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Auden's poem on death
Loss and disparity of Auden's poetry
Loss and disparity of Auden's poetry
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Recommended: Auden's poem on death
Idealism in Auden’s O who can ever gaze his fill, Out on the lawn I lie in bed (A Summer Night 1933), and The Shield of Achilles
W.H. Auden’s poems are celebrated for their intelligence, detachedness, and musicality. Often, idealism is associated with romanticism and the excessively personal, because it is an attempt at envisioning the world as it ought to be and not as it is. However, Auden successfully blends idealism into his objective poems, and this idealism manifests itself in his “O who can ever gaze his fill,” “Out on the lawn I lie in bed” (“A Summer Night 1933”), and “The Shield of Achilles.”
In “O who can ever gaze his fill,” mortals from various walks of life comment on their ideals while Death watches over them. Composed of four stanzas, Death’s refrain succeeds the mortals’ thoughts and gets the last say in each instance. In the first stanza, the farmer and the fisherman look upon the water and the land fondly, believing that the traditional life of hard work coexists with their closeness to nature. This ideal life is how their forefathers have lived, and it is how “the pilgrims from [their] loins” should live in the years to come (6). However, Death remarks as it oversees the “empty catch” and “harvest loss” (9) that, “the earth is an oyster with nothing inside it” (12). Therefore, it advises, forget this ideal and “throw down the mattock and dance while you can” (15). This advice can be seen as giving up on the traditional way of life, so that the fisherman and the farmer no longer have to be bound to their toils. Death also says, “Not to be born is the best for man” (13), and this phrase is repeated in the subsequent stanzas. In the ideal world, perhaps mankind is not born i...
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...ion, love, art, and nature. This idealism, far from being romantic, is imbued with rationality. Often, it is also countered by a strong cynicism. Using haunting imageries and melodic poetic devices, Auden successfully demonstrates a balanced sense of idealism in his “O who can ever gaze his fill,” “Out on the lawn I lie in bed” (“A Summer Night 1933”), and “The Shield of Achilles.”
* some versions of the poem, like the one in Selected Poems, ed. Edward Mendelson (Vintage) appear to have 15 stanzas.
Works Cited
Auden, W.H. “A Summer Night 1933.” In The Colleced Poetry of Auden, pp. 96-98. New York: Random House, 1945.
Auden, W.H. “O who can ever gaze his fill.” In The Colleced Poetry of Auden, pp. 224-226. New York: Random House, 1945.
Auden, W.H. “The Shield of Achilles.” In The Shield of Achilles, pp. 35-37. New York: Random House, 1955.
... Works Cited Everett, Nicholas. From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamilton.
When I read poetry, I often tend to look first at its meaning and second at how it is written, or its form. The mistake I make when I do this is in assuming that the two are separate, when, in fact, often the meaning of poetry is supported or even defined by its form. I will discuss two poems that embody this close connection between meaning and form in their central use of imagery and repetition. One is a tribute to Janis Joplin, written in 1983 by Alice Fulton, entitled “You Can’t Rhumboogie in a Ball and Chain.” The second is a section from Walt Whitman’s 1,336-line masterpiece, “Song of Myself,” first published in 1855. The imagery in each poem differs in purpose and effect, and the rhythms, though created through repetition in both poems, are quite different as well. As I reach the end of each poem, however, I am left with a powerful human presence lingering in the words. In Fulton’s poem, that presence is the live-hard-and-die-young Janis Joplin; in Whitman’s poem, the presence created is an aspect of the poet himself.
Waggoner, Hyatt H. "A Writer of Poems: The Life and Work of Robert Frost," The Times Literary Supplement. April 16, 1971, 433-34.
Meinke, Peter. “Untitled” Poetry: An Introduction. Ed. Michael Meyer. 6th ed. Boston: Bedford/ St. Martin’s 2010. 89. Print
Burgess, Jonathan. "Achilles' heel: the death of Achilles in ancient myth." Classical Antiquity. v. 14 (Oct. '95) p. 217- 43.
Gilbert, Roger. "Robert Frost: The Walk as Parable." Poetry Criticism, edited by Lawrence J. Trudeau, vol. 173, Gale, 2016. Literature Resource Center, proxy.campbell.edu/login?url=http://go.galegroup.com/ps/i.do?p=LitRC&sw=w&u=nclivecu&v=2.1&id=GALE%7CH1420120652&it=r&asid=ce43321a2e99d7cd8ccbc328976c3726.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Rothenberg, Jerome and Pierre Joris, eds. Poems for the Millennium: The University of California Book of Modern and Postmodern Poetry, Vol. 2. Berkeley: University of California, 1998.
”To Autumn” is an ode written by John Keats on the 19th of September 1819. While walking near Winchester along a river, Keats became inspired to write the poem. The Rest of his other odes were completed in the spring of 1819. John died on the 23rd of February 1921 at the age of 25, just a year after the release of “To Autumn”. However, throughout his life he inspired many poets, but most notably Percy Shelly. In mourning, he wrote the elegy “Adonais” for Keats.”To Autumn “is his final poem and many have said it is his best. Keats use of imagery takes the reader on an adventure through the scenes and sounds of autumn. He achieves this by his use language, imagery, tone and structure. This is also what creates the mood and consequently allows him to challenge the notion that music is usually associated with spring. Thus, in this essay I will show how he challenges this belief, by looking at his use of imagery, tone and form. In addition I will look at what his influences were and the context in which he wrote the poem.
Southard, Sherry. "Whitman and Language: Great Beginnings for Great American Poetry." Mount Olive Review 4 (Spring 1990): 45-54.
The slow feeling of the ending life is shown when the poem states, “we paused before…” with other terms like “and immortality” having its own line to emphasize the destination. The writer narrates the cause of death in the six-stanza poem in a journey form that depicts some interesting life experiences that people should have fun of during their lives. It is common that many individuals cannot stop for or wait for death that is if they can “see
A. “Written in a tempestuous night, on the coast of Sussex.” Elegiac Sonnets. Ed. Stuart Curran. New York: Oxford, 1993.
Auden, W. H. The Collected Poetry of W. H. Auden. New York: Random House. 1945.
Williams, E. Audra and Aubrey, eds. Pastoral Poetry and An Essay on Criticism. New Haven: Yale University Press, 1961.
It is this moment of recollection that he wonders about the contrast between the world of shadows and the world of the Ideal. It is in this moment of wonder that man struggles to reach the world of Forms through the use of reason. Anything that does not serve reason is the enemy of man. Given this, it is only logical that poetry should be eradicated from society. Poetry shifts man’s focus away from reason by presenting man with imitations of objects from the concrete world.