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Sweet speech about death
Speech on death
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I stand here today, full of grief and guilt, that my beautiful wife, the daughter of Scotland, died here a cálend ago because of my erroneous doing. Today we have assembled here at, Dunkland cemetery to honour and pay our respects to this adoring wife, nurturing mother and daughter of Scotland.
My wife was the epitome of loyalty, faithfulness and kindness but because of my selfishness and cunningness my beautiful wife tragically died. She was and still is my queen, filled with warmth, kindness and benevolence; unlike that cruel, disheartened “tyrant (’s)” wife. My queen would have moulded “the dunnest smoke of hell”, “sink(ing) beneath the yoke” into the shining, noble country Scotland once was. She would have “drown(ed) the weeds” instead of letting them grow and shrivel up our whole country. If only I didn’t leave her in Scotland, she would be here today.
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She was a hen who couldn’t leave her nest. Even when I “…fled to Scotland”, “giv(ing my) obedience where tis truly owed”, she was looking after her chicks. My wife and chicks were a team, “her young ones in her nest, against the owl”. They fought hard, against the tyrant, but their strength and willpower wasn’t enough and “the weak, poor innocent lamb(s) (were offered up) T’ appease an angry god”. “All my pretty chickens and their dam… fell (at one) swoop”; I knew that they were gone, a mother with many beautiful chicks. Their “ghosts… (Still) haunt me” and the love she gave her chicks, could no longer be present. But “heaven preserve (her)”, for she deserves to be alive because of all the endearment she gives her chicks. If only I didn’t leave Scotland, she would be here
One of Ann’s qualities that stand out about her is that she can find the good in everything. In the book Ann found a baby crow behind the pew. The baby crow had fallen from the nest that was located between the two-by-fours that were criss crossed, and used as a frame to hold the bell. Ann had not seen birds since before the war, but she was a little disappointed that the birds were crows. The reason being was that crows were a sign of death, and they were also pests around the farm. Even though the birds were crows she still found the good in them. Ann wrote in her
“A green and yellow parrot, which hung in a cage outside the door, kept repeating: “Allez vous-en! Allez vous-en! Sapristi! That's all right”! He could speak a little spanish, and also a language which nobody understood, unless it was the mocking-bird that hung on the other side of the door (1).The caged birds are meant to represent women in society committed inside the house and existing for the pleasure of man. The parrot represents Edna and her true inner feelings that she doesn’t revel. The hidden feeling are represented by the fact that the parrot is caged. The mockingbird also tagged, represents Mademoiselle Reisz with the whistling notes it produces. Moreover, this mocking bird is capable of understanding the parrots spanish in the same way Mademoiselle Reisz is capable of understanding Edna. In this Victorian era the caged bird represent the women who are expected to have no other role than that which is assigned; being a wife and mother without true freedom. Like the birds, the women’s movements are limited by society, and they are unable to communicate with the world around them. And It seemed as when they got married they were committed to doing one thing and one thing only. In addition to symbolism Chopin describes Edna “A bird with a broken wing... reeling, fluttering, circling disabled down.” (115). This
The first words of the book convey a parrot that spoke “a language which nobody understood”, and Edna’s husband “had the privilege of quitting [the parrot] when [it] ceased to be entertaining” (11). In the same light, Edna speaks of and wishes for a life that nobody apprehends. Her husband also possesses the moral, objectifying liberty to quiet Edna when she did not provide leisure, as one can turn off a song once it grows into a tedious nuisance. A further exemplification comes about when Old Monsieur Farival, a man, “insisted upon having [a] bird. . . consigned to regions of darkness” due to its shrieking outside (42). As a repercussion, the parrot “offered no more interruption to the entertainment” (42). The recurrence of the parrot evolves Edna’s state of stagnance as a consequence of being put to a halt by others despite her endeavor of breaking free. Ultimately, as Edna edges out towards the water to her death, a bird is depicted with “a broken wing” and is “beating the air above, reeling, fluttering, circling disabled down, down to the water” (159). This recurrence parallels the beaten bird to a suffering Edna. She has “despondency [that] came upon her there in the wakeful night” that never alleviates (159). Dejection is put to action when Edna wanders out into the water, “the shore. . . far behind her” (159). Motif of birds articulates her suicide by its association with
Hale and Mrs. Peters, discussed Mrs. Wright and how she had been before her marriage. “…I hear she used to wear pretty clothes and be lively… one of the town girls singing in the choir” (Glaspell 1370). It isn’t until later that we see that this innocent description is yet the beginnings of another metaphor. The women find a birdcage, bent and broken, and it is here that we can see the symbolism take place. The dead canary was but confirmation of a life without happiness.
