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Music in our generation
The role of music in millennials lives
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The Millenial Experience in I'm Just Snacking
Gus Dapperton's film I'm Just Snacking, directed by Matthew Dillon Cohen, showcases Dapperton's song of the same title, a poetic dreamy-pop earworm about love, a la millennial.
The film begins with Gus, played by the singer, throwing snack foods in the air and catching them in his mouth—while two women make out on a couch behind him. He joins in briefly, the song "I'm Just Snacking" starting as the soundtrack to the entire film, but quickly disengages, unable to fully connect. The film cuts to a woman lying in bed next to man, looking discontent. She gets dressed as the film cuts to Gus wearing headphones, dancing and lip-syncing the lyrics in the streets in early morning light. He showers
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The opening shot is dark but also warm, the only source of light coming from gold string lights and a red bulb. It creates an atmosphere that is simultaneously seedy and inviting, forbidden yet exciting. The protagonist is foregrounded yet he is mostly visible in silhouette, creating a bold presence and also embodying his ambivalence towards the situation. Gus' orange neon jacket when he dances in the street echoes the color scheme of the opening shot but also puts him prominently as the focus—the dancing a recognition of his solitude. The opening shot contrasts to the bedroom the woman is in—the dominant colors are ice blue and cold white, reflecting her own dissatisfaction but also pointing to the disappointment that comes the morning after nightlife. The oppositional color schemes associated with the two characters suggest an ideological enmity as well. Coupled with the songs lyrics, it seems Gus wanted a committed, monogamous relationship—emphasized further by the cleansing shower he takes after a night of hook-ups—while the woman was looking for something more casual. The color scheme and swaying camera work during the party scenes vividly capture millennial culture, emphasizing overstimulation and the need to 'just snack' because there is an overabundance of
While Mexican Americans were considered white by law, the documentary A Class Apart sheds light on the struggles and eventual triumph of Mexican Americans in the their journey for racial equality within the United States. Following the Mexican War, Mexican Americans were subjected to a Jim Crow style of discrimination. Despite retaining U.S. citizenship, Mexican Americans were treated as second class citizens. Frustrated by social, political, and economic disenfranchisement, Mexican Americans sought the assistance of the United States Supreme Court, in what would become a landmark case, to secure the full rights afforded to them as United States citizens.
In the biographical film Mabo the Audience is positioned by the filmmakers to see Eddie Koiki Mabo as a hardworking, tenacious and strong man.
In his documentary Classified X, Martin Van Peebles describes three areas where African-Americans could be receive some sanctuary from the racism that pervaded almost all Hollywood films. These three places were: the Hollywood version of an all-Black film, the church, and entertainment. Black culture and music is prominent in mainstream society, but the people behind this culture don’t always receive recognition and respect for their creations. Mainstream White pop culture excitedly consumes and appropriates Black culture, but disrespects the source.
stunning visual style to consider the forces that threaten human agency. In the case of the charac- ter Raymond Shaw, he becomes brainwashed and easily controlled by his enemies and his own mother, who forces him into an being an unwitting murderer. Set during the Cold War, the film includes realistic representations of government paranoia, embedded into a fictional communist plot of memory implantation and brainwashing soldiers. Made clear to the audience in one of the most disturbing and entertaining scenes of the film, the American soldiers are unknowingly psy- chologically reprogramed into subservient robots with no control over their actions. If human agency
What do you think about when watching a film? Do you focus on the characters' good looks or the dialogue? Or do you go behind the scenes and think about what made the film? Maybe, it's even a combination of all three. No matter what comes to mind first, an important part of any good movie will be what you see. A camera and good director or cinematographer is needed to make that possible. Different directors and cinematographers will use different camera techniques to make you focus on what you see. Camera techniques show emphasis in films, because they make you focus more on situations and people. They are especially important in Darren Aronofsky’s Requiem for a Dream.
