Though “The Legend of Sleepy Hollow” by Washington Irving seems to have the story line of a classic american story, the story is truly representing a dark and somber state. The story is the tale of Ichabod Crane’s encounter with the headless horseman. Moving into a Dutch settlement, Ichabod Crane in infatuated with the folk tales of the town, he falls in love with a wealthy farm owners daughter, Katrina Von Tussel, then meets his match with the allusive Headless horseman. In “The Legend of Sleepy Hollow” by Washington Irving, some may argue that Ichabod is not responsible for as much evil as people give him credit for. It is true that the short story conveys that he represents the american author at that time period, however, above all, Ichabod …show more content…
By using characterization, Irving can describe Ichabod scaring himself with his own footsteps, “How often did he shrink with curdling awe at the sound of his own steps”.(Irving 5) With the narrator further emphasizing on Ichabod’s superstitions and own frightfulness when taking a simple walk, shows how Ichabod is both scared of himself and distasteful towards his simple surroundings. This provides a direct example to show how Ichabod is aware not only of his own evils, but Sleepy Hollows evils as well. By knowing exactly what Ichabod is thinking at this point in the story, it further provides evidence that Ichabod is responsible for the evil he causes. Albert von Frank believes that Ichabod has done nothing wrong as seen in his criticism, “ That Ichabod is evil needs all the more to be said since several modern readings of the story have made impressive moral claims on his behalf, or, alternatively, have transformed him into a pathetic hero, a figure more sinned against than sinning.” (Frank 1) This criticism is the direct opposite to the short story and against the altercation of Ichabod’s character throughout the story, because throughout the story, Ichabod is shown to be somber and detached. By going against the whole story just shows how Ichabod’s …show more content…
When Irving is characterizing Ichabod, a sense of terror and gloom are portrayed, “One might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.” ( Irving 3). By conveying Ichabod as a person so threatening that he is alluded to “the genius of famine”, it creates an eerie tone that adds an aspect of dark and disillusion to Ichabod’s character throughout the story, creating a mystifying persona to his character. (Irving 3) By the narrator doing this, Ichabod obviously threatens Sleepy Hollow. Irving furthers this idea when describing the living parts of the nature in Sleepy Hollow, “The moan of the whip-poor-will from the hillside, the boding cry of the tree toad, that harbinger of storm, the dreary hooting of the screech owl, or the sudden rustling in the thicket of birds frightened from their roost.” (Irving 6) When the narrator is describing Ichabod’s surroundings when he is walking, the setting adds an aspect of gloom and sober to Sleepy Hollow. This helps further the thought that Ichabod threatens the nature and setting of this Dutch settlement, through his evil nature and somber character.Albert Von Frank furthers this idea by showing how Ichabod changes the course of the story, “ In a way that decisively alters its original comic application, just as the imagine
The story, The Legend of Sleepy Hollow, was written by Washington Irving, and the story is about a man name Ichabod Crane who was trying to win Katherina Van Tassel’s hand in marriage, but he is failing. The small town named Sleepy Hollow has a folklore about the Headless Horseman, who rides through the town at night to find his head. Irving explains that Sleepy Hollow has many ghost stories, but the Headless Horseman is the most popular in the town. Ichabod Crane was a school master, and he was killed by the town’s ghost. The townspeople believed Crane was taken by the Galloping Hessian, so the story of the Headless Horseman would not be associated with Crane’s disappearance. As the news about Ichabod’s disappearance rummage through the town, the Brom Bones’ reaction to the news made people question the Galloping Hessian’s part
The readings “The Legend of Sleepy Hollow” by Washington Irving and The Monster by Stephen Crane are to amazing readings. However, these two texts represent violence and conflicts in different ways, which shows that although they have the same concept their tactic for this same concept is used in a different approach.
In Washington Irving’s work “Rip Van Winkle,” Irving demonstrates all characteristics of an American Mythology rather humorously. These characteristics affect the story attracting the attention of readers and impacting the reader’s experience of the story by relishing America’s unique attributes and values. In “Rip Van Winkle,” Irving incorporates attributes of American Mythology by setting the story in exciting pastimes, filling the story with strange and exaggerated characters, and featuring magical mysterious events.
