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The theme of racism in othello
Othello: A modern perspective
Othello: A modern perspective
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The Issue of Race in Othello
An aspect of reading Othello that cannot be overlooked is the issue of race in the play. Attitudes towards race in Elizabethan England were negative. If we look at representations of different races in theatre of the period, we find that there are many negative connotations through the language that arise. The Prince of Morocco in The Merchant of Venice says “Mislike me not for my complexion.” (The Merchant of Venice.) This foreshadows some of the language of Othello. This however is quite soft language when we consider how Elizabethan theatre represented other races as being violent and bloodthirsty. In this we have, “In the night-time secretly would I steal to travellers’ chambers, and there cut their throats.” (The Jew of Malta.) This was said by the Turkish character in Marlowe’s, “The Jew of Malta.” Furthermore in, The Battle of Alcazar we have, “Dammed let him be, dammed and condemned to bear. All torments, tortures, plagues and pains of hell.” So as you can see through out Elizabethan theatre this villainous image of black men, and blackness in general was prevalent. In this period in London it wasn’t necessarily a common place for blacks but there were defiantly African Americans living in London. They appear in England in the late 16th century, and it was not entirely uncommon for people of wealth to have black musicians, servants, and even Queen Elizabeth had black musicians in her service. However, in 1596 she tried to have them all expelled. What historians have found is that there were hardly any really expelled, because people who had black servants in their household, refuse to give them up because there was no compensation. According to Imtiaz Habib, Shakespeare would have definitely ...
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... it. It will be quite interesting in the next realm of history of this play, how new imaginings of the play will shift what kinds of meaning we make from it. Racism in today’s world is not nearly the way it was during that period. We sadly still have racism in the world, which is something we will sadly have for a long time, but for the majority of the population, we don’t look down upon African Americans and we view them as equals. Poor Othello just wanted to love this girl, and he got so much criticism because he was black and she was white. Not to mention, Iago stirring up all the drama. I was hoping for a happy ending for Othello, but sadly it ended tragically with him killing his love. I truly found this story to be interesting. Shakespeare’s, Othello is one of those pieces that can be appreciated through the centuries for the great story that it is.
Within both Titus Andronicus and Othello both by William Shakespeare the reader is introduced to the concept of a black man within a white society. Stigmas and stereotypes are attached to the black characters of Aaron and Othello. Although each black character has a similar stigma, the characters are very different from one another. Aaron is portrayed as evil, conniving and malevolent, while Othello has none of these traits. Othello's fault lies in the fact that he is very gullible and easily led.
marriage at the end, and also has a happy ending. Othello is about a black man in a white society. This is what brings about the jealousy and murder at the end of the play. Iago is the man. of manipulation, he is jealous of Othello and where he lies in the community.
Othello, from the onset, is shown to us a play of love and jealousy. There is however more to this play than just love and jealousy; there is underlying racism, hate, deception, pride, and even sexism between these pages. Othello is a transcendent play, one that will survive the perils of time simply because it is still relevant. Even today, over 400 years later, there are still issues of racism and sexism. Hate is as natural as love in humans and Othello gets right to the root of that. We witness this from the very first scene, “…you’ll have your daughter covered with a Barbary horse/ you’ll have your nephews neigh to you” (I.i.112-14); to the very last, “Moor she was chaste. She loved thee, cruel Moor” (V.ii.258). Moor however is used as an insult all throughout the play; not so much the word itself but the feel of the word. Between these pages we see many different ways as to how the cultural differences between Othello and the other characters.
...velops a sense of alienation towards his character as he is thought to be unacceptable for a white woman to marry. Drama critic Martin Orkin concludes this issues by stating that the ‘subject matter of Othello demands that we recognize the matter of colour and the possibility of prejudice’ in society today. However it can be argued that the issue of racism alienating Othello and causing stress did not exist in the 1600 as prideful Othello himself claims “My parts, my title and my perfect soul/Shall manifest me rightly” he’s unaware that ‘the matter of colour and the possibility of prejudice’ can even cross his ‘title and perfect soul’. Unlike Blanche, this egoistic persona which Shakespeare has incorporated in Othello could perhaps contrast with Orkin’s interpretation of Othello as a victim of prejudice as it could influence the audience from sympathising with him.
... moor but Shakespeare is instead discussing the, "amalgam of the noble and the jealous, the soldier and the fool and the Christian and the barbarian who is reduced to stammering brutality." A modern audience would not see Othello as the guilty and barbaric moor but as a victim of Iago and his deception. The audience instead would take would take with them a message that colour does not play a part in character. Instead those who discriminate people racially are the truly devious characters and Shakespeare shows this clearly through Iago and Barbantio. Iago himself is clear evidence that Shakespeare is not in any way condoning racism but instead he is attacking racism. The attack on Barbantio's hidden racist views also prove that this is the case. The main message of Othello would be very positive foe a modern audience; that racism in all forms is totally unacceptable.
