Diedrich Knickerbocker
Washington Irving created a pseudo historian for the purpose of bettering his own work and to entertain his readers. In 1809 Irving wrote "A History of New York" through a persona known as Diedrich Knickerbocker. This was Knickerbocker's first appearance in Irving's work, but it sure wouldn't be his last. Although he was not real, Knickerbocker was a historian that seemed to be in love with the people and landscape of the northeast, particularly New York. Even though Irving never revealed it, some of his characteristics may be found within Knickerbocker's writing.
Washington Irving was born in New York City in 1783, he always had an appreciation of the land and people from there. Irving was quite opposed to the fact that New York was becoming and would become one of the biggest and most prominent cities in the entire world. Irving seemed to be fonder of the lush foliage and the rolling hills of the city, rather than a crowded city and huge port. Irving conveys his beliefs through Knickerbocker in "A History of New York," in the essay Irving says "Happy would it have been for New Amsterdam could it always have existed in this state of blissful ignorance and lowly simplicity, but alas! the days of childhood are too sweet to last! Cities, like men, grow out of them in time, and are doomed alike to grow into the bustle, the cares, and miseries of the world." (Irving 570). Irving believed that his New York would not be the same if it was given all of the exporting and importing power in the east, which it was and is not the way he wished it was.
Irving also had a fond feeling for the early Dutch settlers in New York, from Henry Hudson and his men, to stories of Dutch origin in New York. A few of th...
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...cenery of the town and the often odd spiritual occurrences that take place in the town. "Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs; are subject to trances and visions; and frequently see strange sights, and hear music and voices in the air. The whole neighborhood abounds with local tales, haunted spots, and twilight superstitions." (Irving 1). Using words and descriptions like he did, Irving makes Knickerbocker's stories more believeable because he makes the reader feel like they are actually in the town of Sleepy Hollow. With just a little imagination he turned a ghost story into a credible account of actions that actually took place just by using his fake historian Knickerbocker.
Horsmanden’s journal provides a wealth of information about eighteenth century New York if one is willing to analyze it critically and ignore the bias present in it. If one does this they catch fascinating glimpses of a divided world, one where people are partitioned by race, economic status, homeland and religion. A world filled with fear and suspicion caused by the tension inherent within such societal division. The same tensions that either gave rise to a massive conspiracy to destroy the town of New York or gave credence to a nightmare constructed by the minds of the people and fed by individuals’ self-serving nature. Regardless, eighteenth century New York was a troubled place and Horsmanden’s Journal of the Proceedings gives us a partial but valuable insight to the lives and interactions of colonial New York’s peoples.
Throughout Irving’s story, he used characterization, irony, the dreams, and other literacy devices to bring The Legend of Sleepy Hollow to life for Irving’s audience.
Hickey, Andrew S. The story of Kingston, First Capital of New York State 1609-1952: New York, Stratford House, 1952
Lemak, Jennifer A. "Albany, New York and the Great Migration" The Free Library 01 January
Pennypacker, Morton. General Washington's spies on Long Island and in New York. Brooklyn, N.Y., The Long Island Historical Society, 1939.
Over time the language of the original text of "The Legend of Sleepy Hollow" by Irving has been reworked to accommodate the change in audience. The Heath Anthology of American Literature has an unabridged version of the original wording (1354-1373). A complete copy of the original text of "The Legend of Sleepy Hollow" can be found in the young adolescent classic section of a bookstore or the juvenile section in the library. A juvenile edition of the text adapted by Arthur Rackham from 1928 was a replicate of the original it is filled with seven colored illustrations and numerous sketching. A young adolescent version adapted by Bryan Brown from 2001 has been abridged to accommodate the current young reader. The format is changed in Brownâs edition. The yo...
DeMont, John, Citizens Irving: K.C. Irving and his Legacy, Doubleday Canada Limited, Toronto, 1991. 171-176. Print.
Born in New York City, Washington Irving decided to pursue a professional writer lifestyle. In his teenage
Benoit, Raymond. Irving's The Legend of Sleepy Hollow." The Explicator. Washington: Heldref Publications, 1996. "
Have you ever imagined being asleep in the forest for twenty years, coming back home and not knowing what has gone on all those years of your absence? Rip Van Winkle went through that, and had to come back home and face some real changes. The author Washington Irving has some interesting characters whom he puts in his short stories. Irving puts some characters in his short stories to reflect on some of his life. For example, Irving has similarities between Rip Van Winkle being asleep in the forest 20 years and Irving was in Europe for seventeen writing short stories and being the governor’s aid and military secretary. These two situations are similar, because they both didn’t know what they were going to come back too and were gone for such a long period of time. Irving does put some of his own life into his short stories and with a reason for his self-reflective works.
Irving, Washington. "Washington Irving, "The Legend of Sleepy Hollow."" The Legend of Sleepy Hollow. Ed. Paul Lauter. Sixth. Vol. B. Boston and New York: Houghton Mifflin Harcourt, 2009. 2321-40. Print. 2 vols. The Heath Anthology of American Literature.
Although the titles of the two works are relatively similar, the plot of each is different. If the film does not include the character, Ichabod Crane, and the reference to a Headless Horseman, the film would have no resemblance to Irving’s story. The difference in structure of plot in the two works changes the entire story. Every facet of the story is different between the two. The exposition offers the audience different stories because Ichabod has a new profession in the movie. The conflict in the two w...
Taylor, Alan American Colonies: The Settling of North America, New York, NY: Penguin Group, 2001. pg. 1685-1730
Irving uses many other images and scenes within this story that could be delved into further. However, I believe these three main points, along with the knowledge of the political climate of the times, shows Irving’s genius in representing both sides of the political gamut. Irving was able to cater to both the British and the Colonist without offending either side. Irving’s genius was that even though this was an allegory of its time, its elements could represent either or both sides of the conflict during the Revolution. This dual representation in an allegorical story ensured his success, in both countries as a writer. It allowed Irving to make a political statement without taking sides.
Lester, C. Edwards. The life and Voyages of Americus Vespucius, New York: New Amsterdam Publoishing, 1903.