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Tricksters in literature
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Humankind rose to the top of the animal kingdom throughout history because of superior intelligence. The ability to overcome a stronger foe with cunning and intelligence is often reflected in our culture. One popular form of cleverness in stories is trickery. Trickery is the ability to deceive someone, which often requires the trickster to be clever. Trickster tales often correlate with each other because common literary elements are shared. “How Stories Came to Earth” by Kaleki, “Coyote Steals Fire” by Alfonso Ortiz, and “Master Cat or Puss in Boots” by Charles Perrault are all cultural trickster tales that have similar literary elements. “Coyote Steals Fire”, “How Stories Came to Earth”, and “Master Cat, or Puss in Boots” all share anthropomorphism …show more content…
as a main literary element, “Coyote Steals Fire” and “How Stories Came to Earth” describe the origin of an everyday item belonging to one character, and the trickster brings positive change to society by bringing the everyday item to the world, while “Master Cat, or Puss in Boots” the protagonists takes advantage of a system and a small inheritance for selfish gains and their actions has no positive benefit to society. In the story “How Stories Came to Earth”, the anthropomorphic qualities of the characters drive the plot of the story. Anansi, the spider protagonist shows the human quality of curiosity. “The spider wanted [stories] so that he could know the beginning and endings of things”(Kaleki 40). His curiosity is what drives him to earn the stories from the sky-god, and to complete the quest sky-god gives him to earn the stories. The quest is to capture the most feared animals of the land, including the python, the leopard, hornets, and fairies. Anansi knows that he can not capture these animals with conventional tactics, so show the human trait of cleverness when he capture the animals. Anansi is able to capture them by tricking them with traps or tricks. His tricks consist of outsmarting his foe and using his superior intelligence, similar to how humans became the most powerful species on Earth. Anansi’s traps also consist of human qualities required to be built. “[He] dug a very deep pit. He covered it over with branches of the trees”(Kaleki 41). His ability to create a tool or trap to accomplish a task is a human quality that makes humans different from animals. The anthropomorphic qualities of Anansi are what drives the plot of the story, and they help the protagonist overcome the challenges he faces. In “Coyote Steals Fire” coyote uses humanlike qualities to outsmart and overcome his foe. Coyote makes it his duty to give fire to the rest of the world. He has to overcome Thunder in order to get to the fire. Thunder is feared by all animals for his overwhelming power, but “Coyote was not afraid of Thunder. He was afraid of nothing”(Ortiz 45). Coyote’s human quality of bravery is what lets him face Thunder without hesitation. Coyote knows that Thunder is stronger than him so he uses his cleverness and trickery to get fire. Coyote must win a game of dice to get the fire, so he cheats to win instead. “Now, Coyote is the trickiest fellow alive. He is the master at cheating at all kind of games”(Ortiz 45). An animal is usually incapable of comprehending a game or cheating, but Coyote has the anthropomorphic qualities that let him win. Coyote’s victory over Thunder is accredited to his humanlike present in the story. “Master Cat, or Puss in Boots” main character, the cat, is a cat that holds human qualities and a humanlike role in the story.
