Iago's Manipulation

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In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).” Iago intends to orchestrate the demise of Cassio and Othello. On the surface, winning a promotion was the catalyst for Iago’s rage but bringing down only Cassio does not satisfy his bloodthirsty rage. Although Iago is cunning and ruthless in his pursuit to ruin Othello, the plot spins out of his control and only gains traction when his wife, Emilia unknowingly helps him. At this point Iago is poised to fail but the possession of Desdemona’s handkerchief provides a key piece of “ocular proof (Shakespeare)” that Othello requires to be convinced of Desdemona’s infidelity. Iago loses control of the situation. His stated purpose is to suppl... ... middle of paper ... ...vice to do so. He has turned into a malcontent that at first wanted to supplant Cassio and humiliate Othello. As his plot begins to spread out of his control, Iago becomes more bold and haphazard with his actions. “There is no sense given in the play that Iago particularly wants Othello dead. He would presumably allow Othello to live indefinitely in torment, were this possible” (Zender 232) Works Cited Macaulay, Marcia. " "When Chaos Is Come Again: Narrative and Narrative Analysis in Othello." ." Academic Search Complete. EBSCO. Web. 28 Apr. 2011. (2005): 259-276. Shakespeare, William. "The Tragedy of Othello." DiYanni, Robert. Literature: Reading Fiction, Poetry, and Drama. New York: McGraw Hill, 2007. 1455-1543. Zender, Karl F. "The humiliation of Iago." Studies in English Literature, 1500 - 1900.Spring 1994. Vol. 34, Iss. 2 Spring 1994: 323.

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