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Racial prejudice in othello
Othello and racism
Racial prejudice in othello
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Arthur Shopenhauer once described a racist man as a “…miserable fool who has nothing at all of which he can be proud, adopts as a last resource pride in the nation to which he belongs; he is ready and happy to defend all its faults and follies tooth and nail, thus reimbursing himself for his own inferiority.” Without a doubt, racism is one of the key themes in Othello, which challenges the characters thoughts and actions throughout the play. One specific character, Iago, is driven by such racial distort, especially against Othello, that ultimately motivates his ingenious rampage of revenge and confusion. Hence, the characters racist attitudes, but mainly Iago’s, creates the momentum needed to spur the confusion and tension between the characters, resulting in the popular Shakespearean dramatic ending. Iago’s word choice describes very clearly his racial vision of Othello. He refers to Othello throughout the play by many racial slurs: “the moor”, “an erring barbarian”, and “black ram”. His attitude towards Othello implies certain personal characteristics: it shows that he is, jealous, hateful, and insecure “of his own inferiority.” From the beginning, Iago has been the “playmaker” of the play, always instigating the trouble and trying somehow to damage Othello.
Even now, now, very now, an old black ram
Is tupping your white ewe: Arise, arise;
Awake the snorting citizens with the bell,
Or Else the devil will make a grandsire of you.
Arise I say! (I,i,9)
It is interesting to note Iago’s word choice when awaking Brabantio with the news that his daughter has eloped with Othello. He refers to Othello as an “old black ram” who is “tupping” or sleeping with innocent Desdemona the “white ewe.” He plays on the belief that black men have ani...
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...Desdemona, but then Iago-like thoughts deny the innocent pleas from within, showing the possible centaur-like personality.
Iago’s general motive to start a charade of death, confusion, and manipulation was primarily due to racism and its stems of envy and hate. Without a doubt, it is a general theme and topic that is garnered by Shakespeare in order to drive the dramatics in the play. However, it also shows that Shakespeare wanted to leave a message in the novel, a message of the consequence of misplaced trust and also of the deception of premature appearances. Where the manipulation and hate all stemmed from premature racial opinions of one and led to the death of innocent characters in dramatic irony. “To thine own self be true, and it must follow, as the night the day, thou canst not then be false to any man” (William Shakespeare, a proper description of Othello).
Othello is also the protagonist of the play, nevertheless he was still considered the hero as well. Othello’s refusal to face reality lead to his downfall. His flaw is his insecurities as a Moor and his inability to accept the success he has earned, the importance he has places in his honour and reputation caused his ultimate downfall. Iago easily manipulated Othello because Iago knows Othello’s flaw. Othello cannot stand the thought of his reputation being marred as a general and a Moor in the Venetian army. Like a soldier, honour was what Othello hold dear to his heart. Although Othello is a highly respected general in the Venetian army, he is still a Moor. Because he has been a soldier his entire life, his way of thinking have affected his confidence in perception. As a black man in a white people’s world Othello was discriminated and considered an
Othello seems to have a really rough time finding the truth in people. The reasoning behind this is simply the way he acts around people. Although Othello is a cultural and racial outsider in Venice, his skill as a soldier and leader is nevertheless valuable and necessary. He is after all a man in high power and is respected for that simple fact. Essentially, the first impact that is made upon the reader of Othello is not one of high quality. He was called many names of which had to do mostly with his racial background some of these names include “the Moor” (I.i.57), “an old black ram” (I.i.88), and “a Barbary horse” (I.i.113). The two characters that begin the cruel introduction of Othello are two trusted comrades, one being Iago. Right from the start, Iago already begins the demise of Othello. Now since Othello made this decision to trust and simply see the good in everyone rather than the truth in everyone his life got turned upside down and started to take ...
Orkin, Martin. “Othello and the “plain face” Of Racism.” 2nd ed. Vol. 38. N.p.: n.p., n.d. 166-88. Shakespeare Quarterly. Folger Shakespeare Library in Association with George Washington University, Summer 1987. Web. 12 Mar. 2014. .
The audience at this point know nothing of Othello that is gained by their own opinion, instead we are lead to believe from Iago’s race related description that Othello is a threatening and evil moor, whose beastial sexual appetite, conveyed by Iago’s cries to Brabantio, telling him that ‘an old black ram is tupping’ his ‘white ewe’ (1.1.89), is something of a rapist. Iago’s coarse animal related language conveys Iago’s feelings against Othello’s marriage in a much more pronounced way. The image of an ‘old black ram’ gives the audience nothing but negative images of Othello, especially when this ‘old black ram’ is being associated with the innocence of a ‘white ewe’. Iago then associates Othello with the image of ‘the devil’ (1.1.92) because of Othello’s colour, Iago warns Brabantio that he has ‘lost half [his] soul’ now that Desdemona is married to Othello. Iago here emphasises the biracial nature of the marriage, already showing his ability to manipulate people, in this case he is manipulating Brabantio, to believe in Iago’s own opinions and in theory to eliminate all thoughts that Brabantio might of had of his own about the marriage.
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
The potential problems of their relationship are exploited fully by Iago, who plays on Othello's fears - his insecure position in a white society with a white wife, and his strict adherence to that society's norms as regards a wife's passivity and sexual behaviour--to get him to see through listening. That is, Iago uses words to twist reality and create mental images for people, and then persuades them to accept these as true. Listening to Iago is indeed dangerous.