One of the cat’s most apparent and visible traits is that he wears wears boots like humans. The cat shows an ability to construct and make social relations, which lets him lead to the success of his master by taking advantage of certain people such as the king to make Marquis de Carabas become nobility. The cat also displays an element of cleverness in his trickery. The cat’s attempt to steal the ogre’s castle is successful because of his cleverness. The cat knows the ogre will not accept a request to transform to a small susceptible mouse, so he first request the ogre to become something powerful and large. “[He] was so terrified at seeing a lion before him that he instantly scurried up to the gutters on the roof”(Perrault 50). This display of fear shows the ogre that the cat is not curious and not looking for the ogre’s weakness, so when the cat requests for him to be a mouse, he accepts to becomes a mouse. Then the cat eats him and steals the castle. The cleverness to trick the ogre is a quality of anthropomorphism that helps the cat steal the castle. The purpose of the cat actions is out of greed and self preservation.“[The] cat became a great lord and never again had to run after mice”(Perrault 50). The cat’s greed is a human quality, and the purpose out of the his actions are only to live a better life for him, and he does not show sympathy …show more content…
for those he affects. The cat in “Master Cat, or Puss in Boots” possesses anthropomorphic qualities that let him hold a humanlike role in the story. The purpose for the stories “How Stories Came to Earth” and “Coyote Steals Fire” are to create an explanation on the origin of everyday things that once belonged to only one being. The sky-god in “How Stories Came to Earth” owns all stories in a wooden chest. He is unwilling to give them up, unless one who seeks the stories finishes a quest. “The sky-god kept all stories to himself, up high in the sky, and locked away in a wooden box”(Kaleki 40). Anansi finishes the quest, and he shares the stories with the world. The story effectively describes where stories came from. The Sky-god’s stories are similar to Thunder’s possession of all fire in “Coyote Steals Fire”. Thunder holds all fire, and no one else in the world can have it because “fire was kept in a huge white rock that belonged to Thunder”(Ortiz 44). Coyote makes it his personal quest to take fire from Thunder and share it with the world. At the end of the story, coyote is successful and fire is spread to all the tribes of the world. Both stories share a common theme of one being holding the entirety of an everyday item, and the travail of the protagonist is to take the item and share it with the world. In “Master Cat, or Puss in Boots” there is no one item to be taken, instead a system to take advantage of for personal gain. The moral of the story is that a small inheritance to a industrious person makes more gains. The cat steals only to make a personal gain. In the beginning, Marquis de Carabas has only the cat and himself. The cat tells that master “You’ll see that you really don’t have that bad a deal”(Perrault 46). The cat’s industrious attitude leads him to take advantage of the social system around him. His manipulation of the king, stealing from others, and constructing of a fake social status leads to a prosperous life for the cat. The story is based up taking advantage of a system and making the most of a small inheritance, rather than describing the origin of something. “Coyote Steals Fire” and “How Stories Came to Earth” have protagonists with heroic or justified actions that benefit the society around them. Anansi makes it his personal quest to learn the stories from the sky-god. He tricks the animals that sky-god assigns him to capture, but he does not do it without a justifiable cause. Anansi uses unfair tactics against them, but he does not do permanent harm, and he is doing it for the greater good of society. When Anansi receives the stories “Everywhere you look, [he] spins [his] webs for all to see”(Kaleki 42). The stories are shared with the rest of the world, leading to an overall positive benefit to the society. In “Coyote Steals Fire” the Coyote goes against Thunder, who puts fear in others and holds all the fire for himself. Coyote plays him in a game, but Coyote cheats to win the fire for the people. Coyote is cheating and plays the game unfairly, but he does it so the world can have fire and “Every animal took a little piece… bringing fire to every tribe on Earth”(Ortiz 45). His liberation of the fire leads to a positive change to the Earth. Both stories’ protagonist use unfair actions, but they are justified by bringing positive change to the society around them. In “Master Cat, or Puss in Boots”, the cat uses trickery and foul play.
The cat threatens peasants by telling them “each one of you will be cut into little pieces until you look like chopped meat”(Perrault 49) unless they comply with is terms. The cat steals a castle from an ogre by making the ogre shape-shift into a mouse and eating the mouse. By stealing and eventually taking advantage of the stolen goods, he is able to make a prosperous life for him and his master. He and his master are the sole beneficiaries to the crimes the cat commits. Unlike the other stories, the only gains made were selfish. The actions are much less justifiable because he stole with no benefit to
society. Trickster tales hold a common themes and literary elements. The three stories given are common because the stories were created with similar character, but they differ because of cultural context and the morals to be told. “Coyote Steals Fire”, “How Stories Came to Earth”, and “Master Cat, or Puss in Boots” all have protagonist who use their anthropomorphic qualities to overcome their circumstances, “Coyote Steals Fire” and “How Stories Came to Earth” describe the origin of an everyday item that is taken from one being and given to the world by the protagonist, while “Master Cat, or Puss in Boots” the cat and his master use a social system to benefit themselves, bringing no positive benefit to society. The overall connection to the stories is the common circumstances the protagonists are put in and using trickery to overcome them.
