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Representation of women in Shakespeare
Shakespeare's representation of women
Characters analysis of othello
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The quote appearing inI.iii.146-151 is part of Othello's explanation to the Senators of Venice for his success in winning Desdemona. Othello relates to them Desdemona's behavior during their courtship, where, like most of the characters in the play, she accepts and acts upon second-hand knowledge gained through listening, without the backup of evidence. The tragic action in Othello unfolds based on Iago's exploitation of this over-reliance on hearing. He seems to be the only one who perceives that people often interpret words based on what they want to hear, or through their underlying fears.
Even without Iago's interference there are potential problems in how Othello and Desdemona relate to each other through hearing. Othello betrays his fear of Desdemona listening with a greedy ear (150) by saying that she would devour up my discourse (151). As all she knows of Othello is his discourse, this is the same as devouring him. Her active listening betrays her non- passive character, which is threatening to the male role Othello is trying to adopt in Venetian society. Desdemona has also perceived who she thinks Othello is through his discourse - I saw Othello's visage in his mind (I.iii.253)--which has perhaps caused her to only half perceive his colour and otherness, and the potential male opposition to thier marriage. What she has heard is his version of events, and she appears to have fallen in love with his exotic past through this discourse. We can wonder how well she knows Othello the man in the context of Venetian society.
The potential problems of their relationship are exploited fully by Iago, who plays on Othello's fears - his insecure position in a white society with a white wife, and his strict adherence to that society's norms as regards a wife's passivity and sexual behaviour--to get him to see through listening. That is, Iago uses words to twist reality and create mental images for people, and then persuades them to accept these as true. Listening to Iago is indeed dangerous.
Despite the fact that Iago deliberately subjects Othello to his twisted thoughts, Othello seems to have a greedy ear for his discourse, and appears to rely on Iago for the underlying truths of this white, male-dominated society he wants to belong to. Perhaps that helps explain how easily Othello is fooled without any real evidence. Once Iago has sown the seed of doubt in Othello's mind about Cassio, whom they both presumably see as a proper man (I.
Throughout George W. Bush's political career he has implored the use of Aristotle's tripod, which we like to call it. This tripod is a rhetoric which implies that persuasion relies on three things, which are ethos, pathos, and logos. Logos is devoted solely to logic and reason. While on the other hand, pathos deals with attitudes and beliefs. Perhaps the most important one which pertains to George W. Bush is something called ethos, that is to say the branch of the tripod which deals with the personal strengths of the speaker and most importantly his character. Throughout his political journey he has showed the use of pathos, logos, and ethos time and time again, but the one of which he is commonly known for is ethos. The instances in which he has demonstrated them are countless, but I will recall but three. The first event took place on the day of September 14, 2001 at 'Ground Zero', three days after the attack of the World Trade Centers. The third instance was on September 20, 2001 during his Address to a Joint Session of Congress. Lastly, was the State of the Union Address in Washington D.C. Which was held on January 29, 2002.
Miller, Arthur. The Crucible. Prentice Hall Literature: Timeless Voices, Timeless Themes. Kate Kinsella, et. Al, New Jersey: Pearson Education, 2002. 1233-1334. Print.
Iago, Othello’s ensign, and the villain of the play, performs his monstrous acts in a complex way by deceiving others to believe that he is honest and reliable while using this reputation to manipulate others. In this section, Iago says very little to deceive Othello into thinking that he has information that he would want to know. Iago’s clever use of silence and intimacy
Richard Gardner, a graduate student of R. G. Edwards, had furthered the experiment with mice blastocoels. As a result, human blast cysts became available since R. G. Edwards' laboratory in the early 1980s.
...is morally degrading and perpetuates the idea that women are mere sexual objects,” (BBC News.) This shows the awful things they go through in order to get what they truly
Othello is such a gullible character with so much trust in the wrong people. He trusts Iago before he trusts his own wife, Desdemona; he let Iago get into his mind. Iago arises any doubt Othello has for anyone he ever trusted making them all seem untrustworthy. More then anything Iago uses pathos to appeal to emotion. “ But I will wear my heart upon my sleeve For daws to peck at. I am not what I am” (Othello, Shakespeare, Act I Scene I Line 65-66). Iago talks about being open and honest; although this is not true it makes the other characters feel secure. Othello is a strong character, but Iago is his downfall. Blinded by jealousy and questions Othello will no longer trust Desdemona nor Cassio, because of this he will meet his
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
Modern Times was unlike most movies produced during the Great Depression era because it is featuring a view on the unemployment and rough conditions that people f...
Characters in the play fail to comprehend Iago’s true nature until it is too late. Those interacting with Iago fall into the belief that Iago is loyal to his superiors, when Iago is actually focused on bringing them (Cassio and Othello) down. Iago constructs a false impression of his loyalty to Othello through ...
