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The themes of othello
Conception of conflict in Othello
Conception of conflict in Othello
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Provides examples of how satisfaction is used throughout Othello. Includes relevant evidence about the details of the satisfaction and how certain characters portray this. Othello is not concerned with his own satisfaction, however, he is concerned with who he should satisfy. Othello continues to try and reassure others of his relationship with Desdemona. “‘His love for Desdemona was not "To please the palate of my appetite /Nor to comply with heat - the young affects /In me defunct - and proper satisfaction;/But to be free and bounteous to her mind." The line "In me defunct - and proper satisfaction" is assumed to be corrupt in both texts. Whether or not it is, it is an interesting addition or emendation, raising as it does the question of the nature of Othello 's satisfaction” (Philips 59). He states this when defending himself in front the Duke and Brabantio.
Kloppenberg, Brian. "Othello." Theatre Journal 49.4 (1997): 516. ProQuest. Web. 31 Oct. 2016.
The author of this article focuses on the art of dancing, specifically ballet. This ballet shares many plot elements with other
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“Graduate students have more quickly and thoroughly transcended language barriers” (Shakespeare 14). Shakespeare is written in Early Modern English, significantly different than today 's English language. Shakespeare language compares to the Romance language, that experiences these difficulties of translating the language. Many textual meanings and personal annotations are presented in this book. Now we transition to talking about the book Othello itself. Many think Othello is a black African, but really Shakespeare is portraying Othello as a Moor. A Moor is characterized as an African Muslim, however, many believe that Shakespeare is identifying him as black or a Negro. “Racial and cultural difference in Othello 's psychology and behavior” make this personal for some readers (Shakespeare
Throughout Shakespeare's "Othello", one of the most poignant themes is that of race and racial prejudice. Various critics are of the view that "Othello" was written as a social commentary, depicting the discrimination present in formal Venetian society. These ideas of racial prejudice are portrayed through Othello, the protagonist, who is referred to as "the Moor", an African or a black man.
Orkin, Martin. “Othello and the “plain face” Of Racism.” 2nd ed. Vol. 38. N.p.: n.p., n.d. 166-88. Shakespeare Quarterly. Folger Shakespeare Library in Association with George Washington University, Summer 1987. Web. 12 Mar. 2014. .
Arthur Shopenhauer once described a racist man as a “…miserable fool who has nothing at all of which he can be proud, adopts as a last resource pride in the nation to which he belongs; he is ready and happy to defend all its faults and follies tooth and nail, thus reimbursing himself for his own inferiority.” Without a doubt, racism is one of the key themes in Othello, which challenges the characters thoughts and actions throughout the play. One specific character, Iago, is driven by such racial distort, especially against Othello, that ultimately motivates his ingenious rampage of revenge and confusion. Hence, the characters racist attitudes, but mainly Iago’s, creates the momentum needed to spur the confusion and tension between the characters, resulting in the popular Shakespearean dramatic ending. Iago’s word choice describes very clearly his racial vision of Othello. He refers to Othello throughout the play by many racial slurs: “the moor”, “an erring barbarian”, and “black ram”. His attitude towards Othello implies certain personal characteristics: it shows that he is, jealous, hateful, and insecure “of his own inferiority.” From the beginning, Iago has been the “playmaker” of the play, always instigating the trouble and trying somehow to damage Othello.
... moor but Shakespeare is instead discussing the, "amalgam of the noble and the jealous, the soldier and the fool and the Christian and the barbarian who is reduced to stammering brutality." A modern audience would not see Othello as the guilty and barbaric moor but as a victim of Iago and his deception. The audience instead would take would take with them a message that colour does not play a part in character. Instead those who discriminate people racially are the truly devious characters and Shakespeare shows this clearly through Iago and Barbantio. Iago himself is clear evidence that Shakespeare is not in any way condoning racism but instead he is attacking racism. The attack on Barbantio's hidden racist views also prove that this is the case. The main message of Othello would be very positive foe a modern audience; that racism in all forms is totally unacceptable.
Analysis of Othello’s Soliloquy. During Othello’s soliloquy in Scene 3, ll. 299-318, Shakespeare uses the literary devices of imagery, symbolism, and antithesis to develop the state of mind of Othello during this strenuous time in his life. Othello, who seems to intrinsically believe that as a public figure he is fated to be unsuccessful at marriage, is torn between his love for Desdemona and the possibility that she is having an affair with Michael Cassio. This particular passage comes at a juncture after he denies that this could be true, and before he is finally convinced of his wife's infidelity.
...race, beauty and status put her on a pedestal like a goddess allowing him to idolize her and therefore never truly deserve her. Beneath his noble persona on display for all to see, the idealistic view of his wife, leads him to believe that she will never be able to fully reciprocate the love he has for her. Iago’s exploitative tactics used for revenge trigger Othello’s fatal insecurities to surface for the ultimately climactic ending in which he smothers Desdemona with a pillow before discovering “honest” Iago had been deceiving him, as well as the majority of the other characters, the entire time. Outraged, Othello attempts to stab Iago as revenge for being manipulated into killing his beloved wife, however when his hasty murder attempt fails, the heartbroken and worn-out man stabs himself next to the already dead Desdemona, whom he never believed he was worthy of.
