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The legend of sleepy hollow by washington irving analysis
The legend of the sleepy hollow book and movie comparison
The legend of the sleepy hollow book and movie comparison
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The readings “The Legend of Sleepy Hollow” by Washington Irving and The Monster by Stephen Crane are to amazing readings. However, these two texts represent violence and conflicts in different ways, which shows that although they have the same concept their tactic for this same concept is used in a different approach.
In this two readings the narrator shows us how the conflict that happens in these two different reading connect in some way. For example, in The Legend of Sleepy Hollow it is said, “[..] he borrowed a horse from the farmer with whom he was domiciliated,”(18) Ichabod here has taken a horse form his friend. However, the way he presents himself within using the horse is what is funny “[...] and, thus gallantly mounted, issued
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Additionally, in “The Legend of Sleepy Hollow” it is mention how “ In his hand he swayed a ferule, that sceptre of despotic power; the birch of justice reposed on three nails, behind the throne, a constant terror to evil doers […].Apparently there had been some appalling act of justice recently inflicted[…].”(17). This quote here presents how Ichabod is having trouble too as well because he is trying to prevent any chaos from getting out of control. However, he seems a bit overprotective of the situation that he is not even seeing the worries of his little mythical kingdom. While in The Monster it is something quite different “They were divided into parties over the worth of different companies, and supported their creeds with no small violence.” (9.164). By this quote it shows us how in this society violence is now looked as something normal and overseen as a harsh act. That in this community they do not let anything pass they just find ways to make a big commotion of any little thing. Furthermore, it is brought to attention how Ichadod is trying to prevent bad things from happening while in The Monster there is evil happening and they don’t even see it but it might probably be because they are just to use to being …show more content…
Like in “The Legend of Sleepy Hollow”, the person is described in quite detailed of his good appearance one can say, “He was broad-shouldered and double-jointed, with short curly black hair, and a bluff, but not unpleasant countenance, having a mingled air of fun and arrogance. From his Herculean frame and great powers of limb, he had received the nickname of BROM BONES, by which he was universally known.” (1.26). Here it shows how his good looks define this person, while in The Monster is yet another story. For example, it is said, “They put Henry in jail because they didn’t know what else to do with him, I guess. They say he is perfectly terrible.” (19.188). this quote show how appearance matter a great deal in society it is an injustice what they have done here to poor Henry just because his appearance it not how it used to be does not give them the right to be cruel. Furthermore, The Legend of Sleepy Hollow even helps us by emphasizing the important of appearance even more. By saying how, “The gallant Ichabod now spent at least an extra half hour at his toilet, brushing and furbishing up his best, and indeed only suit of rusty black, and arranging his looks by a bit of broken looking-glass, that hung up in the school-house.” (1.34). This shows how Ichabod cares a lot of his appearance because in the little town they live in it is something
Another similarity between the two cultures that some people may see in the most recent times is the idea of the bad guy or “monster.” Today Americans are trying to deal with ...
In literature of significant standing, no act of violence is perpetrated without reason. For a story to be legitimate in the area of fine literature violence cannot be used in a wanton manner. In John Irving’s modern classic, A Prayer for Owen Meany the audience is faced with multiple scenes of strong violence but violence is never used without reason. All of the violent acts depicted in the novel are totally necessary for the characters and the plot to develop. This plot-required violence can be seen in the novel’s first chapter when Owen accidentally kills John’s mother and in the novel’s last chapter when John relates Owen’s grotesque, while heroic, death to the audience. The violence that is shown in this novel is used in such a calculated manner that it leaves a great impression on the audience.
Jeffery Cohen's first thesis states “the monster's body is a cultural body”. Monsters give meaning to culture. A monsters characteristics come from a culture's most deep-seated fears and fantasies. Monsters are metaphors and pure representative allegories. What a society chooses to make monstrous says a lot about that society’s people. Monsters help us express and find our darkest places, deepest fears, or creepiest thoughts. Monsters that scare us,vampires, zombies, witches, help us cope with what we dread most in life. Fear of the monstrous has brought communities and cultures together. Society is made up of different beliefs, ideas, and cultural actions. Within society there are always outcasts, people that do not fit into the norm or do not follow the status quo. Those people that do not fit in become monsters that are feared almost unanimously by the people who stick to the status quo.
Asma, Stephen. On Monsters :An Unnatural History of Our Worst Fears. New York: Oxford University Press, 2009. Print.
Do not judge a book by its cover. Those are the words of a famous American proverb that says a person’s character cannot be judged based on their appearance. This proverb is very fitting in regards to the monster from Frankenstein. On the outside, he has a terrible appearance, and as a result is victimized and made to suffer by those who cannot see past his looks. Yet he has a kind soul and is simply looking for happiness and a little compassion from others. Both the book and the play present him as a sufferer in a cruel world but ultimately the book does a better job portraying his pain and eliciting empathy from the reader. The monster in the book details his suffering in greater detail, is more eloquent and persuasive and also experiences a more tragic ending, and as a result the reader feels more sympathy towards him than an audience member would feel towards the monster in the play.
The original story by Washington Irving starts out in a small town of Sleepy Hollow. Irving paints an image of bountiful crops, beautiful scenery, and prosperous landowners. Ichabod Crane was a local pedagogue, who taught at the local schoolhouse. He was known for his strict ways and yet he was very popular amongst the families of his students- especially the ones who had ?pretty sisters.? Ichabod enjoyed spending fall evenings with the old widows as they sat by a fire and told stories of ghosts and demons and other supernatural beings. One story that was always told was one of the legendary Headless Horsemen. The tale tells of a soldier who had his head shot off with a cannon ball. His ghost now roamed Sleepy Hollow on his horse, looking for his lost head. In place of his head, sits a jack-o-lantern, which had a fiery glow.
