Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The theme of racism in othello
Discuss othello as shakespearean tragedy
Racism in othello by shakespeare
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The theme of racism in othello
Theme of Race in Shakespeare’s Othello Othello is the one of a succession of tragic masterpieces that Shakespeare wrote in the early years of the 16th century. The race is the important element in the “Othello”. In this play, Othello, the main character was a black Moor and in fact, the image of black, white, light and darkness are most often repeated in the play, Othello. In the play Othello, his blackness makes him an outsider in the eyes of the Venetian society and also in his own eyes; and that is why he doubts himself as a proper match for the white Desdemona. This play is about Othello, the main leader, (Black man) secretly marrying a white woman (Desdemona). In the first scene of the play, Roderigo and Lago begin with Othello racial epithets, not …show more content…
For example, Lago said to Brabantio, “ Swounds, sir, you are robbed! For shame, put on your Gown! Your heart is burst; you have lost half your soul. Even now, now, very now, an old black ram is tupping your white ewe” (1.1.84-86). “An old black ram is tupping your white ewe” is the racial language. Although not specifically named as “the Moor” race is indirectly mentioned in the introduction of the “black” ram versus the “white” ewe. Again, this statement is comparing “Othello” as to a ram as under the humanity. Next, logo says, “Your daughter covered with a Barbary horse, you’ll have your nephews neigh to you; you’ll have coursers for cousins and jennets for germans” (1.1.107-110). This statement compares Othello to the horse, Lago say, your daughter has sex with African horse and your grandsons have same characteristic likes; high-pitched sound uttered by a horse, you will have a swift horse for cousins and a female donkey for germans. In the above statement, the speaker used racial connotation and animal imagery to compare black and white people. In
“Graduate students have more quickly and thoroughly transcended language barriers” (Shakespeare 14). Shakespeare is written in Early Modern English, significantly different than today 's English language. Shakespeare language compares to the Romance language, that experiences these difficulties of translating the language. Many textual meanings and personal annotations are presented in this book. Now we transition to talking about the book Othello itself. Many think Othello is a black African, but really Shakespeare is portraying Othello as a Moor. A Moor is characterized as an African Muslim, however, many believe that Shakespeare is identifying him as black or a Negro. “Racial and cultural difference in Othello 's psychology and behavior” make this personal for some readers (Shakespeare
The motif of black is a big theme the characters are always mentioning. Othello is a black character in a white dominated society. “What full fortune does the thick lips owe”(1.1.62). At the beginning of the play, Roderigo and Iago only refer to Othello in a racist way, such as the Moor and thick lips. The characters are certainly trying to get the point
William Shakespeare’s Othello gains fame for its thematic conflict between appearance and reality, Iago’s motiveless malignity, and the downfall of Othello when he naively believes Desdemona’s without any substantial proof. While all these factors are important, the historical aspects of Othello are even more important because they are the foundation of the more complex concepts the play explores. The context in which the play is written has underlying distinctions between races. Race plays a huge role in Othello because it sets boundaries that cause the tragic hero’s downfall. The introduction to racism occurs when Brabnatio finds out about the marriage of Desdemon and the Moor.
An aspect of reading Othello that cannot be overlooked is the issue of race in the play. Attitudes towards race in Elizabethan England were negative. If we look at representations of different races in theatre of the period, we find that there are many negative connotations through the language that arise. The Prince of Morocco in The Merchant of Venice says “Mislike me not for my complexion.” (The Merchant of Venice.) This foreshadows some of the language of Othello. This however is quite soft language when we consider how Elizabethan theatre represented other races as being violent and bloodthirsty. In this we have, “In the night-time secretly would I steal to travellers’ chambers, and there cut their throats.” (The Jew of Malta.) This was said by the Turkish character in Marlowe’s, “The Jew of Malta.” Furthermore in, The Battle of Alcazar we have, “Dammed let him be, dammed and condemned to bear. All torments, tortures, plagues and pains of hell.” So as you can see through out Elizabethan theatre this villainous image of black men, and blackness in general was prevalent. In this period in London it wasn’t necessarily a common place for blacks but there were defiantly African Americans living in London. They appear in England in the late 16th century, and it was not entirely uncommon for people of wealth to have black musicians, servants, and even Queen Elizabeth had black musicians in her service. However, in 1596 she tried to have them all expelled. What historians have found is that there were hardly any really expelled, because people who had black servants in their household, refuse to give them up because there was no compensation. According to Imtiaz Habib, Shakespeare would have definitely ...
