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Literary criticism example
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Tricksters are very important to many stories. They are the energy of mischief in the three tales we read, which are: How Stories Came to Earth, Coyote Steals Fire, and Master Cat. The tricksters add a desire to change to the story. Some of the elements in these trickster tales are anthropomorphism, cleverness, and the use of brain over brawn. These elements are often in stories, you just may not recognize them immediately when you read. Anthropomorphism is giving non-human characters human qualities. In How Stories Came to Earth it’s shown various times, “After following the tracks of the leopard, spider dug a very deep pit. He covered it over with the branches of the trees and came home. Returning in the very early morning” , this quote is …show more content…
In How Stories Came to Earth, the spider Anansi says “I tell you that my wife, Aso, is a liar, for she says that you are longer than this palm branch and I say that you are not.” This shows how clever Anansi is because the python will also become curious and lay next to the branch to find out the answer. Therefore, he had the chance to tie the python to the branch and capture him. Another example of how clever tricksters are is when the coyote in Coyote Steals Fire takes off the outer part of his body and tricks Thunder into thinking he was still in it. He spoke in a voice that sounded close, but was truly far away. Thunder threw the rock of fire at the coyote attempting to kill him, but it was just his skin as his spirit was elsewhere. The rock shattered and the coyote won the fire as he had wanted. In Master Cat, the cat shows his cleverness by playing dead in a field of wheat with a pouch around his neck. The pouch contains food, and young animals will crawl in thinking the cat is dead. After they enter the pouch, he had the opportunity to trap them and use the animals to his advantage . Tricksters are unquestionably clever and it is easily seen throughout stories containing …show more content…
Most Tricksters in stories tend to be on the smaller side, so the Brain over Brawn characteristic is common. In the Ashanti Legend How stories came to Earth a small spider takes down 4 of the world’s most difficult obstacles in order to retrieve stories to share with everyone. An example of this is when the small spider strapped the python against a long stick using his wit, by accusing his wife of being a liar to trick Onini the python. “Onini, the python, said ‘Come and place the branch next to me and we will see if she is a liar.’ And so, Anansi put the palm branch next to the python’s body, and saw the large snack stretch himself alongside it. Anansi then bound the python to the branch with the string-creeper and wound it over and over- nwenene! Nwenene! Nwenene!- until he came to the head.’ In the story Coyote Steals Fire by Richard Erdoes and Alfonso Ortiz, a tricky Coyote fooled a sky God named Thunder by removing his skin and hiding in the woods so he would not find him, and then tricking him into throwing the stone which contained fire and breaking it. The cunning house cat in Master Boots, by Charles Perrault, tricked a whole town into giving their property to his master by threatening them and eating an Ogre. “If you do not say that the fields you are mowing belong to the Marquis de Carabas, each and every one of you will be cut into little
The use of personification by the author displays the animal’s likeness to humans and therefore further aids to establish the future bond between the two, somewhat foreshadowing the ending to the story, where the humans inherited their somewhat slanted eyes from the coyote. This personification also gives depth to the animal characters, such as coyote’s laziness, or mole’s hotheadedness toward coyote and he hardworking personality. Personification like the
short story “The Rattler” by Donald Peattie, the man didn't want to harm the snake but was
Hence, the image of the trickster Coyote is the focal point in these two cultures, because of his/her never-ending desire to start the next story for the creation of the world and have everything right. Native American culture has a lot of dialogic perspectives in it; in the form of stories and conversations in which all humans and non-humans communicate (Irwin,2000, p39) and writers often highlight the importance of the oral cultural inheritance both as the notion of their being and as method for their writing. Coyote in traditional oral culture reminds us the semiotic component of sufferings of
Archetypes are a common theme in many ancient mythologies across the world, and have become a common characteristic in modern day pop culture. A popular archetype is the Trickster, which has a strong influence in the popular T.V. show Supernatural. The trickster archetype in Supernatural is similar to the tricksters Loki in the Prose Edda and Prometheus in Roman culture because they share similar powers, they experiences a battle of wits with the gods, and the outcomes of the trickster’s deeds lead to their punishment. The trickster in Supernatural is also very similar to the god trickster Loki in the Prose Edda because of their relationship between the other gods.
finds the dirt on someone, the secret bit of dark knowledge, and then has them
When the monster dwells on the fact that he has no friends, money, and property because of the way he looks he claims, “I was besides, endued with a figure hideously deformed and loathsome; I was not even of the same nature as man”(Shelley 102). With the monster’s emotion toward his first encounters, he struggles with accepting who he is because he feels the hatred from others. The words “deformed and loathsome” express the disgusted and discomfort that clouds the thoughts of each human during their first encounter. He recognizes his differences in comparison to others and begins to become self-conscious when he attempts to come out into the community. In the same aspect, humans today feel the same way when they look different than the ones around them.
In Native American literature, both creation myths and trickster tales were frequently told and passed down through generations upon generations orally, and then eventually written down. A creation myth is a tale that tells of how the world began or how people first came to live here, while a trickster tale is a short story that tells of a “trickster” with vacuous behavior, whose actions are meant to teach a lesson. Both types of literature are still relevant in modern society, whether it’s through pop-culture or re-told stories, and continue to guide individuals through their life, teach lessons about life on earth, morals, and human nature.
