Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
The language, style and the use of symbolism in Othello
Iago's sinister plot in Othello
Iago's manipulation of othello
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The use of soliloquy is one way in which Shakespeare uses to depict the picture of the character Iago and the large conspiracy in which he is planning to execute. It is a case in point in which the character uses own thoughts in revealing the plans he or she holds towards other characters in a piece of literature work. Iago is a character who expresses his thoughts to show the deep hatred he holds towards Othello and how he plans on using various conspiracies to destroy Cassio, skim Roderigo and ultimately gain the leadership from Othello. The soliloquies help the audience have an understanding of the wickedness of Iago and how he plans on using all this wickedness to fulfill his selfish desires.
One of the soliloquy shows the initial hatred that Iago has towards Othello. The hatred arises when Othello overlooks Iago for a lieutenant position preferring Cassio. He decides to exploit his friend Roderigo and uses the soliloquy ‘Thus do I ever make my fool my purse.... I hate the Moor...’ to show that he plans to use Roderigo as one of the ways in which he is to finance his evil schemes. Iago knows that Roderigo is in love with Desdemona and he plans on exploiting those feelings so that Roderigo can be part of the
…show more content…
scheme. As a matter of fact, Roderigo does not realize that he is fooled by Iago though in the play he is shown as being witty. The plan is a continuation from what Iago had told Roderigo to tell Desdemona’s parents. He says “Yet throw such changes of vexation on’t. As it may lose some color” (Shakespeare & Bevington, 2014, Scene 1, Act 1, Line 74-75). The implication is that Iago views Roderigo as a means to an end and this just shows the extent he is willing to go to make his friend be part of his devious scheme. However, the next soliloquy after the conversation he has with his friend Roderigo shows just how much Iago is willing to go or do to succeed in his conspiracies. It is in the soliloquy in which he states ‘Doth, like a poisonous mineral, gnaw my inwards; And nothing shall or content my soul. Till I am evened with him, wife for wife; (Shakespeare & Bevington, 2014,Scene 2, Act 1, Line 299). By sharing these thoughts with the audience, Iago shows that he is settling nothing less rather than the destruction of Othello and by extension, fulfill his desire for power. It is worth to note that Iago does not show any remorse for the victims of his crimes and all he cares about is that he gets to what he aims at. It is worth examining the final conspiracy that Iago has to fulfill his ambitions.
He plans on showing that Cassio and Desdemona are in an illicit affair and this he feels would be helpful in making Othello fire Cassio or even have him killed. The soliloquy, ‘I will in Cassio’s lodgings lose this napkin, and let him find it. Trifles light as air, are to the jealous confirmations strong, as proofs of holy writ. This may do something’ (Shakespeare & Bevington, 2014, Scene 3, Act 3, Line 337-340). Here, Iago plans on the final act on how Othello, Desdemona, and Cassio would all turn against each other and that he would be left the only one standing. It is a grand scheme that Iago feels eliminates all his enemies and he remains the only one standing; the
victor. The conclusion can only point to the way Shakespeare uses soliloquy by Iago to paint the character as devious and wicked. The soliloquy shows the audience the conspiracies of Iago, and it is not surprising on how the tragic finally ends. The victims all fell to the manipulation and evil machinations of Iago.
Iago's reasons for his hatred of Othello begin with the fact that in choosing a lieutenant, Othello passed over Iago in favor of Cassio, but Iago may have hated Othello even before that. Roderigo opens the play by exclaiming to Iago, “Tush! never tell me? I take it much unkindly that thou, Iago, who hast had my purse as if the strings were thine, shouldst know of this” (1.1.1-3). The "this" is the elopement of Othello and Desdemona.
	The first scene of Act I illustrates Iago's use of manipulation. Iago knows that Roderigo is upset about losing Desdemona to Othello. Iago himself is angry at Othello for being passed over for promotion to lieutenant for Michael Cassio. Realizing that by playing on Roderigo's jealousy he can gain an ally to work against Othello. Iago does this in a subtle manner. He explains to Roderigo that he was passed up for promotion by Othello. While doing this he makes Othello look inferior by reinforcing the fact that he is a Moor. By pointing out that Othello is a Moor Iago causes Roderigo to become even more jealous, because of the fact that he lost Desdemona to someone who he feels is of a lesser race. It even seems that Iago is toying with Roderigo when he reveals that he is a fraud when he says, "I am not what I am." (I.i.62) By using these tactics, Iago has almost gained total control of Roderigo.