...comfort he’s having with adapting to the idea of Alice being “old enough to go courting,” and contemplates life without belonging. “Then, clenched in the pain of loss, he lifted the bird on his wrist, and watched it soar,” reality seeps in as he realises that one day his granddaughter must leave it’s the nature of life. This parallels Emily Dickinson’s underlying ideal in The Saddest Noise, The Sweetest Noise as life must be endured without the ones we love.
...re, her sentiments of regret are communicated just in her subconscious, while she rests. "The thane of Fife had a wife: where is she now?/What, will these hands ne'er be clean?"(V.i)
All she can remember of when she looks at that scenery of kingsbere is her child who was burried in that obscure part of a church. She refers to her ancestors as `the useless ancestors'. She didn't admire them anymore. She curses them for the pain they have put her through.
Slowly, she lost her former self - a vibrant and vocal woman. Her only solace came in the form of a singing bird. Mrs. Wright was able to relate to the bird, for she herself was in a "cage." However, complications emerge when her husband's strangling and killing of the bird shattered her moments of happiness. The only symbol of who she used to be was taken from her... again.
...-like symbols are fading--“black once but faded now to that fierce muted metallic green of old peacock feathers”--revealing the length and magnitude of the struggle (142). The contrast is apparent by the mention of the peacock feathers, which in their natural state are lively and radiant. There is an inability for the woman to reconcile with the man because “the indomitable woman-blood ignores the man’s world in which the blood kinsman shows the coverage or cowardice, the folly or lust or fear, for which his fellows praise or crucify him” (123). One must follow the male characteristics to the roots of their southern heritage to acknowledge the full tragic beauty of the female.
While talking in her sleep, she said “The Thane of Fife had a wife. Where is / she now? What, will these hands ne’er be clean? No / more o’ that, my lord, no more o’ that. You mar all / with this starting” (V.i.44-47).
Wright, in Trifles, has lived a very isolated and lonely existence experiences a loss of self-control at the death of her bird; she then commits a desperate act in the hopes that it will bring her the sense of equilibrium that was taken from her. Glaspell explains, “MRS. HALE [Her own feeling not interrupted] If there’d been years and years of nothing, then a bird to sing to you, it would be awful—still, after the bird was still.” (Glaspell) The bird holds great significance in the life of Mrs. Wright, serving a dual purpose as a friend and entertainer. Without the bird she has only the chores of a farm and her husband who is depicted as a cold and hard man. The bird was perhaps the one bright spot in the life of Mrs. Wright who’s care for it is exhibited in the careful handling of its body. When Mr. Wright kills the bird the slight sense of equilibrium that she had in her life is gone, and without the bird Mrs. Wright is forced back into a life of solitude. The thought of returning to her monotonous and lonely existence without the color that the bird had contributed to her life might have been too much for her to consider. In Glaspell’s depiction of Mrs. Wright after the crime, “” Can’t I see John” “No,” she says, kind o’ dull like. “Ain’t he home?” says I. “Yes,” says she, “he’s home.” “Then why can’t I see him? “I asked her, out of patience. “’Cause he’s dead,” says she. “Dead?” says I. She just nodded her head, not getting a bit excited, but rockin’ back and forth.
It's sad to see how many websites perpetuate myths about wine storage just to convince consumers that only the most expensive wine coolers/cellars/fridges can prevent fine wines from turning to vinegar overnight. Unfortunately, the truth is far less motivating. Below we discuss the basics of typical wine storage - i.e., wine held for personal consumption rather than speculation - and to help clear up some of the rampant confusion so new enthusiasts can make sensible, cost-effective buying decisions. Terminology - Wine Coolers, Fridges, Cellars, Etc. Wine Cooler vs. Wine Cellar - What's the Difference?
Later on Mrs. Hale bring up another woman known as Minnie Foster, the woman Mrs. Wright used to be and how it was that same man she married that wore away every bit of the carefree woman she had been thirty years before. How she was no longer the woman with the beautiful voice who sang in the choir, and definitely not the happy women once seen around town. The last piece of solace that existed in her world was the little canary that would sing to her. Something she had bought a year before the events of Trifles occurred, in an attempt to make her otherwise dreary
Author sets up repetitive lines, like “I am not there; I do not sleep. I am a thousand winds that blow,” (lines1-2) ---to emphasize her authoritative tone, confirming that she will not be sleeping in the grave deadly. When it comes to latter lines (6-9), Frye incorporates more metaphors to emphasize that her spirit was not dying. Images created by these lively descriptions are conveyed to reinforce the idea of
Good morning my beautiful, Johanna. I'll start by saying this, I think birthdays are bullshit, and as you would say, I'll tell you for why. It's the only days really where people you barely know will pretend to care and acknowledge your existence. It's the only day where regular people will make an effort to make you feel special. Selfishly, I don't want to be one of those regular people in your life.