They are characters that the audience can empathize with because a single human is born with nothing but as they walk life they will be neither purely evil nor good but a mix of both. These characters are timeless for if you want to label them as purely evil or purely good it’s impossible because they aren’t. These characters touch upon issues that society are conflicted about and allow the audience to work out these issues for their self throughout the story or play letting us decided the truth within these stories. Like how Mary Shelley had force the reader to see within the heart of the creature and the society viewpoint for us to decide for their self who we thought were the real monsters within the story of Frankenstein. These characters are also seen as more realistic because even if they are the most pure characters the audience may had read about with the purest intentions they may still fallen to their darkness in the end showing that the world isn’t filled with demons or angels that like humans these characters can feel, they can wary and fall to their temptation, that they can still hope, get hurt, cry, feel guilt, depression, happiness, and paranoia. Because like in reality the audiences are living in a morally ambiguous world where most of the world 's solutions to their problem aren’t clear and may be difficulties in choosing what the right thing to do. This makes the story more engaging, realist, and makes it easier
a human being has been contemplated for centuries. Numerous philosophers have read and debated this significant question and it is still reflected upon today. Frankenstein, written by Mary Shelley plumbs the depth of this question with the example of a creature who is spurned by humanity despite being human in character. The discernment of creature from man is still misconstrued as shown in this tale, but its importance lies in the message Frankenstein that appearances matter very little when it comes to being human. The creature’s human qualities of its emotions, desire for companionship, and intelligence set it apart as uniquely human from simply a base and barbaric monster
Kind and selfish, deep and shallow, male and female, and foolish and wise aren’t always words that are associated with each other, quite the opposite in fact. However, when it comes to the trickster tales of Native Americans, each word is associated with the other and describes more or less the same person or animal. To Native American people a trickster affects the world for an infinite number of reasons, including instruction and enjoyment. A trickster, like the name implies, is a cunning deception. A trickster can be a hero. However, at the same time he could introduce death. How is that heroic? Why would a group of people want to remember a person that brings punishments such as death? The function the trickster tales have/ had on Native American communities is still powerful today quite possibly because of their context, the lessons they reap, and the concerns they address. As the tales are told, the stories unravel showing the importance of a trickster and the eye-opening experiences they bring.
The traveler’s identitybecomes known to the reader by the description of his cane that he carries, “… which bore thelikeness of a great black snake, so curiously wrought that it might almost be seen to twist andwriggle itself like a living serpent.” (1034) Many would recall the serpent from the first book inthe Bible, Genesis. The serpent is a symbol of chaos and evil power. The serpent that convincedEve to eat from the forbidden tree; resulting in man’s fall from grace. Here too in our story,similar to Eve, Young Goodman Brown is confused which results in his travelling down thewrong path resulting in a fall from the grace of God.Nevertheless, Goodman Brown, states that he wants to return to the village for his wife,Faith’s sake. Shortly the two travelers come upon an old woman hobbling through the woods.She is a member of the village known to be a pious and respected woman, Goody Cloyse.Shamed to be seen with the man, Goodman Brown hides from her. The man taps Goody Cloyseon the shoulder and is identified by her as the devil and she reveals herself to be a witch, on herway to the devil’s evil forest ceremony. Despite this revelation, Goodman Brown tells the manthat he still intends to turn back, for his wife, Faith’s sake. The man says that Goodman Brownshould rest. Before disappearing, he gives Goodman Brown his staff, telling him that he can useit for transport to the ceremony if he changes his mind.Shortly Goodman Brown hears voices which he recognizes as the church minister andDeacon Gookin, both on their way to the ceremony. This alarms Goodman Brown. He begins toquestion all he knows, wondering if everyone has gone to the devil. He decides to stay true toGod if only for his wife’s sake. But his faith is tested as all of our faiths must be tested; he hearsFaith’s voice coming from the ceremony. He screams her name, and a pink ribbon from her capflutters down from the
Sly, a drunk beggar, he immediately plots a practical joke to play on him. The
Goodman Brown heads down a “dreary road...” (311). He is then approached by his fellow traveler, who happens to be the devil. The devil had with him “a staff that bore the likeness of a great black snake" (312). The devil tries to convince Goodman
In “The Purloined Letter,” Edgar Allan Poe’s use of complex literary devices reveals his unique writing style. These literary devices include: allusions, metaphors, irony, foreshadowing events, and a detailed exposition. In the very beginning of the short story, Poe provides the reader with information about the setting and timing of the story. This aids the reader to clearly identify what exactly takes place. Poe, known perhaps more for his grotesque and gothic short stories, wrote detective and mystery short stories as well. Within one of his most famous detective short stories, “The Purloined Letter,” Poe illustrates the theme of logic and cleverness to prove the essential nature of intelligence and detail.
Even thought there is not a commonly agreed single definition for a trickster, Hydes and Hynes find common ground in saying that a trickster is someone who deceits, tricks , takes advantage of situations and certainly-among other things, disobeys normal rules. A trickster breaks the rules more often maliciously, as Loki for example; however, at the end usually the tricks end up having positive effects. Hynes mentions six characteristics most often found in the trickster. Even though not all of them are always present, in the film “Identity Thief” (2013) Diana (Melissa McCarthy) shows a few of these traits explained by Hynes.