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Othello and tensions of its society
Othello and tensions of its society
Othello and tensions of its society
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Does love need to discriminate against different race or class? Does it matter what race you need or have to be, in order to be with someone? A social issue was brought to attention during the play “Othello” and that was race and class. Race and class have always been a social issue not only in plays and book but also it has been a social issue around the world. Desdemona and Othello were from a different race and different class. Even though they came from different backgrounds they got married together to become husband and wife. There are a variety of racism and discrimination towards Othello throughout the play. Othello’s was often described as black or African descent. He was the only black person in the play. Desdemona, his wife wasn’t seen as someone who was supposed to marry Othello. Her father …show more content…
didn’t want to accept the fact he wanted to be with her. Due to the circumstances Othello didn’t care at all and didn’t find race nor class an issue. He truly loved her and it was the reason he married her. Othello was considered an “other” during the play. This is an example of post-colonialism and the taboo of interracial relationships. Interracial relationships have changed during the time. Over these passed years there has been relationships where family members don’t even accept them for who they are. Many of those cases have been seen everywhere due to the fact they don’t share or are from their same culture or ethnicity. The discrimination of couples who have disapproval from their family members and their close ones. As said on the scene by Brabantio. “Look to her, Moor, if thou hast eyes to see: She has deceived her father, and may thee.” (Shakespeare 290) He didn’t want to Othello to be with Desdemona due to various reasons. OTHELLO: “My life upon her faith!—Honest Iago, My Desdemona must I leave to thee. I prithee let thy wife attend on her, And bring them after in the best advantage. Come, Desdemona. I have but an hour Of love, of worldly matters and direction, to spend with thee. We must obey the time.” (290-299) It’s true that racism still exists nowadays. Where couples are being judged by others whether it’s in public or not. Society expects someone to be in a relationship that are the same race or class. Those couples who are being discriminated have a feeling of stare that others do while they are together, even if they are holding hands. There’s a saying that is made that says “She’s milk, your oil, those two don’t mix”. That’s a saying that many people know about and follow through it. I personally know couples who are from a different race. It can be really difficult for them, due to the fact that their family can be strict and having the sense that their significant other won’t be accepted by them. There can be many issues due to communication and having to accept their culture and the way they come from. Anytime and everywhere we go there is someone different. Personally everyone is different from each and no one is the same. Society always focuses on the different people who are not like the others. They make those who are different seem worthless and useless, having them to have a low self-esteem. There are many things that people wouldn’t do for the persons that are different. For an example, when someone doesn’t know the time and knowing you’re afraid to ask because they won’t give you a response. Many have felt insecure about themselves because the lack that they feel left out, and thinking they don’t fit like the rest. There has been cases where they commit suicide due to racism. Racism is something powerful that has always been a controversy issue. Due to the fact that Othello was considered an “other” in the play it was for many reasons. One, Othello had to achieve and join to the religion of Christianity. Two, he was of a different race/color. Othello wasn’t considered as someone who was a qualified member just cause of his race. For the position he was in and being able to be with his wife Desdemona. Othello had a strong ruling power position. A moor is someone who is mostly black. By calling him “The Moor” it made it seem like an animalistic identity. Making him feel like an animal or an “other”, which I wouldn’t get why he never complained about it and said anything. As well said an described on the scene: IAGO: “And I—God bless the mark!—his Moorship’s ancient.” RODERIGO: “By heaven, I rather would have been his hangman.” IAGO: “Why, there’s no remedy; ‘tis the curse of service. Preferment goes by letter and affection, And not by old graduation, where each second stood heir to th’first. Now, sir, be judge yourself, Whether I in any just term am affined To love the Moor.” RODERIGO: “I would not follow him then.” (33-40) Emilia didn’t have any racist comments towards Othello until the end of the play when he killed Desdemona. When Othello murders Desdemona, Emilia shouts in anger and called him a “blacker devil”. That was the time when Emilia got furious and started to be racist with Othello by telling him rude comments. She had a reason to, since Desdemona was innocent and since Othello was manipulated by jealousy. This is when Othello is being called a ‘blacker devil” by Emilia: OTHELLO: “You heard her say herself, it was not I.” EMILIA: “She said so. I must needs report the truth.” OTHELLO: “She’s like a liar gone to burning hell! ‘Twas I that killed her.” EMILIA: “O, the more angel she, And you the blacker devil!” OTHELLO: “She turned to folly, and she was a whore.” EMILIA: “Thou dost belie her, and thou art a devil.” OTHELLO: “She was false as water.” (128-134) We see on the play that Othello has been receiving racist comments not just from Emilia at the end of the play, but also by Iago. On act one, scene one Iago and Othello are talking about the act that Othello wants decides to be with Desdemona