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Rear window hitchcock voyerism
Suspense in psycho hitchcock
Suspense in psycho hitchcock
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In the film Rear Window that was released in 1954 Alfred Hitchcock the director uses suspense through out the film to create a mystery. Hitchcock uses several techniques like symbolism, narratives, and voyeurism. Hitchcock main focus in the film was to create the entire film from a one-point vantage spot. The film depicts a vision in the audience head that is produced by visuals. How do gender roles. Having the film shown by the eyes of the protagonist Jefferies eyes the audience have a connection to the film and have one specific vocal point to focus through out the film. As a viewer of the film you share the suspense that is happening with characters in the film. The fundamental function is made to relate to the characters and feel …show more content…
apart of the story. Hitchcock suspends the audience showing different points of view and creating humor and fear. The audience range see life portrayed through Jefferies eyes during the time he is confined to a wheelchair due to broken leg. Jefferies spends time in his tiny little apartment looking out at a window that shows a courtyard outside. The audience watching has a direct perspective of what is happening, but the frame of reference forces the audience to the perspective of the foreseen hero who ‘s perspective is limited. The viewer is shown different windows through out the duration of the film that represent different ways of living that Jefferies view. The pattern of suspense within the narrative whole localized suspense.
The line of suspense shifts the audience due to narrative action being slowed down and has humor derived from audience knowing something the characters don’t know. During the film the relationship of the protagonist shift due to what Jefferies believes neighbors commit murder of wife. The character Lisa in the film has a representation of gender role of what a ‘’perfect women ‘’ is. In scene 1 the scene is one minute and 10 seconds long. The scene ‘’ I’m with you’’ lasted 1 min and 30 seconds. There was a major commotion created because 27 shots in one to seconds in length. The duration of the entire film is 1 hour and 55 minutes …show more content…
long. In the visual structure it is parallel everyone is going about their daily business. The audience is shown characters shaving and waking up in the morning. Each character represents a different background of what America was in the 1950’s. All of the characters live in a short proximity of each other but have never met one another. In the film a couple newly wed are shown through the eyes of a binocular and show a vision of Jeff and Lisa. Lisa and Jeff come together when Lisa tries to find out what happened in Jeff apartment. The audiences throughout the film are shown natural framing that Hitchcock creates. The shots taken are from all different viewpoints. Jefferies has a movie like view and is sitting and watching all of what is happening. There are Bamboo curtains representing a theater style theme. A reverse shot reveals front view of detective. The use of props throughout the film, which Jefferies sees through the eyes of a binocular, symbolizes his sight. The majority of the sound in Rear Window is diegetic as compared to non-diegetic.
In the very first scene the audience views there is a man shaving and has radio blaring in the background. An alarm clock goes off in a different apartment and the viewer is trying to find out where the noise is coming from which makes them engaged in the film. The setting creates depth because the audience only sees what Jefferies is viewing. At the dinner party, the music playing in the background set a tone to audience making them feel what he is missing out on. There is an alleyway shown from the window and it very crowded. The alleyway represents Jefferies being isolated
socially. Lastly, the film Rear Window depicts the actually life in the 1950’s. There were specific gender roles of men and women. This film is a classical Hollywood Cinema because it was both a visual structure and sound. Hitchcock directed this entire film on only one set. The film is about being a spectator and Jefferies is a voyeur, which should make the audience one also. I think Hitchcock created this film to help film viewers change how they view movies. While watching the film I had major suspense guessing what was going to happen in the next scene. I do not necessarily agree with how Hitchcock portrayed gender roles, he made females a sexual object. A question I kept on asking myself during the film it is acknowledging a heterosexual relationship and questions the age difference of characters, what is the meaning of doing this. The theme is unity and breaking the characters together and is forming a relationship. We are shown a stereotype view demonstrating as auteur. You don’t understand what one is going through until you put yourself in their shoes and feel remorse for situation. Jefferies was confined to his wheelchair and couldn’t get up and didn’t see what others saw, if he hadn’t been confined to wheelchair for so long would the film view point been different?
In the film Rear Window directed by Alfred Hitchcock, a significant shift of power is portrayed. This shift occurs between the protagonist of the film, L.B Jeffries and his romantic partner, Lisa Freemont. This shift also aids in outlining the main theme of the film, which is marriage, as all aspects of marriage are observed and taken into account by Jeffries. The change of dominance within Lisa and Jeffries relationship can be broken down into three stages, which develop and change throughout the film. At the beginning of the film Jeffries is shown to have the power within the relationship as he dictates the parameters of the relationship, however he is also intimidated by Lisa 's social standing. Towards the middle of the film the possession
The film, 'Rear Window' has an essence of 'urban isolation/ loneliness' in it. The entire film is made on one confined set. In the whole movie, the viewers can either see the apartment of the immobile protagonist, Jeff or the window views of his neighbors. With the idea of confined set, Hitchcock (director) showed the loneliness and urban isolation of Jeff. Due to his leg injury, Jeff can not go anywhere so he passes his time by peeping into his neighbors' life through his rear window and can see different stories going on in different apartments. Each apartment window is like a TV series for him, which he watches on a daily basis. This film shows the visual study of obsessive human curiosity.