The background is covered in dim shadows. It could also be symbolic that they're in a dark place in their life at the moment. The scene has two planes: one focuses on the table and couple and the other focuses on the girl and the background. The heads of the family create a perfect triangle and another triangle is the girl in the middle with the two candles on each side. It creates a triangle within a triangle. The scene is a combination of high key and low key lighting.The high key lighting is primarily focused on surface of the cloth and the candles; it's very bright and the candles bring some light to all three of the character's faces. The characters are then washed with some light shadows on their clothing and the rest of the shadows stick to the background. The colors are generally made up of blue and neutral colors. The walls are blue and the windows are neutral; the man is wearing a blue shirt while the girl is wearing a gray one. The woman is wearing pink and the table is white; it contrasts against them. The colors and dim lighting set the mood to be tense and/or stressful. The left third is the woman, and she seems more
I chose to analyze Despicable Me, an animated film geared towards a younger audience, because I was interested in examining underlying theories and messages that this film would be relaying to its viewers. Often times, when watching animated films, children are not aware of these messages, as they are absorbed by the characters, special effects, and humor. But as we have learned throughout this semester, our brains are subconsciously primed by the various surroundings we are exposed to. Since we also studied the impacts of entertainment, such as television and video games, on children, I wanted to see how a popular children’s film might also affect them.
This gives us a impression that he is not a normal person or is here to bring a big impact. As the lighting changes from pink to bright and harder colour, this would make me think the play will turn more serious when the inspector arrives. The fact that the colour is pink before the inspector enters makes me think that the scene is like a dream as it is not like a realistic to have that kind of lighting; and when the inspector arrives it can be seen as if you woke up from the dream - the current time is real and is happening
This is where the “leftover bond money” from her daddy’s jail bond gets delivered to her. Granik portrays a resolution and a sense of happiness that would never be attained in real life. A technique which is used to highlight the epitome of this happiness is the lighting. In this particular scene, you’ll notice it is significantly brighter than the rest of the film. This is because it’s the only scene which the sun is shining. This allows the audience to undergo a change of heart. It’s an offered resolution, which allows us (the audience) to distract away from all the misery and heartbreak. To reconsider the harshness of society. And makes us entitled to feel happy for the character. However, like earlier in the film where the dialogue was distracting away from the almost too perfect house, fit for the societal circumstances of the Ozarks. It outlines again that this film is a Hollywood representation of the unprivileged society. A resolution that is offered after the character having to go through traumatic events would be an unforeseen occurrence in real life. The particular resolution distracts away from the real life circumstances of poverty and welfare in America. This allows again for the viewers to reconsider the film and relate to real life thinking that people do get resolutions. Furthermore that people are “free to” but not understanding that they’re not “free
The Sixth Sense is a PG-13 horror film released to the public on August 6, 1999 by director M. Night Shyamalan. It talks about a boy name Cole Sear (Haley Joel Osment) who is able to see and talk to people from the dead and child psychiatrist Malcolm Crowe (Bruce Willis) tries to help him. Throughout the movie there were a wide variety of scenes that made the movie memorable for the audience. One scene that I found intriguing was the funeral reception of Krya Collins. There were numerous techniques that got used which tie everything for the audience to understand who the murderer was at the end of the funeral reception.
Darren Aronofsky’s 1998 debut feature film, Pi, helped paved the way for his illustrious career in the US independent film scene. Shot for a miniscule budget of $68,000, Pi follows an intelligent, yet paranoid man who discovers a link between numbers and reality, believing that with this knowledge he can predict the future. The drama thriller is short in length, but helps to convey its story in a number of cinematic techniques. These techniques would include the editing, soundtrack, and cinematography.
A.I.: Artificial Intelligence is a Steven Spielberg science fiction drama film, which conveys the story of a younger generation robot, David, who yearns for his human mother’s love. David’s character stimulates the mind-body question. What is the connection between our “minds” and our bodies?
The film, “The Great Gatsby”, is a movie, that uses things such as lighting and colours to show the theme that the director Baz Luhrmann. Luhrmann creates an overdramatised setting as he shows bright colours everywhere. The scene that I am using is the scene where daisy and Gatsby meet at Nick's house, and they talk for the first time in 5 years. The purpose of this scene is to show the power of love, and the willingness of Gatsby to win over daisy again. He uses a range of techniques to
Edwin S. Porter contributed the following editing styles and techniques to film. He used a dissolve between every shot just and he frequently had the same action repeated across the dissolves. According to Filmrefrence.com “Edison Company’s new Vitascope projector in Indiana and California, and Porter worked with them as a projectionist in Los Angeles and Indianapolis. Later that year he went to work for Raff & Gammon in New York but left after the Edison Company broke with Raff & Gammon. He then toured with entertainers through the Caribbean as an exhibitor of motion pictures, and in early 1897 he helped build the projector at the Eden Musée”(Filmrefrence.com.2014).
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.