Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essay on the films of alfred hitchcock
Essay on the films of alfred hitchcock
The use of camera techniques in Hitchcock's films
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay on the films of alfred hitchcock
Hitchcock Deserves His Status as an Auteur
Alfred Joseph Hitchcock was born August 13, 1899, Leytonstone,
England, and died in 1980 in Los Angeles, USA, of liver and heart
problems. He went to Ignatius College in London, to the School of
Engineering and Navigation, and then to the University of London. He
started his film career in 1919 illustrating title cards for silent
films at Paramount 's Famous Players-Laskey Studio in London. There he
learned scripting, editing and art direction and rose to assistant
director in 1922. By 1925, he had directed his first finished film, "
The Pleasure Garden" shot in Munich. His breakthrough film, "The
Lodger", came a year later. Alfred Hitchcock directed over 50 films in
total, including "Vertigo" (1958), "Psycho" (1960) and "The Birds"
(1963), and they earned him the title "the master of suspense".
Hitchcock the Auteur
--------------------
Hitchcock achieved the title "master of suspense" particularly through
his mastery of the technical means to build and maintain suspense. He
used innovative camerawork (viewpoints and movements), editing
techniques, soundtrack, lighting and mise en scene. Because of this
unique style, Hitchcock is considered to be an auteur. "Auteur" is a
French word meaning "author" and was first used to describe a film
director by Francois Truffaut, a French film theorist. The term refers
to a film director with solid technique, a well-defined vision of the
world and a degree of control over production. It is really a way of
saying that a film has a particular director's signature on it.
Psycho - an overview
--------------------
"Psycho" was such a re...
... middle of paper ...
... first two examples also reflect back guilt. The sense of danger builds
suspense even though none of the examples leads to anything.
There are other ways in which Hitchcock broke with convention. He
shows the leading actress semi-nude in a bedroom after just having had
sex. Later, he shows her in the shower and finally he eliminates her,
one of the main characters, only 47 minutes into the film.
Conclusion
----------
I think Alfred Hitchcock deserves his status as an auteur because he
introduced a distinctive style to cinema and his unconventional
approach revolutionised horror films. His innovative camerawork
(viewpoints and movements), editing techniques, soundtrack, lighting
and mise en scene are what differentiated Hitchcock's films from those
of earlier directors. Also, his films used intricate plots.
In the film industry, there are directors who merely take someone else’s vision and express it in their own way on film, then there are those who take their own visions and use any means necessary to express their visions on film. The latter of these two types of directors are called auteurs. Not only do auteurs write the scripts from elements that they know and love in life, but they direct, produce, and sometimes act in their films as well. Three prime examples of these auteurs are: Kevin Smith, Spike Lee and Alfred Hitchcock.
Hitchcock has characteristics as an auteur that is apparent in most of his films, as well as this one.
Now we will address a few of these from the film. First, Drawing parallels between characters with a difference, usually a negative one, is a repeated concept in Hitchcock films. Such as in the film “Strangers On a Train”, where Bruno ends up killing Guys’ wife while Guy had himself been desiring to be rid of her somehow. Here in “Rear Window” early in the film we can see this between Lisa and Jeff to Thorwald
...ormation of novel to film, sees Hitchcock’s responsibility as auteur. Suggesting Hitchcock as ‘creator’, attributes to Vertigo’s “perfection” (Wood, p.129) as Wood argues. Stylistic features known classically to Alfred Hitchcock movies is also what defines Hitchcock as a classic auteur, his style generates a cinematic effect which mixes effectively with his use of suspense. In returning to Cook’s discussion, she references Andrew Sarris, who argues that the “history of American cinema could be written in terms of its great directors,” (Cook, p. 411) showing the legitimacy of authorship in popular American cinema. Ultimately Cook goes on to address the changes in authorship from the 1950’s until today, featuring developments in authorship within Cinema. Overall, both Cook and Wood presented a balanced discussion on the legitimacy of Alfred Hitchcock’s auteur status.
Alfred Hitchcock’s films not only permanently scar the brains of his viewers but also addict them to his suspense. Hitchcock’s films lure you in like a trap, he tells the audience what the characters don’t know and tortures them with the anticipation of what’s going to happen.
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
... his work with famous actors and actresses, and his classical style of camera usage are reasons that he is an auteur. Wilder takes ownership of his works and each one of his films reflects off of each other in some way. An auteur is an “author” of their work and they have certain characteristics that help to define that it is their work. Wilder enjoys mixing cynicism and comedy in not only his characters but also through the theme of the movie. Wilder’s talent with being able to work with famous yet difficult actors and actresses is another reason to call him an auteur. He was able to create unique characters that no other film had. Lastly, his classical style of moving the camera during production helps to set him apart from other directors. In conclusion, Billy Wilder is a very influential director who made his mark on cinema and deserves to be called an auteur.
Rowe, Lawrence. "Through the Looking Glass: Reflexivity, Reciprocality, and Defenestration in Hitchcock's"Rear Window"." College Literature 35.1 (2008): 16-37.
Psycho is an American horror film directed by Alfred Hitchcock in 1960 based on a 1959 novel with the same name. Alfred Hitchcock typically uses certain elements in almost all of his films. In Psycho the following elements appear; blonde woman, conversation that is not important to the story, alcohol, Hitchcock appearance, Mcguffin, pursuit, the camera looks around, a P.O.V., creating suspense by letting the audience in on a secret, mother figure, birds, stairs, and a narrow escape.
Alfred Hitchcock is known for his masters of works in the film industry. The film he is most famous for is Psycho. Alfred Hitchcock`s Psycho was critically acclaimed not only in the horror genre but within the entire film scene. It encompasses several key themes, which are portrayed through cinematic devices such as camera movement and sound, sound, lighting and costume and set design. The subject of madness becomes increasingly evident as the film progresses, centering on the peculiar character that is Norman Bates.
The film, Vertigo (1958) directed by Alfred Hitchcock, is classified as a genre combination of mystery, romance, suspense and thriller about psychological obsession and murder. Filmed on location in San Francisco and on the Paramount lot in Hollywood, California in 1957, the cultural features of the late 1950’s America were depicted in the films mise en scène by costume and set designs current for that time period. The film was produced at the end of the golden age of Hollywood when the studio system was still in place. At the time Vertigo was produced, Hollywood studios were still very much in control of film production and of actor’s contracts. Hitchcock’s groundbreaking cinematic language and camera techniques has had great impact on film and American popular culture and created a cult following of his films to this day.
Perhaps no other film changed so drastically Hollywood's perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock, a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity, bloodbaths, necrophilia, transvestism, schizophrenia, and a host of other taboos and got away with it, simply because he was Hitchcock.
As a filmmaker, whose individual style and complete control over all elements of production, Alfred Hitchcock implied a great deal in the motion pictures that he made.
Cinematography of Hitchcocks Psycho Alfred Hitchcock is renown as a master cinematographer (and editor), notwithstanding his overall brilliance in the craft of film. His choice of black and white film for 1960 was regarded within the film industry as unconventional since color was perhaps at least five years the new standard. But this worked tremendously well. After all, despite the typical filmgoer’s dislike for black and white film, Psycho is popularly heralded among film buffs as his finest cinematic achievement; so much so, that the man, a big