discuss the information in the image which can help children to understand how these details support meaning construction (Spence, 2004). For example, educators can tell children that the kangaroos and snake people who have red eyes reveal that they are evil, so that children can understand that adding more details in both writing and speaking can provide more information for audiences and the explicit language is very effective in constructing the meaning. Educators can use toy snakes and toy kangaroos and other materials to retell the story with children or make a small display that shows part of the
Australia’s Indigenous people are thought to have reached the continent between 60 000 and 80 000 years ago. Over the thousands of years since then, a complex customary legal system have developed, strongly linked to the notion of kinship and based on oral tradition. The indigenous people were not seen as have a political culture or system for law. They were denied the access to basic human right e.g., the right to land ownership. Their cultural values of indigenous people became lost. They lost their traditional lifestyle and became disconnected socially. This means that they were unable to pass down their heritage and also were disconnected from the new occupants of the land.
Within Western academic culture the use of oral accounts has often been questioned or ridiculed. However, the tradition remains an important aspect of indigenous cultures, and Hogan emphasizes its significance. Although the main narrator of her novel Solar Storms is Angel, other narrators highlight sections with numerous oral accounts. These segments provide character histories and fill in the back-story, but they serve a larger purpose as well. Printed in italics and written from a first person point of view, as if someone was speaking the stories, these parts show the value and purpose that the oral tradition serves for indigenous people. Hogan confronts this issue directly in her short story “Meeting.” In an early scene a section of dialogue appears to be nothing more than rumor, but she corrects the reader stating, “It was not gossip. It was the history of our living.” While not all oral history sounds like gossip, Hogan points to the variety of function and meaning that the oral tradition encompasses. For her, its use is vital in the way indigenous people form meaning and memory in their
Storytelling has a special importance in culture throughout the African continent; Anansi the spider in Ghana, is one great example of an African fable that teaches children important lessons including respect for elders, the importance of wisdom, and the importance of culture. These stories have been retained and perpetuated by oral tradition, despite the western emphasis on written records; African tribes have preserved history and culture well thorough oral historians. The translator, D.T. Niane, explains the validity of oral history well by stating that written text can contain inaccuracies as well (xv). The importance of the oral aspect of djelis method relays the information in a personal manner, as Djeli Mamoudou Kouyate states, “writing lacks the warmth of the human voice,” therefore by creating a written text of an oral story it “does violence” to it (xvi). I was raised in an African community, here in DC and was lucky enough to attend Djeli performances by family friend, Djimo Kouyate, and later his son Amadou. Although I do not speak Manding, Djeli Djimo Koyate, performed the music in such a way that I was able to relate and...
Native American oral tradition are stories that are passed down from generation to generation. Instead of being written down, they are transmitted orally through Native language. Their oral traditions record the culture, beliefs and history of the Native Americans. Oral traditions reflect the belief that the natural world has humans and animals as well as respecting speech as a powerful literary form. They also provide explainations about the world and its orgins and teach moral lessons while conveying practical information. In addition to all of this, Native American oral traditions can change. An example of oral tradition is shown in The Absolutely True Diary of a Part-Time Indian. Towards the end of the book Junior is describing a lake
Lawlor, Robert. Voices of the First Day: Awakening in the Aboriginal Dreamtime. Rochester, Vermont: Inner Trad. Ltd., 1991.