For a long time we have been obsessed with one most tangible feature of Shakespeare's Othello: the hero's color. This we have done with good reason, for Othello's skin color is explicitly mentioned in the text from the very beginning. The fact that this tragic hero is black (when Shakespeare's other heroes are white) is so intriguing that we seek to make sense of it. Writing in 1811, Charles Lamb insists that Othello is essentially unstageable, for there is “something extremely revolting in the courtship and wedded caresses of Othello and Desdemona” (221), earlier describing Othello as “a coal-black Moor” (221), his italics showing his disgust at the thought. Samuel Taylor Coleridge only a few years later asked if Shakespeare could be “so utterly ignorant as to make a barbarous negro plead royal birth—at a time, too, when negroes were not known except as slaves” (231), and concludes that “Othello must not be conceived as a negro” (232). Nearly two hundred years later, Michael D. Bristol claims that, because Othello would have been originally played by a white man in blackface, his character hearkens back to “a kind of blackface clown” (355), used in a type of farcical skit known as charivari. The 2001 movie O, which took the play's plot and set it at an exclusive American private school, emphasizes Othello's color further. O (Othello's counterpart) is the only black student in a white school, and his final words—“When you all are [. . .] sitting around talking about that nigger who lost it back in high school—you make sure you tell them the truth”—paraphrase Othello's final speech in a way that brings the racial question to the forefront. Really, there is little doubt that Othello's blackness is important.
The character of Iago uses racial stereotypes both to disparage Othello and to plant the seeds of jealousy in him. Iago calls to Brabantio "an old black ram / is tupping your white ewe." (I,i,96-7) He uses this image to enrage the old man and to denigrate Othello. Later in the scene, Iago refers to Othello as a "Barbary horse," indicating his North African heritage and at the same time conveying a sense of inferiority. (I,i,124) He continues this insulting metaphor by referring to Othello and Desdemona’s future progeny as "gennets," a term for Spanish horses. (I,i,126) This opening scene sets the stage for not only Iago’s hatred of Othello, but for his prejudice against him. In his consolation of Roderigo, Iago calls Othello "an / erring barbarian" whom Desdemona will leave when she is tired of him. (I,iii,377-8) Again to Roderigo, Iago queries "what delight shall" Desdemona "have to look upon the devil?" (II,i,258) While drinking with the men of the watch in Cyprus, Iago raises a toast "to the health of black Othello." (II,iii,30) These remarks eventually are turned on Othello himself as Iago suggests that Desdemona would not love a Moor. Iago claims that all Venetian women are prone to infidelity in his speech:
Shakespeare does not give specific details of Othello’s background, however, it is apparent Othello is a dark-skinned outsider. The characters in the play call him the Moor. A moor is a member of a northwestern African Muslim people of mixed Berber and Arab descent. He is referred to as black by several characters including himself. Roderigo even calls him thick-lips which is a racial slur towards African Americans.