Within Shakespeare’s Othello, it conveys moral and subsequent reflection of events in its current society. In Act 4, Scene 2 (Part 1) demonstrates the road to Othello’s downfall and the success of Iago’s revenge. Within this scene, Othello interrogates Emilia for suspicion of Desdemona and Cassio’s affair, in which they have none, and with Othello's confrontation, he questions and insults her of her unfaithfulness and infidelity leaving Desdemona confused about what happened to Othello. Iago, called by Emilia, pretends to offer Desdemona comfort and Emilia raises notions of the possibilities and hypothesising that someone is 'feeding' Othello lies. Iago hastily covers these ideas to avoid exposure of the truth. This strong and indecisive scene twists the ideas of human nature within Othello’s mind and convinced perceptions of Desdemona, fulfilling Iago’s Revenge.
The play begins by exposing the reader to Iago’s evil intentions and plans to ruin Othello’s reputation. Act 1 introduces the reader to this aspect of Iago as he informs Brabantio of Othello and Desdemona’s elopement, through his use of diction to appeal to pathos, “ sir, you’re robbed.[. . . .]/Your heart is burst. You have lost half your soul./Even now, now, very now, an old black ram/Is tupping your white ewe” (1.1.94-98). Iago’s constant use of the possessive word, “your,” personalizes the situation, which immediately appeals to Brabantio’s emotions of apprehension towards his possessions such as his “heart,” “soul,” and “white ewe.” The repetition of the word “now,” consecutively, emphasizes urgency, persistence, and insistence to convince Brabantio that the situation is worse than it actually is and to force him to act immediately. Moreover, Iago chooses to describe the situation with words carrying embedded negative connotations such as, “robbed,” “burst,” “lost,” “black ram,” and “tupping.” These words formulate an image that portrays disgust and detestation by depicting Othello as a thief and rough animal, especially in the metaphor of the b...
By analyzing this play, we can come to understand the dangers of racial injustice. If I may take the liberty of paraphrasing: "O beware, my lord, of racial prejudice! It is the green-eyes monster, which doth damage the society it thrives in." In the character of Iago, Shakespeare demonstrates the dangers of holding racial prejudices. Othello is the victim of the pervasive social stereotypes which lead to his downfall. This play should serve as a warning of the horrid plague of racism which festers in our society.
Racial prejudice against Othello is introduced early in the play and is present throughout. Iago and Roderigo approach Brabantio with news about his daughter Desdemona. They inform Brabantio his
References to black and white carry the most weight and contribute much to the actions of the characters; those colors often are used as a comment on race, on good and evil, on sexuality, or a combination of the three. The play does not proceed far into the first scene without a racial statement, where Iago informs Brabantio that Othello and Desdemona have run away together: “Even now, now, very now, an old black ram/ Is tupping your white ewe” (1.1.85-86). Iago refers to Othello as a “black ram” and to Desdemona as a “white ewe,” pointing out the differences in skin color (since Othello is a Moor). A ram, since it has horns, can also be symbolic of the devil; therefore, Iago makes Othello devil-like and racially different at the same time. Additionally, the color black is often seen as evil or bad, whereas white is seen as good and pure. Since the black ram is “tupping,” or mounting, the white ewe, Iago is making a reference to the sexual act of Othello, black, taking Desdemona's virginity, white and pure. Planting an image like this in Brabantio's mind causes him to react negatively towards the marriage, and because Othello is darker-skinned, it makes the situation worse....
The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialog. This racism is directed toward Othello, a brave soldier from Africa and currently supreme commander of the Venetian army. Nearly every character uses a racial slur to insult Othello at one point in the play. Even Emilia sinks to the level of insulting Othello based on the color of his skin. The character that most commonly makes racist remarks in Othello is Iago. It is very apparent that Iago uses racism as a scapegoat to hate and blame Othello. Societal racism takes its toll on its victims. The effect of racism on Othello is quite evident and is one of the main causes for his insecurity about his marriage. However, Othello is not wholly the tragedy of racism. The theme of jealousy is also extremely important in Othello. Racism may play a large part in the tragedy, Othello, but it certainly does not adequately explain the entire play.
Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.
...ith his daughter, Desdamona (white ewe). Iago by describing Othello as a black ram, portrays him as an animal-like figure, not a human being, all because he is a black man. During the Elizabethan time, interracial relationships were frowned upon. As a result, establishing the idea that Othello is an animal exposes racism towards the audience. (The way Iago manipulates Othello is by playing the race card. In reality, he is trying to break up Othello and Desdamona. Othello see’s Iago as in honorable man)
In Othello, The Great Chain of being is seen through the antagonist Iago who extensively uses racial prejudice and animalistic language to dehumanise Othello as an animal or beast, purely because of his complexion. In the beginning of the play, Machiavellian Iago pursues to report and persuade Brabantio of Desdemona and Othello’s secret elopement in the middle of the night. Iago abruptly bellowed, “an old black ram….is tupping your ewe” (I.I.85-86). Metaphor has been used to add more offence to Iago’s directive insult of Othello by metaphorically, comparing him to a sexually, aggressive animal in a malevont phrase. The infusion of strong animalistic descriptive language and animal imagery is used to illustrate the hostility towards Othello’s ethnicity and both Desdemona’s and Othello’s interracial marriage to which causes the audience to instinctively analyse for the character’s weaknesses. Furthermore, Iago’s incorporation of animalistic terms allowed him to control his victims, to be more susceptible to his manipulation. In the later scenes, Iago’s manipulative character is further shown when he witnessed Cassio leaving Desdemona’s room without the acknowledgement of Othello, so he used this as an opportunity to report back to Othello by manipulating Desdemona having an affair with