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Psychology eassay on a film
Psychology eassay on a film
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The two films Psycho and The Birds, both directed by Alfred Hitchcock, share similar themes and elements. These recurring themes and elements are often prevalent in many of Hitchcock’s works. In Psycho and The Birds, Hitchcock uses thematic elements like the ideal blonde woman, “the motherly figure”, birds, and unusual factors that often leave the viewer thinking. Hitchcock’s works consist of melodramatic films, while also using pure cinema to help convey messages throughout the film.
While both of the films consist of two completely different plots, they still share common aspects. For instance, Hitchcock directly places a blonde woman in both of the films. Since Hitchcock is known for melodramatic films, he puts both, Marion Crane, and Melanie Daniels in extreme danger. In doing so, the film becomes more appealing to the viewer, and it begins to appeal to their emotions. It is clear that Hitchcock has a dramatic preference for blonde women, so he uses that to his advantage by making them symbols in his films. In these two films, the two main characters, Marion, and Melanie, are posed as the triggers for the action that occurs in the story. In Psycho, Marion Crane flees from town, and meets the villain of the story, Norman Bates. If Marion hadn’t stolen the money from the client at the bank, then she would not have met Norman, and she would not have been murdered. On the other hand, Melanie Daniels from the film The Birds meets Mitch Brenner in a San Francisco pet shop. She was intrigued by their encounter, and decided to take a trip to Bodega Bay where Mitch stays during the weekends. If Melanie hadn’t made the decision to go to Bodega Bay, then she would have been able to avoid the deadly bird attacks. If Marion and Melanie did...
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...he story, unless they happen to die at the end. But in Psycho, the main character Marion is killed midway through the story. Most films have an ending that leaves the viewer satisfied and content because they know that there is an actual end to the story. Yet in The Birds, the four characters leave the bird stricken town of Bodega Bay, but the birds are still left behind at the Brenner home. This leaves the viewers with a question: What happened to them? Hitchcock uses these unusual twists to create a sense of suspense; another element in most of his films.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
Hitchcock has a way of throwing clues in the face of the spectator, yet still allows some room for the spectator to find their own less obvious details. In the same museum scene, Hitchcock shows the viewer exactly what he wants them to see. In a sense, Hitchcock can be very manipulative with the camera. The audience sees the picture containing the women with a curl in her hair holding flowers, and then the direct connection is made by the camera, by showing the curl in Madeline’s hair, and the flowers sitting next to her. The spectator is led to believe that they have solved the mystery and she is truly possessed by the women in the picture. However, Hitchcock does this on purpose to lead the audience away from the truth that she is only acting. It is for these reasons that Hitchcock’s work at an auteur adds a level of depth and intrigue.
Now we will address a few of these from the film. First, Drawing parallels between characters with a difference, usually a negative one, is a repeated concept in Hitchcock films. Such as in the film “Strangers On a Train”, where Bruno ends up killing Guys’ wife while Guy had himself been desiring to be rid of her somehow. Here in “Rear Window” early in the film we can see this between Lisa and Jeff to Thorwald
Alfred Hitchcock's Psycho Alfred Hitchcock's "Psycho"-the movie the world recognised-was first premiered in the home town of New York on the 16th June 1960.The film follows the life and strife of a young beautiful woman Marion Crane, played by the Janet Leigh, who is on the run from the police after stealing $40.000, she manages to find refuge at the Bates motel where she makes her worst mistake possible. During and after the film production of "Psycho" Alfred Hitchcock had his aids buy as many copies as possible of the novel "Psycho"-written by Robert Bloch. Why? To conceal the ending form the public's eye so when the film was shown in cinemas the audience would'nt know the ending. When people found out the title of the movie Hitchcock said it was based on a greek love story "Psyche".
According to rotten tomatoes this film the birds was Alfred Hitchcock success that turned birds into some of the most terrifying villains in horror history. The Guardian titles this film my favorite Hitchcock: the birds. Well according to the Guardian the film provides no answer and no escape. The film leaves us confused with multiple questions. A common question that a person may have after watching this movie would be, what made the birds want to attack human beings in the first place? Another question would be why would birds even attack
The Birds, the film version, is more clear and accurate to represent which is more successful. The novel is a story about a family who lives on a peninsula in England and deals with multiple attacks from different species of birds. The movie is a late work up about bird problems just as the story“The Birds” has. On the other hand, in the movie, towns people that live near the sea come into problems with bird attacks but do not take it serious at first. Although both versions of the story attempt to leave a lasting impact on their audiences, Alfred Hitchcock’s film is ultimately more successful due to the director’s use of mood, settings, and visuals. Daphne Du Maurier’s short story “The Birds” written in 1952 took place on a peninsula in
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
All directors of major motion pictures have specific styles or signatures that they add in their work. Alfred Hitchcock, one of the greatest directors of all time, has a particularly unique style in the way he creates his films. Film analyzers classify his distinctive style as the “Alfred Hitchcock signature”. Hitchcock’s signatures vary from his cameo appearances to his portrayal of a specific character. Two perfect examples of how Hitchcock implements his infamous “signatures” are in the movies, A Shadow of a Doubt and Vertigo. In these movies, numerous examples show how Hitchcock exclusively develops his imagination in his films.
Alfred Hitchcock developed his signature style from his earlier works The Lodger and Blackmail. These films were the framework for his signature films later on. His themes of “an innocent man who is accused of a crime” and “the guilty woman” were first seen in these two films and are repeated throughout Hitchcock’s cinematic history
Alfred Hitchcock's Vertigo is a film which functions on multiple levels simultaneously. On a literal level it is a mystery-suspense story of a man hoodwinked into acting as an accomplice in a murder, his discovery of the hoax, and the unraveling of the threads of the murder plot. On a psychological level the film traces the twisted, circuitous routes of a psyche burdened down with guilt, desperately searching for an object on which to concentrate its repressed energy. Finally, on an allegorical or figurative level, it is a retelling of the immemorial tale of a man who has lost his love to death and in hope of redeeming her descends into the underworld.
As a filmmaker, whose individual style and complete control over all elements of production, Alfred Hitchcock implied a great deal in the motion pictures that he made.
...and changed the horror genre forever. Alfred Hitchcock's use of actor, lighting, sound, scripting and mise-en-scène kept the audience on the edge of their seats and second guessing themselves. Hitchcock's idea of Norman cconnected with the audience and, even today, his character continues to deceive many. From Norman's nervous ticks to his murderous side 'Mother', it was planned flawlessly. Norman Bates was a combination of an author, director and actor, perfectly adapted to screen and perfectly portrayed.
The movie Psycho, is one of the most influential movie in Cinema history to date. The director Alfred Hitchcock, wanted to test many of the conventions of movie making that was common at that time. Alfred Hitchcock movie broke many cultural taboos and challenged the censors. Alfred Hitchcock showed a whole bunch of at the time absurd scene, for example: Marion Crane (Janet Leigh) dying naked while taking a shower, Norman Bates with split personality disorder, and the first ever flushing toilet shown in a movie. Because from the late 1920's to the late 1950's, movies were made usually go around the story, and usually with a lot dialogue. This movie gives the audience an experience that was much more emotional and intuitive. The viewers were caught up in a roller coaster of shock, surprise and suspense based on image, editing and sound.
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.
Alfred Hitchcock is one of the most well known directors of all time bringing murder and mystery to a new light. His films, starting in 1925 with "The Pleasure Garden" and ending in 1976 with the film "Family Plot", set a precedent for all other directors in the film industry. Many story lines and techniques within the cinematography of Hitchcock are common standards for films of today.