Rear Window directed by Alfred Hitchcock was an exceptional movie with a jaw- dropping 8.6 rating on IMDb’s website. The movie is about L. B. Jefferies (protagonist), who is a well-known photographer in a wheelchair.The lack of entertainment and extreme boredom caused Jeff (Jefferies) to stare out the rear window day and night. He eyed his neighbors through this window 24/7 and revolved his wheelchair season around their personal lives. As the movie goes on Jeff feels as if Lars Thorwald (antagonist) has murdered his sick wife. He knew they were an unhappy married couple already and had some unmistakable clues. In this series of events Jeff’s girlfriend who he thought to be too perfect for him and epicene turns out be a risk-taker and brave.
Rear Window effectively demonstrates Hitchcock’s strong qualities as an author. The writer for Rear Window is not Hitchcock, and yet there are clearly many motifs and themes present which are well known for being used by Hitchcock. He is not merely following instructions on how to make the movie; he is providing his own creative adjustments. Now we will address a few of these from the film. First, drawing parallels between characters with a difference, usually a negative one, is a repeated concept in Hitchcock films.
...m plays a considerable role in this film. Jeffries, the films protagonist is bound to his apartment, so for entertainment he watches people through his window without them knowing. From the very beginning these characters seem to so interesting, so no wonder Jeffries decides to watch them. While watching the film, we become witnesses of their private lives, making us voyeurists too. In this film windows are not used in a traditional sense, they expose people, they symbolize confinement, and they allude to suspenseful plot devices. Hitchcock’s aesthetic configuration of the film manipulates the audience into questioning several aspects of the film and in life in general. Hitchcock’s originality in Rear Window was not only successful during the golden age of Hollywood, but it continues to be creatively adapted and consistently influential in today’s cinema as well.
The women in both films gave the men something to look at. For example, in the opening scene of Rear Window, the audience sees Jefferies looking from his window over to Miss Torso who is dancing and stretching as she gets ready for her day. As in the film Disturbia, the audience sees Kale looking through
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
According to Stephanie Harrison, editor of the adaptations she mentions that “[t]he main ingredient Hayas had to add to the Woolrich story was a compelling romance, a requirement for a film (Harrison 13). They added romance to the film version because in the original story the romance component was missing. According to Lawrence Howe author of the article “Through the Looking Glass: Reflexivity, Reciprocality, and Defenestration in Hitchcock’s ‘Rear Window”’ he says that Jeffries is a “trapped voyeur arching for any diversion from his romantic dilemma, Jeff is left with little to do but to look out the window” (Howe 21). This reveals that Jeffries is a voyeur and that he enjoys looking out the window. Furthermore, his lack of mobility encourages him to stay at home and spy in his neighbors. The use of romance in the film version makes it more
bank. Marion went home there was a close up shot on the money then on
Rowe, Lawrence. "Through the Looking Glass: Reflexivity, Reciprocality, and Defenestration in Hitchcock's"Rear Window"." College Literature 35.1 (2008): 16-37.
An inner courtyard becomes a large stage that serves the director to show a portrait of human relationships. Angles and perspectives put the audience in a place where it is not normally found. Hitchcock with his camera can get in someone's personal life and invade their privacy. With Rear Window it makes the public more aware of itself as an observer. This displaces and transforms the public into a player into the action since across his look, the observer assumes the responsibility of the characters and believes an experience different from any other film of their
Many of the first film elements that can be found in this movie work as an introduction to the two main characters of the story. These elements are meant to force the spectator- even one who had never heard speak of, or seen the two Hollywood stars shown on screen- to focus their attention on them.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
The first theme uncovered in the movie is isolation, this theme is present throughout the entire movie. The viewer is introduced to the main character and narrator of the movie, whose name we are never told. By not providing his name this gives us the idea that he represents the average working class male. He never speaks of any family members,
Although admittedly some scenes have a comical side to them, Besson's fast paced action and gruesome images hold the tension and suspense brilliantly. His use of close-ups and camera movements, especially the subjective stance used by the victim, convey the feelings felt by the characters and the way in which they behave. Sound plays a crucial role in the opening sequence because, in my view, it is used to control the level of suspense and intrigue.