Instead, he made Ichabod Crane a detective who had his own vision on how to solve crimes. In the movie Ichabod is sent to the small village of Sleepy Hollow where a murder of three town’s people has occurred and they want him to solve it. Soon enough, he meets Katrina, whom Ichabod falls in love with, similar to Irving’s original story. Brom once again becomes jealous of this situation. The beginning of the story is very much similar to Washington Irving’s original. However, the main difference is that Ichabod is a detective; he is attempting to resolve a murder mystery. The murder consists of three people who had their heads cut off yet the heads are not being found anywhere. Even though Tim Burton did incorporate Washington Irving’s original story, he chose to include his own version of what happened. Only in the beginning does he chose to show Brom pretending to the cloaked horseman. Burton does include a sudden alteration; he decided to introduce magic and witchcraft. A witch controls an actual demon who was behind the killing who is the horseman. Katrina’s stepmother, who is the true witch, now possesses greed and
Grave and somewhat solid in his tone, he is overflowing with purpose. The danger he takes in disclosing his contention's potential defects and testing the readers judgments will yield the uneasiness that penetrates his exposition, as well as additionally individuals' personalities. His dialect and tone, withdrawing from the scholastic investigation of monsters, exhibits a genuine yet energetically inciting demeanor to the group of onlookers. We see the modest, unexpected comical inclination that he has well covered up under the earnestness and details of a
Fifteen years separate Washington Irving’s short story “The Legend of Sleepy Hollow” with Nathaniel Hawthorne’s short story, “Young Goodman Brown.” The two share an eerie connection because of the trepidation the two protagonists endure throughout the story. The style of writing between the two is not similar because of the different literary elements they choose to exploit. Irving’s “Sleepy Hollow” chronicles Ichabod Crane’s failed courtship of Katrina Van Tassel as well as his obsession over the legend of the Headless Horseman. Hawthorne’s story follows the spiritual journey of the protagonist, Young Goodman Brown, through the woods of Puritan New England where he looses his religious faith. However, Hawthorne’s work with “Young Goodman Brown” is of higher quality than Irving’s “The Legend of Sleepy Hollow” because Hawthorne succeeds in exploiting symbols, developing characters, and incorporating worthwhile themes.
The original story by Washington Irving starts out in a small town of Sleepy Hollow. Irving paints an image of bountiful crops, beautiful scenery, and prosperous landowners. Ichabod Crane was a local pedagogue, who taught at the local schoolhouse. He was known for his strict ways and yet he was very popular amongst the families of his students- especially the ones who had ?pretty sisters.? Ichabod enjoyed spending fall evenings with the old widows as they sat by a fire and told stories of ghosts and demons and other supernatural beings. One story that was always told was one of the legendary Headless Horsemen. The tale tells of a soldier who had his head shot off with a cannon ball. His ghost now roamed Sleepy Hollow on his horse, looking for his lost head. In place of his head, sits a jack-o-lantern, which had a fiery glow.
Over time the language of the original text of "The Legend of Sleepy Hollow" by Irving has been reworked to accommodate the change in audience. The Heath Anthology of American Literature has an unabridged version of the original wording (1354-1373). A complete copy of the original text of "The Legend of Sleepy Hollow" can be found in the young adolescent classic section of a bookstore or the juvenile section in the library. A juvenile edition of the text adapted by Arthur Rackham from 1928 was a replicate of the original it is filled with seven colored illustrations and numerous sketching. A young adolescent version adapted by Bryan Brown from 2001 has been abridged to accommodate the current young reader. The format is changed in Brownâs edition. The yo...