no matter what. Iago, tells him that he is blind in love and thinks he’s crazy for making a decision to be with Desdemona. He refers to Othello as having big lips and says that behind his back. Even though he found Desdemona attractive also. Iago replies in a furious way saying: IAGO: “Zounds, sir, y’ are robbed! For shame, put on your gown! Your heart is burst; you have lost half your soul. Even now, now, very now, an old back ram is tupping your white ewe. Arise, arise! Awake the snorting citizens with the bell. Or else the devil will make a grandsire of you. Arise I say!” (86-92) As said in the article The ‘process’ of prejudice: ‘Othello’ there are facts being said that Othello was being treated as a prodigy. He knew he was the only victim going through racism. Yet he just didn’t accept it, he wasn’t in realization to the point where we was securely considered as an outsider. He was always being placed in a crucial way. He just thought he had terrible power of society within. Others can say that Shakespeare could’ve been thinking about other things, he could’ve been racist himself. Looking different at the play and Shakespeare not having to mean it in the wrong way towards Othello by dominating him. Iago was supposed to be Othello’s close friend who was considered at first trustworthy, but in reality was a liar. Iago wanted to destroy Othello in any way because Othello didn’t choose him to be his lieutenant. He chose Cassio and that was when he became angry, since Cassio didn’t know anything about war and he did. On the article Racism, Misogyny, and the “Othello” Myth: Inter-racial Couples from Shakespeare, it is being said that not only does Othello have any racial issues but also sexual relations. That has been involving with black men and white women. That black men had the right to control any women, whether she was white or black. It also says that, Desdemona gets what she deserves just so that Othello “must rub off on her” and that continues with black femininity. Iago was just jealous of Othello all the time because he was more powerful than him, and because he had a good relationship with Desdemona. Which is what he wanted to have exactly with Emilia. Iago was racist towards Othello all the time, but never said anything in front of his face. The only time he did was behind his back. He didn’t want Othello to find out that every problem caused was because of him. Iago at first when he was speaking with Brabantio, Desdemona’s father, Iago had called Othello a “Barbary horse”. As said on the scene by Iago: “Zounds, sir, you are one of those that will not serve God if the devil bid you. Because we come to do you service, and you think we are ruffians, you’ll have your daughter covered with a Barbary horse: you’ll have your nephews neigh to you; you’ll have coursers for cousins, and gennets for germans.” (110-114) On the article Racism, Misogyny, and the Othello Myth there is a statement that is said “Antony and Cleopatra is also a great Shakespearean tragedy featuring inter-racial sexuality- assuming one believes that the dramatist’s Cleopatra was meant to be black-but it has never achieved the universal appeal to Othello.” By that said, it states that any woman who is with a black man deserves to be punished. It also talks about witchcraft with how Brabantio thinks Desdemona has been on witchcraft due to the fact she was with Othello. The author says that because she explains how Desdemona wasn’t supposed to be with Othello which who she referred to as “the moor”. She explains briefly how back then whoever was with a dark man, deserved to be punished since it was a culture that was used back then. Something that we are not used to seeing right now because it’s not seen as something “right”. In the article Othello: racist or anti-Islamist? the author Grace Tiffany argues that, “Othello himself is radically unlike the savage stereotypes”. An example would be when Brabantio calls Othello a “thing”. She thinks the play Othello is about prejudice, not race. She makes an argument that Moors were related to religion and not race. Thinking that Shakespeare removed any prejudice that was being made towards or as said, against him. Shakespeare’s play of Othello shows us that racism still exists in our everyday life.
Everyone has once experienced it in their lifetime whether it was in public or not. People have and are experiencing it right now, something that society doesn’t know or think about. Racism can be stopped by just accepting the fact that everyone is different in their own way, trying to fit in with the rest isn’t something everyone should value. Love shouldn’t matter what race or class you are in. Love is a feelings that just happens and no one can control it. Love can have different meanings, it is something we can’t truly define because it’s a feeling.
Works Cited
Desmet, Christy. “Racism, Misogyny, and the ‘Othello’ Myth: Inter-racial Couples from Shakespeare to Spike Lee.” Medieval and Renaissance Drama in England 20 (2007): 281+. Literature Resource Center. Web. 30 Nov. 2015. Print.
Doloff, Steven. “The process’ of prejudice: ‘Othello’ I.iii 128-14.” Notes and Queries 41.4 (1994): 491+. Literature Resource Center. Web. 30 Nov. 2015. Print.
Schilb, John, and John Clifford, eds. Making Literature Matter: An Anthology for Readers and writers. 5th Ed. Boston: Bedford, 2012.
Print. Tiffany, Grace. “Othello: racist or anti-islamic?” Shakespeare Newsletter Winter 2009: 111. Literature Resource Center. Web. 30 Nov. 2015. Print. Vaughan, Virginia Mason. “Celia R. Daileader. Racism, Misogyny, and the Othello Myth.” Early Theatre 10.1 (2007): 149+. Literature Resource Center. Web. 30 Nov. 2015. Print. William, Shakespeare “The Noble Othello.” Schilb and Clifford 742-846
Meyer, Michael, ed. The Bedford Introduction to Literature: Reading, Thinking, Writing. 5th ed. Boston: Bedford/St. Martin's, 1999.
Schilb, John, and John Clifford, eds. Making Literature Matter: An Anthology for Readers and Writers. 5th ed. Boston: Bedford/St. Martin's, 2012. 866. Print.
