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Analysis of the epic of Gilgamesh
Short summary of the epic of gilgamesh
Epic of gilgamesh synopsis
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The only female emperor in China, Wu Zetian, had a marvellous life. I would tell her, “As I been taught, you are a bad woman, who killed thousands of innocent life including your daughter. How cruel are you, does the power really important? Why? I cannot understand. This view on you didn’t change until I read the Epic of Gilgamesh. As I read the book, I thought Humbaba is an evil, but the newly discovered tablet shows that Humbaba is actually the king of a foreign country. This makes me realized that people are misinterpreting history, so I look back to your story. This time, I find that you are not as bad as I thought before, instead you are doing what you suppose to do. In the time period you lived in, women are being mistreated. When you
Yan Zhitui states that, "women take charge of family affairs, entering into lawsuits, straightening out disagreements, and paying calls to seek favor...the government offices are filled with their fancy silks." (Differences between north and south, 111). Yet, even in the Qing dynasty women were still restricted by and expected to uphold more traditional ideals, especially in the public eye. So, in the end, through her virtue, Hsi-Liu’s two children we able to become upright. Here, there is a split between what a woman is supposed to be according to old Chinese tradition, and the realities facing women in Tancheng. The loss of her husband, and economic hardship had forced His-Liu to behave in a different way, as if she were usurping the power from the eldest son so she could teach the two boys a lesson about being good family members. While she still maintains the ideals of bearing children, and being loyal to her husband, even after he dies, out of necessity she is forced to break from Confucian ideals of being only concerned with the domestic issues. This too put her at odds with the more traditional society around her, as the villagers pitied her sons, but vilified the Hsi-Liu for being so strict with them (Woman Wang, 65). Had she remarried, she would have been looked down upon even more because she would had broken her duty to remain faithful to her deceased
Lessons for Women was written by Ban Zhao, the leading female Confucian scholar of classical China, in 100 C.E. It was written to apply Confucian principles to the moral instruction of women, and was particularly addressed to Ban Zhao’s own daughters. As her best remembered work, it allows the reader insight into the common role of a woman during this fascinating time-period. The work starts off by Ban Zhao unconvincingly berating herself, and claiming how she once lived with the constant fear of disgracing her family. This argument is rather implausible, for the reader already knows the credibility of Ban Zhao, and how important her role was in ancient China.
Ban Zhao wrote Lessons for a Woman around the end of the first century C.E. as social guide for (her daughters and other) women of Han society (Bulliet 167). Because Zhao aimed to educate women on their responsibilities and required attributes, one is left questioning what the existing attitudes and roles of women were to start with. Surprisingly, their positions were not automatically fixed at the bottom of the social hierarchy. Ban Zhao’s own status as an educated woman of high social rank exemplifies the “reality [that] a woman’s status depended on her “location” within various social institutions’ (167). This meant that women had different privileges and opportunities depending on their economic, social, or political background. Wealthier noble women would likely have access to an education and may have even been able to wield certain political power (167). Nevertheless, women relinquished this power within the family hierarchy to their fathers, husbands, and sons. Despite her own elevated social status, Ban Zhao still considered herself an “unworthy writer”, “unsophisticated”, “unenlightened’, “unintelligent”, and a frequent disgrace to her and her husband’s family (Zhao). Social custom was not, however, the only driving force behind Zhao’s desire to guide women towards proper behavior.
Most outcasts of history had a particular, exclusive life; full of struggles against the society ever since birth and grew up with a heart made out of steel from the harsh criticism they have endured. They differ from the community within their beginning to their end, and many of their stories end up becoming legends and gaps of the past that nobody will be able to reincarnate. China’s first and last female emperor, Wu Zetian, was one of these exclusives. Ever since birth, her history of tactics to the people around her; in order to ascend the throne, juxtaposed towards society’s attitudes of women at the time; through her breakdown of gender stereotypes and quick knowledge, and offered a new perspective to the world of just how cruel and beautiful women can be. She successfully destructed all accumulated views of women in the Tang Dynasty, and created her future in the way she wanted it – on top of every man in her country. She was an outcast – somebody who juxtaposed against the demands of her. She was history.
Before her first words she is already considered a disappointment, “a girl child is Mo Yung- useless” (32). From the time she is born, her grandmother, “the old one” (choy), relentlessly tells her how the world will treat her as a girl. She explains to Jook-Liang, ‘“If you want a place in this world… ‘do not be born a girl child’”(31). She is cast aside before she is given a chance and is never given the same opportunities as her brothers. Instead she is forced to help take care of her little brother (insert quote). The excitement surrounding a baby is always extreme, and it doubles in Chinese culture when that baby is a boy. When her little brother is born, she is truly considered to be nothing in the family. “ I recalled how Sekky had received twice the number of jade and gold bracelets that I had got as a baby, and how everyone at the baby banquet toasted his arrival and how only the woman noticed me in my new dress, and then only for a few minutes to compare Poh Poh and step mother’s embroidery”(32). She is a ghost in her own family, and treated as nothing from the moment she is born. It is because of her gender that she is looked upon as a burden and never given the same opportunities as her brothers so that she may excel in life. Through the shadowed life of Jook Liang one can see how gender roles are enforced by cultural
The divine way of ruling was rooted before 2300 B.C.E., beginning with the story of Gilgamesh, and proceeded to carry on through Sargon, Hammurabi, and even Moses. Men would follow their leaders into battle based on belief and to conquer. Thus, bringing matters of post war which lead to consolidation of cities, and to pacify people with fair and justified laws from their King so that civil uprising would not ensue. Hammurabi’s Code is based off of three key elements that are belief (polytheism or religious), leadership (divine or conventional), and justice (fair but firm). Furthermore, these elements might be subtle, but essential for stability amongst the populous, and when juxtaposed with a keen eye they became clearer than the water.
