Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
A simple topic about the importance of writing
Significance of writing
Important writing skills
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: A simple topic about the importance of writing
Comparing Othello and Canterbury Tales The use of manipulation and misleading for personal gain has proved to be successful for many people throughout history. Famous poet, Geoffrey Chaucer, and famous play writer, William Shakespeare, illustrate characters who possess these manipulating qualities in their personalities. Geoffrey Chaucer’s Pardoner, from The Canterbury Tales, and William Shakespeare’s Iago, from Othello, are good examples deceiving characters. These literary figures manipulating techniques are very effective on the other characters in Chaucer’s and Shakespeare’s works. Iago’s main motivation for his manipulation is his hatred of the main character, Othello. Iago's reasons for his hatred of Othello begin with the fact that in choosing a lieutenant, Othello passed over Iago in favor of Cassio, but Iago may have hated Othello even before that. Roderigo opens the play by exclaiming to Iago, “Tush! never tell me? I take it much unkindly that thou, Iago, who hast had my purse as if the strings were thine, shouldst know of this” (1.1.1-3). The "this" is the elopement of Othello and Desdemona. Roderigo has been giving Iago money to help him into Desdemona's favor, and he assumes that Iago knew about the elopement. Iago didn't know, which must have been embarrassing. He says about Desdemona, “Now I do love her too; Not out of absolute lust, though peradventure I stand accountant for as great a sin, but partly led to diet my revenge” (2.1.291-294). He wants revenge for his own suspicion that Othello has gone to bed with Emilia. It's eating at him and he won't be satisfied “Till I am evened with him, wife for wife. Or failing so, yet that I put the Moor At least into a jealousy so s... ... middle of paper ... ...own blood brother". At the end of the tale, the "brothers" begin to reveal their true nature. They all turn on each other in an attempt to steal the treasure for themselves. All of the loyalty, which they had pledged, was simply a lie and no faithfulness remained. While the two older "brothers" plotted to kill the younger brother, the younger "brother" plotted "to kill them both and never to repent"(p.363, line 522). Thus, these so-called faithful "brothers" display their true ruthlessness and reveal their hypocrisy in relation to the Pardoner's character. It is easy to see the similarities between the pardoner and Iago. They both deceive people into thinking things that will benefit their own personal gain. Their misleading inquiries are important to the plots of the stories; it keeps it interesting and suspenseful and it is obviously very successful.
Iago takes on many different persona’s to enact his plan of revenge upon Othello. He plays the friend, a trustworthy and credible source of information for Othello in his feat of drama with his innocent wife, Desdemona. He also plays the wingman for Roderigo who is madly in love with Desdemona, encouraging him to make advances towards her to woo Desdemona away from Othello. Iago even persuades Roderigo to kill Cassio with his lies about Cassio and Desdemona’s affair. “...you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us.” Iago promises to assist Roderigo in the murder of Cassio and he will be rewarded with Desdemona’s love (Navigators.) Iago’s true persona, though, is a heartless, woman-hating villain who would go to great lengths to get revenge against Othello for preferring Cassio over him for the military promotion.
When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
There are many similarities between William Shakespeare’s Othello and Geoffrey Chaucer’s Pardoner, out of his collection of tales entitled The Canterbury Tales. The stories can be compared to each other in different ways. The two most prominent themes in the stories are found in love and deception. The two themes are centered on the idea that tricking someone into trust will gain a person their own desires. The antagonists in both Othello and “The Pardoner’s Tale” are men that have one objective and they use any means necessary to accomplish their selfish and personal pursuit. The stories of both Othello and The Miller’s tale have a trifecta of characters that keep the stories in motion; the similarities between the two stories have very parallel plot structure. They both contain a power struggle, regardless if it is for personal gain between two men over one woman, in relation to how this woman can grant them their desires, or whether it is for the pursuit to get away with their villainous ply for material possessions. Whether it is love, power, or sex. Geoffrey Chaucer’s Pardoner, from The Canterbury Tales, and William Shakespeare’s Iago, from Othello, are both good examples of misleading and deceptive characters. These two literary figures techniques of manipulation are acutely effective on the other characters in Chaucer’s and Shakespeare’s works.
Due to Iago being a good liar, he has gotten everyone in this tragedy to a weak point of no return. Basically to where if he tells any of them to jump; they will basically be like how high. It is sad that in this tragedy from acts one through three the bad guy gets the glory for every bad thing he does and there is absolutely nothing one can say about it because after all how can you prove that Iago has planned this stuff out so efficiently. It leaves one to wonder do cheaters really win?