“..I hate the Moor, And it is thought abroad that 'twixt my sheets He has done my office. I know not if it be true, But I, for mere suspicion in that kind,Will do as if for surety” (Othello Act I scene III) In this quote, Iago is saying that he hates Othello because he’s heard a rumor around Venice that Othello is having an affair with his wife. The reason Iago was chosen was because he is arguably the main character of the play. Yes the play is called ‘Othello’ but this reader sees Iago as a more realistic, and to be
Critical Analysis of Iago's Soliloquy in Act 2 Scene 3 of Othello by William Shakespeare
In the first scene we are thrown right into the action with the argument between Iago and Roderigo. This first argument shows us how Iago is cunning and sly because he has already manipulated a weak Roderigo into paying him for something he hasn't even done yet. Roderigo who is obviously weak and simple has asked Iago to help him woo Desdemona in exchange for money, he thinks Iago has not done this because Desdemona is now at this moment marrying the moor. Yet Iago manages to convince Roderigo of his sheer hatred for Othello and swindle him out of his money. As he later exerts in his soliloquy at the end of Act I.3 ' thus do I ever make my fool my purse' this shows his attitude to Roderigo he is just money for Iago a pawn in his plan. This attitude shows how to a certain extent Iago primes the character he will use later in his plan showing a consistent strategy, he knows he can use Roderigo in the future so keeps him on his side instead of being rude and sharp with him. You can see that Iago finds Roderigo tedious but keeps him a friend for his money and possible use in the future.
Iago's next motive becomes clear when he convinces Othello "that he (Cassio) is too familiar with his (Othello's) wife." (1,iii.4399) Iago's motive here is to break the bond between Othello and Desdemona.
The situation above leaves an opening for Iago to fulfill his vital plan to bring down Othello through Desdemona. Cassio was a mental wreck and told Iago that his reputation was ruined. Iago told him that he can get his rank back through Desdemona and get back on Othello's good side. "Confess yourself freely to her, importune her help to put you in your place again (p. 54)." Once Cassio talks to Desdemona, Iago will speak with Othello and get him to think of his wife's trust. In Act three Scene three Iago is speaking to Othello and warns him to look out for Cassio and Desdemona. Othello asks Iago if it was just Cassio that left from speaking with his wife.
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in
However, I disagree and believe that soliloquies help to gain intimacy. with the characters and thus make the play more successful. We see this with the character of Iago. In the first part of the play most of the soliloquies are his and are involved with his plotting and evil. In his first soliloquy at the end of act one scene one Iago declares that he “hates the moor” and says that Othello “twixt his sheets”.
...n conflict of the play. Iago plans to ruin Othello and Cassio by carrying out a plan based on lies and deceit. This plan will make Iago the only person that Othello believes he can trust, and Iago will use this trust to manipulate Othello.
Dialogue and Soliloquy in Understanding Iago Shakespeare’s Iago is a very sophisticated and unpredictable character. He is part vice and is a very deceitful and evil character. We see him as a character who tempts mankind into performing devilish conducts. This is why he is almost certainly known as inherently evil.
Iago intends to orchestrate the demise of Cassio and Othello. On the surface, winning a promotion was the catalyst for Iago’s rage but bringing down only Cassio does not satisfy his bloodthirsty rage. Although Iago is cunning and ruthless in his pursuit to ruin Othello, the plot spins out of his control and only gains traction when his wife, Emilia unknowingly helps him. At this point Iago is poised to fail but the possession of Desdemona’s handkerchief provides a key piece of “ocular proof (Shakespeare)” that Othello requires to be convinced of Desdemona’s infidelity. Iago loses control of the situation. His stated purpose is to suppl...
With a soliloquy, the playwright creates both suspense and dramatic irony. The audience, in contrast to the characters in the play, gets a closer look into Iago’s motives and reasoning.
We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans.
Iago can be viewed as the narrator of this play. He is left alone on stage several times trough out the play to more or less speak to the audience. One such instance is the last part of the first act where Iago devisee’s his plan of attack on every character in the play. At this point the only reason we have seen for his anger is that he has not been appointed Othello’s lieutenant, despite his recommendations. “But for my sport and profit, I hate the moor…”(1.3.365). It is obvious that Iago is the villain in the play. But this line is very important. Iago hates Othello it seems because of his unapointed position. This line asks us, the audience, a good question: does Iago hate Othello enough to go trough all the trouble creating enemies of the entire cast? There could have been much simpler ways to get at Othello without dragging everyone else into the picture. Also after Rodrigo lost his luetiency it would have been simple for Iago to fill the newly vacant position. I believe, as the line says, Iago hates Othello only for amusement. “But for my sport and profit…” (1.3.365) Iago engages in the act of hating not because he has a disregard for Othello. Iago engages in the act of hating only to hate, whether it be Othello or his own mother. Iago hates for his own “sport and profit.” thus understand this concept of Iago puts a whole new spin on the evil which consumes him.