This paper contains 237 words of teacher’s comments. What one perceives is influenced by one’s environment. The setting and commentary surrounding events changes our perception of them. Any innocent gesture can be perceived in the wrong way with enough persuading from someone else. Even if someone has total faith in another person's innocence, they can be persuaded to doubt them through the twisting of events. Once just a small amount of doubt has been planted, it influences the way everything else is seen. This occurs throughout the play, Othello. In this play, Iago influences Othello's perception of events through speeches and lies, making him doubt Desdemona's fidelity. Iago uses his talent of manipulating events to exact his revenge on Othello. Iago's twisting of events in Othello's mind leads to the downfall of Othello as planned, but because he fails to twist Emilia's perception as well, he facilitates his own eventual downfall.
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self.
All Iago had to do was hint at Desdemona being unfaithful and Othello’s becomes very bothered it and eventually starts believing it. The author of an essay does an analysis on Iago and says “He slowly poisons people’s thoughts, creating ideas in their heads without implicating himself. Iago even says himself that the advice he gives is free and honest and thus, people rarely stop to consider the possibility that Iago is fooling them.“ (Shakespeare’s Othello – Honest Iago). So Iago would hint at something going between Desdemona and Cassio so that Othello would become bothered and ask him what he means by that, it was like a game that Iago was playing, he would drop a little hint and then expect Othello to pick up on it and start questioning it and become more even suspicious. Brabantio tells Othello “Look to her, Moor, if thou hast eyes to see. She has deceived her father, and may thee” (I.ii.286-287), So In this scene Brabantio warns Othello that Desdemona has already fooled him and she might fool him too, so be careful, and it turns out, Othello believed in him after all and that’s part of the reason of why he thinks that Desdemona is being unfaithful to him. It leads him to start questioning Desdemona in a very suspicious way. At one point he even hits her in front of a nobleman and that was very shocking to the nobleman because he believed him to be a very calm and collected gentleman but obviously he was a changed man. The nobleman even expresses his shock by saying that “My lord, this would not be believed in Venice, though I should swear I saw’t. ‘Tis very much make her amends; she weeps” (IV .i.217-219). This negative thinking and insecurity was one of the main reasons to Othello’s change in a negative way. A lot of this was Iago’s doing but it was also Othello’s fault to fall for Iago’s
In Act 1. Desdemona admits that she fell in love with Othello's eloquence and harrowing adventures; 'I saw Othello's visage in his mind'. This outlines his sense of nobility in language,which empahsis how much of an experienced warrior ans revered noble man he is. Moreover Desdemona reveals Othello's nobility of love, 'She loved me for the dangers I had passed/ I loved her that she did pity them'. She succeeds in unveiling a side in Othello's nature which show him as a loving, respectful husband. He is clearly trustful of Desdemona and is not by any means jealous of him, as he allows her to travel to Cyprus with Iago,' To his conveyance I assign my wife'.
...uinely sweet on her. When Desdemona asks Iago to distract her from worrying about Othello, who may be lost at sea, Iago obliges by plying his wit upon her. This particular conversation does not serve to further his plot by causing his good image to increase, as he praises people of ill-manner, nor does it set up a future situation. It is simply conversation. However, Iago recognizes his love will forever go unrequited even if Othello were to die, and so his passion turned bitter and he jealously decided that if he can’t have her, no one can. Goading Othello into blind jealousy, he also restrains the Moor with cautionary words- like holding back a rabid dog whilst prodding it with a stick, so that once released, there is no chance of the madness wearing off mid-bite. Iago wants to ensure that when Othello says, “I’ll tear her all to pieces” (3,3, 447), he really will.
Implicitly targeting Othello’s doubts about marrying Desdemona and insecurities about her actions with infidelity, Iago eventually impacts Othello enough that the General himself confides in Iago about his own wife. Earlier in the play, ‘honest Iago’ needs to first gain Othello’s confidence and he does so by expressing his loyalty to Cassio, “I had rather have this tongue cut from my mouth/ Than it should do offence to Michael Cassio”, while Othello is present in a conflict (2.3. 203-204). Then, later in the play Iago baits Othello by suggesting that Desdemona and Cassio are having an affair. Immediately, Othello wants more information; however, Iago nervously responds with, “…vicious in my guess-/ As I confess…” and tries to calm Othello by saying, “My noble lord-” (3.3 46-47, 93). When voicing his devotion to Cassio, Iago immediately begins to play on his false reputation as ‘honest Iago’. He enables Othello, and his fellow characters, to think highly of him and to respect that even when his partner, Cassio, has not been following orders, Iago would even endure physical pain and have his “tongue cut from [his] mouth” and proves his locality (2.3. 203). This leads to when Iago responds to Othello’s queries, about