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Alfred hitchcock auteur status
Alfred hitchcock introductions to film
Hitchcock auteur
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Filmmaker Alfred Hitchcock was the master of suspense. According to Movie Gurus review, “Alfred Hitchcock is undoubtedly one of the greatest and most influential film directors in the history of motion pictures” (Ulmer par 9). His most famous movie, Psycho, was filled with various themes, but the theme that stands out the most was suspense. In this movie, Hitchcock used various film devices in the following scenes to support the theme of suspense. In the shower scene in Psycho, where Marion was murdered, was one of the most important key scenes in the film where the whole theme of suspense began. The key lighting in the bathroom shows how bright and innocent the scene looks; however, it builds tension, as the victim had no idea of what is going to happen. As Mother appeared, the backlighting shadowed her figure, adding to suspense to the scene by concealing her identity. In addition, the reverse shot of Mother stabbing Marion and Marion reacting to it was suspenseful because it showed us a clear view of what is happening. According to the Psycho review, “Never before had death been rendered with such coldness and such unromanticised lack of dignity” (Scheib par. 4). The shower scene supported the theme …show more content…
The long shot and high angle shows how Mother suddenly came from the other room, with a kitchen knife in hand, and stabs Arbogast in the chest. This supports the theme because it gives a full view of what is happening. After she stabbed him, there was a close up shot on his face as he gasped for air and there was a tracking shot as he fell down the stairs. This was suspenseful because it gave a close up look at his reaction to the attack. The death of Arbogast supported the theme because it was unexpected yet it adds to the question of who is
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
Whenever there is gentle action there is side lighting. Murder scenes have flashes of light (lightning and gunfire) which help build suspense. There are many motifs in the film which strengthen the narrative and serves as a joke on contradictions surrounding idea of hospitality. Motifs are also used to unify the narrative but also function as motivation.
In the film Rear Window that was released in 1954 Alfred Hitchcock the director uses suspense through out the film to create a mystery. Hitchcock uses several techniques like symbolism, narratives, and voyeurism. Hitchcock main focus in the film was to create the entire film from a one-point vantage spot. The film depicts a vision in the audience head that is produced by visuals. How do gender roles. Having the film shown by the eyes of the protagonist Jefferies eyes the audience have a connection to the film and have one specific vocal point to focus through out the film.
The 1960 horror film Psycho, directed by Alfred Hitchcock, explores the idea of duality and conflicting sides of human nature. The characters are conflicted in several ways and as the narrative unfolds are faced with decisions which ultimately uncover the predominant side to their contrasting personalities. Immediately, the opening credits and scene foreshadows the idea of duality, presenting Marion Crane as the first conflicted character. Hitchcock cleverly utilizes images and mirrors, to explore the characters dualities - establishing a difference between their moral and immoral behaviour. Furthermore, showing the audience two sides of the characters, perhaps the most obvious is the character Norman Bates.
up an overall idea of the theme of the scene. The scene is quite long,
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
bank. Marion went home there was a close up shot on the money then on
Hitchcock employs plenty of unique visuals, including camera tricks that confuse depth perception, invasive close-ups, film noir lighting, and rapid cuts to show nudity with out showing nudity or extreme violence / killing without much blood. The movie “Psycho” was a first for several filmic elements making it sometimes more notable than effective. At its heart, however it’s a extreme thrilling murder/ mystery that boasts a climax unlike any other before its time. The suspense and anticipation are almost unbearable, keeping the ultimate, answers brilliantly stowed until the very
Moving on too Psycho, Hitchcock both produced and directed the movie, so he had “ a great deal of involvement in the actual planning and filming of Phsyco. His originality in this area constibuted greatly to the unique nature of the film” . Hitchcock successfully made the audience feel like they were “right inside the situation instead of leaving the to watch it from outside, from a distance”. As a director he broke the actions into details “ cutting from one to the other, so that each detail is forced in turn on the attention of the audience and reveals its psychological meaning.”
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.
Throughout Psycho, Hitchcock utilises all of these devises to intensify the horror of the plot. It is mainly through the shadows and camera angles that Hitchcock succeeds in inciting fear into the audience and solidifying the genre Psycho. The shadows contrast the characters, depicting them in a form of their true self through darkness and light, whereas camera angles tell the same story but in a different way. Utilising angles that don’t show the whole scene, hides key aspects from the audience and also greatly influences what is unfolding throughout the scene. One scene which solidifies all points discussed is the shower scene.
The background information supports the theme by giving all necessary information regarding the plot to the audience in order for them to to make conclusions and opinions based on the events
How the theme of the novel is developed and enhanced by plot, character and setting.
This was his most experimental movie, he describes this film to be an assembly of pieces to create fright and considered it the strongest demonstration of ’the pure cinema’ Hitchcock invoked it, pure cinema meant using the camera to tell the story. For example, instead of a character saying what a character intends to do pure cinema will cut between their incomplete task and the person to imply what is going on in their mind. Pure cinema was used to create an overly dramatic environment in place of dialogue. The director does not leave the viewer to watch the movie from a distance as someone who did no belong there instead. The movie’s psychological situation is built combining details and these details reveal the psychological meaning.