References to black and white carry the most weight and contribute much to the actions of the characters; those colors often are used as a comment on race, on good and evil, on sexuality, or a combination of the three. The play does not proceed far into the first scene without a racial statement, where Iago informs Brabantio that Othello and Desdemona have run away together: “Even now, now, very now, an old black ram/ Is tupping your white ewe” (1.1.85-86). Iago refers to Othello as a “black ram” and to Desdemona as a “white ewe,” pointing out the differences in skin color (since Othello is a Moor). A ram, since it has horns, can also be symbolic of the devil; therefore, Iago makes Othello devil-like and racially different at the same time. Additionally, the color black is often seen as evil or bad, whereas white is seen as good and pure. Since the black ram is “tupping,” or mounting, the white ewe, Iago is making a reference to the sexual act of Othello, black, taking Desdemona's virginity, white and pure. Planting an image like this in Brabantio's mind causes him to react negatively towards the marriage, and because Othello is darker-skinned, it makes the situation worse....
Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.
One of the major issues in Shakespeare's Othello is the impact of the race of the main character, Othello. His skin color is non-white, usually portrayed as African although some productions portray him as an Arabian. Othello is referred to by his name only seventeen times in the play. He is referred to as "The Moor" fifty-eight times. Webster's Revised Unabridged Dictionary (1913) states that a Moor is "Any individual of the swarthy races of Africa or Asia which have adopted the Mohammedan religion. In Spanish history the terms Moo, Saracens, and Arabs are synonymous." This indicates that Othello is constantly being degraded and set up as an evil person throughout the play. What this really means is that Othello is being judged by his skin color rather than the person under the skin. The view that whites and non-whites are equal is a relatively new concept in our society. In institutionalized racism, such as American slavery, those of a different color were often viewed as inferior. As Shakespeare wrote Othello, this idea was becoming quite prominent as England entered the African slave trade. One can look at the racial issues from the perspective of color, slavery, and society.
Does love need to discriminate against different race or class? Does it matter what race you need or have to be, in order to be with someone? A social issue was brought to attention during the play “Othello” and that was race and class. Race and class have always been a social issue not only in plays and book but also it has been a social issue around the world. Desdemona and Othello were from a different race and different class. Even though they came from different backgrounds they got married together to become husband and wife. There are a variety of racism and discrimination towards Othello throughout the play. Othello’s was often described as black or African descent. He was the only black person in the play. Desdemona, his wife wasn’t seen as someone who was supposed to marry Othello. Her father
Othello is conceivably the most celebrated scholarly exploration of the distorting forces of desire and doubt. In the meantime, it's among the most punctual artistic works managing race, bigotry and hypocrisy. Othello—evidently gallant regardless of whether eventually defective—is the most unmistakable black hero in early Western writing. Othello faces steady prejudice from different characters, particularly when he weds Desdemona, a special white lady whose father objects to the union.
Matters of Race in Shakespeare’s Othello Othello is one of William Shakespeare’s most noteworthy dramas. Othello, who is one of the main characters and can also identify with a few different character roles during the course of the reading, is predominantly described as a loyal, honorable, brave and successful war general. However, one of the most salient features of this play is the numerous references to Othello’s race, not only by Iago, but by other characters as well. At the beginning of the play, in fact, we don’t even know Othello’s name, but we are made aware that he is dark-skinned and different from everyone else in Venice.
Othello is one of the first black characters in any form of literature (Speaks, 2017). Thus, in the Elizabethan era, the audience was introduced to a relatively new them when it came to discussing race and society. William Shakespeare constantly uses this idea in Othello to develop his hero and portray how those around him were affected by his colour. Shakespeare presents Othello as a highly regarded soldier, but there are still plenty of signs of racism in his society. In fact, the grand majority of families in the 1600s feared the idea of blending races through marriage and/or sexual intercourse.
The article pinpoints that the play not only illustrates African negatively but " In creating a moor who was black in the face yet white and noble in the spirt, Shakespeare had the perfect character to astound and perplex the already blood-thirsty Elizabeth audiences" (Shaw 84). Shaw claims that Elizabethan culture believed African not only were foreigners but was a representation of their evilness. Shaw throughout the article reinforces that religion also played an important factor and influenced many interpretations that Othello blackness was a sign of impurity, while Desdemona's whiteness was a sign of purity. This interpretation is what arises the racisms of Othello. Othello's downfall is his color of skin and jealousy.