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An essay about peace and security
An essay about peace and security
An essay about peace and security
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The human experienced thousands and millions of conflicts and violence during whole history of mankind. Some of them included massacre with wars and battles and many people suffered through the violence. Sadly, there are so many conflicts and violence all over the world. Ground-zero from 9.11 which now became one of the most famous tourist attractions is a good example for this idea. Consequently, people of the world tried to pursue the peace and security for themselves and they tried to express their hope with various ways, such as music, movies, artworks, architecture, and so on. Moreover, the hope for peace by people over the world transcended the time and location so we can find many evidences from anywhere and anytime. In Art History class …show more content…
Gordon Chang (Chapter 1 & Chapter 13) First of all, I sure believe that artworks from prehistoric period show the basic instincts of human. In other words, the prehistoric arts have no imprisonment with human’s selfish interests and desires. To tell the truth, most people in history always tried to enjoy their selfish interests and desires through many negative ways, such as wars. It is sure to say human’s greed and selfishness bring a lot of violence and conflicts so they harm the security and peace of mankind. However, in prehistory, people used to focus on primitive instinct rather than selfish greed. Some people might say the prehistoric era is non-civilized period with chaos, but I do not think so. Of course they never experienced highly qualified civilization or industrial revolution, but they sure maintained their peace and security in their own way. “Hall of the Bulls” in the …show more content…
The Great Sphinx was guarded Temple in Egypt. The huge Sphinx of Pharaoh’s face and body of lion is sitting with Pyramid of Khafre in the background at left in Giza. This Sphinx was the first colossus in Egypt. The body of lion of Great Sphinx is a symbol of loyalty and sun. Great Sphinx is a symbol of Pharaoh's power, wisdom, the order of the universe that is defined and peace through body of lion and Pharaoh's face. Also, the hood on the head of the Great Sphinx is a symbol of the Pharaoh, and this expressed brave and dignity. Great Sphinx can look at the rising sun, and Sphinx looked more than a million times to sight of sunrise. Great Sphinx was symbolized of justice and peace and order under the
Hawass,Zahi. The secrets of the Sphinx: restoration past and present. Cairo: The American University in Cairo Press, 1998.
The Egyptians often included lions to symbolize strength, leadership, loyalty, and war. The top of the palette also includes a human face with bull horns. This was done in attempt to represent the gods the ancient Egyptians believed in. These gods are associated with power, masculinity, and fertility.
Egypt is most often known for mummies, pyramids and other famous monuments such as the Sphinx at Giza. Egypt also made a name in art for its paintings, sculptures and the construction of its pyramids. All of these things were customarily created for the pharaohs and the worship of their gods and goddesses. Egyptian religion is polytheistic and their gods were anthropomorphic, meaning they had many gods that could take on both human and animal forms, including the feline. These animals were very well treated and worshiped just like a god or goddess. One of the most important animals considered divine in Ancient Egypt was none other than the feline. Egypt worshiped cats as gods and goddesses, mummified them to join their masters after death and even depicted them in statues and art (Ions, 126).
The Brilliant Minds of Leonardo Da Vinci and Andy Warhol Leonardo Da Vinci and Andy Warhol were, and still are, two of the most influential and perpetual artists of their perspective time periods. Da Vinci being from the late 15th century to the early 16th century, he combined aspects of form and idea but also the ideals of mathematics and complete realism like no other that has done before. Andy Warhol, of the 20th century, portrayed his paintings and photographs using his personality and uniqueness that gave off a certain vibrato that made people fall in love almost instantaneously. Da Vinci had a bizarre but wonderful obsession with the anatomy of individuals and used this addiction to drive his sculptures and paintings. Andy Warhol was
acceptance and humanitarian motives. I learned that the artists and admirers of art in the
The works of art from the Archaic Period, Classical Period, and Hellenic Period developed physically and mentally, and the study of their aesthetic differences from period to period allow for a decided contrast and comparability. This interpretation has had a profound effect on the art world and that continues even in today’s world. The importance of Greek sculptures is evident in the storytelling of the gods, the people, and the culture. We use these sculptures as a tool to go back into the past of the Greek people, letting us admire how far mankind has truly come, whether it is in art or intelligence. Generation after generation has been and will continue to be able to see for themselves the society, culture and uniqueness of these periods through the wonderful sculptures that came out of ancient
Immense changes took place between the Paleolithic and Neolithic time eras. One major change was the evolution of art. During the paleolithic time period, “…humans began making the first consciously manufactured pictorial images” (Kleiner, 16). The art they began creating came in a large variety. “During the Paleolithic period, humankind went beyond the recognition of human and animal forms in the natural environment to the representation of humans and animals (Kleiner, 16). They created portable paintings, sculptures, and figurines. “Art historians are certain, however, that these sculpture were important to those who created them, because manufacturing an ivory figure, especially one a foot tall, was a complicated process (Kleiner, 17). As
Gender credo has signified political and cultural values in Greek and Roman era. In particular women representation in artwork has pondered and reinforced the values of their times. In the articles, "Parthenon and Parthenoi: A Mythological Interpretation of the Parthenon Frieze" by Joan B. Connelly and "The Muted Other" by Natalie Boyment Kampen, the Parthenon frieze, the Ara Pacis: Imperial Family frieze, and Cornelia: Mother of the Gracchi, are pieces depicted to characterize women in their implemented roles.
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
Sayre, H. M. (2010). A World of Art: Sixth Edition. In H. M. Sayre, A World of Art: Sixth Edition (pp. 511, 134, 29, 135, 152, 313-314, 132). Lake St., Upper Saddle River, NJ: Pearson Education, Inc.,.
... interruptions, the council played a vital role in revitalizing the Roman Catholic church in many parts of Europe.
In the early 1700s, the monarchies failures at finance, national debt, involvement in multiple wars with
“Art is a recurring form of human practice. Some have argued that all human societies have shown evidence of artistic activities.” (Carroll 5)
Upper Paleolithic art can be put into two major categories; figurative arts such as cave painting that clearly depict images of animals or animals; and non-figurative, arts which consist of symbols and shapes. The paintings were a form of magic designed to ensure successful kill during hunting. Symbols like images and unique symbolic patterns are also common in this age that might have been trademarked to represent different ethnic groups Venus figurines have been described as a representation of gods, pornographic imagery, apotropaic, amulets used for sympathetic magic. Also, a variety of lower quality art and figurine has also been identified that shows a wide range of skills and ages among the artist of the Upper Paleolithic age. The main themes in the paintings and other artifacts such as powerful beasts, dangerous hunting scenes, and over-sexual representation women are also expected in the fantasies of an adolescent. Such images associated with upper Paleolithic age have been discovered in Bradshaw archeological site in