An aspect of reading Othello that cannot be overlooked is the issue of race in the play. Attitudes towards race in Elizabethan England were negative. If we look at representations of different races in theatre of the period, we find that there are many negative connotations through the language that arise. The Prince of Morocco in The Merchant of Venice says “Mislike me not for my complexion.” (The Merchant of Venice.) This foreshadows some of the language of Othello. This however is quite soft language when we consider how Elizabethan theatre represented other races as being violent and bloodthirsty. In this we have, “In the night-time secretly would I steal to travellers’ chambers, and there cut their throats.” (The Jew of Malta.) This was said by the Turkish character in Marlowe’s, “The Jew of Malta.” Furthermore in, The Battle of Alcazar we have, “Dammed let him be, dammed and condemned to bear. All torments, tortures, plagues and pains of hell.” So as you can see through out Elizabethan theatre this villainous image of black men, and blackness in general was prevalent. In this period in London it wasn’t necessarily a common place for blacks but there were defiantly African Americans living in London. They appear in England in the late 16th century, and it was not entirely uncommon for people of wealth to have black musicians, servants, and even Queen Elizabeth had black musicians in her service. However, in 1596 she tried to have them all expelled. What historians have found is that there were hardly any really expelled, because people who had black servants in their household, refuse to give them up because there was no compensation. According to Imtiaz Habib, Shakespeare would have definitely ...
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Shakespeare, William. Othello. Ed. Philip M. Parker. [San Diego, Calif.]: ICON Classics, 2005. eBook Collection (EBSCOhost). Web. 17 Feb. 2014.
Conclusively, it is evident that in this Shakespearean tragedy, Othello’s downfall comes to be due weakness in his character, which comes into existence due to his major character flaws. Through his poor judgement, Othello can not figure out who is trustworthy and who he should find as not being loyal. Furthermore, jealousy overpowers Othello and his mindset, which fills him with thoughts of anger and hate. Likewise, Othello’s insecurity is a major flaw that bewilders him and causes him to be very distraught. Thus, with these points, it is unmistakeable that Othello faces a set of character flaws, that when found alongside each other, are almost impossible to overcome, which in the end lead to the tragic downfall and death of Othello in the end of this play.
One of the first impressions gained of Othello is that he is a great war hero. Before much else is said of him, tales of his skill and valor in battle are illustrated and he is shown to be a great and famed warrior. He naturally possesses many attributes typically associated with soldiers. From the beginning Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all of one piece. His trust, where he trusts, is absolute…. Love, if he loves, must be to him the heaven where either he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood.” Othello is pure an...
In conclusion, studying Othello’s color evokes much more than mere racial category, but the entire chronology of human discrimination. It is evident through both contextual and critical insight that Othello is an indispensable textual work. Philip Koln declares it, “a cultural seismograph, measuring the extent and force of gender, racial, and class upheavals in any society that performs it”(Distiller,340). The evolution of Othello’s critical responses and representations serve to amplify its importance tenfold as it successfully charts the beginning of humanity’s departure from xenophobic tendencies toward a more global community.
The book “Othello” and movie “Othello” are both surrounded with race and jealousy. Othello is the only black guy in this play. Because of his capability make him more stronger in the play. All the people around Othello are white, and you can clearly notice that in the movie. Desdemona is also a important role in this play. She is white, which makes she and Othello not that great to be together. That’s why even though Othello knows she loves him, he still can’t believe what she says. Finally he kills Desdemona. Othello has no self-confidence, because he was different than other. That’s why after Iago tells him that Desdemona is cheating on him, he easily believes. Iago hate Othello and envies him. Because of the power Othello has, makes him feel his position is really low. The jealousy urges him to make a plan to revenge Othello, so he asks help from Cassio. Cassio is a character who is also jealous Othello, because he loves Desdemona too. He is the white guy, so thinks he is more suited to be with Desdemona.Jealous is a big factor in this play, also it’s how this play starts and end.
Othello’s personality was shaped largely by war and his pride as a capable soldier. He was intelligent and strong enough to live through countless battles and lead troops into war with successful results. Even Iago, who hates Othello for passing him over for the lieutenant position, can not deny Othello’s noble yet naïve nature, which he explains to Roderigo, “The Moor is of a free and open nature” (Act 1 Scene 3 390). However, as Iago continually hints to Othello that his wife Desdemona is cheating on him with Cassio, more of his negative personality traits begin to show up. Doubt, mistrust, jealousy and rage all grew with Iago’s hints and led him to believe that his wife had damaged his reputation by being unfaithful to him. In the beginning of Othello, Othello betted on his life that Desdemona loved him and would never betray him and by the end of Shakespeare’s story, he suffocates and kills his wife out of honor in order to preserve his reputation and sense of self. He killed her not only out of a sense of duty, but also because of how hurt and betrayed he felt about her perceived infidelity. Therefore, Othello represents the good and the bad side of human nature by being intelligent, loving, open, and honorable and the bad by doubting his wife, exhibiting jealousy, anger and