in creating his vision of the town of Sleepy Hollow and the headless horseman, Katrina,
Irving does this to help readers realize how caught up the society of Sleepy Hollow is with their past. Irving frequently brings up the Revolutionary war and how the headless horseman was a Hessian soldier from the war. When he writes, “The dominant spirit that haunts this enchanted region is the apparition of a figure on horseback without a head. It is said to be the ghost of a Hessian trooper, whose head had been carried away by a cannonball in some nameless battle during the Revolutionary War… The specter is known, at all the country firesides, by the name of the Headless Horseman of Sleepy Hollow” (Irving 2). This is an allusion to the Revolutionary war because the headless horseman was a hessian soldier. This explains the theme of supernatural because the Headless Horseman haunts their town and the main character, Ichabod Crane, comes across the ghost of him. Another major allusion in “The Legend of Sleepy Hollow” is Ichabod's belief in witches. The author supports this when saying, “He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather's 'History of New England Witchcraft” (Irving 4). Ichabod also believes in the supernatural past. His belief in witches supports the theme of supernatural within the book. Referring to the past using allusion develops different themes within the
To set the tone in the story the author had to describe the surroundings of the characters. For example the author states, "with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit." when giving a detailed response of how he feels about the house. This helps show that the author himself feels depressed when in sight of the building and gives the reader a thought of how the house looks. Other textual evidence in the passage also shows a feeling of suspense like the quote, "There was an iciness, a sinking, a sickening of the heart - an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. " which is how the author feels when he thinks about the house. The author cannot bear to imagine the house because he has a dark and negative imagination with different fears he thinks can come to life because of how unsettling the house makes him feel. While suspense is a direct indication of a depressed and dark tone, some other Gothic elements can be used indirectly to describe negative values in the story.
Irving's main character, Icabod Crane, causes a stir and disrupts the female order in the Hollow when he arrives from Connecticut. Crane is not only a representative of bustling, practical New England who threatens rural America with his many talents and fortune of knowledge; he is also an intrusive male who threatens the stability of a decidedly female place. By taking a closer look at the stories that circulate though Sleepy Hollow, one can see that Crane's expulsion follows directly from women's cultivation of local folklore. Female-centered Sleepy Hollow, by means of tales revolving around the emasculated, headless "dominant spirit" of region, figuratively neuters threatening masculine invaders like Crane to restore order and ensure the continuance of the old Dutch domesticity and their old wives' tales.
...than usual and Katerina seems to disappoint him and leaves him crestfallen. On his way home he finds a dark and creepy path he takes and sees a dark figure nearby that passes. He finally notices that the man on the horse has no head. He tries to get his horse to go faster but fails, because he is not a skilled rider. He ends up by the church where the Headless Horseman is known to be seen. The Headless Horseman follows and with his detached head throws it at Ichabod forcing him to fall off his horse. The next day, there is no sign of Ichabod, but the horse returns back to the owner’s farm. Later a group of people go looking for Ichabod and all they find is his hat next to a smashed pumpkin. Some people believe that Brom pulled a great prank, but the local folklore and old women know he was taken by the Headless Horseman. Ichabod is never seen again in Sleepy Hallow.
...cenery of the town and the often odd spiritual occurrences that take place in the town. "Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs; are subject to trances and visions; and frequently see strange sights, and hear music and voices in the air. The whole neighborhood abounds with local tales, haunted spots, and twilight superstitions." (Irving 1). Using words and descriptions like he did, Irving makes Knickerbocker's stories more believeable because he makes the reader feel like they are actually in the town of Sleepy Hollow. With just a little imagination he turned a ghost story into a credible account of actions that actually took place just by using his fake historian Knickerbocker.
Washington Irving’s short story, “The Legend of Sleepy Hollow,” was adapted into a movie titled “Sleepy Hollow” directed by Tim Burton nearly two centuries after the original publication. When the story was adapted as a film, several extensive changes were made. A short story easily read in one sitting was turned into a nearly two-hour thriller, mystery, and horror movie by incorporating new details and modifying the original version of the story. The short story relates the failed courtship of Katrina Van Tassel by Ichabod Crane. His courtship is cut short by the classic romance antagonist-the bigger, stronger, and better looking Broom Bones. Ichabod wishes to marry Katrina because of her beauty but also because of the wealthy inheritance she will receive when her father, Baltus Van Tassel and stepmother, Lady Van Tassel die. However, the film tells the story of Ichabod Crane as an investigator who is sent to Sleepy Hollow to investigate the recent decapitations that are occurring. These modifications alter the original story entirely, thus failing to capture the Irving’s true interpretation of “The Legend of Sleepy Hollow.” The film and the original story have similarities and differences in the plot, characters, and setting.