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
While reading the play “The Tragedy Of Othello” by Shakespeare I realized that it was almost like reading one big poem. Many of Shakespeare’s plays have a rhyme scheme this is called blank verse, “written prodomintaly in blank verse, Othello also includes prose passages (many spoken by Iago) and rhymed couplets (which punctuate the ends of some scenes)” (DiYanni 1011). The character I took the most interest in was Iago. He is portrayed as the villain throughout the play. Iago claims that he always speaks the truth when everything is an elaborated lie to manipulate others. Iago is married to Emilia, it was surprising to me that he did have a wife because he doesn’t have a good view on women. He believes they are suppose to be servants and housewives. In his view lying and cheating is the way to get things done. What makes Iago one of the worst shakespeare villains is, he is out to
Iago is a very strategic and clever person, and he despises Othello because Othello appointed Cassio as a lieutenant over Iago. He plans to ruin Othello’s life by ruining his relationship with Desdemona. He starts off by telling Desdemona’s father, Brabantio, of Othello and Desdemona’s secret marriage. Iago goes to
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
In The Tragedy of Othello, William Shakespeare tells the tale of the “noble Moor” whose honor and innocence bring about his downfall. Shakespeare writes of the power of jealousy, and the art of masterful deception and trickery. The story primarily takes place in Cyprus, during a war between the people of Venice and the invading Turks. In this play Shakespeare shows the feelings of Othello’s embittered right-hand man of, Iago, who feels he is passed over for a promotion and swears his revenge. He proceeds to manipulate his friends, enemies, and family into doing his bidding without any of them ever realizing his ultimate goal. He makes Othello believe that his new wife, the innocent Desdemona, is committing adultery with his newly promoted officer Michael Cassio. After this seed of jealousy has been planted, Othello’s mind takes its course in determining the true outcome, with a little more nudging from Iago. The course of action he proceeds to follow is one that not only ends his own life, but also the life of his wife and others. In Shakespeare’s Tragedy of Othello, Othello is a man who is still truly honorable, despite the course of action he takes to resolve his perceived problem.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about
Iago is straight away introduced as a dubious character. Having his fingers in Roderigo's purse show his interest in money. The language that he uses is vulgar and rude and he has no shame in his deceitful actions. In order to get what he wants, Iago will do anything. This includes insulting Desdemona, an innocent young woman who does not intend to harm anyone. Her sorrow at her divided loyalties shows this. Like her husband, Desdemona deals with situations carefully. Othello is the opposite of Iago in that he does not pride himself on killing people. It may be his strong point, but he feels that it should not be bragged about, especially in noble company.
One person Iago deceives is Roderigo. Throughout the play, Iago tells him that he hates Othello and that Roderigo should make some money so he could give gifts to Desdemona, who he admires from afar. Thinking that this is sound advice, Roderigo does just that. However, Iago is actually keeping the gifts that Roderigo plans to give Desdemona for himself. Eventually, Roderigo begins to catch on to the act and confronts Iago, but he falls right into Iago’s trap again when he tells him that killing Cassio will help him win over Desdemona. Roderigo is then lead to his death by the hands of "Honest Iago."
Shakespeare develops the character Iago into an instigator and evil man. Iago attempts and succeeds to convince Othello that his wife has had an affair with his friend Cassio. We see Iago beginning his plans at the very start of the play. “But I will wear my heart upon my sleeve for daws to peck at, I am not what I am.”(Oth 1:1:64-65) He immediately tries to start trouble with Brabantio and Othello over the marriage to Desdemona. Iago want to get in Othello’s way because he was passed over for general and Cassio was chosen instead. We see from the start how he plots against Othello and he involves several characters in his plans. “And what’s he then that says I play the villain? When this advice is free. I give and honest, probal to thinking, and indeed the course to win the Moor again? For tis easy Th’ inclining Desdemona to subdue in any honest suit; she’s framed as fruitful…”(2:3:295-300).
He says: "I love the gentle Desdemona", and this suffices to explain his feelings. It is obvious that Othello is a much 'deeper', more sensitive man than Iago. Another contrast is that Iago's motivation is himself and his self-interest. Iago desires success and gain for himself and no other. It appears that his major grudge against Othello is that he promoted "a fellow almost damn'd in a fair wife" (that is, Cassio) above himself.
Iago can be viewed as the narrator of this play. He is left alone on stage several times trough out the play to more or less speak to the audience. One such instance is the last part of the first act where Iago devisee’s his plan of attack on every character in the play. At this point the only reason we have seen for his anger is that he has not been appointed Othello’s lieutenant, despite his recommendations. “But for my sport and profit, I hate the moor…”(1.3.365). It is obvious that Iago is the villain in the play. But this line is very important. Iago hates Othello it seems because of his unapointed position. This line asks us, the audience, a good question: does Iago hate Othello enough to go trough all the trouble creating enemies of the entire cast? There could have been much simpler ways to get at Othello without dragging everyone else into the picture. Also after Rodrigo lost his luetiency it would have been simple for Iago to fill the newly vacant position. I believe, as the line says, Iago hates Othello only for amusement. “But for my sport and profit…” (1.3.365) Iago engages in the act of hating not because he has a disregard for Othello. Iago engages in the act of hating only to hate, whether it be Othello or his own mother. Iago hates for his own “sport and profit.” thus understand this concept of Iago puts a whole new spin on the evil which consumes him.