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Ancient china and the qin dynasty womens roles
Ancient china and the qin dynasty womens roles
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Most outcasts of history had a particular, exclusive life; full of struggles against the society ever since birth and grew up with a heart made out of steel from the harsh criticism they have endured. They differ from the community within their beginning to their end, and many of their stories end up becoming legends and gaps of the past that nobody will be able to reincarnate. China’s first and last female emperor, Wu Zetian, was one of these exclusives. Ever since birth, her history of tactics to the people around her; in order to ascend the throne, juxtaposed towards society’s attitudes of women at the time; through her breakdown of gender stereotypes and quick knowledge, and offered a new perspective to the world of just how cruel and beautiful women can be. She successfully destructed all accumulated views of women in the Tang Dynasty, and created her future in the way she wanted it – on top of every man in her country. She was an outcast – somebody who juxtaposed against the demands of her. She was history. …show more content…
Born in the year 624 on the 17th of February in the Tang Dynasty, Wu Zetian’s destiny of becoming an outcast of the expectations of society towards women was determined at her birth. Bought up in the custody of a noble, rich, and royal family, she learned the skills of literacy in both reading and writing, and was exceptional in playing musical instruments which attracted the attention of the Palace, who bought her in as a low concubine for Emperor Taizong. This was already something that was unheard of – as women in medieval China, recorded by Confucius, were usually dim-witted, had no education and freedom, and had no rights to path out their own future. Unable to express their own feelings, a woman’s marriage would be arranged to them by their father, and after being married, her role and goal in life was to satisfy her husband and bore children for him – as stated by Confucius, “Woman’s greatest duty is to have a son.” However, Wu Zetian went against this concept of life determinedly; and after her first husband passed away when she was only 26, instead of being sent into a nunnery like all the other concubines to spend the rest of their lives grieving, she instead, used her beauty and skills in order gain the Emperor’s son, Gaozong’s interest whenever he visited the nunnery; and within 3 years, returned back into the Palace as her ex-husband’s son’s new concubine. Using her intelligence and wit, Wu Zetian stunned the entire court with her capabilities of the politics and country welfare when she came a concubine once again; breaking apart from the stereotypical association towards the Emperor’s women and earned the trust of the Emperor. Unlike the people of her time, she surprised society by extending her powers through the administrative duties of the court, and looked over laws for agriculture, social reforms, and tax reduction, among many others. These controversial actions stirred the questioning of officials, however, Wu Zetian’s tactics oversaw the raising awareness of her actions as a woman, and secretly summed up her own recruits into the Palace’s civil service to gain support. However, she was still mentioned harshly among the officials, who wrote, “with a heart like a serpent and a nature like that of a wolf, she favoured evil sycophants and destroyed good and loyal officials.” Nevertheless, within 5 years, she became a permanent member of the state affairs in court and participating in the discussions of the country’s economics, history, battle strategies and military skills – which were unheard of women participation before. While the Palace conditions were cruel and many concubines had to resort to unspeakable methods – Wu Zetian bought up the scheming to a completely new level. Heartless and deceptive, the chronicles describe her with the phrase “she killed her sister, butchered her elder brothers, murdered the ruler, poisoned her mother. She is hated by gods and men alike.” After being pregnant with her first daughter with the Emperor, her manipulative nature resorted into successfully accusing the former Empress of infanticide, and later was promoted to become the new Empress. Later in history, this action shocked the many researches of her story as ruthlessness completely juxtaposed towards the society standards of the time which confessed that one of a woman’s greatest duty on Earth was to become a good mother, and bring up her children in peace. However, instead of fulfilling her role as a mother, she instead intentionally killed her child for the promise of greater power. Even Confucius’s follower, Mencius, also stated in his documents “that the worst of unfilial acts was a failure to have descendants” Once Wu Zetian became Empress, she began her to secretly add more of her followers in court, and ones who did not obey her words was removed from office, exiled from the country, with a few of them committing suicide in order to be removed from her wrath. Unfortunately, and not surprisingly, Wu Zetian’s tactics does not end with her simply being the Empress. When the Emperor suffered from a stroke in the 660, she was able to take over the administration of the court, and begin to unleash her rulings. Despite original changes to place Gaozong’s 3rd son on throne when the Emperor died in 683, he was removed due to inexperience in ruling the country. In 690, after 7 years of waiting, Wu Zetian claimed the throne as hers and ruled the country. This sparked a new height of controversial flames, with one poem in Book of Poetry concluding in rejection to the new Female Emperor: “women should not take part in public affairs; they should devote themselves to tending silkworms and weaving.” However, instead of confirming to her roles as a women in the Palace, Wu Zetian began to send officials and Palace guards out into the country, to find and recruit people of intelligence and knowledge to support her in court. She made successful amendments into Palace recruiting laws that no woman was able to adjust, and the system as rebooted so that anyone, regardless of social class. Those who opposed her decisions in court had been the subjects of her harsh treatment were executed or never to be seen in the court again. Her