Gilman, Charlotte. The Yellow Wallpaper. Making Literature Matter: An Anthology for Readers and Writers. By John Schilb and John Clifford. 5th ed. Boston: Bedford/St. Martin’s, 2012. 954-967. Print.
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2000. 127-137.
While I have pointed out distinct signs of racism in the majority of leading characters, one should keep in mind that Othello was held in high regard for his many military successes. Although there was much protesting to the marriage of Desdemona and Othello, they were socially permitted to remain together, which would suggest at least some level of acceptance regarding interracial relationships among society in general.
Hansberry, Lorraine. ?A Raisin in the Sun.? Making Literature Matter: An Anthology for Readers and Writers. Eds. John Schilb and John Clifford. Boston: Bedford/St. Martin?s 2008.
To begin, race is the first and clearest of differences between Othello and other major characters. However race is also the least seen issue in the play. Racism is, as stated by Martin Okin “confined to Iago, Roderigo, and Brabantio” (Orkin, “Othello: and the”). Emilia herself has her moments of racism, going from using Moor as a describer of Othello to using it as an insult. Brabantio shows this racism when he discovers that Othello has wed his daughter stating:
Desdemona is a stunning, youthful, white, Venetian debutante. She is her father's pride and joy, but she refuses to marry any of the rich, handsome Venetian men that her surroundings expects her to spend the rest of her life with. Instead, she elopes with Othello – an older black man, an outsider to Venetian society. Turns out, this is a pretty intrepid move – Desdemona not only defies her father's expectations (that she marry a white man of his choosing), she also thumbs her nose at a society that largely disapproves of interracial marriages. In this way, Desdemona's relationship with Othello speaks to the play's concerns with Sixteenth Century attitudes about sex, gender, and race. Desdemona withholds many attributes to the play Othello by Shakespeare. She leads on a perfect life, as the perfect woman, but will it last forever?
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
Glaspell, Susan. Trifles. Making Literature Matter: An Anthology for Readers and Writers. Ed. John Schilb and John Clifford. Boston: Bedford / St. Martin's, 2005.
An aspect of reading Othello that cannot be overlooked is the issue of race in the play. Attitudes towards race in Elizabethan England were negative. If we look at representations of different races in theatre of the period, we find that there are many negative connotations through the language that arise. The Prince of Morocco in The Merchant of Venice says “Mislike me not for my complexion.” (The Merchant of Venice.) This foreshadows some of the language of Othello. This however is quite soft language when we consider how Elizabethan theatre represented other races as being violent and bloodthirsty. In this we have, “In the night-time secretly would I steal to travellers’ chambers, and there cut their throats.” (The Jew of Malta.) This was said by the Turkish character in Marlowe’s, “The Jew of Malta.” Furthermore in, The Battle of Alcazar we have, “Dammed let him be, dammed and condemned to bear. All torments, tortures, plagues and pains of hell.” So as you can see through out Elizabethan theatre this villainous image of black men, and blackness in general was prevalent. In this period in London it wasn’t necessarily a common place for blacks but there were defiantly African Americans living in London. They appear in England in the late 16th century, and it was not entirely uncommon for people of wealth to have black musicians, servants, and even Queen Elizabeth had black musicians in her service. However, in 1596 she tried to have them all expelled. What historians have found is that there were hardly any really expelled, because people who had black servants in their household, refuse to give them up because there was no compensation. According to Imtiaz Habib, Shakespeare would have definitely ...
Schilb, John, and John Clifford. Sonny Blues. Making Literature Matter: An Antology for Readers and Writers. 5th ed. Boston: Bedford/St. Martin's, 2009. 337-60. Print.
Continually confronted with his difference, and apparently associated inferiority, Othello eventually ingests and manifests this difference in a violent rage against the symbol and defining emblem of his otherness, Desdemona. Yet, who is to blame? Which character is redeemed through our sympathy so that another can be condemned? Othello, the dark-skinned murdering Moor, himself. The separation of his otherness from explicit and innate evil contrasted with Iago's free-flowing and early-established taste for revenge and punishment, alleviates Othello from responsibility. Surely, Othello has wronged and is to be held reprehensible--with his death--but even this is a self-infli...
The effect of racism on Othello is quite evident and is one of the main causes of his insecurity about his marriage. However, Othello is not wholly the tragedy of racism. The theme of jealousy is also extremely important in Othello. Racism may play a large part in the tragedy, Othello, but it certainly does not adequately explain the entire play. Othello is a nobleman, a decorated soldier, very well respected by his men (with the exception of Iago).
To begin with, Othello’s race and the racism around him ruined his marriage with Desdemona. Othello and Desdemona made a good couple, but you know what they say, all good things must come to an end. Almost everybody had a problem with their relationship. In that time, interracial relationships and marriage was not allowed. While Brabantio (Desdemona’s father) was sleeping, Iago and Roderigo woke him up saying that Othello was having sex with his daughter Desdemona at that very moment (Shake...