Irving uses imagery to help readers imagine the past and also impact the theme of supernatural. Irving writes, “The whole neighborhood abounds with local tales, haunted spots, and twilight superstitions; star shoot and meteors glare oftener across the valley than in any other part of the country, and the nightmare, with her whole ninefold, seems to make it the favorite scene of her gambols. The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback, without a head” (Irving 3-4). Once again, Irving makes a reference to the hessian soldier, the Headless Horseman, which brings back the past of the revolutionary war, he does this by using imagery in explaining what he looks like. This also ties in with the theme of supernatural. Irving also describes, “ There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land” (Irving 1). This helps us readers imagine the atmosphere and the theme of supernatural within the town. The mentioning of the hauntings brings up the past once
Every human that the monster came into presence with reacted negatively towards him. In chapter 11, the monster described his feeling to Victor of how hurt he felt to be left alone and hated by everyone. When the monster awaken he was like a child who is confused and lost; there was no one to guide him or teach him anything. All he needed was someone there for him, but everyone was afraid of him. The monster described his experience when he visited a village, “One of the best of these I entered; but I had hardly placed my foot within the door, before the children shrieked, and one of the women fainted. The whole village was roused; some fled, some attacked me, until, grievously bruised by stones and many other kinds of missile weapons, I escaped to the open country, and fearfully took refuge in a low hovel, quite bare, and making a wretched appearance after the palaces I had beheld in the village. This hovel, however, joined a cottage of a neat and pleasant appearance; but, after my late dearly bought experience, I dared not enter it” (page 74, Shelly). Since the incident, the monster was decided to keep himself away from the village and people, he was afraid of them. Also, he once saves a girl life from drowning but a man thought he was attacking her, so he shot the monster, this made the monster feel awful and misjudged. He was trying to do deeds, but no one
One of the many staples of horror fiction is the employment of a monster to aide in the fear the reader experiences. A monster gives the protagonists a tangible object to fear. When the fear is tangible the protagonists are able to be drawn into the story in a more concrete manner. The reader is also able to be included in the fear because they can get a full picture of what is scaring the main characters. Unlike ghosts or spirits, monsters provide a visual representation of the fear to be experienced. One pair of monsters stand out from the others, this is the wolfman and the werewolf. On the surface, both are seemingly the same character with a different name, but this paper is going to explore the differences between the wolfman and the werewolf as they appear in fiction and how their different manifestations relates to the characters in the story and those behind the fur. This writer believes that although there are many similarities behind the werewolf and the wolfman, there are a few differences in how the characters are portrayed. This difference is shown primarily in The Wolfman by Jonathan Maberry and The Cycle of the Werewolf by Stephen king.
Benoit, Raymond. Irving's The Legend of Sleepy Hollow." The Explicator. Washington: Heldref Publications, 1996. "
Left on his own to strike out in the world the monster soon experienced the prejudices of those he came meet. Prejudices based upon his frightful, or unusual, appearance and his inability to communicate initially. I quickly had empathy for the abandoned creature, despite the descriptions of his gruesome appearance, and felt mixed emotions about his actions towards others in the story. Were the violent actions of the monster towards others spawned from their violent rejection of ...
I learned that while the Monster wanders around showing feelings of admiration and sensitivity towards others, his outward appearance alone is what causes much hatred to be inflicted onto him – and regrettably, so much hatred to be radiating out. It was clear that the creation serves as an example of a being that is not truly evil, but one that was simply trying to fit into the world. Consequently, he lashed out as a result of society responding exactly the opposite: rejecting him. As I now understood, what makes a monster is not always necessarily dependent on one’s actions, as those actions could strongly be influenced by
Monsters have been depicted in different ways throughout history, but scholars like Jeffrey Jerome Cohen have been able to dissect how monsters are viewed by culture along with examining the various functions that monsters serve in horror fiction and films. His theses cover a broad expanse of interpretations, ranging from topics as different as how monsters represent cultural and societal conflicts to how they fascinate us. Stories like Peter Crowther’s “Ghosts with Teeth” make the reader reflect on a different type of monster, one that constantly undermines our societal and cultural expectations through taking the form of a human. Crowther’s story is profitably interpreted through Jerome Cohen’s “Seven Theses” about monsters, suggesting that “Ghosts with Teeth” is more than the horror story seen at face value.
Washington Irving’s short story, “The Legend of Sleepy Hollow,” was adapted into a movie titled “Sleepy Hollow” directed by Tim Burton nearly two centuries after the original publication. When the story was adapted as a film, several extensive changes were made. A short story easily read in one sitting was turned into a nearly two-hour thriller, mystery, and horror movie by incorporating new details and modifying the original version of the story. The short story relates the failed courtship of Katrina Van Tassel by Ichabod Crane. His courtship is cut short by the classic romance antagonist-the bigger, stronger, and better looking Broom Bones. Ichabod wishes to marry Katrina because of her beauty but also because of the wealthy inheritance she will receive when her father, Baltus Van Tassel and stepmother, Lady Van Tassel die. However, the film tells the story of Ichabod Crane as an investigator who is sent to Sleepy Hollow to investigate the recent decapitations that are occurring. These modifications alter the original story entirely, thus failing to capture the Irving’s true interpretation of “The Legend of Sleepy Hollow.” The film and the original story have similarities and differences in the plot, characters, and setting.
Such as that, Frankenstein was also a monster in the common sense of the word. All too often we have seen movies or TV shows about a mutant of some sort, who, because of his looks, assumes that no on will love him, and because of ...