...emperors in ancient Japan is that they provided a place of legitimacy for women leaders, and they played a substantial part in identifying and creating the Japanese society. Women were to have been important in pre-historic time, but the loss of their power could be blamed on how Japan refashioned its political system to follow the Chinese ideology and way statecraft, and the lack of references on female sovereignty have been distorted or hidden. In regard to the Piggott provides written and archaeological evidence to make her argument that women ruled frequently in pre-modern Japan, and the study of female sovereignty is vital to understand the Japanese state formation based on gender complimentary rulers. As Scott points out, it is vital to study historical female sovereignty, in order to understand the political significance of female emperors in ancient Japan.
In the patriarchal, Confucian influenced, Han dynasty, a woman’s role and social status was far from equal to that of a man. In Ban Zhao’s work Lessons for a woman she depicted the role of a woman, as a lower-class member of society. Hidden beneath the stereotypes of what a woman was supposed to be, Ban Zhao was a rarity of her time as she excelled as a historian and teacher.
The Chinese possessed strong beliefs about astrology, so when it was prophesised that a women ruler would soon ascend the throne word quickly spread throughout the common people. It was predicted that within 30 years this woman known as ‘The Prince of Wu’ would rule over China. Whether or not Empress Wu’s rise to power was due to ‘heaven ordained fate’, she fulfilled the prophecy and became China’s first woman ruler in the 7th century. Historians, scholars and common people alike have long debated Wu’s reign. She is commonly referred to as an evil usurper due to the way she took power. However whether she fully deserves this reputation is to be examined. As the only female Chinese ruler, Wu challenged traditional gender roles and legitimized herself as a leader at a time when women were not meant for such positions. Empress Wu came to power through self-determination and a remarkable gift for politics. Once on the throne, she kept her power by all means necessary, often those means being murder and betrayal. Some of her actions were undoubtedly cruel. However once she was established as an empress conducted a mostly peaceful and prosperous reign. Empress Wu was by definition a usurper of the Chinese throne however not necessarily an evil one. She was manipulative and ruthless yet brilliant and exceptionally gifted. Her rise to power through sheer determination is to be commended despite the harsh tactics she used along the way.
No other woman in the Early Han held the same amount of influence as Empress Lü throughout her various titles as Empress, Empress Dowager, and then Grand Empress Dowager. Stories recounting her manipulative nature paint a picture of a scheming empress using her imperial power to bestow favors and political positions to her own clan. This essay argues that Empress Lü used the lack of precedence for her position as Empress Dowager to manipulate court officials into granting power to her clan, which caused political unrest late in her life and resulted in the destruction of the Lü clan. To support this claim, this essay will discuss the exceptional nature of Empress Lü's power and the extent of her ability to manipulate the court, and then this paper will provide evidence of a Lü clan extermination after the death of the empress that held power for fifteen years after her husband died – in a nation with no precedence for this kind of rule.
She is an aristocratic woman from the Hans empire who believes women should follow their duties set by society. One of a woman’s responsibilities is to be respectful. Zhao wrote, “Let her bear contempt; let her even endure when others speak or do evil to her.” Women are required to be respectful even if a man is doing or saying evil things. Zhao essay also discusses how women are subservient to men. She states, “They only know that wives must be controlled and that the husband 's authority must be maintained.” Men are supposed to control women and it is the woman’s responsibility to follow his orders. Lastly, she discusses womanly behaviors. She says the four womanly behaviors are “… womanly virtue, womanly speech, womanly appearance, and womanly work.” Women are required to be modest, use appropriate language, to maintain personal hygiene in order to look “womanly” and to make clothes or prepare
The article I picked to show the evil in the world today was about a man named Abner Louima. This man was arrested in 1997 and is suing the state of New York for being beaten in a restroom in the station while being questioned. The sole witness Conelle Lugg, 19, he heard loud screaming and banging noises against the wall of the bathroom while he was in his cell, he then saw a police officer push Louima into a cell pants down and blood rushing out of his open wounds. The officer then proceeded to tell Louima to get on his knees. After all this Lugg said, that Louima fell to the floor and screamed in pain and begged to be taken to a hospital.
Gender equality has been an issue in the world for the past century. The contrast between men and women in China begins at home and translates into workplace expectations. In China, the expectation in the home is that men are superior to women and that she should be obliged to serve her husband. According to the Passport to China, “Confucianism is still a major factor in Chinese culture. A direct quote from the Passport to China represents this well. “The Confucian husband rules over his wife as a lord rules his people.” This essentially means that the husband is superior to the woman entirely in households that still maintain the Confucian attitudes of the past.
Sit, Tony. "The Life of Empress Cixi” (from Issue 10 of the China in Focus Magazine). Society for Anglo-Chinese Understanding (SACU), 2001. .
Though “The Legend of Sleepy Hollow” by Washington Irving seems to have the story line of a classic american story, the story is truly representing a dark and somber state. The story is the tale of Ichabod Crane’s encounter with the headless horseman. Moving into a Dutch settlement, Ichabod Crane in infatuated with the folk tales of the town, he falls in love with a wealthy farm owners daughter, Katrina Von Tussel, then meets his match with the allusive Headless horseman. In “The Legend of Sleepy Hollow” by Washington Irving, some may argue that Ichabod is not responsible for as much evil as people give him credit for. It is true that the short story conveys that he represents the american author at that time period, however, above all, Ichabod