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Soliloquy in othello
Dramatic soliloquy in othello
Soliloquy in othello
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Analysis of Othello’s Soliloquy
During Othello’s soliloquy in Scene 3, ll. 299-318, Shakespeare uses the literary devices of imagery, symbolism, and antithesis to develop the state of mind of Othello during this strenuous time in his life. Othello, who seems to intrinsically believe that as a public figure he is fated to be unsuccessful at marriage, is torn between his love for Desdemona and the possibility that she is having an affair with Michael Cassio. This particular passage comes at a juncture after he denies that this could be true, and before he is finally convinced of his wife's infidelity.
The fact that Othello is wavering between believing Iago and trusting his wife is reflected in the imagery Shakespeare uses in the soliloquy. The first image that is used is that of a falcon. Lines 301-304 read: “If I do prove her haggard, / Though that her jesses were my dear heartstrings, / I’d whistle her off and let her down the wind to prey at fortune.” This shows that Othello is still unsure about Desdemona, and claims that though he is in love with Desdemona, he would drop her if he found out she was cheating. This is quite a strong willed statement, but it is diminished by lines 319-320, which follow the entrance of Desdemona and Emilia into the chamber. Othello says, “If she be false, heaven mocks itself! / I’ll not believe ‘t.” This is an example of how turbulent Othello’s state of mind is. The steadfast determination expressed using the falcon image sort of “melts” when he sees Desdemona, and he immediately professes denial that she could be untrue to him. Yet, just ten lines earlier (l. 308), Othello says, “She’s gone! I am abused!” and proceeds to lament the very institution of marriage: “O cure of marriage, ? That we can call these delicate creatures ours / And not their appetites!” Shakespeare’s placing of these three different conclusions Othello has drawn in such close proximity is an example of antithesis, and a testament to the changing and chaotic state of mind of Othello.
Additional symbols are used in the soliloquy which exemplify this as well. In lines 311-314, he says: “I had rather be a toad / And live upon the vapor of a dungeon / Than to keep in the corner the thing I love / For others’ uses.
Ginsberg was a literary revolutionary as can be seen in his poetry. He pushed form and genre, theory and confrontation, confession and controversy right to the threshold and over the doorway of societal standards. In pushing and pushing, Ginsberg creates a new vocabulary for certain words by capitalizing them and giving them the significance of the ‘proper noun.’ By capitalizing the first letter of certain words, Ginsberg gives a solid identity to intangible things and redefines their role in a corrupted society that has destroyed the “best minds” of his generation.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
The restricted version of this theory claims that not all of morality is bases of God’s commands. This was attempted to be explained using the example of some animals being carnivores and others not (Timmons 31). There are many problems with this theory; animals were made to kill and eat other animals for survival. Humans, on the other hand, were not made to kill and eat other humans.
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
Aluminum is the most abundant metallic constituent in the crust of the earth; only the nonmetals oxygen and silicon are more abundant. Aluminum is never found as a free metal; commonly as aluminum silicate or as a silicate of aluminum mixed with other metals such as sodium, potassium, iron, calcium, and magnesium. These silicates are not useful ores, for it is chemically difficult, and therefore an expensive process, to extract aluminum from them. bauxite an impure h...
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
In this age of change, the international financial is progressing promptly on various fronts, such as the International Monetary Fund (IMF) play a pivotal role in international financial system. Yet at the same time, many criticisms point out that IMF are not efficient enough to react to settle the problems that have accompanied with this trend. This issue has drawn widespread attention in recent decades. This essay will give an overview about what the IMF it is first, and then put forward by some examples that what kind of role the IMF has done to address financial issues, good or bad. Finally, this essay will propose some solutions about the IMF how could it be more useful to solve the financial crisis.
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).
“History of the Ottoman Empire, an Islamic Nation where Jews Lived.” “History of the Ottoman Empire, an Islamic Nation… 1967-2004. 30 January, 2014 http://www.sephardicstudies.org/ottoemp.html
Aluminum is a silvery-white metal which is a chemical element of boron group represented by symbol Al and have atomic number 13. It has soft ductile nature. Aluminum is abundantly available (third most abundant element). It makes about 8% of the total mass of earth crust. It is very chemically reactive and present with the combination of 270 different minerals. Previously it was produced in 1924 for the first time. Bauxite is the chief ore of aluminum. Aluminum is famous because of its low density and its ability to resist corrosion by using the phenomena of passivation. Alumina is an integral part of an aerospace industry, electrical engineering, and transportation with its other alloys. It is also used in building and window
Aluminum is an element in the boron group with a symbol of Al, and an atomic number of 13. Aluminum is a very soft metal when pure but becomes strong and hard when alloyed, a malleable metal with a silvery gray color. Aluminum is a very reactive element so it is found in nature combined with other elements. Aluminum resists corrosion by the formation of a self-protecting oxide coating. Aluminum is the third most abundant element in the Earth’s crust, following oxygen and silicon. It makes up approximately 8% by weight of the Earth’s surface. Although this is evident, it is also apparent that aluminum is never found by itself in nature. All of the earth’s aluminum has combined with other elements to form compounds and in order to create new aluminum products; it has to be taken out of that specific compound. Aluminum does not rust like other elements, therefore it always remains strong and shiny, which means reused aluminum is almost identical to a brand new piece of metal. An electrochemical process creates aluminum. An electrochemical process is “the direct process end use in which electricity is used to cause a chemical transformation” ( E.I.A. Government). Major uses of electrochemical processes occur in the aluminum industry in which alumina is reduced to molten aluminum metal and oxygen, where than the aluminum can be used into making several different materials. Electrochemical processes, although very useful, can have serious environmental consequences. To help reduce the consequences that the production of aluminum creates, the idea of aluminum recycling comes into play.
The Use of Soliloquies in William Shakespeare's Othello Soliloquy is a stage device which can be found throughout the works of many modern day playwrights, and is famously used by Shakespeare in his theatrical tragedy, “Othello.” We see at many key moments, both the lead roles of Othello and Iago, speak when no other characters are present or listening, revealing their inner most thoughts to the audience, illuminating their private intentions and allowing them to evaluate what their actions have already accomplished, without offering the other characters the chance to learn what they are really like. Some critics express the opinion that modern audiences find that soliloquy is often ‘outdated’ and ‘embarrassing.’ In a time of film, where facial close-ups and various other informative techniques can be adopted to reveal characters inner-most thoughts and emotions, the soliloquy in contrast is delivered in neither a subtle or particularly complex manner. Soliloquy can sometimes be seen as an easy way out for writers to reveal their characters and their intent without having to put in any work demonstrating them through dialogue and stage direction.