Hence, the image of the trickster Coyote is the focal point in these two cultures, because of his/her never-ending desire to start the next story for the creation of the world and have everything right. Native American culture has a lot of dialogic perspectives in it; in the form of stories and conversations in which all humans and non-humans communicate (Irwin,2000, p39) and writers often highlight the importance of the oral cultural inheritance both as the notion of their being and as method for their writing. Coyote in traditional oral culture reminds us the semiotic component of sufferings of
In the story of The Thief of Always by Clive Barker, Harvey follows Rictus into the Holiday House and sees that there is dark magic there within Hood, and as the plot goes on Harvey goes to defeat Hood with the help of some special. Those are the roles of three cats, Blue-Cat, Clue-cat, and Stew-cat, where are though they are minor characters, the are vital to the story.As we go through the book the cats play a big part that helps the story make it to the end. The roles of the three cats are so important because they together advance the plot, foreshadow, and advance the themes.
Curiosity always kills the cat, and these children’s curiosity wasn’t that extreme, but it definitely wasn’t helpful. In the book, the boys curiousness about hunting and finding the ‘beastie’ is what started the blood thirsty urge to kill (Holding 35). Once they had succeeded in hunting pigs and became rather good at it, they didn’t want to stop. In the poem, the kids curiosity about what the handicapped boy was ...
In How Stories Came to Earth, the spider Anansi says “I tell you that my wife, Aso, is a liar, for she says that you are longer than this palm branch and I say that you are not.” This shows how clever Anansi is because the python will also become curious and lay next to the branch to find out the answer. Therefore, he had the chance to tie the python to the branch and capture him. Another example of how clever tricksters are is when the coyote in Coyote Steals Fire takes off the outer part of his body and tricks Thunder into thinking he was still in it. He spoke in a voice that sounded close, but was truly far away. Thunder threw the rock of fire at the coyote attempting to kill him, but it was just his skin as his spirit was elsewhere. The rock shattered and the coyote won the fire as he had wanted. In Master Cat, the cat shows his cleverness by playing dead in a field of wheat with a pouch around his neck. The pouch contains food, and young animals will crawl in thinking the cat is dead. After they enter the pouch, he had the opportunity to trap them and use the animals to his advantage . Tricksters are unquestionably clever and it is easily seen throughout stories containing
Speech: Many of the words spoken by the cat at the beginning of the story have an upbeat connotative meaning. For instance, the cat says to the children. “But we can have/ Lots of fun that is funny!” (7). Explaining that it reveals that the cat’s character is an upbeat character that likes to have fun.
Paul is not happy with the society that he is in because people no longer have control over the machines. The cat’s purpose in this novel, in Paul’s eyes, is to be “a mouser for the plant” (Vonnegut 2). This cat has only one purpose, and when it tries to deviate from that plan, it dies. The cat trying to escape symbolizes that death is the only way for mankind to leave this perfect, dystopian society.
In Native American literature, both creation myths and trickster tales were frequently told and passed down through generations upon generations orally, and then eventually written down. A creation myth is a tale that tells of how the world began or how people first came to live here, while a trickster tale is a short story that tells of a “trickster” with vacuous behavior, whose actions are meant to teach a lesson. Both types of literature are still relevant in modern society, whether it’s through pop-culture or re-told stories, and continue to guide individuals through their life, teach lessons about life on earth, morals, and human nature.
Paul Rodin has said that a trickster “is at one and the same time creator and destroyer, giver and negator, he who dupes others and who is always duped himself…He possesses no values moral or social, is at the mercy of his passions and appetites.” Trickster tales feature character types that can be found in the literature of many different cultures throughout history. The coyote is often portrayed in Native American myths as being a trickster. This is revealed in Morning Dove’s “Coyote and the Buffalo.