torture towards anyone who disliked her shocked the nations, yet nobody was able to protest furthermore after she successfully formed her team of officers under her name, who all furthermore helped her keep her throne in the Palace. The actions of Wu Zetian were controversial; and whether did she portray her image was a “different” woman correctly is still within the debates of historians, who are surprised at her colossal over the court, but yet feel distributed by the amount of deaths she contributed to in order to become a living God. One Chinese poet and critic, Luo Binwang, portrayed Wu Zetian’s shocking actions as “all fell before her moth brows. She whispered slander from behind her sleeves, and swayed her master with vixen flirting” and argued that despite Wu Zetian’s torture and heartless nature to those who opposed her, she “cleared her path to the throne” and her manipulation towards the people around her – even her family members whom she poisoned – was for the safety of her throne. On the other hand, critic and Professor Richard W.L. Guisso mentioned that “the empress was a woman of her times. Her social, economic and judicial views could hardly be termed advanced, and her politics differed from those of her predecessors chiefly in their greater pragmatism and ruthlessness” and argued that despite Wu Zetian’s struggle to not comply with women’s expectations at her time, she still, unknowingly followed those stereotypes – she became someone who exercised her power out of greed and used her “beauty” and “gifts” in ways to receive higher treatment as a woman. Meanwhile, Anderson concluded her report on Wu Zetian with the following: “military expenses were reduced, taxes cut, salaries of deserving officials raised, retirees given a viable pension, and vast royal lands near the capital turned over to husbandry” and did not conclude whether Wu Zetian, as a woman, managed to overstep her boundaries after becoming China’s first female emperor. Wu Zetian’s controversial actions as a woman of her time is still, and will be a highlight of Chinese history that needs to be analysed.
Her unfazed attitude towards society’s expectations of women shocked the country – from marrying more than one man to killing her child to poisoning her family – she became a figure no one else would ever replace. Only her legacy will live on, as well as all the effort she has put into pushing away the boundaries and limits for women, in order to show the world, that women can be just as cruel. Historian C.P. Fitzgerald wrote, “Without Wu there would have been no long enduring Tang dynasty and perhaps no lasting unity of China,” and just with this simple quote, it can be observed that throughout her shocking tactics she used in order to become emperor of China, she indeed succeeded and showed the entire country just how dangerous and cruel a woman can be – completely opposite to the stereotypical expectations in their
books.
Lessons for Women was written by Ban Zhao, the leading female Confucian scholar of classical China, in 100 C.E. It was written to apply Confucian principles to the moral instruction of women, and was particularly addressed to Ban Zhao’s own daughters. As her best remembered work, it allows the reader insight into the common role of a woman during this fascinating time-period. The work starts off by Ban Zhao unconvincingly berating herself, and claiming how she once lived with the constant fear of disgracing her family. This argument is rather implausible, for the reader already knows the credibility of Ban Zhao, and how important her role was in ancient China.
Ban Zhao wrote Lessons for a Woman around the end of the first century C.E. as social guide for (her daughters and other) women of Han society (Bulliet 167). Because Zhao aimed to educate women on their responsibilities and required attributes, one is left questioning what the existing attitudes and roles of women were to start with. Surprisingly, their positions were not automatically fixed at the bottom of the social hierarchy. Ban Zhao’s own status as an educated woman of high social rank exemplifies the “reality [that] a woman’s status depended on her “location” within various social institutions’ (167). This meant that women had different privileges and opportunities depending on their economic, social, or political background. Wealthier noble women would likely have access to an education and may have even been able to wield certain political power (167). Nevertheless, women relinquished this power within the family hierarchy to their fathers, husbands, and sons. Despite her own elevated social status, Ban Zhao still considered herself an “unworthy writer”, “unsophisticated”, “unenlightened’, “unintelligent”, and a frequent disgrace to her and her husband’s family (Zhao). Social custom was not, however, the only driving force behind Zhao’s desire to guide women towards proper behavior.
The united States Declaration of independence states that all men are equal, but aren’t all women as well? Nowadays, the numbers for the population are at an increase for the support in gender equality, with the capture of feminist labels. The seek for equality between men and women, and criticize the privileges that arouse by gender differences. However in Old China, males control almost everything due to a patriarchal society. At that time, not only men, but also women are influenced by male chauvinism. In the Jade Peony, written by Wayson Choy, female characters are affected by an unequal perspective despite their age group.
Because they did not have a traditional role in government, women had work their way around the system to gain any type of political leverage. Empress Lu violated every cultural and social norm by retaining power as a regent throughout the reins of her son, grandson and adopted grandson. Tradidtionaly regents ruled from behind the scenes while the emperor himself was unable to make decisions, usualy due to age or heath complications, however Empress Lu eradicated any competitors for the thrown. As the end of her reign was nearing, she expected her nephews to succeed her. Even as the first empress, not unfamiliar with disrupting tradition, she left the emperorship to the next male in her bloodline (Doc. 5) not a female. Though Empress Lu defied all expectations of women, her power as an Empress was still undisputed due to the Mandate of Heaven, an idea originating in the Shang dynasty....