The motif of black is a big theme the characters are always mentioning. Othello is a black character in a white dominated society. “What full fortune does the thick lips owe”(1.1.62). At the beginning of the play, Roderigo and Iago only refer to Othello in a racist way, such as the Moor and thick lips. The characters are certainly trying to get the point
There had been a lot of travelling and blacks were beginning to be used in Europe for the slave trade. During the time the play was written, the Queen of England had banned all blacks from entering the city. She spoke of them as "Negars and Moors which are crept into the realm, of which kind of people there are already here too many". It seems that Shakespeare is almost mocking the Queen by characterising Othello as a black man who has a high ranking position in the Army and who marries a white aristocratic women, against her fathers will.
The verse and prose he spoke in were usually heard from high status characters, but Othello easily coped with this language even to his isolation. This indicates that even if Shakespeare did want to display this racial difference in Othello, he kept the language of high status to indicate that although Othello is black, he is still an accepted Venetian soldier. With all this racial discrimination one would take have to take into consideration that the Elizabethan theatre would have been in a period where Shakespeare was dealing and addressing with the customs of society, such as black people not even being permitted on stage. White characters were painted black to represent the black race. With this in mind Shakespeare would have had to mirror society’s strong beliefs and extreme behaviours against the black race. Shakespeare is presenting the message that whether you are part of the white or black race, society is constantly isolating outsiders in a situation that they never deserve. Cowhig critiqued Othello and said that “It should not be forgotten that Othello was the black noble whose humanity eroded by cunning and racism of whites” (Cowhig 7), he was a black noble man who was seduced by white evil: Iago. The actual black villain here is arguably
F. R. Leavis discusses the breakdown of sympathy for Othello, arguing that ‘Othello is too stupid to be regarded as a tragic hero’. Other critics also argue that Shakespeare ‘fully exploits the unique cultural opportunity to develop a more complex and sympathetic representation of black experience’ [The Noble Moor – Othello and Race in Elizabethan London, Roger Lees], implying that the sympathy that a contemporary audience would have felt for Othello was based oncultural context, given that the audience were predominantly white. However, it could be argued that it cannot just be the cultural context to Shakespeare’s audiences that has allowed Othello to become one of his most renowned tragedies; if this were the case, the play would have lost all critical interest by the 18th Century. It is Shakespeare’s use of the conventions of tragedy in attributing Othello with hubris that, although making it hard to empathise with at times, in the...
By analyzing this play, we can come to understand the dangers of racial injustice. If I may take the liberty of paraphrasing: "O beware, my lord, of racial prejudice! It is the green-eyes monster, which doth damage the society it thrives in." In the character of Iago, Shakespeare demonstrates the dangers of holding racial prejudices. Othello is the victim of the pervasive social stereotypes which lead to his downfall. This play should serve as a warning of the horrid plague of racism which festers in our society.
Shakespeare does not give specific details of Othello’s background, however, it is apparent Othello is a dark-skinned outsider. The characters in the play call him the Moor. A moor is a member of a northwestern African Muslim people of mixed Berber and Arab descent. He is referred to as black by several characters including himself. Roderigo even calls him thick-lips which is a racial slur towards African Americans.
The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialog. This racism is directed toward Othello, a brave soldier from Africa and currently supreme commander of the Venetian army. Nearly every character uses a racial slur to insult Othello at one point in the play. Even Emilia sinks to the level of insulting Othello based on the color of his skin. The character that most commonly makes racist remarks in Othello is Iago. It is very apparent that Iago uses racism as a scapegoat to hate and blame Othello. Societal racism takes its toll on its victims. The effect of racism on Othello is quite evident and is one of the main causes for his insecurity about his marriage. However, Othello is not wholly the tragedy of racism. The theme of jealousy is also extremely important in Othello. Racism may play a large part in the tragedy, Othello, but it certainly does not adequately explain the entire play.
Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.
Othello’s race and ethnicity are never explicitly revealed in Shakespeare’s The Tragedy of Othello, so they have become the topic of great speculation. Othello’s race and ethnicity are still heavily debated amongst Shakespeareans today; although it may appear obvious to some controversy arises when it comes to defining the term Moor which is used to describe Othello’s ethnicity. Some believe that Othello’s race is simply black, or African, as described in the play, others believe he may have been a Spanish Moor, or Arab. The term Moor was also “sometimes used in Elizabethan drama to refer to characters who [were] [villains] … or merely brunette in complexion” (Butcher).
One of the most prominent issues in modern day America would be the issue of race. With the rise of movements like Black Lives Matter, the issue grew from one of strictly race to shed a light onto police brutality against African Americans. The film adaptation of Othello does an impressive job juxtaposing both of those very modern issues with a century old Shakespearean tale, leading to one of the most effective adaptations from class. The film adaptation of Othello and the play itself are currently the most socially relevant pieces of Shakespearean literature. This would be because of their takes on the societal and individual impacts of race, and how they incorporate issues found in other works of Shakespeare into their tale.