What is a trickster? A trickster typically breaks the creeds of the divine or nature, most of the time this is doomed maliciously, but sometimes with positive results. More frequently than not, the rule-breaking will capture the pattern of tricks, or thievery. Tricksters are generally cunning, foolish, or perhaps both. They are usually very funny even when they are scared. In diverse cultures the trickster and humanizing hero are often merged in one. Tricksters are particular to their own cultures. However, tricksters are naturally bound by undeniable attributes no matter what their religion is or what culture they have come from. It is thought that all of us have some type of trickster within us, whether it may be conscious or subconscious. One of today’s best known tricksters is perhaps the infamous Wile E. Coyote. Even though Wile E. Coyote is a trickster whose tricks never seem to work, he is considered to be a modern-day fictional trickster because he is always plotting and cheating to catch the road runner, two of the most common attributes of a trickster. However, there are many other common elements to a trickster.
Kind and selfish, deep and shallow, male and female, and foolish and wise aren’t always words that are associated with each other, quite the opposite in fact. However, when it comes to the trickster tales of Native Americans, each word is associated with the other and describes more or less the same person or animal. To Native American people a trickster affects the world for an infinite number of reasons, including instruction and enjoyment. A trickster, like the name implies, is a cunning deception. A trickster can be a hero. However, at the same time he could introduce death. How is that heroic? Why would a group of people want to remember a person that brings punishments such as death? The function the trickster tales have/ had on Native American communities is still powerful today quite possibly because of their context, the lessons they reap, and the concerns they address. As the tales are told, the stories unravel showing the importance of a trickster and the eye-opening experiences they bring.
Trickster tales “Don't be upset master”! This is what master car says in “Master cat” when the master finds out that all his dad leaves him after dying was a cat. Shorty after finding out that the cat can talk the cat says he can help the poor miller's son. The cat is very sneaky and tricks the king in believing that the poor miller’s son is a wealthy man so he can marry the king's daughter and inherit wealth and royalty.
...at the hands of his master. The mutilation of its eye, hanging it to death from a tree and killing his wife, which had shown the cat love. There are two interpretations you can take away from this story, the logic of guilt or supernatural fantasy. Which conclusion will you take?
However, this was not even the worst part of their treatment. The cook who was supposed to give them the scraps from their master's meal would sell them and replace their food with rotten bits of meat that was meant for the cats instead. The Master’s wife adored the cats to no end; many of the felines had their portraits taken and were even feed roasted fowl for dinner. However, the final straw for the workers came during the night when all of the alley cats howl into the night just above the apprentice's bedroom, making it impossible to get a full night’s sleep. That following day, Léveillé came up with an idea that if they could not get a good night sleep then neither could their master. Léveillé who was skilled in mimicry made his way up to the roof of their master's house and howled all night just like a cat and the plan worked better than he had expected. After several nights of this treatment, the claimed they were bewitched and order the apprentices and journeymen to get rid of the cats. With
In the stories, “The Tell Tale Heart” and “The Black Cat,” both narrators have a misguided perception that induces their senses to confuse reality with delusions. This misguided perception is brought on by the abnormal psychology of both men. This is a common theme in Poes’ stories. In “The Black Cat” the narrator feels a sense of fright and disgust when reviewing the attached behavior of the second cat. Poe’s description of the second cat is eerily similar to that of the first cat, Pluto. As author Magdalen Wing-Chi Ki states, “the narrator is convinced that it ‘must be’ Pluto on account of two things: it follows him around in the hope of becoming his absolute partner, and one of its eyes is gone.” A rational person understands that it is impossible for the second cat to be Pluto, but the narrator is so misguided that he believes this inconceivable delusion. This mistaken fantasy fuels the narrator’s madness, giving him more evidence that mu...
Along the novel the symbolic figures of the cat and the mouse, are named constantly. The cat mainly represents the persecutor, the repressor, while the mouse represents the victim. The cat in the novel represents, for instance, the Nazis and the mouse the occupied and humiliated Poland. Pilenz and Mahlke also represent both animals: Pilenz the cat as direct or indirectly contributes to Mahlke's destruction, and the mouse that burden in his conscience plus the love and hate relationship that he feels towards Mahlke creates in him such a dependence on the latter, that turns him into the mouse. Mahlke is the mouse -an animal which is also represented by Mahlke's apple of his throat- because he is the eternal humiliated even though he keeps all the time trying to be accepted by the Nazi society, making all kind of feats to pay people's attention. Mahlke is also a cat because of the feelings of dependence and of inferiority that he awakes in Pilenz.