Comparatively to the narrator in the story, both Lu Zongzhen and Wu Cuiyuan experience change in character as they realize the life they are living is not what they actually want. However, while being temporarily apparent to both characters that change is necessary, only one of them chooses a different path. While their self analysis is correct, their realization is temporary and not feasible in their actual lives due to the pressure of maintaining a good image in society. However Wu Cuiyuan does realize this, to Lu ZongZhen everything on the tram was a non-occurrence. Being sealed off on a tram from the rest of the world gives the people inside a chance to stop and think about their deeper issues - at first many seem to be opposed to that
In the patriarchal, Confucian influenced, Han dynasty, a woman’s role and social status was far from equal to that of a man. In Ban Zhao’s work Lessons for a woman she depicted the role of a woman, as a lower-class member of society. Hidden beneath the stereotypes of what a woman was supposed to be, Ban Zhao was a rarity of her time as she excelled as a historian and teacher.
The Chinese possessed strong beliefs about astrology, so when it was prophesised that a women ruler would soon ascend the throne word quickly spread throughout the common people. It was predicted that within 30 years this woman known as ‘The Prince of Wu’ would rule over China. Whether or not Empress Wu’s rise to power was due to ‘heaven ordained fate’, she fulfilled the prophecy and became China’s first woman ruler in the 7th century. Historians, scholars and common people alike have long debated Wu’s reign. She is commonly referred to as an evil usurper due to the way she took power. However whether she fully deserves this reputation is to be examined. As the only female Chinese ruler, Wu challenged traditional gender roles and legitimized herself as a leader at a time when women were not meant for such positions. Empress Wu came to power through self-determination and a remarkable gift for politics. Once on the throne, she kept her power by all means necessary, often those means being murder and betrayal. Some of her actions were undoubtedly cruel. However once she was established as an empress conducted a mostly peaceful and prosperous reign. Empress Wu was by definition a usurper of the Chinese throne however not necessarily an evil one. She was manipulative and ruthless yet brilliant and exceptionally gifted. Her rise to power through sheer determination is to be commended despite the harsh tactics she used along the way.
Maxine Hong Kingston’s novel The Woman Warrior is a series of narrations, vividly recalling stories she has heard throughout her life. These stories clearly depict the oppression of woman in Chinese society. Even though women in Chinese Society traditionally might be considered subservient to men, Kingston viewed them in a different light. She sees women as being equivalent to men, both strong and courageous.
I am a junior currently enrolled in the AP Language and Composition class. For our summer reading assignment, incoming juniors were required to read the famed novel, Zeitoun, written by Dave Eggers. Zeitoun is a non-fictional story about a Muslim-American named Abdulrahman Zeitoun who resides in New Orleans during the events of Hurricane Katrina. Throughout the story, the audience learns to sympathize, while also builds up an instantaneous affection towards Zeitoun. Although, initially I had sympathized for Zeitoun before, the profuse amount of controversy surrounding the truth makes me reconsider why I have ever evoked a strong sense of sympathy for this man. Others argue that Zeitoun should be continued to be read because of the main intention
However, not all women embodied to these roles. Some women sought literacy and some high ranking women were highly educated. Empress Dau was an enthusiastic scholar. She lived in a time when Confucian ideals has not yet fully taken hold, and thus, she was able to use her authority to push Daoist ideals upon Emperors Wen and Jing [7]
Sit, Tony. "The Life of Empress Cixi” (from Issue 10 of the China in Focus Magazine). Society for Anglo-Chinese Understanding (SACU), 2001. .
Abdulrahman Zeitoun has two identities, one as a Katrina hero, and the other as an abusive husband and father. The first identity is preserved in the book Zeitoun by Dave Eggers, while the other is revealed shortly after in the real world. After this information was released, one can only reevaluate the Zeitoun presented in Zeitoun. Although this new information does not change the actions of Zeitoun during hurricane Katrina, it is impossible to not view Zeitoun differently. The Zeitoun preserved in Zeitoun is described as loving, heroic, and credits his wife with much of his success. After learning the truth, one cannot help but wonder if the Zeitoun described in Zeitoun is a lie. The mind grapples with thoughts that suggest that the abuse began prior to Katrina, and that the man displayed as a hero and loving husband has always been a villain. As how can a man who credits his wife with his success attempt to kill her later?
Is it because he was a woman that he cried out at the sight of a child being harmed? Did he not cry out at the death of his wife because she was a woman? The role of the female in this story reveals a sense of inferiority towards women. These questions that the story raises show how women were viewed as inferior and weak in the eyes of the Chinese culture.
Wu Zhao is a fiercely ambitious woman emperor, she made use of many different opportunities to accumulate power gradually. Religion was one of the most important tools she used in her political career. From the three major religions in China, Confucianism, Daoism and Buddhism, Wu Zhao chose to use Daoism and Buddhism to provide ideological and political support for her accession to the throne. During her reign, she used state ritual sacrifices, Daoism and Buddhism to justify and legitimize her sovereignty.
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.